#mima: cat forme

[mima-sama]

Mima, longcat forme She’s in trouble because she scratched up the donation box

#mima draws things #touhou #mima #mima: cat forme #longcat

[mysteryideasgroup]

MSA X Scooby-Doo on Zombie Island Chapters 1 and 20

Chapter 1: Intro/Separated Teams are working

Separated Teams/Groups/Gangs - Team/Group/Gang has working

- Fred and Daphne are TV Shows

- Velma has her own bookstore

- Shaggy and Scooby are working with Airport Security Guards, they are found wheel of cheese and they go to the customs storage room with full of foods. Boss is shocked and discovered that they have ate all foods, but Boss fired them for eating contraband

Chapter 2: Mystery Inc Gang meets Mystery Ideas Gang, Mystery Skulls Gang and others

Chapter 3: Ghost is here/Breaks after Mystery Solved in food stores/Meeting with mystery young ladies who have their work with their mistresses talking to them that not far from the location, close to the location used to ferry

Chapter 4: They are with Lena, Mima is following going to Ferry/Meeting two ferrymen, Jacques and Vincent

Chapter 5: Arrived at the bayou and going to the Mansions/Dogs to chasing Kitsunes in Dogs forms and Cats of Mistresses, Simone and Icy are shocked and surprised that their own Dogs are here

- Cats are owners of Simone

- Kitsunes in Dogs are owners of Icy

Chapter 6: They are trying to eat the hot peppers/Discovered that the spirit of the pirate writing wall says "Get Out" and "Beware"

Chapter 7: They are found the Ghost of the Pirate in the video camera clip tape rewind/Shaggy and Scooby get foods and drinks are put on the picnic basket/Discovered hidden words on wallpaper in the kitchen

Chapter 8: Dogs are chasing Kitsunes in Dogs and Cats and Owners tried searching for their own pets Dogs/Kitsunes are lost in the forest woods/They with their Dogs are discovered dogged in Skeleton Ghost of the Pirate and fleeing to gangs have what happened going on

Chapter 9: They go to find the Skeleton Ghost of the Pirate/They are staying in the night dark

Chapter 10: Two Ladies are going to the rooms are staying/Discovered another Ghost of a Civil War soldier in the mirror

Chapter 11: Dinner room and they are going outside foods and drinks/Diving going to the forest woods in foods and drinks

Chapter 12: They are discovered that more Zombies/Rest of the gang going to search for friends/They is found friends and one of the gang tried to unmasked the zombie are real/They are fleeing from their lives

Chapter 13: They are discovered that rag dolls are looks like they are the same rag dolls/They are fleeing from a cave that has bats/Rest of the gang going to return to the Mansion has no powers lights have a blackout

Chapter 14: They are found hidden down the staircase and found in the basement/They are shocked and surprised that They are true nature and colours are Werekitsunes and Werecats

Chapter 15: Werecats and Werekitsunes are telling them that they have their stories in the past 300 of the 18th century/Werecreatures are killing the pirates and unsuspecting people are dead in the century/Rest of the gang are shocked and surprised that Zombies are tried to warn them from Werecats and Werekitsunes have their victims

Chapter 16: The rest of the gang with their own pets are tried to escape from the Zombies and two Ferrymen have true nature and they have transformed into Werecat and Werekitsune and they are trying to grab them from tried fleeing/Zombies stop Werecat and Werekitsune from free them and their own pets have to escape from Werecat and Werekitsune and keep running away from them

Chapter 17: Werecats and Werekitsunes are tried to drain them and the Rest of the gang with their own pets are kicked out of way and rag dolls fall to the floor, rag dolls bit next to close to fire from real the gang, and gardeners/Werecats and Werekitsunes are fully transformed/Rest of gang with their own pets kicks off the rag dolls are close to fire and melt/Rest of gang with their own pets are fleeing from Zombies are going to the basement and kicks off the rag dolls from fire, they are safe to try to free themselves

Chapter 18: Werecats and Werekitsunes are caught rest of the gang with their own pets, Zombies grabbed Werecats and Werekitsunes are threw them and Zombies/Zombie holding them in frightened/One of the gang says Good Guys

Chapter 19: They are fleeing and exit/Two ferrymen attacked them to try to free/Werecats and Werekitsunes are draining them/Rest of the gang with rag dolls are same Werecats and Werekitsunes/Werecats and Werekitsunes have died from Midnight Harvest pass end/Werecats and Werekitsunes have died and dust, Zombies are freed spirits, souls in rest in peace and one of ghost civil soldier says "Thank you"

Chapter 20: The rest of the gang is discovered that police have not found the cases, Gardeners are Detectives and undercover investigating the island/They are leaving the island with their own luggages and packages, rest of the gang with their own pets are picked peppers to a basket of peppers and getting back to ferry/Dogs are noticed that Cats and Kitsunes in Dogs forms have their own owners have died and homeless and become loved adopted family

- Dogs are very horrified and fearful in frightened and freaking out

----

For @laurasanchez36

All belongs to my msa ocs sonas and new msa ocs sonas Teams/Groups/Gangs/Squads/Crews and my new msa x Scooby-Doo ocs sonas

All belongs to her msa ocs sonas and new msa ocs sonas Teams/Groups/Gangs/Squads/Crews and my new msa x Scooby-Doo ocs sonas

Scooby-Doo belongs to WB (Warner Bros) Animated Movies

#mystery skulls #mystery skulls animated #mystery skulls ghost #msa #msa oc #mystery skulls oc #msa sona #mystery skulls sona #msa ocs #mystery skulls ocs #msa sonas #mystery skulls sonas #scooby doo #scooby doo oc #scooby doo sona #scooby doo ocs #scooby doo sonas #scooby doo on zombie island

[jknerd]

Xiaolin Showdown (Qiānzì Wén Quest) AU - Allies of Xiaolin & Heylin

Jemma: A street-smart girl from New York, USA whom Oming befriended. She joined the Xiaolin Guardians, using martial art's elemental power of Ice. She moved in a temple with her mother and was joined for potential as Oming's trusted ally. She also won a Kung Fu face-off thanks to Xiaolin Guardians' help.

Dojo: An ancient guardian dragon spirit and one of 12 Zodiac Guardians in Asia, guarding the Xiaolin Temple with Grand Master Fung and other monks. Referred as "they" and "them", Dojo is a gender fluid dragon who can shapeshifting into both male or female human form. With Judo, Karate, and jujitsu, her elemental power is fire.

Ashton/Katnapp: Possessed or possibly a reincarnation of Asian Cat guardian spirit who was wronged and failed to join 12 Zodiac Gurardianship, Ashton lives by the alias of Katnapp as a well-known thief. Combined with Tai Chi and Ninjutsu, his elemental power is Wood. He works for Jade Spicer as her loyal subordinate.

Mima: A French mime girl who carries the mirror that can repel attacks from the others and able to reflect one's future movements. A martial art combined with pantomime, her elemental power is "reflection". She rarely speaks as she communicate through mimes, sign languages or by writing down her words with a notepad.

#Xiaolin Showdown #Xiaolin Showdown AU #Jermaine #Dojo Kanojo Cho #Katnappe #Le Mime #genderbend #Jemma #Dojo #Katnapp #Mima

[diamondish9]

Mima Souichirou x GN!Reader: Funny Little World

Haven't posted anything Daiya related in months and I am here to correct that wrong

Inspired by the song Funny Little World by Alexander Rybak (it's one of my favorites of his)

You where sitting on the couch, half paying attention to the movie on the TV. It was one of those cheesy made for TV comedy movies that one only really watched out of boredom. The other half of your attention was diverted to running your fingers through your boyfriend's hair, who was laying his head in your lap.

You never had taken Mima as the romantic type. He seemed like the stereotypical 'only cares about his sport' jock. Even his confession further pushed that image on you (but you wouldn't going to lie and say that was part of the reason you liked him in the first place). But once you two grew more comfortable around one another he became almost like a cat. Sometimes being in the room with you was enough for him, other times he had to have some form of physical contact with you. Even simple touches like holding your hand or having you lean your head on his shoulder was all he needed.

Other times, like tonight, he would allow himself to act upon his full desire for physical contact and pull you close while you did your own thing. It was this level of comfort that you loved. You loved it when Mima would pull you into his arms, or let you sit on his lap. He'd wrap his arms around your waist and rest his head on your shoulder, watching you try to complete the task you where doing. (He liked watching you knit the most and would recommend colors for your project)

You took in a deep breath and sighed in content. Mima looked up at you, a silent look asking if everything was alright. You looked back down at him, a soft smile forming on your lips, letting him know that everything was okay. Satisfied with your silent answer enough for him. He readjusted himself on your lap, moving just enough so that he was sitting up far enough to wrap his arms around your waist. He dug his head into your shoulder and when he was comfortable you once again began running your fingers through his hair. What a funny little world you lived in. A world where both of you could exist at the same time to be able to hold eachother like this.

#Mima Souichirou #hakuryuu #Daiya no Ace #Drabble #I did not know that Funny Little World was almost 10 years old

[recentanimenews]

Satoshi Kon Will Always Be in Our Memories

Today, director and visionary Satoshi Kon would have been 55 years-old. Born October 12th 1963 in Hokkaido, Kon studied at Musashino Art University, and later became one of the most respected Japanese film directors of all time. While Kon is most well-known for his film Paprika (inspired by Yasutaka Tsutsui’s novel) Kon’s early career is just as rich and worthy of reflecting on as his break-out hits. Kon was, without a doubt, a master of depicting the messy inside-outs of psychological trauma and the anxieties of Japanese society. His chosen form, animation, only heightened this sense of unease in an often brutal and unforgiving world. Reflecting on the early works in Kon’s animation career, it only becomes more apparent that, regardless of how you might know his work, Kon has proven himself to constantly redefine our notion of the surreal, ourselves, and what anime can be.

  A First Taste of Blood

  The early career of Satoshi Kon is, in part, owed to the success of Akira author Katsuhiro Otomo. Otomo began his career in anime in 1987, working on the science-fiction anthology film Neo-Tokyo just before the debut of the 1988 adaptation of Akira. In his book, Satoshi Kon: The Illusionist, critic Andrew Osmand writes that Kon was working under Otomo as an assistant on the Akira manga sometime after the movie. This close association with Otomo’s style and stories would later culminate in Kon working as a key animator and art director for the 1991 film Roujin Z, also written by Otomo. 

  Roujin Z is, on the surface, a film about technology for Japan’s growing eldery population superseding its creators. It is tinged with the visual tension, claustrophobia, and strangeness that Kon would capitalize on in his iconic 1997 thriller Perfect Blue. One shot, in particular reminds me of Perfect Blue’s pop idol Mima: the student nurse character, Haruko, cleaning floors with a stained glass backdrop. Both young women are intensely dedicated to their careers until some catastrophic and deeply unworldly event strips them of normalcy. However, it isn’t Haruko’s pysche that acts as the film’s catalyst, but rather that of the old man Kijuro, who is bound to a nuclear-powered smart hospital bed. Haunted by the memory of his late wife, Kijuro is somehow able to transform the bed into a walking mecha that adopts her personality and voice. It’s already surreal and unnerving, but Kon’s unique art direction depicting the urban, yet isolating world Kijuro and Haruko inhabit only enriches the power of Otomo's work.

    While just a stepping stone into the anime industry, Kon was already proving to have a solid grasp of how art can convey a rich, troubled inner-life. Later seen in Perfect Blue and his television series Paranoia Agent, Kon has always employed a powerful pairing of place and psyche—always emphasizing that our awareness of our surroundings are always at the whim of our minds. This thematic hallmark has always been planted deep at the heart of Kon's most powerful work.

  Magnetic Rose and a Promising Future

  Back in the '80s and '90s, anime film anthologies were a hotbed of emerging talent. Maybe unsurprisingly, Satoshi Kon’s first big break as a writer was in the 1995 anthology Memories, where he produced both scripts, backgrounds, and layouts for the short Magnetic Rose—another science-fiction story based off Katsuhiro Otomo’s work. With music by Yoko Kanno, Magnetic Rose is almost like an early Kon-directed episode of Cowboy Bebop (a dream!), accompanied yet again by an unnerving cautionary tale of technology and the human mind. 

    Aboard the space vessel Corona, a crew receives an SOS signal from an unknown source. Two engineers, Heintz and Miguel, discover an abandoned space station on October 12th—Satoshi Kon’s birthday. Kon’s screenplay is powerful, striking the perfect balance of the fantastic and gruesome reality. Heintz and Miguel are entrapped into a shuttle overrun by a wayward AI, the last guardian of an opera singer named Eva who passed away alone and isolated after her lover’s mysterious death. At AI Eva’s whim, Heintz and Miguel both fall victim to their own memories and desires, all for the sake of their own grasp of reality before succumbing to the unforgiving void of space. It is far less sympathetic than Perfect Blue or Paprika for its protagonist's emotional shortcomings—in a way, this is Kon at his unpolished best. Magnetic Rose is one of Kon’s strongest works, and with its unflinching depiction of the human psyche, it no doubt proves that Kon was pioneering long before his directorial debut.

  The House Mima Built

  After the success of Memories, Kon launched his directorial career with Perfect Blue, an adaptation of the novel by author Yoshikazu Takeuchi. For the first time, Kon had near total creative control of his films; unlike his previous projects, Perfect Blue’s art direction needed to be built from the ground-up. Without the blueprint of a preceding manga or character designs, the story of Mima Kirigoe, a pop idol with a split personality and a near-supernatural stalker, was entirely in his capable hands.

  The role of memories in Perfect Blue isn’t unlike that of Magnetic Rose or Roujin Z—Mima in her pursuit to seek a new career as an actress, cannot escape her complicated past. Mima's troubled history joins Kon's dark gallery of thematic conflict: man and machine, man and evil opera singing AI, man and weird internet stalker. Kon’s characters are always moving forward, either it be Mima running away from her phantom pop idol other, or Paprika herself being chased down a dream hallway. Kon’s characters are consistently running away from, if not literally themselves, a surreal entity that is everything they hate or scared of becoming. Kon’s second film, Millennium Actress, solidified his talent as a filmmaker and of course, the rest is well-documented history.

    In the year between Magnetic Rose and Perfect Blue's release, Kon wrote the manga Opus, his final work before fully transitioning to animation. While never completed, Opus tells the story of a manga artist who cannot finish his long-running series after his main characters mysteriously becomes sentient and prolongs the final chapter's release. In a way, Opus is an appropriate predecessor to everything Kon’s directorial career is: art that reflects the artist himself, the audience second. Life imitates art, in that after passing on August 24th 2010 of pancreatic cancer, Kon never finished his final projects. A month after his death, Kon was honored in TIME, where late film critic Richard Corliss wrote: "In his art, in his life and in his grace in leaving it, Satoshi Kon was a hero, first class."

Today, I hope both old and new fans of Kon’s films are able to reflect on his earlier works and appreciate the sensitivity and passion in which he pursued his craft. He was, beyond a talented animator and artist, a man deeply devoted to his colleagues and those who supported his ambitious endeavors. Satoshi Kon will always be in our memories, not only as a director, but as someone who completely transformed our relation to art for the better.

How has Satoshi Kon's work changed your life? Let us know in the comments!

  ------

Blake Planty is a writer who loves his cat. He likes old mecha anime, computer games, books, and black coffee. His twitter is @_dispossessed. His bylines include Fanbyte, Unwinnable, and more. His newsletter is Boy Toy Box.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

[tilda-ba-dilda-blog]

ᶦᶰᵗʳᵒᵈᵘᶜᵗᶦᵒᶰˢ﹕

hi. i’m kid and stuff and this is my dollie Matilda. this intro will be brief bcuz i want to do the ‘get to know her as i rp’ thing. anywho peek below for more stuff.

Is that [ ADRIA ARJONA ] checking into the Starlite Motel? No, it’s just [ MATILDA APONTE ESCALANTE ] — a [ TWENTY SIX ] year old [ INDIE FILM MAKER ] from [ SEATTLE, WA ]. [ SHE/HER ] identifies as [ FEMALE ] and [ HETEROSEXUAL ]. They seem +OPEN-MINDED and -INDECISIVE. ( kid, 24, est, she/her ) <<< hopping on the bandwagon.

*hive fives and cookies for u for joining us*

So, a little about me: I’m kid. i’m from ohio and i’m usually available week days. (wow i deserve world’s record for most boring intro).

On to Matilda: 

The general idea is that she’s a happy-go-lucky, outgoing, type of gal. She comes from a pretty wealthy family, but has cut her self from their financial support. Matilda wants to start completely fresh and chase her passion; which is art. She’s a big fat art lover. art-phile. whatever. Although she’s interested in all forms of art expression, videography is her main media. 

connections i’m interested in: 

Her crew: Matilda’s crew once consisted of only one member (herself), now she’s lucky enough to have four other crew members, one’s her cat Mima but the other three are free to have roles of their choosing, rather it’s editors, producers, actors, etc. 

Gal pals: Matilda likes to make friends, rather they stick or not is entirely up to fate. These people could be anyone, probably the just few she’s managed to pick up since being in Vegas.

Wing mate: so Matilda isn’t into dating (i mean, one, she’s terrible at it) or getting into relationships and the stuff. But let’s be honest, she’s a human and would still like to “get it in” rather she’ll actually admit it or not. She’s not going to be able to do that on her own, so she’s gonna need a bit of help. It can be a sorta, you scratch my back, I scratch yours. y’know.

I’ll probably add more, when it comes up. I know she has one brother but as far as she’s aware he’s in Portland or somewhere. 

HMU for ideas and stuff or just to chat idc ♥

#vacancyintro #about. #intro. #//this ^ is pretty lame I wouldn't blame you for skipping it XD

[mima-sama]

Quick Cat!Mima doodle for the holiday. I think I’m slowly getting better at drawing animals!

#mima draws things #cat #touhou #mima #mima (cat forme)

[mima-sama]

Things my Mima muse has eaten

A senbei (this is an old drawing, all of them are except for the next one)

Shrimped chips! (So shrimpy! So delicious!)

A squirrel! (Don't try this at home, kids!)

Bit of an anon that ticked her off (yucky, never again)

Baby bird. (As my college bio professor once said, They're nature's popcorn, don'tcha know?)

Bonus! In her cat form, she's eaten catnip!

#shenanigans #I ought to draw Mima eating even more random things-- it's funny #long post #old art #blood

[mima-sama]

Mima, if you're a spirit, how can you keep on make-up? (Like the one in your pfp)

"I'm made of ectoplasm, but I can manifest in a solid state. Theoretically, I can stretch and mold my ectoplasm into any form I wish-- though it's easiest if it's an animate object, and I'm familiar with the form first. The easiest way for a spirit to become familiar with a form is possession. For an example, since I possessed a cat once when I was on the run from a previous Hakurei miko, it's easy for me to shift into a cat nowadays," Mima explains, before clearing her throat. Uh-oh. She's gone into lecture mode.

"For inanimate objects... well, it's just easier to possess them, rather than shapeshift into them. It can be done, but it takes an enormous amount of concentration and energy because when you shapeshift, you're basically making facsimiles of various chemical elements and stringing them together. Since the chemical elements that go into making a living creature are generally very similar, just with different proportions (mostly), it's much easier to shapeshift into animals. Plants are a little more difficult, but still worlds easier than, oh, say, a rock or a machine of some sort. Also, shapeshifting is easier when you're a spirit because ectoplasm is very malleable."

"... Geez, I really went off on a tangent there."

That's because you're a huge nerd when it comes to magic!

"Ah, shut up, mun! Anyway, I can keep makeup on because I can assume a solid enough form. That's your answer. If you still don't understand, then... well, just say that a wizard did it, and be done with it."

#ask mima #ic: mima #mun speaks #btw it's actually hard to go from animal to plant when shapeshifting #my mima just has an easier time with it since she's part tree sprite (she's still unaware of this) #long post

[mima-sama]

If "the Shrine Maiden nothing more than a dog of the gods" (Shinki., 1998) aren't your cat form just another way to mock her? (And isn't the yin-yang orb turn into a cat something odd?)

"Not really? That was more or less just Shinki insulting Reimu. She's not actually a dog..."

"...Though she does turn into a fox when she gets hit by that one spell of Mamizou's." Mima's never really thought about that too much before. Why does Reimu turn into a fox, of all things? You'd think she'd turn into a cat, with as much as she likes them. Then again, foxes are pretty much just cat software running on dog hardware. Maybe Shinki was onto something after all? Hmm.

The spirit shrugs. "At any rate, Reimu really likes cats, so it's easier to get away with trolling her if I'm in cat form. The downside is she can pick me up and call me stinky to my face, which is kind of humiliating."

#ask mima #ic: mima

[mima-sama]

Cat Mima, didn't Stone Doggo... I mean Aunn tried to attack you sometimes?

"I haven't really been around Aunn in my cat form that much. That said, I doubt she'd attack me, since she doesn't attack any of the other cats at the shrine."

"There are actually a surprising number of cats that hang around the here, but nobody minds them-- they keep the rat population down, which is always good when you're living in the countryside. Reimu herself is really fond of cats, it seems. Which is why I don't spend a lot of time in my cat form."

"...There's nothing quite as humiliating or awkward as your arch-rival picking you up off of the ground and saying "who's a stinky kitty?" to your face."

#ask mima #ic: mima