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kutee-boutique-fan-blog · 7 years

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Do you love it? https://kuteeboutique.com/shop/santa-rides-t-rex-sweater-christmas-santa-rides-dinosaur-shirt/

Santa Rides T-Rex Sweater Christmas Santa Rides Dinosaur Shirt, Hoodie, Sweater, Longsleeve T-Shirt

This happened to me. Santa Rides T-Rex Sweater Christmas Santa Rides Dinosaur Shirt. I took it to apple and they were so unhelpful. Told me to download Dropbox to store my photos to release memory but I didn’t have enough memory to do so. Plugged my phone into laptop to sync photos and it wouldn’t! For some reason iCloud hasn’t backed up recently either it said. They said it was probable that it wouldn’t do it because I hadn’t downloaded latest software which again I couldn’t do because of memory capacity! Apple had no answers for me!!!! Awful!!! In the end I had to restore my phone and I lost all my photos.

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Use a backup service like iDrive – I recently snagged their unlimited backup service for just $10 and it Covers EVERYTHING on my devices plus each one is separate so I can go into my tablet backup from my phone and download videos*, photos, files, apks, etc. I also have the peace of mind that if a device is stolen, lost or damaged I lose nothing!!! Just keep an eye out lots of companies do regular promos which can save you money or purchase annual subs to save. Adding: I also use Clean Master and CM security.

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Constantly is happening ~ each day on the IPad. I never knew what to do. What should we do? I keep buying storage every month. Anyone have any good ideas? Help! Why I switched and will never buy an Apple product. They are no longer innovative for more than a month and their products are designed to make you reliant on them. Not to mention the price tag that comes with it. They remove residual files left by deleted apps as well as temp files, cookies, and old app versions. I haven’t found anything better!

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there is also an app called ‘Camera +’ by tap tap tap. It’s let’s keep taking midges and has a smaller file size. I never use the normal camera. Been a long time iPhone user but these last two generations have been horrible. I’m thinking about switching to Android. After Steve Jobs left they are just making all of their products bigger and smaller…no new innovation. Couldn’t agree more. After Steve Jobs past away the company is not the same anymore. Apple used to be an innovator but now they’re aren’t and it’s frustrating.

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One of the reasons Apple is a little behind on innovation like Siri and Maps is because they take user Privacy very seriously. Their are a lot of new innovations and software innovations that Androids have, however Apple won’t sacrifice Privacy for a few new features. If a feature doesn’t get past the “Czar Team” which is made of 4 higher ups at Apple who insect the Privacy aspect of things, than it won’t be made. They’re all out ideas and they took advantage on users but very soon they will follow Nokia. Took very long time to build but take second to disappear.

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Chris Gil Do you know why iPhone cameras aren’t as good as their competitors? Well, I don’t think so anyway. Santa Rides T-Rex Sweater Christmas Santa Rides Dinosaur Shirt. I have an Android for work and Apple for personal use. (Just curious if you, or anyone thinks the same/has an answer). Chris Gill your comment doesn’t make a whole lot of sense. So is that the reason why Apple still doesn’t have a touch screen on their laptops, because of privacy concerns? In most cases the reason why they don’t offer the feature is, either they could not get it to work in time, or it would break some other feature they had. They used to allow you to save a web page as a web view and put an icon pointing to it on your screen.

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njawaidofficial · 7 years

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'Destiny 2': Jordan Vogt-Roberts Directs Promo

http://styleveryday.com/2017/08/31/destiny-2-jordan-vogt-roberts-directs-promo/

'Destiny 2': Jordan Vogt-Roberts Directs Promo

Destiny 2, the follow-up to 2014’s hit first-person shooter/RPG hybrid from Bungie and Activision, is almost here. And now the first television spot for the upcoming AAA title has been released — and it’s helmed by a familiar Hollywood name.

Jordan Vogt-Roberts, whose Kong: Skull Island was a critical and commercial success this spring, has delivered a promo that captures the humor, aesthetic and action of the futuristic shooter.

Vogt-Roberts caught up with Heat Vision to discuss the challenges of translating a vast world of rendered characters and environments to live-action, shooting in his native Detroit and his personal love of video games. He also offered up a bit of insight into his future video-game-related project, a film based on long-running stealth game franchise Metal Gear Solid.

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This trailer was a lot funnier than I expected.

I’m actually curious how people will react. We had such a weird task of simultaneously trying to have humor and really expose people who might not know about Destiny to broaden the audience. But also, for me, it’s such an important thing to protect your core and be respectful to the people who made the first game such a success. So, the spot is trying to walk a lot of lines. I’m curious to see how that humor will translate with people.

One of the challenges of working on something like this is finding that balance between fans of the franchise and newcomers.

For me as a gamer, and the world is changing so much, but I just remember so vividly when I was younger marketing campaigns hadn’t figured out how to be respectful and loving to the actual people playing games in their basements before gaming was cool. Now, I think people like Activision and Sony are getting much smarter, and they should be rewarded a bit for actually giving a shit about real gamers, people who made Destiny a success, logged in hundreds and hundreds of hours.

You’re not the first Hollywood director to do a spot for a AAA video game title. Jon Favreau did a trailer for the original Destiny game. How did this opportunity come about?

Kong had finished, and I was trying to figure out how to process what the last two and a half years of my life was. I’m so proud of the collaborations with Kong, but that was a quarter of a decade, essentially, so I wasn’t looking to jump into a project right away. I was sort of looking at commercials and TV stuff. This sort of randomly came up, and I was joking, “Well, I love comedy, I love sci-fi and I love video games, so this is sort of a perfect combination.” It only got sweeter when during my pitch I said I wanted to actually shoot it in Detroit. Luckily, [Activision CEO] Eric Hirshberg is from Michigan as well and saw that and said, “All right, cool. Let’s do that.” So, the job kept getting sweeter and sweeter for me.

Did you have a crash course in Destiny?

I had read so much about it and had so many friends that played it that I really did read about it regularly. I’m kind of a weirdo like that; I’m obsessed with games journalism. I went up to Bungie, in Seattle, to play this new one and meet with the team up there — with Luke Smith [Destiny 2‘s game director] and the artists to sort of play around up there, sit down with them, pick their brains. It’s rare to get in the attic, in the spider webs, of somebody else’s creation. It was such a nerdy, great experience. Those guys are all such masters.

Did you pick the song “Sabotage” by the Beastie Boys for the spot?

The Beastie Boys are one of my favorite bands on the planet. It was something that I brought up to the agency about temping in [using a song as a placeholder until rights are secured] really early. And it was one of those things that you say and think that there’s no way we’re ever going to get this song. You’re waiting for the inevitable moment when the rug gets pulled out from under you and you have to change the song. I ended up writing a letter directly to the remaining two Beastie Boys just telling them how important that song is to me and how important the creative decision was between me and everyone involved, and they approved it — which is shocking. [Laughs.] It’s also funny because we were trying to figure out if a younger generation was really aware of the Beastie Boys, and one of our ad execs was texting his little brother, who’s a teenager, asking, “Do you know the Beastie Boys?” and his response was “Who?” But then he Googled the song and was like, “Oh, I love those guys!” It’s so crazy to think that we’re in a time period where that’s a classic song now!

Was Nathan Fillion (whose character Cayde-6 narrates the spot) on set for the shoot?

Nathan was not on set with us, but he was incredibly involved. I can’t say enough good things about that guy. We had a bunch of emails going back and forth and a couple calls. He actually went and recorded video of himself riffing the speech. I was able to take the video of that to the actor who did the motion capture for Cayde-6 in the game who was there on set with us in the Cayde suit. It was a really lovely collaboration between the artist who does the mo-cap and Nathan who does the voice.

Luke Smith is a character. Did he have a lot of input into what he wanted in this spot?

No, it was a real collaboration. I really can’t say enough good things about the Bungie guys where they just give a shit. You would think since they’ve had such success and made such enormous money with their franchises that you would really expect it to be a slightly more corporate environment. But then you go up there and it’s a bunch of people who just really give a shit about what they’re doing — blood, sweat and tears and wanting to make something great not just for their audience but for them.

I was up there for a full day just doing a deep dive into the world, and for me it was just important to convey just how important games are to me and how important the fusion of gaming and films are to me. I really wanted to always have that Bungie blessing, of them vouching for the aesthetic of the world. There’s such a bold color palette and visual world to those games that a lot of video games don’t have, so it was very important to me to try to bring that to life properly.

How do you bring that style to live-action?

[Laughs.] A lot of trial and error. For me, it’s just about committing to what the games are. Destiny really does have a very bright, almost primary color palette. Instead of running away from that, I said, “Let’s lean into that.” In video games I’m just so fascinated with how you translate the vibe of a game into a film. Obviously, no one’s really done that properly. It was one more test of saying how do we commit to being true to this without being afraid of it? There were times on the set where you would look at some of these colors and go, “Wow, this is not how we’d usually do this.” We just said, “No, let’s lean into the world that Bungie and Activision have created and just go for it.” I love the idea of leaning into what games make you feel — the type of gameplay, how you translate an active experience of playing a game into a passive experience of watching something. How you re-create and elicit emotions is what’s interesting to me. This is just one smaller representation of how you make these leaps.

Did you learn anything from translating this game to live-action that you plan to use on the upcoming Metal Gear Solid film?

I think for me there is always going to be a little bit of exploration of playing with that translation of active experience to passive experience. And I think that builds into what I’m trying to achieve with Metal Gear and takes the first steps into that world of how these things can translate. Metal Gear is an infinitely tricky project, and there’s a billion ways to go wrong with that. Every little experiment is ultimately going in that reservoir of knowledge of how to protect an equally important property to people.

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