#overall I Liked It. not my favorite production but one of the better ones i've seen so far

[supercantaloupe]

no one asked but here are my thoughts on the new met don giovanni from today. tl;dr: a couple of weird choices made but overall Quite good i liked it

elaine douvas jumpscare at the top lol

federica lombardi and ben bliss as anna and ottavio were the standouts to me. lombardi came out the gate STRONG with fuggi crudele and she keeps it up. and kudos to bliss as ottavio; i often find that he can be a pretty uninteresting character if not played carefully and bliss did a really great job making ottavio Interesting. face journey of the year award goes to his dalla sua pace (il mio tesoro honorable mention).

peter mattei sounds great obviously but is it just me or is he starting to get a leetle bit old for the role. not vocally but physically. like him next to ying fang is like. sure man yeah

alfred walker in the same camp honestly. like he did a great job singing masetto but i'll always laugh when like. giovinette che fate all'amore kicks up and they're like "here's the happy young couple :)" and the bass is obviously in his late forties at the youngest lmao

anyone else think adam plachetka looks. kind of like ted cruz. hello?

anyway i liked plachetka a lot largely because he seemed to actually remember that don giovanni is nominally a dramma giocoso and a lot of his little acting choices brought back some of the humor that i thought was a bit lacking in the production as a whole. also christ they bowl that fucking man across the stage a few times don't they

ying fang did a great job too. the lingering terror in her expression during la ci darem so juicy. also that bit in act ii when they're threatening leporello and she balls his shirt up in her fist even though he's like a foot taller than her. love her so much. also woman pretty

i liked stutzmann's conducting for the most part although nothing much Stood Out to me about it. except like two or three tempi i disagreed with and a couple of spots here or there that felt like the orchestra and singers weren't 100% together right away. but idk i'm not a conductor i assume doing a debut performance at the met with a new opera you haven't conducted before is A Challenge so.

a few scenes felt...strangely placid energy wise to me. notably the opening scene but a few other places too including elvira's arias for some reason? in some cases it's like i think more just could've been done with the blocking while nothing much else was going on but in other places there Was plenty of movement it just felt...low energy. idk. where's the hustle i thought this was life or death here

cool use of the fog rising out of the floor of the stage's incline

although the steep rake to the stage led to a few unintentionally awkward/funny (to me.) camera angles. like they were obviously shooting from stage level and it would normally be a straight medium/wide shot but because of the rake it ends up being a slightly weird low angle (especially funny to me when in terms of cinematography language this kind of undercuts the vibe of the character that's being shown onstage at the moment lol but what can ya do. i'm being very nitpicky anyway)

actually the set design in general surprised me. mostly because for like 90% of the show i'm like "it looks kind of interesting i guess but Why So Brutalist And Plain" although i like that having multiple levels lets there be some creative use of vertical space in the blocking. i was so ready to write it off as disappointing/underutilized to me until the very last chorus of the show they actually Do Something with it and it totally surprised me and i really liked it. made me wait for it! surprised me! credit where credit is due i liked that a lot in the end.

i do wonder though if this production would be completely undone with a little more color in it tho. like i Get what they were going for with all the grey and i do appreciate the roses and blood but i feel like you can still do More with a broader but still limited color palette without compromising the vision. at least you could be more creative with the lighting i feel like the met pretty consistently disappoints me with its lighting (which is usually "serviceable" to "attractive" but not really creative or adding all that much to the scene. sorry but musicals are still beating you at this particular game)

although what was with the ball scene. with the mannequins and random period dress for ottavio anna and elvira but no one else. i liked the costumes but what was the point

also that said re: lighting. a cenar teco FINALLY did something interesting with the lighting and projections. cool and i liked it. except for the fact that the projection was up for too long and you couldn't fucking see what was happening on the stage and don giovanni effectively just Disappeared. i realize this was intentional but either make the disappearance much more sudden/short or show me what happens to that little freak otherwise it just feels lazy

great cello in batti batti o bel masetto. liked.

FANTASTIC orchestra in la ci darem and especially its preceding recit. the combo of the theorbo + cello + harpsichord was so atmospheric, somehow adding both to the romantic atmosphere AND the "psychological horror" thing going on in that scene. which i love honestly that scene SHOULD look gorgeous and feel like a lead weight in your stomach and i love that they went there with it.

also sorry but the champagne aria could be blocked way more interestingly. try harder

mixed feelings on the blocking of the ball scene. i thought the choice to have the whole chorus there but be so still and stiff when dancing was interesting, it definitely conveyed the sort of control through fear that the don has on everybody, but at the same time the scene felt like it was missing life. as well as missing some of the chaotic energy i think is necessary to build up over the course of the scene to lead into the climax. plus what is that act finale? kind of a cop out imo not actually showing us a clever escape of any kind. i will give them points however for having the onstage musicians because i am a sucker for that. i could see one of those oboists onstage was playing a cocobolo instrument...preddy.

okay what the fuck was up with gia la mensa e preparata. i get that it can be a weird/tricky scene to block if you're doing a more Serious And Grounded (and/or Edgy) production (and this production i do think leans more towards that and further away from the comedy potential throughout, with some exception here or there) but dude the tonal whiplash. they go like full on farce for like a solid six minutes there it's kind of bizarre. like it's funny yeah but it feels like it comes out of nowhere and doesn't totally fit...like peter mattei didn't anyone ever tell you not to play with your food. although it was funny when he accidentally beaned plachetka in the face with a dinner roll. literally once elvira shows up the rest of the scene is Fine and i actually really like the way it's blocked and acted from that point on but What Was Up With That

also this is going to sound so weird both coming from me and speaking about this opera in particular but. it felt. weirdly not horny enough? also weird to say cause there was an above average amount of people lying on top of each other on the floor going on too but. like. idk. vedrai carino...a lot of elvira's acting...even some of mattei's i felt like there could've been More done in this respect without it pushing into the realm of excessive or distasteful. they really play up the He's A Sexual Predator angle of the character here but with more emphasis on the predator part and less on the sexual part i think. but idk maybe part of this has to do with me thinking walker and mattei look a little bit old and/or me not being generally as into men. ah well

anyway not to be really annoying all the time but if you liked this production (especially a lot of its aesthetic choices) i am once again recommending the 2017 aix production it's on youtube and it's soooo good. and has a Lot of similarities with this one stylistically. and also i love it

#sasha speaks #sasha reviews #don giovanni #overall I Liked It. not my favorite production but one of the better ones i've seen so far #edit: wait apparently ant did ask. i missed that in my notes somehow. anyway. hi ant here u go lol

[secret-sturniolo]

SPACE CAMP REVIEW!!

(honest, in-depth)

Shipping took about a week and a half but it arrived in perfect condition and undamaged

-packaging is super cute! not super complicated/over the top, but also not overly simple. my order came with a valentines day postcard and a silver "space camp" logo sticker.

-right off the bat, i can tell these are definitely bigger than any other lip balm i have ever used. they also have a higher quality feel to them.

-i think the "pocket safe" turn wheel is super unique, not something i've ever heard of before! it definitely does help protect the lip balm from damage when not in use.

-the jumbo size tubes allow for more surface area coverage when applying to the lips, making application quicker and easier

-all lip balms apply super smoothly, and feel soft and moisturizing on the lips. there is no "waxy" feeling left behind on the lips as with other brands.

Wild Cherry

-smells exactly like a cherry lollipop i would have eaten when i was younger. its not sickly sweet or overpowering, but you can definitely tell what it is.

-the cherry taste is very mild. i can almost taste the beeswax/sunflower oil a bit more than the cherry, but by no means is the taste bad!

-other cherry flavored lip balms (chapstick, burts bees) tend to make me feel a little nauseous for some reason? but this flavoring did not give me that effect.

-overall really good, but i would've liked to be able to taste a little more of the cherry flavoring!

Frosted Mint

-smells exactly like mint ice cream, just as advertised. im not always a big mint person, especially if it is a stronger scent. this scent, however, is just enough without becoming overwhelming.

-the taste is also exactly like what mint ice cream tastes like. i really enjoyed this flavor, its not one that i see super often as a lip balm flavor so it was very interesting to try!

-it leaves a slight cooling feeling as well as a mild tingle on the lips, which is not my favorite. its nothing like if you were to use a lip plumping gloss or anything like that, but i know a lot of people could dislike this, especially if you tend to be sensitive to certain sensations.

-i think this is a really great flavor! i was happy to discover that it does really taste and smell exactly as it was promoted. once again, i would not recommend this flavor if you are sensitive to cool or tingly feelings on your lips.

Juicy Watermelon

-i am not exaggerating when i say that this smells HEAVENLY. i had a feeling going into this that it was going to be my favorite flavor, and it did not disappoint. if i could hold it under my nose and smell it all day, i would. its the perfect amount of sweetness, almost like candy. i wish i had better words to describe it, i feel like my explanation wouldn't give it justice.

-if you can imagine biting into the most perfect, red, juicy, sweet slice of watermelon, that's how this flavor tastes. i have tried other watermelon flavored lip balms in the past, and this one is by far my favorite.

-i honestly have no complaints about this flavor. literal perfection

Do I recommend?

currently, they are only available to purchase all three as the Launch Pack, set at $36 + shipping (USD). my shipping was only $6, which is significantly lower than some of the other shipping costs i have seen. so in total, i paid $42 for the three lip balms (about $12 per tube).

taking into account that they are USDA organic and significantly larger than most retail lip balms, i do still feel like the price is a little steep. if there was an option to purchase individually, i feel like this would help that issue. to be fair, Nick did say this option will be available in the future.

if you are willing to pay for it, i would say its worth it. the quality of the lip balms definitely reflects the price, so its not like you are paying for low quality product. however, if you are somebody who does not want to pay at least $36, or if you already know you wouldn't enjoy one or more of the flavors, you are better off passing on this, or waiting for a future launch with different flavors and the ability to purchase individually.

i am personally very happy with my purchase, and i don't regret it at all. there are obviously things that can be improved on, but you have to take into account that this is a new brand that is still working out the kinks.

im super proud of Nick, and im excited to see what the future holds for Space Camp Wellness!

#sturniolo triplets #matt sturniolo #chris sturniolo #nick sturniolo #christopher sturniolo #nicolas sturniolo #matthew sturniolo #space camp wellness #secret sturniolo

[mikuni14]

2023

Three clarifications: 1) all my opinions are completely subjective and based entirely on my feelings, 2) I definitely left out a lot of what I wanted to write, and I will probably remember it after the New Year lol 3) The Sign wins all the best categories, BUT the series isn't over yet. I included it in my list anyway (I also included Twins)

Unfortunately, 2023 is me continuing the trend started in 2022, i.e. dropping the series, sometimes even just before the finale. There are about 35 series I dropped this year (!!!!!). Some of them I literally stopped watching the moment MLs appeared on the screen, like Dinosaur Love. Sorry but nope. Why is this happening? Perhaps because of the huge number of series. Before, I watched everything, even the worst productions, because I simply had no choice. Now there are so many new series, also so many great older series that I can come back to with pleasure, that I don't regret dropping something, that in the past I would have forced myself to watch until the end. Life is too short to waste it on mid series 🤷‍♀️

My list:

Perfect relationships: Our Dating Sim, Jun&Jun, The 8th Sense, Love in Translation, MickTop - My Universe, The Sign, Twins, Our Dining Table, Sing My Crush, um, Destiny Seeker 😄

Perfect relationships minus this one thing (usually an awkward kiss, sorry, this is very important to me): Unitentional Love Story, Laws of Attraction. WHY. These are not Sotus times, it's 2023, there are no excuses, learn to kiss, it's the easiest thing to DO

Many series disappointed me, but most of all, the one in which I had such great hopes: Chains Of Heart, come ON, this series had EVERYTHING to become one of the best series this year!!

Characters most harmed by the plot: Boston and Babe. I will also never forgive Between Us for what they did to the most awesome couple ever: WinTeam

Interesting series that pleasantly surprised me with how different and unique they are: Be My Favorite, Bake Me Please

Series that I have watched until the end, that are a complete waste of time and that I have bad memories of: Step by Step and La Puie

Characters that were just plain awful and that I would avoid in real life: first and foremost, of course, that EUN JI bitch and Tae Hyung (The Eighth Sense) also Sangin (Sing My Crush), practically everyone from Only Friends, Phat and Saengtai (La Pluie), Pat (SBS), Wen (Moonlight Chicken), Charlie. I'm not writing about terrible parents, there were a lot of them this year

The craziest series I've watched anyway: Till The World Ends 🥳

It's been a year of shows about workplace romance, but only a few managed to portray it in a good, even cute way without creepy power imbalance: Jun&Jun, ODS, Love in Translation, probably Cherry Magic (still airing)

New stars✨ that rocked my 💖: Daou (LiT), Babe (The Sign), Frame (Twins), Guide (IFYLIA, Bake Me Please) and Mark Pakin, my king 👑

My obsessions this year: Jae Won (The 8th Sense), Charn (LoA), Yang (Love in Translation), Im Han Tae (Sing My Crush), Sprite, THARN and Phaya. Overall, 2023 was full of characters who were a wonderful mix of pathetic and crazy in love and who made me feel like 🥺😍😭🥳. These were the men (and boys) mentioned above, but also Yoon Tae Joon (Unintentional Love Story), Cheng (Chains of Heart), Pisaeng (BMF), Tinn (My School President), Mick (My Universe). I love all of them 💖

Hot guys 🔥: ok, there were a lot of them this year, but definitely Chi Jun (Jun&Jun), Yang (LiT), Im Han Tae (SMC), Palm (NLMG), Songkhram (Destiny Seeker), Way and Alan (Pit Babe), Yoon Tae Joon (Unintentional Love Story), Mark Pakin in all his roles, obviously Tharn and Phaya ✨

Characters that I always look at with fondness, that I watched with real pleasure,, who brought only high-quality content and made this year better for me: Tharn, Phaya and their friends (YAI), Tinn, Charn and their friends (NAWIN and the girls), Mick (MU), main couples from SMC, Jun & Jun, ODC and LiT, Our Dining Table, Yoon Tae Joon (Unintentional Love Story), MR. TIWSON 👑, Peach, Sprite (every time I write the names Peach and Sprite I crave a fruity drink 🍹)

Hottest scenes 🔥: everything that is happening in the PhayaTharn universe so far, and

With so many series from Thailand, surprisingly few made a huge impression on me, the same in the case of characters or couples that I was obsessed with and which I would happily rewatch many times. I was even more surprised by Korea, which, with an incomparably smaller number of series, still created real gems, fantastic couples and interesting, liked characters. It was Korea that gave me probably the most interesting character this year: Jae Won. Although Thailand shot a Tharn-shaped arrow straight into my heart at the very end of the year 💘

It was a very good year, hope 2024 will be even better. What I wish for myself and all of you, my lovely jellyfish bolsters 😘😘😘😘😘

I wanted to thank everyone here for being so awesome this year, everyone who wrote great reviews and funny posts and notes, everyone who worked hard to gif the best scenes and who promoted the series fiercely. I watched many of my favorite series only thanks to your gifs. I love you all so much, you are the best! 🥰

#bl drama #thai bl #korean bl #japanese bl #fav character #fav actor #fav couples #2023 #the sign the series #twins the series #our dating sim #jun & jun #laws of attraction #love in translation #unintentional love story #the eight sense #sing my crush

[thankskenpenders]

Sonic Prime!

The first eight episodes of Sonic Prime are out! I've been busy for obvious reasons this past week (I kinda released a video game), but I've now seen all eight episodes, and as such can give more structured thoughts on them.

Overall: pretty good! I like it! ...But it's not 100% there yet for me. In the spirit of Festivus, I'm here to air my grievances.

Let's start with one of the highest points. First and foremost, this show looks great. We FINALLY have a Sonic cartoon that actually looks like the games with no asterisks attached, even across multiple wildly different AUs. And everything from small acting choices to big, bombastic fight scenes is a joy to watch in motion thanks to the fluid, expressive, fast-paced movement, with characters pleasantly squashing and stretching in fun ways. It's so fun literally to just watch Sonic's face move in dialogue scenes. God, I wish the cutscenes in Frontiers had animation this good. I get why they don't, but still.

And those action sequences! Man, some of these are the most fun fight scenes in any Sonic cartoon ever, period. Lots of great shot choices, a good mix of recognizable moves from the games combined with new ones and improvisations, I could go on and on. The shot of Sonic leaping backwards down that long stairwell, only for the camera to pan around beneath him and show his friends following suit? There's a reason why they put that in the trailer. It rules. This isn't the greatest action series ever - it still has your typical kids' action cartoon problem where the stakes rarely feel adequately high and you can turn your brain off during fight scenes - but it's fun to look at in a way that previous Sonic cartoons haven't always been.

Really, with how strong the presentation is, it's the writing that tends to let the show down in this first batch of episodes. The writing isn't even bad - there's some really cool stuff to latch onto, and I'm optimistic about them leaning more into what's interesting as the plot continues to develop. It's just... well, it's a Man of Action cartoon.

I'm going to nitpick a lot here, so I want it to be perfectly clear that I like Sonic Prime. I think it's a solid cartoon, and firmly on the high end of the Sonic cartoon spectrum. There's a lot that I'm into, and if someone told me it was their new favorite Sonic cartoon, I could absolutely see why. It mainly just has three things working against it:

It can't decide whether or not it actually wants to be wholeheartedly faithful to the games.

It was very clearly written to be a weekly TV show and not a Netflix show dumped in large batches.

The bar has been VERY high for Sonic content this year across every other medium.

Faithfulness to the games

As has been touted in interviews, Sonic Prime is actually canon to the games, and in many ways it's slavishly faithful to them. Which only makes it weirder when it isn't.

The thing that'll immediately stand out is the new voice cast they had to get because Canadian production laws blah blah blah. Now, they're all good here, particularly Deven Mack as Sonic. His take definitely sounds similar to previous takes on Sonic, but I think he manages to find a nice middle point between the youthful enthusiasm of movie Sonic and the more experienced heroics of game/IDW Sonic. He's great. And not to knock Cindy's performances, but I think Shannon Chan-Kent's voice might actually fit Amy just a liiiiittle better here. But the problem is it gets harder to view this as the regular game cast and alternate timeline versions of them when everyone always sounds a little off. Knuckles in particular is really weird because his AU counterparts have a completely different voice actor, and neither particularly sounds like his current voice in the games. I have no idea why.

For another example, Green Hill is used as a setting in a cartoon for the first time ever, and it looks exactly how you remember it. Cool! But it's also framed as the place where Sonic and all of his friends live 24/7, which has never, ever been true in the games. Even Knuckles is here with no explanation for why he isn't guarding the Master Emerald. (One might think that not drawing attention to Knuckles' job allows the writers to just pretend it doesn't exist, similar to what Sega does in many games, but then we get a literal 16-bit flashback to him guarding the Master Emerald in Hidden Palace.)

This would be a totally fine concession if this show was just doing its own thing like every other Sonic cartoon. The different universes are all different bad timelines for Green Hill, with Sonic spotting the unique iconography of the level buried beneath whatever's taken over South Island this time - a smog-filled Eggman city, an overgrown jungle, an abnormally high sea level - to drive home how wrong the AUs are. It also explains why Sonic can always find the AU versions of his friends in Green Hill, and it probably cut down on the number of sets they had to model. But because it is canon to the games, things like this distract me as a hopeless Sonic nerd. It also leads to some repetitive dialogue in the first few episodes as characters constantly comment on the presence or lack thereof of palm trees, because their only reference for what the world is supposed to look like is Green Hill.

Rings are also treated as a minor plot point early on to incorporate another thing from the games, as Sonic is late for the big battle against Eggman because he was off collecting extra rings. But despite how often it's brought up in that context, they aren't actually a factor in the fight at all, and then rings are never seen again in the AUs.

Also Orbot and Cubot are in this in the regular universe and then we never see them again? Are they going to come back??

This extends beyond these pedantic nitpicks, though. To me, the worst offender of the show selectively choosing when to care about the source material is the dichotomy of the character writing in the alternate universes.

Every AU will have one or two takes on one of Sonic's friends (Tails, Amy, Knuckles, Rouge, and Big) who are The Interesting Ones, the spotlighted characters for each subplot. These are the ones that get actual character arcs, and they feel like they're written in conversation with their original game counterparts in interesting ways.

In the dystopian world, Tails is known as Nine, a cynical loner inventor who was never saved from his bullies and inspired to be a hero by Sonic - but who, when pushed, is still a good kid deep down. In the jungle world, Amy is the extremist Thorn Rose who rides around on a giant Flicky like it's a chocobo and prevents foragers from "stealing" from the forest, possibly riffing on her bond with the Flickies in SA1. She's still looking out for the little guy, she's just doing so at the expense of everyone else. And in the pirate world, Knuckles is the captain Dread Knuckles, who instead of diligently guarding a magic rock was a pirate obsessed with obtaining a magic rock, and who swore off of that quest (and fighting in general) after it cost him the trust of his original crew.

These characters and their interactions with Sonic are all fun - Nine in particular provided a lot of my favorite emotional moments so far - and it feels like it gets at why you would do a multiverse story like this in the first place. You get to examine the characters from other angles! It's just that then there's... the rest. Characters who aren't the focus will just kind of get inserted into roles as Man of Action rests on broad cartoon tropes instead of actually doing anything with the Sonic source material. The dystopia of New Yolk City feels like a good fit given the history of the franchise, but then the other two worlds we've seen so far rely largely on stock "tribal" tropes and pirates going yaarrrrr.

I'm biased, but the worst off here seems to be Rouge, who has yet to get her spotlight universe (assuming she gets one next). This really stings because she's spot on in the regular universe. She hasn't been retconned to be part of Team Sonic, she's invited herself over because she's got her eye on the Paradox Prism (even dropping in unannounced at Tails' workshop). She's got a bit of that playfulness that makes her so fun, and the animation is able to lean into it. But then you go to the other universes and it's all gone.

Pirate Rouge is pretty fun, I'll admit, but I'm shocked they don't play up her love of gems there. Rebel Rouge (yes that is her literal name, the other rebels call her Rebel) gets to be a spy with a fun dynamic with Knuckles at first, but it quickly devolves into her just being the serious, responsible girlboss leading the rebellion who acts as a straight man to Sonic's snark. In other words, she's a lot like... Sally? I hate making that comparison because SatAM/Archie fans have been derisively comparing literally every new female character in the franchise to Sally since the '90s, but it's really hard to shake. (Similarly, it's hard to shake comparisons to Bunnie and Mecha Sally with Rusty Rose, the evil cyborg version of Amy with extendable limbs.) And Rouge's jungle universe counterpart ("Prim Rouge") is also just kind of there as the no-nonsense leader of the tribe, similar to Rebel.

And it's in scenes revolving around the blander of the AU characters when I'm like... man, I kinda wish they'd just made a show about the regular game universe without having to watch Man of Action bust out the pirate joke book and write the dollar store version of Princess Mononoke. I want to spend more time with the actual characters. Because they nailed the tiny glimpses of the game world that we got. This isn't a constant thought I have - again, I like the show, and the major AU characters are cool, and I like seeing new things be done with Sonic. But I'd be lying if I said I never wished the show had gone a different way. My perfect Sonic cartoon continues to elude me...

Story construction

Let's back up a bit and describe the basic premise. On the regular version of Sonic's Earth, things are business as usual, although Sonic seems to be getting a little too cocky and taking his friends for granted. During a fight with Eggman, Sonic accidentally shatters our new macguffin, the Paradox Prism, creating a series of new bad timelines in which he never existed. In that way, I might almost compare it to a multiverse-hopping adventure version of It's A Wonderful Life. A pretty solid emotional throughline to give the show a little more heft. In each of these worlds, Sonic helps set things right with the alternate versions of his friends and finds another shard of the Paradox Prism in an attempt to restore his world. He also usually faces off with the Chaos Council, a team of five alternate Eggmen who are all different ages.

Beyond the fact that there are like five versions of most characters, it's not THAT complicated, especially in a time when damn near everything in pop culture is doing multiverse shenanigans. Which is why it's frustrating that the script seems to think it's fucking House of Leaves.

For the first few episodes, Sonic has a VERY hard time grasping the fact that he's in an alternate universe. This is to be expected to some extent - Sonic is our point of view character through all of this, and it's a kids' show, so he's got to go through a process of figuring things out so that it can be explained to the kids at home. The problem is that it takes him damn near the entire first mini-arc in New Yolk City to figure it out, which starts to come off as insulting and leads to EXTREMELY repetitive dialogue where Sonic wonders why his friends don't remember him and where all the palm trees went. You'd think that by the time Nine explains that his personal history is completely different from how Sonic remembers his time with Tails he'd get a clue, but no, not really. He continues to meet alternate versions of his friends, stubbornly refer to them with their original names, and wonder why no one remembers their previous adventures together. This then somehow even continues into the second universe, the jungle one, where he somehow thinks he's still in New Yolk City and wonders why the cyberpunk rebel versions of his friends are all covered in leaves and wielding spears now. Thankfully, by the time he reaches the pirate world Sonic finally gets a clue, so this isn't a pattern that's going to continue. But it does make the first few episodes a drag.

This, the many recaps, and the out-of-order presentation of scenes back in Green Hill so that they can have a flashback to the regular universe in every episode for context really make it clear that this series was written for TV, not for Netflix. It's assuming that every single episode is going to be some 7-year-old's first episode and that they need to have everything explained again. I'd probably be a bit more sympathetic towards this repetitive, patronizing writing if it actually was airing on Cartoon Network, rather than being a Netflix show where they're dropping eight episodes at a time.

Stiff competition

This is the least fair of my complaints, but I gotta say it. As solid as Sonic Prime is for the most part, it looks worse at the tail end of a year when we've been FEASTING as Sonic fans.

We got a movie sequel that pivoted HARD into game elements, giving us both really great takes on the characters and interesting remixes of old ideas. The IDW comics are still going as strong as ever, with the continually compelling arc of new villains Surge and Kit and now the wildly inventive and downright beautiful to look at Scrapnik Island. And, of course, we got Frontiers, a return to form for the series that adapts it to a semi-open world with the best and most interesting story we've had in god knows how many years.

And then we've got Sonic Prime, a pretty good cartoon that between fun action scenes and interesting story ideas frequently relies on genre pastiches that were tired 30 years ago and jokes that aren't particularly funny.

I think reading Scrapnik Island #3 really put this into perspective for me. Which, again, isn't fair. The comics target older kids and are ALWAYS heavily tied to established continuity, and a comic miniseries can afford to go way more niche than a Netflix show. But Scrapnik is just doing such amazing and original things, bringing back long-forgotten elements of the games and recontextualizing them in fascinating ways. That mix of both the heartwarming sight of the Scrapniks finding happiness in their new lives and the EXTREMELY atmospheric horror aboard the ruins of the Death Egg. It rules! It takes elements hardcore fans wanted to see again and tells a totally new story with them that's unlike anything we've seen before in the franchise. It's really, really hard for "what if Knuckles was a pirate" to compete with that.

But we're still early in Prime. Things are getting more interesting over time, with Sonic acclimating to the dimension hopping and more crossover between the different universes. Nine discovering a completely dead, empty world and wanting to start from scratch there was also really interesting, and I'm curious if that goes anywhere. Again, I've been nitpicking a lot, but the show is pretty good and I've enjoyed my time with it overall. I just don't quite think it's 100% there yet. But I definitely think it could get there within the next 16 episodes.

Misc thoughts

Rouge sleeping like an actual bat is cute.

I like that the environmental themes of the series are such a big focus here! They fall to the wayside too often

I like that the AU characters have different names for the sake of telling them apart, but some of them are pretty bad (the aforementioned Rebel Rouge) while others I just don't get. Why is the old man Eggman named Dr. Done It? Why is the teenage one Dr. Don't?

I thought the scene where Sonic was trying to talk to the New Yolk City crew after a battle and they had to keep ducking under a laser that was still slowly circling the room was funny

The new shoes and gloves are ugly and I think it's really contrived that they magically transform into the perfect tools for every new universe

Between this and Frontiers it's becoming a pattern that Tails and Knuckles can get explicit flashbacks to previous games to highlight their histories with Sonic, while Amy can't. I don't know what to make of this

Thorn is pretty good overall but I do think the flashback depicting her as just randomly snapping one day when her friends pick one too many berries is so hokey that it wraps around to being kinda funny

I've neglected to mention Shadow, but I like him okay in this. It's definitely modern Shadow, but I think "hardass, no-nonsense rival who thinks Sonic is an idiot who acts without thinking and thus wants to kick his ass" is a decent place for Shadow to be in, compared to just The Vegeta, even if it's not my favorite version of the character. I'm curious to see what his role is in the rest of the show, especially given the cliffhanger, and hope he's able to work together with Sonic instead of just being a pissed off antagonist the whole time.

I hate baby Eggman

#tkp post #other media

[carterashofficial]

So, what is the difference between concrete and cement? I genuinely didn't know there was one.

Okay so 1- I'm not sober right now and 2- Concrete was one of my top 3 favorite college classes (along with botany and architectural history from early gothic to 1700s-ish. yes i had a concrete class. it was required for my major)

So *Cement (the OG stuff) is like. old as balls. its been used since the dawn of time and is like. water+ chalky rock stuff. it's got the structural integrity of a saltine cracker, so if you touch it wrong it crumbles, much like my self esteem.

Then the Roman came along, looked at *Cement, and thought "i wanna make it better" and then went and invented Concrete. The One True Big Deal OverPowered Concrete recipe used in Ancient Rome has unfortunately been lost to time. However- we know the basics. Cement + Water + Fly Ash + Aggregate (you might be thinking "hang on, cement is in concrete?" it always has been). So what are these things?

Cement: the basic ingredient. its cement.

Water: H2O preferably in liquid form

Fly Ash: well-done charcoal in a Supremely Fine Powder

Fine Aggregate: sand, essentially.

Coarse Aggregate: small-medium gravel

So you mix all of these things together and you get Concrete. Unlike the fragile cement, Concrete doesn't give a damn how you touch it unless you're a jackhammer. if cement is the crumbly saltine cracker, concrete is a graham cracker. Stronger, heavier, and overall better.

back to Ancient Rome.

So Concrete has been Invented and those Romans use it to build the Colosseum, because they could and no one could stop them. deep at the bottom of the Colosseum are concrete walls like 9 feet deep. Because their structural engineering can be summed up as "lets make it an arch" and that was it. It was the only way to hold up all those wall and different levels above.

You might now be thinking "hang on Carter, why don't other giant modern buildings not have 9' deep concrete walls. b/c thats ridiculous" It's because the Romans excelled at a lot of things, however they did not use rebar. rebar in concrete started in the 1800s, which led to the boom of Tall Buildings across the globe. Like the first Skyscraper was only 10? stories.

So now we have Concrete + Rebar. just about all Concrete you see in the wild has rebar in it. your sidewalk? rebar. Driveway? rebar. the in-ground pool? Rebar.

But in that below ground pool, its not just concrete. it's Concrete + Additives/Admixtures.

Additives/Admixtures: fancy schmancy chemically engineered compounds to change various things about the concrete, such as:

Concrete cures slower

Concrete handles the expansion/contraction of ice/water better

Concrete has a different Heat of Hydration temp

Colored Concrete (i've seen red for fire lines, aka STOP DIGGING)

Before I continue, i need to explain Heat of Hydration. when the cement, the primary ingredient in concrete, cures (goes from gloop to solid), it lets off heat. it gets hot. Spicy Cement. This is why when you get cement/concrete on your clothes or skin, you're supposed to wash it off ASAP. its corrosive AF and will give you a chemical burn. which like, no bueno. supremely no bueno.

So now you know of Cement and it's better, stronger child: Concrete.

Cement is the flour of the cake that is concrete. Flour + Water? sad saltine cracker. Flour + Water + Sugar? Graham Cracker. Flour + Water + Egg + Sugar? Cake.

You mix your cement with water and aggregates and fly ash and then you've got your concrete. to make it Extra Strong, pour it over rebar. And then wash off wherever it splashed.

Now my final note: in stores across the US you can find bags of lies called 'Quikcrete'. these are not concrete. these are cement. There is no aggregates. no admixtues or additives. Despite the wrong name its a decent product. holds up fence posts really well even when you have a dog that spent 11 years trying to become one with the fence.

Now next time someone complains about the 'cement' or whatnot being chipped, you can turn to them, the soul of an ancient roman engineer in your eyes, and go "its concrete"

#concrete #yes i took a concrete class #my major is construction engineering/management

[audioroleplayconfessions]

https://www.tumblr.com/audioroleplayconfessions/733894052580327424/i-cant-get-into-other-audio-roleplays-because-the

Answering the questions!

Thank you Admin! ♪⁠ ⁠\⁠(⁠^⁠ω⁠^⁠\⁠ ⁠)

I like a heathly combination of fluff and plot though I don't mind either on their own. I prefer cinematic stories with more parts!

Slow burn is definitely a favorite of mine! I like all genres but I do have a preference for fantasy storylines.

I absolutely avoid the fan made y/n-esque audio rp with already existing characters i.e Midoriya, Todoroki, Bakugou, no hate to the ones who like or make those, props to the voice impressions. I find it amazing they could imitate the voices but they just aren't for me though. Original characters are much more my thing.

Otherwise I'm fine with regards to everything else!

So far I only like GBA, Redacted and Sundew. I prefer soft, gentle mid-ranged to deeper voices. I like deep voices but I don't think I'd like a voice as deep as the mariana trench lol. Higher pitched voices also aren't my thing and if it's too whispery then it won't do it for me as well.

I'm pretty picky ain't I? Apologies if this is inconvenient, I have no one to ask for recommendations and I'm particularly new to the community (⁠*⁠´⁠ω⁠｀⁠*⁠)

Warmest regards, much love, numerous thanks and salutations,

T.

Oh, I have some recommendations for you! My opinions are a bit biased here (I have a very strong preference for plot-heavy audios over fluff) but it looks like a lot of my favorites suit your tastes. I dislike fanfiction stuff too, especially MHA stuff and I also prefer gentle voice ranges that aren't too high or too low.

I'll give you a few recommendations.

#1: Escaped Audios! He's the very best VA at making you feel like you are living in a movie. All of his stories are heartfelt and exciting, most have slow-burn romances. Most of his characters have a gentle, mid-range voice that isn't too high or too deep (though he as a couple deeper voiced characters). I like his style of acting because he sounds very sincere and "real" when he talks. My two favorite playlists from him are Matador Gothic (his dramatic vampire slayer adventure) and The New Jersey Rats (a mafia-themed Romantic comedy).

I've followed him since Matador Gothic came out a little over a year ago but he's only recently started to gain hype after being super under-rated for a long time. If you like GBA's style of story telling you'll probably like him too. The only downside you might experience is that his stories usually don't leave a lot of room for fluff, so there are no cuddle audios or sleep aids etc on his channel. That said he's my current favorite, is incredibly creative and original, and he's amazing at supercharging my brain with serotonin.

#2: Obsidian Lantern. He has some of the most immersive sound production of any VA I've ever seen. Some of his earlier stuff is a little weird and clumsy but once he catches his footing he's great. His voice is very gentle and comforting to me, and he'll even speak a little Spanish sometimes.

His Gator Boys series is great and actually ties in with the lore of a few other VA's universes! I also really like his Merfolk series. He also plays around with common tropes while putting his own unique spin on them and I really like that too. He also makes all of his own art, and he not only draws thumbnails but actually makes illustrations of the scenes in his audios which is super cool. Overall really great, I think you'd like him.

#3. ZSaku VA. His playlists start out a little slow but over time his style evolved to be more cinematic. I really like his Vampire series (the Xanthus playlist) and his two interconnected crime series (The Elias and Issac playlists). They're good from the outset and just get better. Lately he's been making higher-stakes stories with more collabs and I love that. He's also collabed with a bunch of the other people I mentioned, which I love to see.

He has a nice balance between fluff and story-telling, and lots of his plots/characters connect to one another. If you like Redacted Audio you'll probably like ZSaku. The only downside is that he takes a long time in between episodes of each series, and works on multiple series at the same time, so if you really get into one playlist you might end up feeling a bit impatient.

#4: YuuriVoice. He's got a rotating cast of characters and he's one of my long-time comfort channels. He has ongoing plots throughout all of his series, but his stuff is mostly character-based. It's worth listening to everything and getting attached to his characters, as their development gets better and more complex over time.

He can do a pretty broad range of voices too, and they all feel unique and fresh. He has done some MHA/fanfic type audios before in the past but over time he transitioned to focusing on his own original characters and I love all of them.

#5: Shining Armor ASMR. I like him more as a comfort/fun/fluff channel. A great channel for listening to little bite sized audios with fun character concepts and lower stakes. I also like his voice and his accent, and it's fun seeing him do different voices within his accent. Definitely more on the fluff side but I think you'd appreciate him!

That's about it! There are more channels I like but based on your tastes I think you would like those channels. Also, honorable mention to Desmond ASMR. I love him but he's been on hiatus for like a year now!

Feel free to leave your own recommendations/cosigns/etc in the comments and reblogs.

Love, Ringmaster.

#audio roleplay #boyfriend asmr #redacted audio #yuurivoice #desmond asmr #zsakuva #escaped audios #good boy audios #asmr roleplay #recommendations #Shining Armor ASMR #Obsidian Lantern #ZSaku VA

[amemenojaku]

quick write-up on Q by Diao Ye Zong after a full listen of the album + the bonus content

(spoilers: it's really good. buy it)

I've skipped some of DYZ's releases in the last few years like Shirushi/Mukui/Atsume out of lack of interest, so it's very possible that I missed a hidden gem, but anyway I think Q is their best recent work. It's as good as Hohuri or △ imo (and Hohuri is like. my favorite DYZ and favorite doujin music album overall so.)

Agatha ChrisQ suddenly and completely disappears, shrouded in as much mystery as when she started releasing novels. The narrator sets out in search of the truth through 6 of ChrisQ's unpublished murder mysteries, each a reflection of their writer's feelings.

Q is a seed // Q is an outcome - Waiting to germinate into fantasy // Imposing the results of your ego on all.

It is, of course, a must-listen (or must-experience, rather, since it's not limited to music) for any Akyuu fan, but I'd also recommend it to fans of DiPP, Umineko specifically but mystery novels in general, and interactive fiction (there's branching endings). Oh and yuri. Akyuu/Kosuzu has been a fairly recurring pair in DYZ works (I can think of at least 5 songs off the top of my head, that's recurring to me lol) and this is no exception.

The album is gorgeous, jewel case and booklet and everything, all B&W with beautiful arabesques and elegant lettering and the occasional lines written in red. Hanadahyou's art is even more gorgeous than usual in the lyrics booklet (and if you've ever looked at a DYZ album you know the booklet is part of the experience)!! I love the small detail of the page with Akyuu's portrait, not the one with ChrisQ's, touching the page with the picture of Kosuzu and Akyuu as children...

The tracks are very good, pleasant to listen to from beginning to end (in my case there's just one I have a problem with because of the singer's voice... T_T lol). If I had to pick just one it'd be the Kosuzu song, Imaginary Friend (spoilers in the translator's notes), obviously everything in it makes me want to cry and scream and bash my head into a wall but ESPECIALLY the line where 'it was love at first sight' and 'I set upon you all my fantasies' are both said at the same time in the most beautiful wordplay I've seen in a while.. I also really like the Hieda servants' song (Murasaki Hotaru's voice <3) and the Reimu song is super fun (there is no way Reimu holding a knife next to Marisa's body in the booklet art isn't a nod to the reimari songs from Hohuri - and with the Birlstone Gambit theory referenced in the song itself, well...). But even then all the other tracks are interesting too. Very solid album.

And then there's the secret bonus content. I will only say that I love both choices very much but Imaginary Friend -> My Beloved Q did permanent damage to my heart <3 <3 <3 (suffering

ANYWAY, if any of this sounded intriguing to you then Q is absolutely worth the money! So go support the artists!! The regular version without the secret content will probably end up for free on spotify at some point (edit: it is now, including the last two secret tracks), but in my humble opinion it's one of those DYZ albums that are 1000% better if experienced with a real hardcopy of the CD because of how high-quality the product is, the gorgeous art, the bonus content etc... Personally I am never getting rid of my copy it's just SO beautiful.

#dyz #touhou

[not-scared-of-microwaves]

The Tortured Poets Department Review

Now that I've sat with it for a few days, I actually have some coherent thoughts on TTPD, though I won't know where it falls in my overall rankings for a while.

Overall

The thing people aren't getting is that this is Taylor Swift. This is, quite honestly, one of the most quintessentially Taylor albums she's ever released. It has the lyricism of Folklore, the sensibilities of Evermore, the self-awareness of Reputation, the storytelling of Fearless, the specificity of Debut and Speak Now, the vagueness and metaphors of 1989, the synths of Midnights, the rawness of Red. It's American Gothic. It's fictional. It's nonfiction. It's confessional, it's scathing, it's cringe, it's clever, it's more than a little crazy.

She admitted things in this album you couldn't waterboard out of me. People say it's the most unlikeable she's been, but it's also the most human. She's not censoring herself to keep her likeability. That's brave.

Fortnight [feat. Post Malone]

Do I like it? Yes. Do I think it should have been the album opener and the lead single? No, probably not. I'm planning on doing a track by track breakdown later, so I'm not going to go in depth on the lyrics here, but there are some interesting metaphors. You can tell she thinks she's slaying the "I want to kill her" line, and while she is, I don't think she's serving as much as she thinks. A vibe. On my playlist but not on repeat. 7/10

The Tortured Poets Department

The title track. This should have been the opener and lead single. It makes a much better mission statement for what this album is than Fortnight does. Who's gonna hold you like Taylor Swift? No fucking body. The production is.... twinkly? for lack of a better word. She's being specific and metaphorical, making cultural references, and she's self-aware--this is Taylor Swift, people. A vibe. Not on repeat, but only because I have others I prefer, not because I don't love it. 9/10

My Boy Only Breaks His Favorite Toys

It's a metaphor, it's tongue in cheek, it's self-aware, it's heartbreaking, it's a bop. She knows the relationship is toxic and killing her, but it wasn't always, and so she keeps holding on hoping it will go back to the way it started. At the end, she accepts that it won't be going back. Lyricism? Peak. Beat? Peak. On repeat. 10/10

Down Bad

Incredibly real and human. She's reflecting on the feelings of being love bombed then left behind, how it feels so good until it really, really doesn't. A call back to New Romantics. The lyrics say sob, the beat says dance. 10/10 on loop.

So Long London

A track five. Does it live up to the name? I'm not sure. It's sad, certainly, but it doesn't have the rawness of All Too Well or My Tears Ricochet. It's more resigned and tired. She's accepted that the relationship has fallen apart and now she's just tired, frustrated, and ready to be done. Even if she's sad, she still has some control, and that makes it a little easier. Drags on a little long for me, but the flip of "so long" is definitely clever, and she has some very relatable lyrics, and I see the purpose to it being on the album. 7/10.

But Daddy I Love Him

Love Story's older sibling. Again, I won't get too into it bc I want to do a breakdown. She's self-aware but it doesn't help because she's just desperate to make her own decisions. Calling out conservatives and small-town churches. Cringe in places but that's our girl. Minus a point for the baby lyric being in the chorus instead of like. the bridge. Half a point back bc you SHOULD have seen my face. 9.5/10.

Fresh Out The Slammer

This has some juicy information, but I'll save that for the breakdown. Very metaphorical, but also specific enough we know what's going on. Excellent story-telling. Really brings us into the headspace she was in at the time. I don't have it on repeat but through no fault of it's own. 10/10.

Florida!!! [feat. Florence and the Machine]

Flop. The drug metaphor isn't that creative and while there are a few decent lyrical moments, it's just not that good and the soundscape isn't interesting enough to redeem it. That said, even a bad taylor swift song is better than a lot of other artists. 5/10.

Guilty As Sin?

I don't think I've ever heard a song approaching this issue (emotional infidelity) in this way. It's got all the hallmarks of a Taylor Swift song: pop culture references, references to her past discography, religious symbolism, an outro that matches the intro. It's painfully honest, unapologetic, and human. A bop. 10/10.

Who's Afraid of Little Old Me?

Mad Woman and Mirrorball are shaking in their boots. It's giving horror, it's giving Salem Witch Trials, it's giving a reflection on fame and its effects. It's terrifying, it's haunting, it's beautiful, it's heartbreaking, it's unhinged. 10/10 doesn't feel like high enough.

I Can Fix Him (No Really I Can)

We're at the saloon and I'm happy to be there. Another song that is quintessentially Taylor: country sensibilities, religious themes, self-awareness, story telling, change in the outro, bad decisions made out of love. Not my favorite but only because I like other songs better, not because I don't like it. 9/10.

loml

This may be the saddest song she's ever written. Two meanings to "loml" as there should be. She's heartbroken and it's breaking me too. Vocals are giving "I'm on the verge of tears." Story telling, religious themes, metaphors. It's scathing, it's haunting, it's confessional. I'm not crying you are. 10/10.

I Can Do It With A Broken Heart

Lyrics are giving heartbreak, sound is giving bop. So powerful and relatable. Excellent storytelling, and tells us so much about her headspace. We know exactly what she's talking about. It's giving Youre On Your Own Kid. 10/10.

The Smallest Man Who Ever Lived

The storytelling, imagery, details--all peak Taylor. It's scathing, it's haunting, it's Taylor Fucking Swift. Wild to me that Mattie Healy's family listened to the album and were relieved because it could have been worse when this was in it. This, the take town of the century, could have been worse. Legendary. 10/10.

The Alchemy

If one more person tries to claim this is about Travis Kelsey there will be blood. "Oh but the football metaphor--" she's been doing that for years. Miss Americana, anyone? She's weirdly obsessed with high school football. This isn't about Travis, it's clearly about a rekindled relationship, not a new one. Travis can't spell "heroine" (I don't think he's stupid, but his tweets have proven he cannot spell). Metaphorical, clever, and definitely tells us her mindset. A bop. 9/10.

Clara Bow

This song. The Lucky One, Nothing New, they're both shaking in their boots. A reflection on what it's like to be a pop culture woman, the lies they tell you, and the promises they pull from you. Taylor saying her own name in a song. AND it's the album closer. 10/10 isn't nearly good enough.

Extended Album

The Black Dog

The storytelling, the way she took a single moment of stalking her ex and turned it into a beautiful lament on what it's like to lose someone and imagine what they're doing now, then in the outro brought it back to that one instant--and people say she can't write. Religious themes, references to past songs, this has it all. 10/10

imgonnagetyouback

Before people go around accusing her of copying Olivia Rodrigo, this would have been written before Get Him Back came out, so no copying occurred on anyone's part. They each took the concept and turned it into two very different songs. Imagery, story telling, craziness, a BRIDGE. 9/10.

The Albatross

Story telling, metaphors, literary references, clever turns of phrase, a change of meaning in the outro. Either a reflection on the way she's frequently depicted or is fictional, most likely a reflection on the way she's depicted through a fictional character. Just feels a little distant to me. 8/10

Chloe or Sam or Sophia or Marcus

Heartbreak, metaphors, bisexuals--what more can I ask for? All while she's imagining her ex moving on and thinking about how it fell apart. Objectively good but just not that interesting to me. 7/10

How Did It End?

Another that's objectively good but just not clicking for me. Story telling, metaphors, the lyricism is slaying. Asking how it ended through the lens of a gossip uninvolved in the relationship, but not being sure how it ended herself. 7/10.

So High School

Glitter gel pen. Objectively, not that creative or interesting. It's just a bit of fun. She's not taking herself seriously, she's writing silly song about how she feels like a silly teenager in love, and it does have some interesting lyrics. It's a bop. You know Travis heard this and was like "this is great babe I love it." Objectively, like a six, but this song has a choke hold on me for some fucking reason. 9/10.

I Hate It Here

Everyone's talking about the racists lyric and I swear reading comprehension is gone. Piss on the poor. This is for the girlies who daydream 'too much', who devoured books in middle school, who took things to seriously and too literally. 10/10.

thanK you aIMee

This song is so funny to me. "Here's thirty songs about my mental state and btw fuck Kim K." Serving metaphor, lyricism, and homicide. A mythology reference. A scathing takedown. 8/10 an icon.

I Look In People's Windows

I've not seen nearly enough people talking about this one. It's so relatable, honest, and unhinged. Storytelling, imagery, wondering what if. Heartbreak. I've never heard a song take this approach to these emotions. 9/10.

The Prophecy

The desperation, the feeling of hopelessness, they hit hard. She's reflecting on the repeating patterns of lost relationships, and how it feels inevitable at this point, and how she's willing to beg for it. She's losing hope, and willing to do just about anything to have it again. 10/10 devestating.

Cassandra

I am a mythology nerd at heart, so using Cassandra as a metaphor was a guaranteed way to get me obsessed with a song. She's serving lyricism, story telling, imagery, metaphor, mythology references, anger, sadness, what more could I ask for? Heart breaking. 10/10

Peter

Literature references, lyrics, heartbreak. Objectively, it's very good, but I'm bored. 7/10.

The Bolter

Storytelling, imagery, lyrics, literature references, the Bolter serves it all. I'm not entirely sure what it's about but it's a bop. I think it's fictional, but it's Taylor reflecting on her own life through the lens of this fictional girl. 9/10

Robin

I. Don't care. It's probably got great lyrics or something but I skip before I'm through the first verse because I'm just bored. Sonically, boring. Lyrically, the first verse doesn't redeem it. I've listened all the way through once and it was enough for me. It's not egregious, it's just not interesting. Flop. 4/10.

The Manuscript

I also skip this one but I have more of an appreciation for it than I do for Robin, just because of the subject matter. I have my theories on what it's about *cough* All Too Well Ten *Cough*. I like this as an album closer as well. French press lyric kills me. 7/10.

#microwave talks #ts 11 #taylor swift #the tortured poets department #ttpd

[salemssimblr]

Hello there! I'm Eden :D I LOVE your renders! I've been rendering for well over a year at this point, however I only stuck to the super basic stuff since it took me a year before that to even know how to do it at all. I've wanted to up my game and get to where you are now. I'm SO SORRY if this question was asked already (I haven't gotten too far in your posts yet), but;

How do you personally edit your renders? I understand you use photoshop, but how do you do it exactly? Your renders have that kind of digital art style, like you drew them yourself. Feel free to be as descriptive or brief as you'd like!

Hi Eden!!! Thank you so much! 🥹😍♥️

I've followed you back and glad we're moots! I'd love to see some of your work!

I'm not sure if I've answered this before but I'm happy to answer it again! Also I haven't advertised it in a while (and I really need to try to get up a new tut, maybe soon), but my alt account is a Render School where I post tutorials, with plans to post editing tutorials in the future!

But honestly as far as my editing, I really don't do much.

Actions are my secret weapon, and I have a few favorites/go-tos I'll link! A few are by simmers and a few are just action sets. I'm in a family of photographers, so I have access to a wealth of resources for my editing.

Sonder set by @intramoon

Cold Water set by @intramoon

Retro Prime photoshop actions

Indie camera photoshop actions

But my "secret weapon," as it were, and the set of actions that I think most helps me accomplish that digital art style is a set of actions that are sadly expensive and hard to find now.

My favorite set is by Totally Rad! and I think in recent years it's been folded in to this Pixel Sugar product on their website. I know that's a steep price point but it's possible you can find it around the corners of the Internet for less, or if you can't, you might be able to find "dupes" of the better ones, which imo are:

Technicolor dream world

Super Fun Happy

Bullet Tooth

Grandma's Tap Shoes

As for my method, I know a lot of simmers paint over their renders, and I've done that a few times but find I'm too impatient tbh. My goal is always to have to do only minor touchups over my renders and some color/vibe adjustments before the finished product. My "raw" files are always exactly what blender spits out for me, unaltered in any way except to resize them for Tumblr.

To get that digital art style, I'd recommend rendering with alpha details if you don't already. If your computer can't handle alpha cc in the game, DM me and I can give you some pointers (sneak peek info for a future tut lmao) on how to accomplish it without bogging down your game.

When I go into photoshop I adjust the brightness and contrast, as I tend to personally prefer high contrast pieces that contain dark subject matter but you can still see the details. Then I'll paint/blur/clone/adjust anything that needs it, then I'll "stack" and adjust a handful of actions before applying edge blur and vignette and any other color adjustments (levels, curves, etc).

That's a very oversimplified rundown of what I do, but really overall my editing process is simple. The bulk of my work happens in blender itself. I find that the more time I take to perfect the lighting and shadows and angles in blender, the less frustrating the editing process and the happier I am with the end result. So, that said, be sure you're spending a lot of time in blender getting the light and shadows to be exactly where you need/want them to be before running it.

I know this is a bit long I'm sorry! If any of it is super confusing or you'd like a more in-depth look at any of it please let me know! I do plan to do editing tutorials for my side blog, but the latter half of this year has kind of run over me like a train, and for now I'm just trying to get by day by day. But I'm happy to help if you have more specific questions!

& thank you again!! ♥️

#replies #thank you so much this literally made my day #I was having a bad one too ugh I needed this #mini blender tutorial #tutorial ish #sims 4 blender tutorial #sims 4 render tutorial #sims 4 editing tutorial #I can't tell yall how happy it makes me when yall love my work #legit holding back tears #♥️♥️♥️

[chrysanthemumgames]

well if we are on the topic i simply must add my two cents on why your portrayal of hades is the best objectively (i am not currently accepting constructive criticism!) and just … personally one of the reasons why i love him is how incredibly gentle he is? i’ve been collecting a lot of quotes about restful and rejuvenating darkness and i feel like he fits into that niche better than he thinks he does? im thinking of the maggie smith poem where she talks about “the good dark” and “how dark the beginning of a day is” and i’ve begun to link that image with your portrayal in my mind, i suppose. i think one of my favorite things about the way you write him is how creatively the themes that his character embodies are subverted and how incredibly comforting the overall product is. he’s receptive and observant and just extremely kind and i adore him and your mind !!!! thank u for listening to my ted talk

Thank you, anon; this was a very encouraging ted talk, and I think a lot of what you say reflects some things I've been thinking about as I write, too. :)

#ask #kind anons

[esc-is-holding-me-hostage]

Okay, I'm finally done with the annual quick reviews. Overall opinion: it's 2020 all over again but the lows are not so low (and the highs are not as high either). The competition is very open, which is refreshing after last year's one-horse race disguised as a two-horse race. There are no songs I would listen to after the contest but as a Eurovision lineup it's pretty entertaining and varied. Also, the girl-bopocalypse of 2021 was much better. Albania The decision of translating the song into English is already questionable but did we really need a fucking dance beat in the last chorus?

Armenia I love how fun it is, but I wish there were, you know, lyrics in the chorus

Australia You couldn't have made a more unsettling music video if you've tried.

Austria I don't know why they've decided to go with bloody eurodance this year. It does not feel updated for the modern times, it's not a cheeky pastiche either. We Will Rave feels like it's been lying around in a vault for the past 20+ years and then the Austrian delegation accidentally stumbled upon it and decided that yes, it will be a perfect Eurovision pick. I still don't hate it though? It might become my guilty pleasure of the year even.

Azerbaijan Why would you bring a guy with such a charismatic moustache just to do a little 10-second chant near the end? He deserves better!

Belgium I should love it. It should've been my number 1, it's Belgium going back to Dark and Moody™, it's what I always want from them. And yet I only like it. The last minute or so is great, but the lead up to that is whatever and doesn't do anything for me.

Croatia The chorus is weak and kinda generic, but the verses are so good they make up for it. The "please meow back" line receives the award for the best lyric of the year.

Cyprus For a twice (or possibly thrice) recycled song it's surprisingly okay. Nothing groundbreaking, it's still a dance-pop song from Kontopoulos, but it's fine.

Czechia I have a complex love-hate relationship with this one. The melody is great, it's exactly the kind of music I listen to outside of ESC. But good lord, do I hate the repetitive self-empowerment lyrics in the chorus.

Denmark Ehhh... She's a good singer I guess.

Estonia I think it's my favorite song of the year? Similarly to Trenulețul it just activates some primal dance spirit in me. Suit jackets on the naked body are still a crime against humanity tho.

Finland Yeah, I'm sorry, but if you hate No Rules, then you hate fun.

France France keeps trying to hide from us what's actually popular in their country.

Georgia It's another generic girl-bop ESC song, we've got half-a-dozen of these this year, but goddamn Nutsa is a fucking powerhouse.

Germany Imagine Dragons-ass production aside, the elephant sounds are such a bizarre choice.

Greece ... I'm sorry but Zari sounds like a bunch of noises with no melody to me, I'm very much not the target audience for this one and I don't get why everyone seems to love it so much.

Iceland Yeah, it's dated and kinda lame but in a very charming way.

Ireland Doomsday Blues is great, but because of all the layering and vocal distortions the live version will always be very different from the studio one. What I'm trying to say is that the live version sounds like an off-off-Broadway villain song.

Israel It's boring as fuck.

Italy It's nice but similarly to Greece I have no idea why is it so beloved by the fandom.

Latvia The song is so boring, that the most talked about part of Latvia's entry is Dons' lack of hair.

Lithuania After I've reassured myself that no, Luktelk does NOT sound like a Ruki Vverkh song it became pretty good.

Luxembourg So much potential in Luxembourg's comeback and yet they went with the most mid(tempo) song ever.

Malta Another generic girl-bop, and the closest we've gotten to an actual SloMo copycat, but it's okay I guess.

Moldova I almost forgot to write anything about Moldova before posting it, which is all you need to know about my opinion on In The Middle.

Netherlands I hate to say it, but I kinda love it? Yeah, Joost has the most punchable face in the history of humanity and I've made several references to my comedically exaggerated hatred of 90s dance music, but Europapa just keeps getting better the more I listen to it.

Norway I like it, but can't really say anything about it other than that.

Poland Very "topped at number 37 in Billboard hot 100 in 2019 and then was featured in a couple ads"-coded

Portugal One of the Portuguese entries of all time (i still like it tho)

San Marino Not as good as Arcadia but I'm happy Megara have made it to Eurovision anyway :)

Serbia It's fine.

Slovenia Similarly to Belgium, I wish I loved it more than I do.

Spain Really fun entry, iconic journey to ESC, but the weak vocals will be the reason the juries will murder Zorra in the Grand Final.

Sweden Not as forgettable as everyone says it is but it's still polished Swedish pop entry #569328

Switzerland From testing the limits of my attention span two years ago to making the most ADHD song of the year, huh. The Code is so many things at once and yet it works without feeling like a disjointed mess.

Ukraine I miss the times when Jerry was making funny meme songs, now we're stuck with her religious awakening era. Alyona's verse is the highlight of the song, everything else is good if you don't think about the lyrics too much.

United Kingdom I don't know how, but the UK has managed to make a decent song that I kind of hate yet again. The production in Dizzy annoys me to no end, I fucking hate the bells and the synths in the chorus, why are they so fucking annoying.

#eurovision #esc #posting before the rehearsals how punctual of me

[disastergenius]

Celebrating 15 years of Team Starkid with my (current) ranking of all of their shows and brief thoughts on them.

VHS Christmas Carol

I don't know how this became my favorite. The music is top tier, I've liked every version of it.

I was initially nervous to watch it because I wasn't sold on the original format, but it grew on me.

Also it's the second best adaptation of A Christmas Carol (the best is still the Muppet Christmas Carol)

2. A Very Potter Musical

My first ever Starkid show.

I watched it with my sister on our very old computer. I was in maybe 6th grade and had become quite obsessed with musicals and Harry Potter, so it perfectly combined my interests.

I truly was not totally sold on it just because 6th grade me was not prepared for all the cursing and the dirty jokes (6th grade me was a very different person) but Granger Danger fully hooked me

I still hold that Granger Danger is the best Starkid song, i do not care that it gets (over)played all the time. I also love that they keep having to come up with new ways to perform it (my favorite/the best being the LeakyCon one with Meredith directing the rest of the cast who only half-remember it)

Definitely ranks high just because it was the first and nostalgically I love it so much

3. Trail to Oregon

It's so fun as a concept and one of the few shows I like that really uses audience participation and makes it work.

Joey credited as "Everyone Else" and every shot with Clark in the background

I like the smaller cast, it's such a feat to run a show like that with 6 cast members

4. A Very Potter Sequel

it's ranked 4th but it probably actually ties with Trail to Oregon

I watched it after AVPM (so my second starkid show) and it did not disappoint

I do think it is stronger than AVMP for most of it

I quote Draco a lot

5. Twisted: The Untold Story of a Royal Vizier

Definitely my favorite parody they've done. There's a great video that breaks down why it works so well: they've nailed the style.

Around the same time I first watched Twisted was also around my Wicked phase so that helped a lot.

Dylan Saunders knocks out it out of the park as Ja'far, he puts so much depth into the role. It works as an actor and for the part and helps a lot of the humor since Ja'far is the straight man of the show.

The entire soundtrack slaps including the bonus demos

6. Nerdy Prudes Must Die

The songs are great

The production value on their shows has gone up exponentially, and they make good use of it. The effects are so so good

I've never been more uncomfortable as when the words "dirty girl soup" were first said

7. Black Friday

probably tied with NPMD but

I think plot-wise it is better than NPMD, and overall so are the songs. I think maybe the live version that's on youtube is what makes it slightly below NPMD because everyone was sick so it sounds very different between the live and recorded.

the garland and lights becoming wiggly is peak set design

I think it has some of the most memorable songs

the return of Dylan Saunders and his lovely ballads

Take Me Back is a top tier love song for Starkid

8. Starship

Probably the 3rd Starkid show I saw

Joey Richter absolutely sells the performance (he's not carrying it because the whole cast is great) and is fantastic as the lead

puppets! so many puppets!

9. Holy Musical B@tman

my previous exposure to Batman at this point had been the 60s Adam West TV show so really this is like the spiritual successor of that, so honestly i was totally unfazed by the number of puns, I just assumed that was how Batman media was

Jeff Blim as Sweet Tooth is great, but I also love Joey Richter's in the Apocalyptour

"you got my hopes up so high, then mugged and shot them in an alleyway!" i quote an unreasonable amount

10. The Guy Who Didn't Like Musicals

tbh I did not super like the show when I first watched it but it grew on me overtime. I think i really started to enjoy it when I went back to watch it after they announced Black Friday was going to be a sequel

11. A Very Potter Senior Year

it's so long guys

I think Joey Richter is the best part of it, Sidekick was fantastic

i do love that they got basically everyone they could to come back and do it

most of the callbacks work really well and make it fun

12. Ani: A Parody

fully gonna admit I haven't seen the full show itself, but I do really like the music

it is truly in the Star Wars spirit

13. Firebringer

I really wish I liked this show more, I think it's a fun concept and overall was fun

the opening number is really good musically

i think the humor and the unnecessary cursing didn't really work for me

14. Me and My Dick

I just think overall this show isn't to my taste but it's quite fun

#team starkid #starkid #starkid 15 year anniversary #15 years of starkid

[blogthebooklover]

Movie Recs In Honor of Kingdom of the Planet of the Apes

I decided to write out a list of movies to watch in honor of Kingdom of the Planet of the Apes coming out very soon. This list will feature movies with apes besides the POTA movies, or movies with weird and bizarre friendships/found families.

The Original Planet of the Apes Franchise (1968-1973, Amazon Prime)

Honestly, I've only watched the 1968 movie a handful of times. I decided to watch all of the original franchise leading up to the release of Kingdom. They're all a lot of fun, with social/political commentaries at the time of each film. If you're a movie collector, or like behind-the-scenes/director's commentaries, I highly recommend buying the Blu Ray compilation pack.

2. Tim Burton's Planet of the Apes (2001, Disney+ or Amazon Prime)

I know, hear me out. Yes, it's over-hated, and yes, there was A LOT of potential for this movie. There were definitely too many "cooks in the kitchen" when drafting this movie. Imho, I think it's a guilty pleasure, popcorn movie. If you're a fan of makeup effects, Rick Baker (THE modern makeup effects master) does an absolutely phenomenal job with the designs of the apes in this movie (and check out his Instagram too). I do like the production and the ape costume designs for this film as well.

Tim Roth and Paul Giamatti are such a blast in this movie, too!

And the posters for this movie look so cool.

3. Planet of the Apes Reboot Trilogy (2011-2017, Amazon Prime)

I think this is what the 2001 movie should have been, and was trying to go for. While the three movies did make their money back at the box office, I have two theories why they almost went under everyone's radar (again, this is my opinion):

A. Because of the mixed reception from the 2001 movie.

B. Because of the abundance of comic book & remake movies coming out during the 2011-2017 years.

I put this trilogy right up with the Lord of the Rings and Star Wars. The storytelling is great, the special effects hold up well, and this reboot's version of Caesar has became one of my favorite main characters in modern film.

4. Mighty Joe Young (1998 remake, Disney+)

I don't know why this movie doesn't get talked about that much. Rick Baker, once again, does incredible work on the special effects for Joe. There's also a great musical score by James Horner. And Bill Paxton and Charlize Theron give amazing acting performances. And I think it's actually one of the better remakes that came out from the late 1990s.

In fact, the team that worked on the 1933 King Kong also made the 1949 film. Even Robert Armstrong (Carl Denham) came back for the '49 film. Ray Harryhausen worked under the supervision of Willis O'Brien for the special effects for the original movie. He also has a cameo appearance alongside Terry Moore (Jill Young) in a party scene.

Aaaaand I just found out the writers, Mark Rosenthal and Lawrence Konner, also did an uncredited rewrite for the 2001 POTA movie.

5. Tarzan (1999, Disney+)

Of course, who doesn't love Tarzan??? And Phil Collins's A.M.A.Z.I.N.G soundtrack???!!!

6. King Kong (1933, 2005, Amazon Prime/MAX)

Okay, technically it's a giant monster movie and the OG prior to Godzilla. And it also set the standard of film making overall. However, it is also a bit of a Beauty and the Beast story, hence the lines: "It was Beauty killed the Beast" and the "And the prophet said: And lo, the Beast looked upon the face of Beauty. And it stayed its hand from killing. And from that day forward, he was as one dead." I also recommend watching the extended cut of the 2005 remake.

7. Lilo & Stitch (2002, Disney+)

Again, who doesn't love Lilo and Stitch???

8. How to Train Your Dragon Trilogy (2010-2019, Amazon Prime/Peacock App)

Once again, who doesn’t love HTTYD (and why are they remaking it as a live action movie????)???

9. Gorillas in the Mist (1988, Amazon Prime)

This movie is about Dian Fossey (played by Sigourney Weaver), a primatologist who studied mountain gorillas and she was part of a trio of women who studied great apes; the amazing Jane Goodall and her study of chimpanzees, and Birute Galdikas who studies orangutans. The movie is also based on her book of the same name.

I use past tense for Dian, because she met a tragic and horrific death while she was conducting her research on gorillas. I have in-lined a link to Dian Fossey's Wikipedia article for further reading.

Rick Baker, once again, does some amazing practical creature effects work for the gorillas.

10. George of the Jungle (1997, Disney+)

One of my favorite Brendan Fraser movies, and such a fun, and a bit of a campy movie based on the cartoon series (which is also a spoof of Tarzan). I quote this movie every so often. Unfortunately, Rick Baker did not do the ape designs for this movie. The creature effects this time around was done by none other than the Jim Henson Creature Workshop!

#movies #sci fi #planet of the apes #movie recs #tarzan #mighty joe young #king kong #planet of the apes 2001 #tim burton #the iron giant #how to train your dragon #lilo and stitch #gorillas in the mist #george of the jungle #movie recommendations #science fiction

[rosies-riveters]

15 QUESTIONS FOR 15 FRIENDS

tagged by — @violaobanion ✨

Are you named after anyone? — I am not. My parents just seemed to like my full name.

When was the last time you cried? — I honestly cannot remember. I think that might be a good thing!

Do you have kids? — Nope nopety nope! I've got cats though. Much better in my opinion.

What sports do you play / have played? — I played softball that one year, does that count?

Do you use sarcasm? — Hmmm sometimes. If my brain works fast enough for it.

What is the first thing I notice about a person? Just the face overall. Then you start to notice more details as you get to know them.

What’s your eye color? — Straight up brown.

Scary movies or happy endings? — Give me a happy ending. Real life is scary enough.

Any talents? — Keeping to myself but still somehow managing to overshare.

Where were you born? — Portugal.

What are my hobbies? — Mainly being a lazy butt. However, I have been known to embroider, read and watch tv.

How tall are you? — 5'2". Shorty.

Favorite subject in school? — TV Production. Camera work was my jam.

Dream job? — one that pays but doesn't expect anything in return. <- what Vi said!

tagging — some usual suspects @lostloveletters, @shoshiwrites, @softspeirs, @harrycrozby @frstcorinthians

#emasays* #honestly if anyone would like to be tagged in these things #send me a message and I will do so

[alexissara]

My Favorite Movies/TV/Anime of 2023

Going into 2023 I've done a lot more taking in art then in previous years and this section is all about the audio/visual/auditory art I've taken in this year and enjoyed. In fact it's a content and clickable top 10 list! Wow so engaging, much content, please enjoy. This is gonna be inclusive of movies, cartoons, anime, TV shows, etc because I don't engage any one of these mediums alone enough to make a nice little list, at least not this year.

These are roughly in an order by how much I enjoyed them but these are different pieces of art that hit you in different places for different reasons and no one piece of art here is like "Better" than the other. Ask me at a different hour let alone day and this list could be all scrambled.

Adolescence Of Utena

So I finally watched some Utena, I mean I watched a little but of Utena before, just a few episodes with some friends but I watched the full ass movie now so that counts for something. The anime is really artful and it's a very compelling queer coming of age story with all the messy trauma and feelings attached. It's a weird movie, a girl turns into a car, and that's amazing, 12/10, another girl can also turn into a car, we're really just living the dream here. Finally true lesbian representation is when a girl can turn into a car and I am here for it. It's a really great piece of art and I am glad to have finally got to take it in and enjoy it.

Glass Onion

So this is probably the biggest surprise on the list for folks who follow me but one of my girlfriends really loves mysteries and so a Glass Onion I did watch with her. It's super funny and fun, it's just good. The cast has good chemistry, the jokes land, the mystery has fun twists, and it's just a good experience overall.

One Piece Film Red

I am not a One Piece fan, I do not care for One Piece, It's like fine Shonen. However, this movie fucking slapped, it was a good fucking time. Uta is One Pieces best character and she should show up and take over the final arc of the manga because she is so good. The music was fucking killer with Ado slaying every single fucking song and it really just hit. Every song is so good on it's own and in it's context. It's what you want from a truly killer musical experience and every song being from "the villain" is just extra fun. The power of friendship and bounds is really great here, it's just good and well animated even if the women all have the same exact body.

Everything, Everywhere, All At Once

I finally watched this movie after all the hype had died down and well, it was worth the hype, it isn't my favorite movie of all time but it's a good movie. It's funny, amazingly acted, well shot, silly and just in general a good time. It touches on a lot of good themes of family, trauma, homophobia, expectations, and parental relationships. I think the queerness coulda been better in the movie and have complaints on how that is displayed here but I mean it was at least a little bit queer and that's more than most movies. As a former actor who really loves the craft I envy everyone involved too for getting to be in such a fun film, I can only imagine what a blast it was to see the final product of what I am sure was a ton of hard work to make something so fun.

Gundam The Witch From Mercury - Season 2 

Gundam ended on more of a whimper than a bang to me. Which is both not uncommon for a Gundam series to have a shitty ending but also not shocking given this series was given it had a much shorter run time. Regardless of me thinking this half of the anime is much weaker than the first half it still undeniably striking in it's animation, stunning visually, engaging to watch with a cast of very endearing characters to watch in the dramatic stakes of it all. The very end was not terrible but the time we spent to get to the final epilogue moments were questionable. Regardless, this show did not kill off Prospera, Chuchu, Secelia or Rouhi and they all were in a lot of these episodes so like an 8/10 cuz their all fucking brilliant and I really like Sulletta a ton too, I am just probably Mio's weakest solider among lesbians preferring my sweet little nervous lesbian settle down with a nice earthian girl or make use of her second hand to be polyamarous.

Kakegurui Twin

I never have and likely never will watch Kakegurui's main series but the twins series female focused cast and yuri energy captured my attention and so I turned it on. Wow, what a fucking ride. This over the top gambling game is Jojo's bizarre adventure, is sports anime, is card game anime, it's the raw spirit of these things radiating in the horny submissive lesbian factory and served back in animated form. The fucking faces these women get to make as they smugly battle in bounts of gambling is just so delicious and the tension they manage to put into each of these games of chance as the fucked up students try and cheat each other and win is just brilliant.

Harley Quinn 

HarIvy is a ship of all time for me, it's hard to have the concept of a show be "HarIvy comedy" and me not to at least kinda enjoy it and I enjoyed it a lot this new season. At the start of the season I wasn't click with it, it felt weird and forced for Harly and Ivy to be placed in these really binary hero and villain roles but in the end that's what it was really about. Neither of them are traditional heroes or villains and the show actually recognized that and let them trying to fit into the strict mold of the universe as an active issue for themself, their sense of self, their relationship, the world and more. From time to time they felt fairly out of character but I am just happy to see this arcs over all themes and the work they put into that.

I’m In Love With The Villainess 

While I would have rather had a tighter pace that went through the first two books of the series rather than one and some tiny jumps into the second book I'm In Love With The Villainess still managed to be one of my favorite things to watch this year with me viewing it multiple times. Rae's Isekai fantasy of being bullied by a hot rich woman and the eventual need to confront her own internalized homophobia and self pity as blocking her path to happiness are fun to see. Rae is really good in the anime adaptation and in it more than any other adaption it feels like everyone is friends and cares about each other which fits the light hearted comedy tone better than the light novels Rae will kill anyone for Clair, she has no friends mindset.

Scott Pilgrim: Takes Off

This was the biggest surprise of the year. I had grown out of Scott Pilgrim, while I was a fan of the comics before the movie was even a thing, I watched the movie before it even released, I even at some point was collecting the colored editions, I eventually soured on the series and sold everything I had of it. I wasn't excited about the anime and felt more like "let it go" then "OMG thing from when I was young" but hearing the good things I heard about it and about the Scott twist along with seeing the great animation in the OP I decided, fuck it why not give it a shot. So I did and wow, it's really good. It's a great take down, commentary, adaption, whatever it is of the original work. It is Scott Pilgrim having grown up alongside me, funnier than ever and a lot better about everything. I really loved all the changes and it still felt very true to the heart of Scott Pilgrim which is messy adults trying to fix their fucked up selves and relationships.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady

This certainly sits among my favorite anime of all time and very highly if not number one. MagiRevo mastered a light novel adaptations tempo perfecting how to make one season of what would be a nothing slow burn with no pay off at the novel and mangas pace into an exciting action packed yuri with more gay kisses in it than the rest of the years anime put together. It's funny, charming, fun but it also captures some really hard emotions too, I'll never forget the scene with Anis being pressured by old men to have children and stuff and the utter disgust she has at being treated like a piece of meat as she attempts to fill her role to the kingdom. It is devastating and heart wrenching and it just makes all the joy feel so strong.

If you want to help me enjoy more art then consider checking out my Patreon or Ko-fi and giving me a little bit of cash so I can do more of this kind of writing but also like make lots of my own art, art is hard to make and costs money and like maintain my chronically ill and trans body also takes money so anything helps, thank you. If you want more details on any of these I do have reviews for many of the pieces of art above but you can also let me know you want more and maybe I'll write more.

#the magical revolution of the Reincarnated Princess and the Genius Young Lady #magirevo #yuri #yuri anime #scott pilgram takes off #scott pilgrim #glass onion #Utena #adolescence of utena #One Piece Film Red #everything everywhere all at once #Gwitch #gundam #gundam witch from mercury #gundam the witch from mercury #Kakegurui Twin #Harley Quinn #i'm in love with the villainess #iltv #2023 #Best Of 2023 #top 10 #Top 10 2023 #Anime 2023 #Shows 2023 #Movies 2023

[a-moth-to-the-light]

Comeback Celebration: Giving Purplekiss An Album

Happy Purplekiss comeback to all of us! Though I've been a fan for a long time, I'm excited because this is my first comeback with Purplekiss officially on my list of favorite artists :)

if you want to see me talk about music that's actually by purplekiss: [my top ten purplekiss songs]

Okay, time for my made-up album!

Album Title: home.

As inspiration for the sound of this album, I'm thinking: liminal spaces & feelings of hollowness. I love the different ways Purplekiss invokes horror through pop music, and I think it would be cool to give them an album that expands on that idea! I'm not a huge visuals person, but I imagine the visual concept would be something like Red Velvet's "Psycho", that fragile, frilly kind of haunted. See also: Nicole Dollanganger, in general.

12 of the 13 tracks ended up being all-English songs, which wasn't intentional--I imagined this album to expand on their Korean discography, but it just happened that the songs I chose for this soundscape are mostly in English! (I actually think their English-language debut should be something more upbeat, in the vein of "Zombie".) In my made-up world, these songs would be translated & this would be a regular Korean release.

1. Soil -- Giriboy

Look, I just need an excuse to talk about Giriboy's album Novel ("Water" is so so good y'all, it's so so so so so so good). "Soil" is very rap-heavy, but there's a lot of space in the instrumental for vocal layering--so every member can add to the track! This is THE chill album opener, a little strange and unease-inducing, but overall pretty normal... right? I think it's a great starting point for my liminal-space sound to expand from.

2. goodnight n go -- Ariana Grande (TITLE TRACK)

Purplekiss makes, above all things, really solid pop music! "goodnight n go" has the same perfectly put-together feel as "Cast pearls before swine" and "Oh My Gosh", but it also has the spacey, empty atmospherics that I want for this album.

3. Atlantis - Extra Sped Up Version -- Seafret

This chorus is just REALLY awesome, so I think Purplekiss should sing it!

4. Easy -- Troye Sivan

I love this song; I love how it's hollow and echo-y, I love how it makes me feel submerged. I think this sound would really suit Purplekiss--it's a hazy sonic world to compliment their rough-around-the-edges vocal style, and there's plenty of space in the melody for the members to give us some really lovely riffs.

5. It'll All Work Out -- Phoebe Bridgers

I actually like the original Tom Petty version a lot more, but I think Bridgers' murky, downbeat take on "It'll All Work Out" fits this album's concept better!

6. Fire of Unknown Origin -- Blue Öyster Cult (PROMOTED B-SIDE)

A small break from the overall album aesthetic for some whimsical, upbeat 80's rock. I have a feeling this would be a huge hit for Purplekiss--it leans into the colorful, fun side of their discography, while also continuing with the tongue-in-cheek horror concept of songs like "Pretty Psycho" (these lyrics are perfect for their concept, truly). I would LOVE to see a choreography for this song, and the vocal lines in "Fire of Unknown Origin" are actually pretty slow, with plenty of space for the vocals of the Purplekiss members to shine through.

7. Sober -- P!nk

Wine-colored ballads are, I think, one of the defining traits of Purplekiss' musical style, and P!nk's "Sober" might just be my favorite example of that dusty maroon-ish feeling. I love the buzz of the guitar, I love the wailing strings; "Sober" is raw enough to fit in with Purplekiss' stripped-down ballads, but it's also dramatic enough to compliment the orchestral pop that's sprinkled throughout their discography.

8. DKLA -- Troye Sivan, Tkay Maidza

Oh hey, it's one of the few songs here with an actual rap section! Haunting production & a sharp beat perfectly suited to a cool choreo--this song is just begging to be a dark-concept kpop song. I think Purplekiss have the vocals to really warm this song up, too--it's about love, even if it's buried deep under pain, and I think the members could really bring that emotion closer to the surface, making their version a whole new kind of compelling.

9. Needed Me -- Rihanna

I love this instrumental so so so so so much, and I couldn't resist putting it alongside the Troye Sivan tracks I've included in this album, since they all have such creative ways of invoking desolation with their production. (And I hope this is obvious, but if this song is sung by non-Black artists, the n-word should be written out!)

10. Dreams -- Fleetwood Mac

A classic, and the queen of atmosphere. "Dreams" is wildly catchy, but also surprisingly hollow--it doesn't have a lot going on, and what is going on is this terribly exhausted kind of resignation. Though Stevie Nicks's voice is grittier than those of the Purplekiss ladies, they share these mournful, deep tones; I think a Stevie-fronted track is a perfect match for Purplekiss. (Also, I would LOVE to see them sell the hell out of that delightfully passive-aggressive "I keep my visions to myself...")

11. I'll Wait for You to Call -- Nicole Dollanganger

I knew I had to include a Nicole Dollanganger song in this tracklist, since her music captures exactly the kind of liminal-space horror I wanted for this album. This wisp of a track is meant to break your heart, before we move into some brighter, more hopeful end-of-album tracks.

12. Rager teenager! -- Troye Sivan

Yeah, here's another Troye Sivan song (it's the last one, I promise!). It's a little eerie and hollow, like "Easy" and "DKLA", but "Rager teenager!" is gentler and sweeter overall--its production feels like the kind of magic you hear about in bedtime stories, a fluffy-pink color that hopefully pulls the album together by calling back to "goodnight n go".

13. Crystal Ball -- P!nk (PRE-RELEASE)

Another wine-colored ballad! This is a bittersweet, but uplifting overall, addition to that more mournful side of Purplekiss' discography, and it has these gorgeous melodic lines that I would love to hear the members sing (see: "love just needs a witness, and a little forgiveness, and a halo of patience, and a less sporadic pace, and..."). I think this would be a great pre-release to show off their vocal colors, which are pretty unique for their generation, and a nice album closer, since it isn't quite as depressing as some of the other tracks.

#you think 13 tracks is long for an album? the original playlist i made for this post had 21 songs HELP #comeback celebration! #purplekiss #and no idc that their name is spelled with a space in spotify #i don't like it !! #in my heart they will always be purplekiss !! #i made a album