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#rikiteekeetavee
vickyvicarious · 15 days
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Oh yes, the feeling that you have to rely to the creeper who you loathe so much that you have come to hate even the rooms he resides in, that he's not the scariest thing in your life, that you have to run to his arms for safety. Horror! Dracula claiming him was the high point of the entry (than the almost-bite)
Honestly, yeah. The dynamics between Dracula and Jonathan are so scary, to the point that all the supernatural events are the cherry on top rather than the main course, as far as the horror of this section goes.
Dracula does so much manipulation here, holds so many different kinds of power over Jonathan, and multiple levels of each too. He's got physical power - both in the sense of the castle being a prison, and in the sense of his incredible strength. He's got social power - as a noble, and as a client/boss. He's got monetary power over Jonathan too, able to potentially make or ruin his career. He has so much control over Jonathan's ability to express himself - he's the only company available to him, he's forcing him to keep up a pretense of friendship, he's limiting and controlling his communication with others. Jonathan has no escape: he can't go out of the castle because he's locked in, he can't go many places inside the castle because he's locked out of them, and now he can't leave the rooms Dracula wants him in because otherwise the vampire ladies will get him, and within those rooms there is nowhere safe from Dracula himself. Jonathan has seemingly no action he can take: if he sneaks around behind Dracula's back, a greater threat awaits. If he acts openly, Dracula's own threat may become realized. If he doesn't act at all, he's doomed. If he acts at all, he's doomed. If he trusts Dracula, he's doomed. If he doesn't trust Dracula, he's doomed.
Of course, the supernatural elements are the mechanics by which Dracula increases the stakes, the threats underlying the charming veneer. Specifically, the introduction of the vampire women is what puts Jonathan in this seemingly inescapable box, and one with potential threats to something even greater than his life.
But Dracula's playing this Bluebeard role and could have done so with some more mundane threat as well, without changing too terribly much about his own actions. Where he's scariest (at least to me) is in these interactions with Jonathan, in these manipulative webs and traps he lays out in his words, in the way he pushes so many boundaries until they're forced to collapse or warp under the pressure. Jonathan's privacy keeps getting worn away. Dracula's speech and touch get more familiar and more possessive. He started out the first night blaming Jonathan for the things he did himself ('oh, why did you make your conversation so interesting we had to stay up all night?') and escalates until now he's making Jonathan be the one to act, and to suffer the consequences: whether in forcing him to lie to his loved ones, or in dangling the bait of sleeping outside his room and then only barely saving him when he does. And Jonathan has no real choice but to act. To fail to do so, in one way or another, would mean giving up all hope at escape or likely even survival. But because he has to act, he winds up feeling complicit. He ends up in situations where Dracula thanks him, forgives him, saves him. It keeps putting them on seemingly the same side, with Jonathan in a lesser/reliant role. And that's all a huge lie, at its core. But in a very real way, it's true too, to an extent. More and more, he's getting layers of resistance scraped away, and having to seek safety from Dracula now is so, so horrifying. In many ways all he truly has left is his will to live, his internal determination to resist - and now he's been given powerful incentive not to trust in that latter part too much. It's absolutely brutal.
He's walking a wire that just keeps getting thinner and thinner. All he can possibly do is try to keep this balancing act going, and hope for something to change that will give him more options down the line.
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vickyvicarious · 11 days
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"it is maddening to think that of all the foul things that lurk in this hateful place the Count is the least dreadful to me; that to him alone I can look for safety, even though this be only whilst I can serve his purpose."
The above passage is from May 16 after the vampire women tried to drink his blood, as he realized. Today on May 19 Jonathan writes three letters to be sent home (to Mr Hawkins) on various days of June, the final one being for June 29, the end of his life.
The thing I expected was for Jonathan to wonder why he's being kept alive after today/May 19th. Dracula is, as Jonathan said, his safety "whilst I can serve his purpose". But what is his purpose? Dracula had all his real estate papers signed on the 12th (when he ordered Jonathan to stay extra and that he'll take no refusal). He is actually fluent in English. Now, a steady stream of letters will be sent to Exeter throughout June, pretending that Jonathan's returning home.
Dracula can just kill him now, or just give him to the vampire women. No one would know. I'm sure he wants Jonathan first, claiming him and claiming the lion's share, but not now when he has months yet to leave. Then once, as Dracula said, he's "done with him" maybe he'll leave the rest to the other vampires.
But I wonder why Jonathan isn't wondering why he's being kept alive until the end of June. I suppose a Doylist reason is to not give the possible answer away yet, Watsonian being him fearing to speculate without answers?
Yeah, I've wondered this myself in the past. I think for me it comes down to a combination of several factors, since there really is no single quote that points to a specific reason Jonathan seems so convinced.
Before I get into those, I do want to mention that it is possible there is still some business to be done. It's a popular interpretation that they finish the last of that all on May 12, and it does make sense with the timeline. I personally believe it. But technically, I don't think Jonathan ever mentions them signing the final papers. He says he answers all of Dracula's questions, but that could be just referring to the ones in that conversation: "When he had satisfied himself on these points of which he had spoken, and I had verified all as well as I could by the books available, he suddenly stood up and said:—" ...and then Dracula brings up him staying. Again, the interpretation that they finish all their work in that conversation is totally valid/likely. But if someone really wanted to argue that there is still some amount of actual legal work to be done, I don't believe canon says anything outright to the contrary.
That's not really my take though. Here are the reasons I think Jonathan believes he will survive until the end of June, in no particular order:
What Dracula said on May 16. He heard the Count drive the other vampires back with the words:
"Well, now I promise you that when I am done with him you shall kiss him at your will. Now go! go! I must awaken him, for there is work to be done."
Now, in the moment, Dracula's line about having work to do seems most likely to be a fib just to get them to go. 'I'm busy, scram,' essentially. But he is very clear that he isn't done with Jonathan yet. (Though the fib about being busy itself could suggest that he might keep Jonathan alive and away from them longer than he himself needed/wanted to, just as a taunt/power play against these vampire ladies. But that's less relevant since he clearly does seem to want him still.) As you point out, Jonathan notes it himself, that he will be able to look to Dracula for safety so long as he serves his purpose. The fact that Dracula comes back within a couple of days to get him to write these specifically dated letters I think suggests to him that he is likely to stand at least a chance of serving that purpose until those dates. At least, it seems that way given...
Jonathan knows Dracula by now. He can probably tell just how much Dracula really enjoys him, and that said enjoyment is in many ways what's keeping him alive. Probably at least to some degree in a sense of enjoying his company, and that is somewhat relevant since he can play on that to stay interesting even when he's not outright useful/needed. But also, importantly, Dracula's particular brand of sadism comes into play here. He loves his mind games and multilayered conversations. He's been making jokes about his own undead/supernatural status basically as long as Jonathan has known him. He enjoys manipulating Jonathan. He enjoys giving him orders and warnings and then watching to see if he will obey or not. Jonathan has disobeyed significantly twice already, by trying to get into all the locked rooms and by sleeping outside of his room. And while he was discovering locked doors early on just while going about his business, he made no move nor seemed to have any particular designs/likelihood to sleep outside his room until Dracula brought it up first. Maybe you could argue that he's been looking more tired/likely to nap about as this nocturnal existence becomes more telling on him, but still there was no real build-up at all to the warning. Which is just one of the many reasons I read it as intentional bait.
So, knowing how Dracula likes to throw out these sorts of hints, I think it reasonable for Jonathan to think he will live that long. It would be just like him to use these letters to subtly tell Jonathan: no one will know where to look for you when you go missing, I could kill you long before with no consequences, but why would I if you play along and please me? ...so play. along.
There's also the fact that Jonathan may know when Dracula plans to leave. Now I certainly don't think he knows his exact itinerary or anything. Probably not even the date he expects to go, and just how closely it lines up with Jonathan's final false letter. But it seems entirely reasonable to me for the topic to have come up during all their work talk. There's a very good chance Jonathan knows that Dracula is planning on leaving for England in a month or two, or even just "around midsummer", etc. And if he does, I think he could add that in with the previous two points I mentioned to reach the conclusion that Dracula intends to keep him around until about when he himself is going to leave. (With the caveat, always, that Jonathan must make himself interesting/nonthreatening enough that he doesn't get bored before then.)
But finally, all those things aside... Jonathan has a tendency to fixate on things. In doing so he can miss other possibilities. And I think the encounter with the vampire ladies served to, somewhat despite himself, dismiss a lot of his fear of immediate danger from Dracula himself. He's aware that he is playing a long game under threat of being thrown the vampire ladies early, and kind of gets blinders to the fact that Dracula himself might physically harm him before then. This really reaches its height near the end of his stay with his seeming obliviousness to the possibility of Dracula biting him even when the guy outright says the "tonight is mine" line. And while I think he does get bitten and just doesn't remember it because that's often what can happen when a vampire entrances/bites you, his not recognizing the possibility beforehand is something that has made several people cry censorship (on a Watsonian level from Jonathan or Mina, and on a Doylist level from Stoker because he knew it wouldn't be accepted). But I think it can be attributed to a combination of Jonathan getting fixated on the ultimate threat (the women) and also on some level recognizing that if Dracula was going to give him to them after he was through, then he'd likely survive whatever Dracula planned for him anyway, so it wasn't as necessary to focus on. (Some of his single-mindedness definitely reads as more calculated at times.)
All this to say, Jonathan may just be overlooking the possibility that Dracula isn't planning to keep him around that long. That or he may be aware of the idea but is dismissing it without mention because it's totally unhelpful to dwell on. He has to approach the situation the same way regardless, fawning to please Dracula while looking for a chance at some other way out. He's stalling for time no matter what, so why not assume he has the most time it seems reasonable to hope for, at least in order to keep himself from completely breaking down and giving up before then. For some semblance of morale if nothing else. He's definitely not going to live past then, but maybe, maybe, until then.
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