I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
im sure its been said already but as the election draws near more and more liberals will come out of the woodwork to shame people with a conscience to give away their vote to the democrats for free. i'm already seeing posts saying "why aren't people more concerned about a trump presidency?" you want to know why? it's because people already know he's bad. everyone already knows what he is and what he's done and what he'll do. there's nothing to discuss. he's a racist despotic worm of a man. there's nothing else to say.
biden is currently president. the genocide is happening under his watch. he's the one funding isra*l and arming them; he's sidestepped congress more than once to give them weapons. by oct. 27, the biden administration already knew that "Israel was regularly bombing buildings without solid intelligence that they were legitimate military targets." the state department/biden have engaged in atrocity propaganda, cast doubt on the legitimacy of the death toll recorded by the gaza health ministry, and so on. the united states is currently in the process of trying to pin the "war in gaza" on netanyahu (see sen. schumer's speech) after months of backing blatant genocide as a means to act as if they're "doing something" about the genocide (Instead of, say, threatening to cut off all aid to israel with the condition that all hostilities in gaza, the west bank, and occupied jerusalem are halted immediately and permanently, allowing palestinians freedom to travel, allowing aid into gaza, etc etc etc.)
the long and short of it is that liberals view their own lives as being worth more than palestinians'. that's it. they'll vote for another 4 years of the guy ushering in genocide and supporting apartheid + settler colonialism because he isn't outright attacking them (despite various laws and rulings happening both at the supreme court level and at the local level all over the country that will endanger people). they'll settle for the illusion of safety and security and shame anyone with a conscience and accuse them of "supporting the republicans" when in an actual democracy you would be able to use your vote as leverage to extract concessions from those who want to be elected. that's how it's supposed to fucking work.
democrats are not owed people's vote. if biden loses, it will be biden's fault; it will be his campaign's fault; it will be the democrats' fault. trump is bad; the republicans are bad. we already know this. this is not an endorsement of either. but if democrats are too cowardly and feckless and servile to the motivations of the american empire and never do anything for their constituents then why the fuck should anyone vote for them. you want to get mad at someone, why don't you do something useful and stop worrying about team-sports with a purely selfish basis and start hounding the people in power who are supposed to serve you, the voter.
Something I always wonder with the whole: "The lazy populous doesn't want to work!" is if it's only being said to keep minimum wage at the very, very lowest end of 'survivability.'
The "lazy worker" isn't truly a problem. The employers are.
okay omg that makes so much sense actually about Steve and i think in general he's been such a constant for the party that going into season 5 without him would be really destabilizing and would really open up some space for some really interesting dynamics especially with Dustin and Eddie and Dustin and robin and just robin in general who's tether to the party is gone now, even Nancy who imo always saw him as her safe choice almost? like someone who would always be there in case it didn't work out?? soo all of that said how would you do it?? like how would you kill him??
it WOULD be so destabilizing! and you're right about the dynamics-- the reason I don't like the idea of them saving their Big Loss for the final season is that it doesn't give us any time to see the aftermath of what losing someone that vital to the group looks like, you know?
like the absence of a character you love is, in its own way, a continued presence and I think it's so important to a story like this one that (even if it forgets about it on a frequent basis) is so linked to the varied effects of grief on people
it's also the difference between killing off a character because you as a writer are done with them/ don't need them anymore since the show is ending and letting them die in an impactful way because that's the story being told, which is I think where a lot of people who don't like the idea of steve dying misunderstand where I'm coming from with it, because death is not inherently the end of a story nor the end of a character's importance to it!
but none of that answers your actual question I'm so sorry fjsdklf
I talked a bit about how I would kill steve in a pure replacement of Eddie's death scene here, but if you're giving me the chance to write it from scratch 👀 oh you know I am not going to deny you OR myself that fjasldkfj
Because if we're really leaning into the fact that Steve is the "gets back up" guy, I think his death would sneak up on us slowly until it ultimately just happens.
let me explain
Steve gets torn apart by those bats when he's dragged through the gate at Lover's Lake.
I mean he is well and truly fucked up in ways that aren't fully acknowledged by the show in canon, but what if we made that make sense? What if Steve gets up and keeps going and doesn't complain because he doesn't know how else to go about it?
Even after his arc in season 2 and losing Nancy over his instinct to push forward through pain, we never really see him have to grapple with that again, it's not a character trait he loses and it's a big part of who he is even post-New Stevification.
He's the damn tank, he's got no point of reference for what it looks like to deal with his shit in a healthy or productive manner, he just keeps moving.
So Steve gets messed up. He's bleeding, he's got torn muscles, he's definitely in the process of developing an infection or hypothermia or something walking around the UD with no shoes or shirt, open wounds just in the air like that.
And he doesn't make it a priority. He keeps moving. He gets back up. He gets his friends through that gate and listens to the plans being made and drives the getaway car and he has still not received medical attention.
We don't see Steve hurting save a few winces and grimaces here and there, even though all evidence would point towards the reality that he definitely is, because he doesn't want us to, because he's used to getting hurt close enough to the end of the thing that he can always make it out of the fray before he needs to deal with his own injuries.
He's the guy who keeps going.
He goes all the way through their trek back into the UD, manages to shut off the trailer well enough to keep the bats out even without either him or Dustin getting hurt (a close call, a scary one, but they're both breathing at the end of it, both on their feet).
Steve keeps going. He's wearing a lot of layers, but he can feel the blood soaking through them in heavier spurts now that he's aggravated all the torn flesh on his body with the running and fighting and such.
We see him wince a bit more now, bigger. But he hugs Dustin tight while they wait for their friends.
He makes sure the others get back safe, helps them climb over the mountain of bat's corpses leading up to the trailer and gets everyone back through the gate.
Gets himself back through the gate.
Stands amidst the complicated relief that they're all there but they aren't sure what all has happened yet, aren't sure they've won.
But he keeps standing.
Stays on his feet.
"Hey, Stevie, you OD back there?" Robin speaks up, something suddenly urgent to her shaky teasing as she notices Steve isn't following her as closely anymore on their trek away from the open rift in the ground and back towards where they'd hidden the Winnebago.
He sways slightly, but it's when he tries to smile at her that she sees the crimson shine of blood in his mouth.
"Nah, I'm-- right here with you."
And he collapses.
Unceremonious and on the other side of battle, in this moment when they're so close to finding shelter and safety, Steve's strings get cut and he falls to the floor at their feet and it's chaos.
It's Robin hyperventilating over what she finds when she unzips his jacket-- so much blood, why didn't you say-- this is so much blood-- and it's Dustin reminding him of a promise made in an elevator-- you die, I die, asshole!
It's Eddie trying desperately to call upon any of the first aid Wayne taught him and Nancy sitting quiet and still and barely present with two fingers pressed to Steve's neck, just under his jawline, waiting to feel...
Waiting.
She hardly even needs to check though, Nancy Wheeler, who knows better than most what it feels like in your chest when someone you love is--
"He's gone."
She knows he is. She can feel it. The world is different now and Steve Harrington is dead.
The world is different now because Steve Harrington is dead.
And all there's left for any of them to do is keep going.
i really didnt see the way alhaitham is acting in the interdarshan as him not wanting kaveh to win so he doesn't move out. in fact that sounds extremely stupid as i type it. sorry to enjoyers of this dynamic but i dont think thats it at all lmao
the beginning of vesperia will always be hilarious to me bc it's like
yuri goes off planning to get the blastia back blah blah blah
finds out estelle is looking for flynn
you'd swear he eyes lit up like a child opening their favorite birthday present bc from that point on he never shuts up about flynn ever again and frankly probably does not want to
and as far as i am concerned takes the opportunity of estelle looking for him to go find him too like he's using it as an excuse to go find and be around him
bc im sorry when he finds flynn he's like
"i've been looking all over for you"
um??? sorry what??? wasn't estelle looking for flynn and yuri just happened to be going in the same direction anyway so they stuck together? wasn't estelle looking for flynn to warn him and yuri had other business that had no relation whatsoever to flynn? wasn't estelle looking for flynn and it just happened to be a coinkydink that yuri was along for the ride while he handled his own business?
"i've been looking all over for you" NAH SLIP OF THE TONGUE NO TAKE BACKS YOU JUST WANTED TO BE WITH HIM AND FOUND A NICE EXCUSE TO DO IT 'CAUSE YOU WEREN'T IN THE KNIGHTS ANYMORE
i could swear half of act 1 is just yuri like "estelle stop running around and getting distracted or being indecisive i wanna see flynn and im trying to be polite and not leave you behind at the same time"
like??? for all her worry and valid reasoning to go looking for him, yuri brings his ass up on the regular like who are you trying to motivate here im sure anyone else but you could be given a pep talk that does not include the name "flynn" zooming out of your mouth
'cause it sure as shit feels like yuri is more antsy about seeing him than estelle is
but also quite frankly it is adorable bc it just makes yuri seem like he's excited to talk abt flynn to someone. someone else who knows flynn? good, great, he can act like a giddy schoolgirl who found someone to talk to her crush abt. he'll pretend it's not that serious and conveniently forget to stop mentioning him when Literally Nobody Fucking Asked.
if i was playing vesperia for the first time you could have told me yuri was starry eyed for flynn within like the first half hour if not earlier and i would have believed you instantly
and considering what yuri is like, shut up it's adorable and i love that for him
I think as we grow up, we have to be really conscious of romanticizing the world we grew up in in order to scorn how the next generations are growing up.
Nostalgia isn't inherently bad, but especially in political spaces, be very wary of this idea that there is an Ideal Past we must Harken Back To.
It sucks to feel left behind, but such is the human condition. It isn't bad to feel nostalgic, but that doesn't mean that these new generations are inherently "lost" and "need to be saved (by you)", and I think that is very important to remember and try to be conscious of.
"I don’t actually think Theo has any offensive preferences, because he’s not really a fighter. That human instinct to fight back was trained out of him very young… so."