Kyohika. Or When an Emotionally Stunted Tsundere Loves A Workaholic Tomboy (a messy essay)
Disclaimer: Please, please, please, if you dislike this ship or if it makes you uncomfortable for whatever reason, then just ignore this post and continue scrolling. There's no point in reading something that you know will trigger you and then going out of your way to say you hate it. Of course, you're allowed to ship whatever you like, and all ships are valid, but others are allowed to ship something that you don't like, too. Also, let's not forget that this is literally just fiction :)
I. A Lousy Introduction
God, I've been meaning to do a sort of essay on the topic since this is one of my favourite OTPs of all time. I looooove Kyohika. Since the very first time I watched Metal Fight Beyblade, back when I was 12-13 (damn, that was so long ago), these two had been the ones that stuck with me the most throughout all these years. I generally have a thing for tomboys (as I used to be one myself) and tsunderes, so I loved Hikaru and Kyoya individually, even without shipping them. So don't get me wrong, this is by no means a ship manifesto in which I'd try to convert you to be a fan of the pairing as well (though it could certainly be read that way)…
Because, well, if we're being realistic here, there is no way in hell these two could actually get together in the series. Both of them are not the type to get into a relationship, add the fact that both have massive egos and would deny their feelings to the very end, true love be damned (that's exactly what makes me swoon over the idea of this angsty, tragic, pride-dictated relationship lmao). So yes, we're sure they'd never become canon in the series. Still, that doesn't mean that it's not possible. In fact, I think this is one of the few couples in the series that would make sense if it happened (the other two being Ginmado and Tsumado). I see a lot of potential and appeal in this couple, so I'm going to explain myself the best way I can. And once again, just because I ship a couple, doesn't mean that I think it'll happen in the book/series/movie (take Dramione for instance, fucking wonderful, but it ain’t canon). It also doesn't mean that I want it to happen in the original content. I simply run with what I perceive to be chemistry or prospective chemistry between the characters.
Lastly, I'm sorry if I end up rambling all over the place. Truth is this is a really casual essay with lots of character analysis 😬. It'll most likely be completely unorganized (despite my pathetic outline, dammit!). Please forgive me for my shortcomings! At the very least, I hope I'm still able to properly explain my opinion.
Alright, here we go!
II.a. Enter a Head-Strong Aloof Tomboy, Who Needs a Hug. No, Really.
Every decade or so, I come across a female character that I actually love, can relate to, and who doesn't make me want to slam my head against the wall every two seconds. This decade’s little gem is apparently Hikaru Hasama. The stereotypical tomboy. The tough one. The Anti-girl. The loner. The Selfish One. Fucking awesome if you ask the little me. As I mentioned earlier, I used to be a tomboy myself, so I instantly fell in love with her character. I was like, finally, a girl who actually kicks ass and takes action.
In the first few episodes where Hikaru makes an appearance, they portrayed her as a cold, no-nonsense, determined, brave blader. She had a good agency and when we learnt her backstory, we understood why she was the way she was. From what we see in those flashbacks from her childhood, it’s clear that her cold-heartedness comes from all the bullying she had to endure after losing at tournaments. Stronger opponents would laugh and make fun of her for the loss, making her close off emotionally and never want to show vulnerability again. At some point, Hikaru’s mother had told her she should never give up on her goal and that perseverance is the key to success. She even specifically told her to battle strong rivals, and there’s a good reason for that. It’s similar to the quote “If you’re the smartest person in the room, you’re in the wrong room.” She wouldn’t be able to grow if she isn’t challenged, that’s why she had to fight stronger opponents, and even after losing get back up and try again because that’s how you become more powerful.
At its core, it’s an honourable mindset to live by because it teaches you determination. Problem is, Hikaru’d probably taken it overboard and started viewing other bladers only in categories such as worthy and unworthy rivals, and nothing more beyond that. The way I see it, Hikaru never really let herself enjoy beyblade and bond with other bladers over it, since she treated it as a job. Her mother’s dream that Hikaru’d taken a vow to achieve had been only that - an objective to be accomplished. She’d set her eyes on it alone, and much like in a workplace, focused solely on her professional success, never bothering with socializing. It hadn’t been part of her goal, hence her travelling alone and calling Aquario her “most trusted friend”. Not to mention that all the harassing Hikaru was subjected to had definitely made her reluctant to befriend people. All this makes her the perfect candidate for a substitute of an antagonist, earlier in Metal Fusion when the main antagonist, Kyoya, hadn’t been present due to his recruiting in the Dark Nebula.
(Sidenote: I think the MFB writers made a great decision by showing her past, because it serves as an explanation that is an important piece of a puzzle in enriching a character and telling a satisfying story. It’s about both sympathy and context. It makes the audience sympathize with her and instead of getting a one-dimensional villain, we see a deeper layer to her below the tough blader façade, something I think they should’ve done for Ryuga, too, because..!!! The guy is the main antagonist in the first season and plays a big part until the very end.)
Fair enough, now we know how and why they made her the bad guy. I liked the way she opened up to friendship and really enjoy the sport, Gingka being the main reason for this. What’s interesting here is that unlike Gingka’s other battles with temporary antagonists/opponents, where he had to teach them about a blader’s spirit, he didn’t have to do that with Hikaru, because she already (unknowingly) had it, since according to Gingka’s philosophy: No matter what disadvantages you face, never back down from a challenge and fight till the end. A blader can only be the most powerful version of themselves through their connection with their beyblade. That's what makes a Blader's Spirit. And Hikaru possessed it already, this connection, calling Aquario her “most trusted friend”. So the only thing Gingka taught her was that you can have a good time when beyblading, even when you don’t win. He taught her the importance of putting aside your cut-throat instincts to form bonds.
So far, it seemed like Hikaru was having good character development. Except that as the story progressed, it became clear that the writers had no real intention of developing her further. They utilized her to make Kenta stronger, and every fight after that in Battle Bladers - to show other characters’ strength.
But I thought, surely, it wouldn’t last long, right? They can’t use her as a punching bag throughout the whole series. She’s gonna kick up a notch and come back even stronger.
*deep sigh*
BOY, WAS I WRONG.
II. b. The Downfall. Aka The Beginning of MFB Betraying Its Female Characters.
I don’t know what’s up with shounen writers. I’m aware their target audience is mainly boys, but you can still craft a badass female character, who shows she’s not to be messed with. There’s nothing wrong with that. It doesn’t even have to be a tomboy. Being a girly girl and being strong aren’t two mutually exclusive things. I became more and more frustrated with the way the series continually let down its female characters by giving them the role of the caretaker, always being useful to others. Always for them to be the selfless ones and cheer the others on by the sidelines.
What they did with Hikaru’s character makes my blood pressure rise each time I think about it. Because not only did they betray her potential, they made her act so out of character. They literally played themselves.
These guys established her as a determined and selfish person, something that wasn’t changed even after she started interacting with Gingka’s gang. Hikaru’d been so set on fulfilling her mother’s last wish all these years (judging by the way they showed that flashback, it definitely seemed like her mother was terminally ill, an even bigger motivation for Hikaru to succeed as a blader). And her selfishness manifested itself in the way she wanted to battle only strong opponents, as she was only interested in her own advancement and refused to serve as a stepping stone for other people’s growth.
So for Hikaru to completely, not just careerwise, give up on beyblade is such a contradiction with her agency and out of line with her beliefs. What’s even worse - settling for a job in the WBBA just to help other bladers??? Putting up with a grown man’s bullshit on a day-to-day basis and having to coddle him through every unprofessional mistake??? Give me a fucking break. Hikaru being subdued and a victim of circumstance is plain boring and I see it as a poor excuse for the writers to put her aside, but still keep her around, just because they weren’t sure what to do with her!
Now, you might think I’m giving some very bold claims here. But hear this. In the original MFB manga, written by Takafumi Adachi, Hikaru never gave up on Beyblade because she never had a match with Ryuga in the first place! The anime writers intentionally set her up with the strongest blader in the tournament, had him blast her with such power he destroyed a freaking stadium wall, understandably leaving her with PTSD as a result, just to ship her off to some office job.
And the fact that the writers made a 13/14-year-old girl work as a secretary for an adult man makes me soooo uncomfortable. Only now that I’m older did I realize how utterly inappropriate this actually was. But if you think about it, they never said she’s his secretary, they only called her his assistant. The sole fact that they went out of their way to use this title, and not say it as it obviously was - a secretary, only made it clear that they knew how wrong it looked (since the position is often linked to the sexy secretary trope).
But let’s be honest here, despite MFB being a G-rated anime, its animators still manage to implement fanservice in a sneaky way. Ever heard of the She’s Got Legs trope? Basically, the camera repeatedly places emphasis on the sexiness of a female character's legs to entice the viewer. And Hikaru’s been shown not once, but twice in such shots (Fusion, ep 9, right before her battle with Gingka and after it). Sadly, the same applies to all other female characters in the MFB universe (Mei-Mei having ridiculously big boobs despite being a literal child, Selen’s unnecessarily revealing outfit etc) and I can go on about it all day, but that’s not the point of this essay. (If you want to dive deeper into the subject though, check out lady-lazagna’s amazing Wasted Potential essay, it hits the nail on the head fr)
II. c. Post-Metal-Fight Hikaru. Or, The Crumbs Of A Potential We’re Left With.
So, now that I've spent so much time thinking about Hikaru, what's my fanon take on her? Not gonna lie, it’s a strange blend of what we see in Zero-G, the manga and my own imagination that I’ve used to fill in the gaps.
Canon points we get from the anime is that Hikaru’s responsible, always seeing her act like Ryo’s voice of reason. Because Hikaru is so responsible, I believe she has a harder time dealing with failure. She has a calm and collected exterior, like she's ready and prepared for anything and everything. As a result, failing for her can be quite damaging from a psychological standpoint. This was proven all throughout Metal Fusion, where she’s bitterly aware and sensitive to her shortcomings in beybattles, and I believe she would exhibit similar tendencies later in life when it comes to her job.
I can also totally see Hikaru subconsciously trying to act like an adult all the time. Because she was barely 14 when she started working in an office with grown-ups only, Hikaru had to prove to her colleagues that she wasn’t just a kid who didn’t know any better and was trying to bite off more than she could chew. She’d constantly try to present herself as mature and level-headed, so she wouldn’t be labelled as an immature and moody teenager, thus repressing her emotions. We see her have a short temper in Metal Fusion, so it doesn’t take much for her to snap when the repressed anger has been building up in her forever.
For that reason, social interaction with others her age could become difficult and awkward. Sure, Hikaru can project a professional demeanour for the benefit of the company, but a setting where you're essentially putting on your "work" face isn't the same as a "relaxed" social atmosphere. Hikaru would always be "on" in public, to the point that she has a hard time turning off that responsible, serious side of herself even in front of very close friends. Add the fact that she’s not a yes-man and always outspoken whether it upsets others or not, and you have an outsider in the workplace.
Since I didn’t want her to get too OOC in RFL, I decided to roll with this newfound humanitarian side she adopts since Metal Masters. I imagine her working in a field where she could help other people and still be her own boss. There’s a specific moment in Metal Masters, ep 46, where Hikaru shows that she’s willing to speak her mind, even if it means opposing her superior (she also shows that she’s familiar with the law). “...So until they do anything against the law, well, our hands are tied. But the fact is that we are bladers. We cannot ignore when beys are being misused. It is our duty to act.” And I just can’t shake off the image of her in a courtroom, fighting (verbally) for what she believes in.
Pivoting on that scene in ep 46, I also can’t help but think Hikaru has a very strong moral compass and is probably an idealist too. An idealist, not in the sense that she thinks all humans are good at heart and believes that everyone is redeemable on unreasonable grounds, but as a visionary - a person with specific ideas and beliefs of what their future should be like, and doing everything in their ability to achieve it.
We might’ve been robbed from seeing Hikaru in the Zero-G anime, but thank God for Adachi, who’d uploaded some drabbles of the adult Hikaru a while ago. As an adult, she appears to be working in an office, and though I couldn’t translate what she says in the picture, the caption underneath stated that she’s a hard-working woman who dresses well.
So what do we have so far? She’s hard-working, idealistic, and honest in a daring way. A girl who is determined (and frequently obstinate) about achieving her aim of doing anything other than customary feminine housework. Her bravado and lack of timidity make her a subversion of the stereotype that women are delicate. Another thing that we all can agree on is that she’s a tomboy. From the stereotypical short haircut that most writers give to imply a more masculine personality in girls, the way she dressed (in the 1st season), to the way she speaks in the least feminine way possible, going as far as using the most insulting form of “you” (kisama) in the original Japanese audio when addressing her rivals. Hell, even the fact that they chose to give her a masculine name - Hikaru - when there was already a feminine version of it - Hikari, goes to show how far they went to disconnecting her from femininity.
Alright, that much is obvious. Hikaru is well aware that she's a tomboy... or is she? Is that anything she considers? How many of us tomboys, for that matter, set out to be tomboys? I mean, I'm sure some of us did, but the point is that we were probably on our way to being tomboys before we even realized we were tomboys. Hikaru, I believe, is the same way. At first glance, I don't think she's consciously attempting to be an anti-girl; rather, she adopts it because it comes to her naturally. Finding yourself is difficult and takes a lot of time, but finding yourself and accepting yourself as you are is even more challenging when you don't fit in the norm. Some tomboys are comfortable with or even thrive in their stereotypically masculine personalities. Others despise their tough image yet find it hard to change their ways. I reckon that Hikaru is the latter since tomboys are expected to “grow out of that phase” and told men won’t fancy them if they don’t.
By the way, if you're having trouble keeping up with my utterly jumbled essay, we've definitely entered the fanon interpretation territory. Why would Hikaru want a boyfriend and be ashamed of her tomboyish traits? Well, gender stereotypes are strictly enforced in Japanese culture, many girls feel ashamed of their masculinity and actively want to alter it. From what I’ve gathered from many articles online, the ideal girlfriend by Japanese standards is soft-spoken, submissive, cute, gentle and has a reserved personality. So, one way or another, Hikaru would feel overwhelmed by these criteria and won’t see herself as a desirable girl. On some subconscious level, she believes that because she lacks many feminine traits, she has in turn “ruined” her chances with the opposite sex. In order to fight these insecurities and “up” her chances, she would mould her personality to fit into this framework, attempting to appear more tender, sweet and innocent. But, as one would expect, this won’t last long. Time and time again, Hikaru would try to become a more conventional partner, only to end up hurt or rejected. Many of her relationships would fail because she can’t keep convincingly playing the part of the supportive, self-sacrificing girlfriend, which isn’t who she is.
Now, why would Hikaru be so hell-bent on finding a partner? Why would she want one in the first place? My head!version of Hikaru is very aware of death and what it brings. It’s obvious that she’d lost her mother sometime during her childhood, hence her resolve to fulfil her dream, so she’s no stranger to death. And the way her mother said “You’re my only hope”, it appears that Hikaru’s an only child. As a fellow only child (on one side), I reckon she’d definitely been pressured to succeed. It also provides an explanation for her selfishness and sense of responsibility. When you’re an only child, you get everything and never have to share it with a brother or sister, and most importantly, you have your parent’s attention one hundred percent at all times. This could lead to some selfish tendencies and an unwillingness to make compromises. It may sound ridiculous, but even in adulthood, many only children find it hard since it goes against their instincts and not having their way leaves a very bad taste in the mouth. But having no siblings also plays a big part in being a well-behaved kid since you can’t blame anyone else, you have to take full responsibility for everything you do.
Unfortunately, when you have no siblings, it’s your duty to carry the legacy and continue the bloodline, and thus will be blamed if failing to do so. Now, here comes another infuriating thing I’ve discovered while researching what dating in Japan is like. From what I’ve gathered, there’s a specific term for women who are 25 or older and are still single - Christmas cake. Why Christmas cake? Because no one wants to eat Christmas cake after December 25th and no Japanese guy would want to marry a woman when she reaches the age of 25. So, taking into consideration this derogatory term and general mindset, it’s totally expected for young women, in general, to feel pressured and try to find a boyfriend in their teens/early twenties.
Why would Hikaru want to change herself, though? Because every guy wants a cheerleader, but no guy wants a female who can fight back and oppose him. Most men prefer the domestic, utterly and eternally devoted to him kind of girlfriend, because their masculinity and ego are under perpetual attack by a grown-up woman who doesn’t take disrespect from anyone. So Hikaru hides her true nature in favour of crafting an image of herself as demure, desirable and virtuous and tries to be the “perfect woman”.
But, here’s the thing. If Hikaru’s the “perfect woman”, she’ll naturally try to find the “perfect man”. And since she’s an idealist, Mr Right must meet strict, superficial criteria. This is exactly what holds her back - her excessive focus on superficial, external qualities in her search for a potential boyfriend. She believes that the only acceptable partner for her has a prestigious job, is conventionally good-looking and well-mannered. Someone with an easy-going and sweet personality to act as a cushion for her neurotic and dominant one, so she could still be herself to a degree. And she believes in her heart of hearts that this person is the love of her life.
Pffff. Boy, do I have a surprise for her.
III. a. The Emotionally Stunted Tsundere With A Flair For Dramatics.
Kyoya, wow. The jerk we all love. Seriously, I feel like 90% of this fandom likes him to some degree. And there’s a good reason, he’s one of the most refined characters after all. If a fan wants to write a fic about him, they’d have plenty of info to work with, unlike other characters from the series.
With his prickly, stand-offish demeanour and aura of mystery, the King of Beasts is the embodiment of a cat in a human body. Kyoya’s unhinged personality is hinted at by his hair, as it connects to the significance of the lion’s mane. It’s also hinted at by his bey spirit - a lion. Lions are powerful animals, not to be messed with. But they’re cats, too. And just like a cat, Kyoya’s an asshole to anything that breathes and moves. Exceptional intelligence is a well-known cat trait, and we see it many times throughout the series in his canny and detail-oriented skills. Cats are also merciless when they perceive they’re dealing with a weaker animal, and as we see in Metal Fusion, Kyoya enjoyed the power trip of leading the Face Hunters, using it to assert dominance over lesser beings.
Now, what do what’s the one word that pops in our head that we hear the name Kyoya Tategami? That’s right - confidence. I aspire to have even half the self-assurance that this guy possesses. But where does this confidence come from? Is it perhaps too much? I believe that his confidence is by no means unwarranted or baseless. Because of his calculating abilities and his drive to achieve whatever he sets his mind on, Kyoya’s probably been doing pretty well academically and in other competitive sports like beyblade (which kinda goes against the whole delinquent image he initially had like he wouldn’t bother with that type of stuff).
But hear this…drum roll He’s from a rich family (search it up, it’s canon)! Woah, who would’ve thought? It kinda explains the audacity and pride, though. Rich kids always seem to walk into every room like they own the place, and that’s all because their parents are “somebodies”. Important Somebodies. Same goes for Kyoya. He’s from an influential family, therefore he is a somebody. He’s someone special. Combine it with the fact that he’s a pretty capable fella, and you have yourself a teen with a superiority complex.
Kyoya’s superiority complex comes from his family’s power and all the recognition he received for his achievements during his childhood. That much is self-explanatory. Because of those praises, he has high expectations for himself. People with superiority complex are constantly trying to outdo others, too. Their relationships are centred on demonstrating their superiority to others. Kyoya takes a look around him, and he's got a lot of competition. Given his determination, it seems the next natural step would be to set about making a name for himself (that’s why I think he assembled the Face Hunters in the first place). Because it isn't enough that he knows he's superior—he's gotta make sure everyone out there knows it, too. Now, imagine how he would feel if he was surpassed or overshadowed by someone.
Kyoya’s loss against Gingka acts like a trigger for his superiority complex to the fullest extent. Just like Hikaru, Kyoya has a very hard time dealing with the f-word. The defeat makes Kyoya feel inferior and weak, which in return prompts his superiority complex further. A superiority complex often exists to make up for an inferiority one. In Kyoya’s case, his inferiority complex derives from Gingka making him feel weak and like he has lower self-worth. In order to banish these insecurities and feel better about himself, Kyoya becomes obsessed with settling the score between them and proving he’s stronger. He’s gotten into this mindset where he has to prove he can beat Gingka in order to make himself stronger. And due to his status, Kyoya has this mental picture of himself that if he doesn’t live up to, he starts feeling conflicted and upset with himself.
Similarly, any time anyone tries to help Kyoya or shows concern for him, it makes him feel weak. (e.g. ep. 124 “Be careful, he says. Who do you think you’re talking to?” to Nile).
Ok, we’ve established that Yoyo has a superiority complex. Now, imagine how a hot-headed teenager with such mentality like him would feel if a fucking star fragment fell from the sky and bestowed him specifically with incredible powers. Of all the people in the world, it chose him. That means something. It means that Kyoya is a Very Special Fucking Snowflake. He was gifted with special ability and strength, which only feeds his high sense of self-worth. The Legendary Bladers have far more destructive power than normal bladers, so Kyoya naturally wants to defeat them all to affirm himself as the best of the best.
And because he’s a special fucking snowflake and doesn’t give a flying fuck if people like him or not, he won’t feign politeness, friendliness or social niceties, or say what’s expected in a given social situation. While Hikaru might suffer from her isolation from other people, Kyoya revels in it. What business does he have relating to others? He doesn’t encourage them to see his point of view, he couldn’t care less about what people thought of him, as long as they regarded him with respect. His impropriety and occasional disrespect for hierarchy can get him into trouble. He refuses to take orders from anyone and lives by the code “My way or the highway”. This obviously wouldn’t sit well with certain authority figures in his life. Kyoya would be secretive and sneaky, and if he fails badly, he’d get even more pissed-off about failing and emerge from each fuck-up even more determined to show the world what he is capable of.
Kyoya’s narrow focus on his goal invites accusations of selfishness and insensitivity, and honestly, they’re not wrong (in Metal Fury ep. 104, when Yuki was being beaten by Johannes, Kyoya refused to help him; In Metal Fury ep. 106, he was rude to Madoka when her suitcase got stuck and scolded her for wasting time). Ever since Metal Fusion, Kyoya’s one and only aim was to defeat Gingka. The guy fucking moved to another continent and created a team for the World Championships just for this purpose alone. Time and time again, Kyoya shows that he will put his own immediate desires before every other consideration (e.g. ep. 124, Gingka tells Kyoya to stop, he doesn’t comply; in the same episode, Kyoya rose to Aguma’s bait and ended up leaving the group, despite knowing that the world’s future is in their hands). He also has a hard time accepting responsibility for his terrible behaviour, or outright declines to do so (e.g. ep.122, Kyoya launched Leone into the rocks despite being told not to, and when the damage is done, he claims it wasn’t his fault).
I know that I’ve been focusing on the negative aspects of his personality and that it kinda sounds like I’m making him out worse than he actually is. Kyoya does have a temper and generally bad manners, but that doesn’t make him a bad person, it just makes him difficult to work with. You can have a shitty attitude and still do the right thing (as we've seen numerous times when he arrived to aid Gingka's group). By the way, I absolutely love seeing him putting on this cold, serious, too-cool-to-care demeanour, have everyone convinced for a second that he’s indeed laid-back until he eventually shows his pettiness by arguing with a kid over the most ridiculous stuff.
Kyoya might have a cynical take on the world and be uncaring, but he also takes great honour in being a blader and genuinely enjoys the sport. It’s so cute and refreshing, seeing him get all hyped up when battling, almost in a childish way, and reminding us that even a grumpy character like him likes to have fun. Kyoya’s undeniably a thrill-seeker, always looking for experiences that get his blood all pumped up, that make him feel alive. In his search for adrenaline-inducing adventures, though, he sometimes forgets or blatantly dismisses his self-preservation instincts (that one episode in Metal Masters where he literally went to the Valley of Storms and intentionally got sucked in a tornado??? boy, how are you still alive). I believe that’s also the reason why he enjoys fighting strong opponents and Gingka especially. Partially because he wants to showcase his power, yes, but also because he’s being pushed to his limits, because he’s challenged and that makes him soar to even greater heights.
Kyoya might not be the most morally outstanding person, but he still has some principles that he lives by. He never underestimates his opponents and always gives it his all in battle. That’s his way of showing he’s taking the fight seriously, which to a certain extent is a nice thing for him to do. He’s also honest and although his bluntness could be a little too much sometimes, it can also be a magical power. And despite acting like a petty punk sometimes, his maturity and sense of responsibility are shown through him keeping his word, even to people like Doji.
III. b. Freedom Is Power. To Live A Life Untamed And Unafraid.
Kyoya has named himself the King of Beasts, but I think he deserves another title - King of Defences. His self-protective nature has been hinted at from his last name, which could be translated as “Divine Shield”, and even his bey being a defence type. What’s more, lions are a symbol not only of courage and power but of protection, too. Kyoya goes out of his way to do everything in the name of self-protection, and it’s such a prominent part of his personality that it deserved a separate section on its own.
All his life, Kyoya’d been supported by his family and has had a safe network. Even if he got into trouble (which I’m sure, he’d been doing all the time) his family would be there to help him out. But that didn’t apply to the accident in the Wolf Canyon. Growing up as a sheltered child up until then, the whole ordeal undoubtedly shook him to the core. “It was terrible. Even now I can still hear it, the sound of the wind blowing up from the bottom of the valley, the growls and those worthless hungry wolves. You can't even imagine this. The most horrifying place on earth. But I saw it, I lived it! ” He knew that there would be no one to save his ass this time. Either he saves himself or dies.
Kyoya learnt two things from this hellish experience:
Firstly, never let your guard down. News flash, kids! Believing a shady-looking man’s promise of success on the condition you manage to fend for your own in the wilderness isn’t the best move! Kyoya’s definitely still beating himself up for that (even if he didn’t, I’m sure that his father had given him quite the tongue-lashing about it). He’d been so obsessed with finding a way to defeat Gingka that he’d let his guard down and made a careless mistake. A mistake that could’ve cost him his life. Ever since then, Kyoya’s become much more sceptical and questions everything and everyone around him;
Secondly, the only person you can depend on is yourself. He says it clearly: “The only thing you can rely on in the end is your own strength.” And while we didn’t see him following this ideology much in Metal Fusion and Metal Masters, in Metal Fury that’s all he strives to maintain. Overcoming the hardships in Wolf Canyon made him think the only way that he could ever obtain his maximum potential was to count on his own strength alone. He believes that a blader shouldn’t have to rely on friends to be powerful, and that they need to be able to stand on their own (Metal Fusion, ep.19). If you always count on other people’s support, you won't be able to protect yourself when they're not around (exactly what happened to him). At the end of the day, Kyoya’s just a person who doesn’t want to get hurt. He wants to be strong enough to withstand anything, so a nightmare like the one at Wolf Canyon wouldn't happen again.
We see just how much he tries to sustain this lifestyle in ep. 121, when Kyoya states his main tenet, “A guy who can't do anything unless he's in a group? He shouldn't talk so tough.”, Aguma doesn’t buy it and calls him out on being a hypocrite. “It's funny because I always see you with Gingka and the rest of that little playgroup of yours(...). What part of being in a playgroup speaks about your determination? No matter how much you deny it you're just a sheep in a flock.” Kyoya, very understandably, snaps at that, even more so when Aguma claims he’s no wild lion, but a house cat, and urges him to admit no one can accomplish anything by themselves. By now, Kyoya’s superiority complex is as triggered as one can get.
While Kyoya doesn’t care whether others think of him in a negative or positive way, he does care about his image. He wants to be perceived as a loner who’s independent and strong and doesn’t need such thing as friends or their support, because in his eyes that’s who he is. During this altercation, he realized he was slipping up and actually leaning on the group to some degree. “It seems that without noticing I’ve sunk down to your level. But I am different from you. From now on, I will continue to sharpen my fangs on my own. I will hone my skills until I am able to defeat Gingka once and for all. With my power alone!” Aguma’s words riled him up because he knows that objectively speaking, that’s exactly how things are. He realized he’s lost his way and became exactly what he strived not to be. A sheep in a flock. He got this far by himself, by hard work and back-breaking effort. He doesn’t want to be underestimated by being in a squad. He wants his power to be undisputed.
Ironically enough though, Kyoya’s actually shown to have great leadership skills —he's certainly got ideas, if you can call them that, and he barked the orders in his gang (Face Hunters) and team (Wild Fang), and as shown in many episodes, he's also the one who manages to stay concentrated on the task at hand. He's got a take-charge, no-nonsense attitude, ability to focus, a penchant for planning things out in such a way where he believes success is the best possible outcome (with varying results)... but no upstanding morals or charity. At the end of the day, Kyoya’s always out for himself, and no one else.
As for his relationship with his friends/teammates... so far he probably doesn't sound like much of a leader if all he cares about is himself. But—from a logical standpoint—more manpower gives you that much more of an advantage over your competition. If your team is a well-oiled machine, that's all the better. Kyoya would push his friends around, not only to maintain his position as an Alpha, but because they are a reflection upon himself as a leader (superiority complex, remember?). Also, from a more sentimental standpoint, no matter what he may think or believe, Kyoya needs them. But it's something that's rammed so deep into his subconscious, not something he thinks or would even allow himself to recognize. It's almost like he's trying to say "I don't need anybody, you dumb shits are lucky I let you tag along,” Like he's got to prove it to himself. Which is, you know, pretty logical, considering his history. Caring about anyone or anything is a sign of weakness to Kyoya, and he won't let himself do it, won't even make exceptions for his buddies. “I do not team up with anyone ever. I am a lion that lives in the wild. I run freely over the earth by myself. I fight freely by myself.”
Okay, so we're starting to get into a bit of fanon interpretation now. I strongly believe that there’s another reason why Kyoya refuses to be in a group. In order to be the most powerful version of yourself, you’ve gotta have little to no weaknesses. You’ve gotta play your hand right and not put yourself in situations where you could get hurt. He’s aware he might bond with people over time if he’s in a gang, thus starting to care about them. Once again, caring only makes you weak. If people know you care about them, they’ll walk all over you. That's why he’s intentionally mean just to keep other people at bay. “I don’t need others to protect me. In that terrible place, I learned how to live on my own. I don’t need things like friends.” In a way, he sees relationships (be it a friendship or romantic relationship) only as something that could end up doing damage to him. That’s why he’s putting up walls around himself, shutting others down, basically straining every nerve not to be (emotionally) vulnerable.
All the points that I’ve made so far lead me to believe that Kyoya has an avoidant attachment style. An attachment style is a pattern of actions a person shows in reaction to relationships and bonds. This type specifically is defined by having a strong sense of independence, having feelings of high self-esteem while having a negative view of others, being overly focused on their own needs and comforts, avoiding emotional closeness in relationships, withdrawing and coping with difficult situations alone, fearing rejection. Adults with an avoidant attachment may find it difficult to form strong connections since they are extremely self-reliant and unwilling to seek support or assistance from others.
III. c. The Future CEO. Aka It Sucks To Be An Adult
For me, it's almost a given that Kyoya's father/family has placed an immense amount of pressure on him to professionally succeed. His father is the CEO of an industrial company, and in Japanese culture, the eldest son inherits the family business. Kyoya being the older of the two brothers is obviously next in line. But even before inheriting the company, I think he’d always felt some time of responsibility as the eldest one. How many of us, as the older siblings, feel the pressure to be the responsible ones, the ones who look out for our siblings, to set a good example for them to follow, and who are supposed to be more mature and sensible?
I believe Kyoya’s always felt that responsibility, ever since he was a child. One of the sketches Adachi had uploaded not so long ago revealed how Kyoya got the scars on his face. It looked like shattered glass or cut wire rope was falling from a building and Kyoya and Kakeru (his little brother) just happened to be at the wrong place at the wrong time. Kyoya acted like an older brother and protected him, and that’s how he got his scars. It shows just how far he was willing to go to make sure his brother was alright. And I believe that he still has it in him, below that ice-cold exterior. :)
But let’s get back to the pressuring part—from parents, teachers, himself, or anybody else—to excel not only in school but in a variety of other activities. Parents' desire for their children to succeed is normal and laudable. It's also logical that they'll utilize whatever resources and means they have to attempt to save their children from falling into poverty. But if the decline appears to be significant in economic terms, they are inclined to strive even harder. Because, the fight to reach the top among the country's wealthiest is very fierce and awfully hard, but it’s even harder to come down from there. To lose the status, power, money, all these advantages that you’re used to could be devastating. That’s why rich parents will do just about anything to ensure that their kids are able to keep that spot at the top. All of this stress, combined with the ensuing hyperactivity, appears to leave children exhausted, insecure, and alone.
In this particular fanon interpretation, Kyoya has a conflict-ridden oppositional relationship with his father, simultaneously pushing back against his father’s expectations while ultimately seeking his approval. While his family's wealth makes many things far easier for him, money and status-obsessed parents can hold their children to impossibly high expectations, prompting achievement-oriented cycles of abuse that make their children's lives feel pretty hard.
I also can’t help but think…what would’ve it be like if Kyoya wasn’t from a wealthy family? Or at least, him to be the younger of the two brothers. Would he settle with a mundane 9-to-5 office job? I don’t think so. As I already said, he’s a thrill-seeker and loves beyblade with his whole heart, so I can totally see him beyblading professionally. Surely, at times when he’d felt overwhelmed with all these obligations and expectations, he’d wondered about that, what he would’ve become if he wasn’t responsible for continuing the family business. He’s aware that once he inherits it, he has to do his absolute best and that means that there won’t be much time left for beyblade anymore. He definitely despises the notion, since beyblade is the one hobby through which he has so much fun and doesn’t have to think about his responsibilities and duties, which doesn’t require him to be mature, and he can actually let go and allow himself to be free. It’s the one thing that brings him joy.
What’s more, Japan is a country whose social structure is heavily reliant on conformity. In oversimplified terms - not causing trouble for anyone or drawing negative attention to yourself, a social structure that encourages not sticking out for the quote-unquote “wrong reasons” and following a rigid copy and paste lifestyle from birth till death. Kyoya undoubtedly doesn’t mesh well with this since he’s always been a rebel when it comes to social norms and cultural conventions, and I doubt he’ll change his attitude even for the workplace. He’s shown numerous times that he doesn’t mind standing out from the crowd and doesn’t care about normal morals or values. And while being the head of an industrial company could be quite overwhelming and stressful, it’s still outweighed by the fact that you get to be your own boss, and I think that’s the only position that Kyoya would ever settle for.
Young adult!Kyoya’s got issues, yes, but the baggage he carries is minimal compared with other character’s and besides, he can't waste his time wallowing when he has to work hard on getting even with Gingka and inheriting his father’s company. Plus, he's such an emotionally stunted dickhead that I can't picture him managing even a fraction of the emotional attention you need for proper wallowing. I think the biggest emotional struggle he would ever encounter would be in making a choice, which again, is motivating him to action, rather than dwelling in angst and self-pity. I suppose one of the reasons I enjoy my head!version of Kyoya so much is that I have far too much fun seeing a guy like him fall flat on his face, and instead of becoming all emo about it, he simply becomes angrier.
IV. Two Punks In Love. Lion Boy (Punk1) And Aquagirl (Punk2)
This is the longest essay that I’ve ever written in my life, and it’s not even an academic one lmao. Anyway, what draws Hikaru and Kyoya together?
Well, few things, actually. Let’s start off with the concept that similars attract. See, I used to be a die-hard fan of the “opposites attract” trope, but as I’ve grown and experienced things first hand, I’ve come to realize that realistically speaking, people who are complete opposites don’t last long in relationships. In actuality, a good deal of studies have demonstrated that people are drawn to others who are similar to them and couples don’t change over time. Change is hard and unlikely. It's much simpler to pick people who are compatible with your goals and needs. The data also reveals that our desire to associate with others who share our values is significantly stronger than previously thought. This might be due to the fact that personality differences have a tendency to stand out and get bigger over time.
Since I’ve spent a great deal of time comparing the two, I can say that they’re almost like two peas in a pod. Almost. Both are proud, determined, outspoken, introverted, competitive have a temper and a no-nonsense attitude. During their fights in Metal Fusion, it’s constantly shown that they think alike ("My thoughts exactly", "You read my mind"). I believe they recognize their similarities, or at least Kyoya does, since it seems like he respects Hikaru, given the compliment he gave her after their last battle. And I can’t think of another reason aside from this. As I said earlier, people fancy others like themselves.
Hikaru serves as Kyoya’s Anima - the unconscious feminine side of a man, and Kyoya as Hikaru’s Animus - the unconscious masculine side of a woman (u can read more here). But most importantly, they both represent what the other might’ve become had they chosen a different path in life. Think about it, what would’ve it been like if Hikaru hadn’t given up on beyblade and continued her journey to become one of the strongest bladers in the world? She would’ve been the female version of Kyoya, I’m telling you. Take his bad traits, tone them down a bit, and you have her. Or the reverse. I’m sure no matter how hard you try, you can’t imagine Kyoya giving up on beyblade. What you could picture though, is Kyoya not having the time, the opportunity to beyblade as much as he did before. That’s much more plausible, and it will unfortunately happen, because you can’t be a successful CEO and a blader full-time.
In case you’ve read RFL, you might’ve asked yourself: If they’re so similar, then why do they always fight like a cat and dog? Here’s the thing - they’re reacting subconsciously to the fact that they're fairly alike personality-wise, but their paths ultimately differed. It's the scenario in which each side portrays what may have been. Of course, those paths weren't taken precisely because Hikaru wants to assist others, and Kyoya is only out for himself. Kyoya and Hikaru each insult the choices that the other had made. When two distinct belief systems collide, we all know what’s gonna happen. Nonetheless, a part of me hopes (and actually believes, hehe!) that they will be able to get together. Briefly. With a great deal of suffering.
Kyoya judges Hikaru for willingly (in his eyes! dude doesn't initally acknowledge PTSD) giving up on a sport so wonderful like beyblade and settling for a mediocre office job, because he knows he'll be forced to do the same one day. Hikaru judges him for being so anti-social, uncooperative and insensitive towards others, because he reminds her of how she used to be. The only way that I can see these two working out, when they have strong negative opinions about each other, is to unintentionally get highly emotionally invested in each other, to the point where they might determine the other's behaviour. When they are reminded of their semblance (via hobbies like beyblade), yes, their ego rejects and denies and decries the image because they are both just that stubborn, but those are all still tiny little chips in the Animosity Mountain. It's a lengthy, slow, and hard process because they're not only fighting one other; they're also fighting their own selves. They will repeatedly try to reject each other because of their (for want of a better phrase) beliefs, even while their subconscious begins to notice something that does not make them hate each other as much, perhaps even something they want or, God forbid, like.
They do hit that point of acknowledgement or, at the very least, recognition of non-negative feelings for the other. Because all those little chips add up. And sometimes it isn't just little chips, but actual pieces of you that the other person is taking, whether they know it or not. And it happens because they allow the other person to get under their skin. Which is a significant thing for Kyoya, and I think this is how Hikaru functions as his Anima, albeit an unaware (or maybe even unwilling) one—all those little pieces of him she takes, that he unknowingly lets her take, make him care about someone other than himself. Sooner or later he'd figure this out. He wouldn't like it, because Kyoya is the King of Beasts who is grim and stoic and serious!face and revels in the fact that he doesn't care about other people. He would fight her all the way. He wouldn’t want her to take more. The wild Lion is off-limits to anyone that isn't the Lion himself. This creates a funny paradox, because in making a bigger effort to fight her, he acknowledges that she is affecting him, and that acknowledgement is like confirmation that something has begun to matter more to him than just pleasing himself.
In any case, Hikaru serves as Kyoya's Anima since she provides him someone to relate to, whether they're older or younger when they first get involved. Because she understands what it’s like to have a strong sense of self and refuse to bow to society’s expectations, the responsibility to act like an adult from an early age, and the ego. She understands all that. Her skin is also thick enough to overlook his rude, dismissive behaviour, and she isn’t hesitant to call him out on his bullshit and speak her mind. He’ll naturally get pissed off by her defiance, but over time will grow to enjoy that side of her, since he himself doesn't take disrespect from others. On top of that, she has a unique audacity that surprises and challenges and just burns like a brand that entices him. So, instead of being a pain in the ass to her all the time, Kyoya begins to calm down once he finds someone he can relate to. Kyoya had always actively sought a male equal who would challenge him, but instead gets emotional support (female) as well as an equal who confronts him in other ways, preventing him from becoming/continuing to be "too male."
Same goes for Kyoya serving as her Animus. Hikaru would have a harder time accepting the fact that she likes him of all people - a man who is the exact opposite of everything she thought she wanted. It shakes her entire belief system and challenges all the love myths that have long governed her dating life. After a while, she’ll start seeing his many virtues that she has previously overlooked. He possesses huge dollops of personal courage and confidence, never doubts himself or what he believes in. He always keeps his word and is reliable. On top of that, he’s pretty smart and observant and most of all mature, it's just that his morals just get thrown off-course by his emotions, or get lost under his mile-deep attitude problems, which isn’t that much of a problem for Hikaru since she has the emotional intelligence (with all these years working for the Immortal Phoenix, a manchild!) to drag Kyoya out of himself even when he's having a hissy fit. But ultimately the biggest point that makes him a perfect match for her is that he likes her for who she is. In all of Hikaru’s other relationships, things end badly for her whenever she tries to change herself to fit a traditional relationship model. But with Kyoya, she doesn’t need to do that, because he’s not intimidated by her dominant, all-bets-off feistiness, because this guy’s confidence is made of steel. He sees the sharp edges beneath her smooth lacquered exterior and instead of turning tail, smirks head-on and says “Bring it.”
So Kyoya fights his Anima because he doesn't want to care about someone other than himself, and Hikaru fights her Animus because she believes he’s not Mr. Right. It gets doubly complicated when, no matter how much they fight it, Hikaru is the person Kyoya starts to care about, and Kyoya becomes someone who Hikaru wants for herself. He can't have her because he's a fucking lone wolf, and she can't have him because he’s not the man she thinks she needs. Neither of them wants to want each other, and yet they do... see, it's this horribly dramatic, agonizing cycle of realizing what you want and refusing to acknowledge what you want and then wanting it anyway but then screaming No, no, I absolutely do not want this, and yet…
That’s why Kyohika is my favourite. It starts out with them fighting each other, and then becomes all about fighting themselves. It is so drama and tragedy and pretty fucking emo, actually, but in a way that makes me keen with wondrous fannish grief. They are so determined to fight each other off that they can't see the bigger damage they are doing to themselves in the process.
Now, some other questions that I wanted to cover regarding the couple before I end this essay (this is generally speaking, it won’t necessarily happen in RFL).
When would they confess to each other? They don't or are unable to do so. I believe that whatever relationship they end up having is the result of years of accumulation, from the time they met as pre-teens to whatever point they reached the pinnacle of sexual frustration combined with their general frustration with each other, and even then, what passes as a confession is actually just a cautious acceptance of the other's existence in their lives. Something huge would have to happen to one of them - a death, a significant loss - and only then would they be allowed to start a "genuine" relationship, in which one of them would be exposed and vulnerable, and only then would they be put to the ultimate test. Is the other willing to help? Or do they leave? And that's the only place it has a chance of even getting started.
What chance do these two have of becoming a couple? Ugh. Ngl, small. In RFL, I cheated by forcing them to work together and interact. Kyoya finds himself in a situation where he can't just abandon the mission since he's under a legal obligation to finish it (employment contract y’all), which puts a stop to his typical fuck-this-I'm-outta-here whims. Hikaru, on the other hand, is suffering from a lack of social interaction as a result of the obscene amount of work she needs to put in to do her job as a secretary and still do her studies, so even if Kyoya isn’t the nicest person to converse with, she has no better alternative lmao. Then they talk and bond, and voilà, they're pals.
Who always wins the argument at the end? Neither hahaha. Fighting is very verbal with this couple; Hikaru would stay true to her profession and wouldn’t back down until she has her way, but Kyoya, also used to calling the shots at work, won’t give up either. It goes back and forth forever, getting progressively more and more heated, until, well, they are absolutely at their limit with each other, and you know, beds and thrashing of a different variety get involved.
What do you like the most about this couple? What I like most is... and this isn't going to sound unique by any means... that they absolutely refuse to believe that they love each other. They understand each other's motivations and desires, the need for control, the refusal to be vulnerable, and yet they can't stop butting heads. Constantly fighting doesn't equal anyone's idea of "the right relationship," so Hikaru especially thinks they're only together because they're both very fucked up and don't deserve better, when the reality is they're together because they want to be. I suppose I find something charming about it all.
I don't wish that Adachi or the anime writers would couple those two, nor do I think that the series would be SOOO much better if that happened. I just like what I ship. If Hikaru were to get together with sb else, then cool. It's canon. I might whine a little if for some reason it doesn’t jive with my view of who Hikaru should be in a relationship with, or how the dynamics of said relationship would work, but the fact remains that the fans must work with whatever they see on the screen. TT^TT
Oh, Christ, that's it, the hard part is over. My brain is like jelly right now, so I'm going to go be a lazy ass. Hope you enjoyed my rambling (that nobody asked for, yay!)
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