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#s14 hellatus rewatch
spngeorg · 2 years
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Episode 75: 4.15 Death Takes a Holiday
RIP Pamela. RIP Dean beginning to feel even remotely good about himself. RIP Sam’s secrets (well... soon... we the audience have seen a glimpse, but Dean is still getting stonewalled...)
This is a hard episode, and even more so because it follows several MotW episodes and wrenches us back into the big mytharc plots. But also because we can watch Sam completely abandon the concept of being “careful” with his demon powers and “not letting it get too far” that he’d promised Dean earlier this season. It hurts.
We watch Dean regain memories of one of the worst days of his life and have to reconcile all of that on the fly while facing off against the demon who tortured him in hell for forty years. It’s a lot.
And Cas... he’s still “other.” He’s still an outsider and not a friend or even an ally. Right here, he looks a lot more like someone just using Dean for his own purposes, which is also kinda scary how easily Sam and Dean both just... believed it had been Bobby sending them info on this case all along. What is even real? What’s the deal with this natural order that Sam has accepted he might not really be part of, while Dean struggles to accept himself only to have even that ripped away by the end? Ow.
Supplemental links for this week’s episode include:
The Superwiki page for this episode
My tumblr tag for this episode
But especially these posts:
Rewatch notes from April 2017
Rewatch notes from September 2017 (encompassing 4.15-4.18)
A post possibly more relevant to s14 than s4, but it encompasses the themes from this episode and gives us a hefty dose of Cas Angst leading into next week’s episode
A Mini-Hellatus extended CW promo video, including scenes from 4.15 and 4.16
And interestingly, a casting call announcement for Alastair and Cole
Finally, for the truly intrepid listener, here’s my cosmology tag. I debated including a few other tags, but that’s enough to be going on for now :’D
Listen now on AnchorFM, or wherever you enjoy podcasts!
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mittensmorgul · 5 years
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So this morning I watched 14.20 again before looping back to 1.01 on the TNT loop. Ouch. It gets more painful every time it goes around, doesn’t it? Or maybe it’s just Sam and Dean look younger and younger every time. So much more innocent they seem by contrast. Whatever it is, it just gets better each time, too. :’D
But despite having sort of talked around this in the past, there’s one last thing about s14 that I need put down in words, for future reflection.
This whole post 14.20 pr buzz about there still being some conflict between Dean and Cas going into 15.01... yeah I mean... I don’t really think it’s as simple as Dean needing to apologize for the “you’re dead to me” or any lingering belief that one of them was somehow more responsible for any of the mess they’re in at the end of 14.20, you know? But there are some lingering issues regarding Jack (even knowing he’s going to be back “alive” very early in the season...).
I’m thinking specifically from 14.20, here. Cas was angry at Sam and Dean for locking Jack in the Ma’lak box. Rightly so, as we saw the horrific results of that play out almost as soon as he said it. But Cas also very clearly DID recognize that Jack did need to be contained somehow, that he was clearly out of control enough that containment was their only option. Hence his trip to try to get into Hell to study the cage. That wasn’t just a random notion, you know? The Ma’lak box didn’t contain Jack, and Cas was looking not for a way to cure Jack anymore, but a way to literally do exactly what Dean had tried to...
He’d already resorted to praying to Chuck for help back in 14.17. He KNEW Jack was in serious trouble already. And in 14.19 he learned how Jack had already been used and manipulated by Heaven. He knew just what was at risk here, and the potential for horror that Jack’s inability to understand right from wrong, and his willingness to trust could be so horrifically used... And he also knew exactly what was at risk here, including his own place in the Winchester family. This was not a small emotional challenge here. For Cas, this was everything.
Because the one thing Dean didn’t know when he made that horrible declaration in 14.18 was what Cas had already traded away in exchange for Jack’s soul. What Cas has literally sacrificed for the security of Jack’s soul, which was now apparently lost entirely. Cas sacrificed everything, for nothing, and this is what Dean gave him.... (but Dean, again, DOES NOT KNOW about Cas’s deal with the Shadow... he has no idea how much Cas has already torn himself apart over this, and if he DID know, I don’t think he EVER would’ve said that. He would’ve been even MORE horrified at Jack’s choice to deliberately risk his own soul to kill Michael, and at the result of that act... and horrified FOR Cas instead of angry AT him, you know?)
But in the end, Dean couldn’t pull the trigger anyway. It wasn’t Cas begging for Jack’s life. It wasn’t Sam pleading for Dean to stop. It was Dean himself, looking down at Jack, and Jack telling Dean he understood, that he’d been right all along, and that he was a monster who deserved to die. From that moment on, Dean joined Cas and Sam on Team Jack, and shouted down God yet again. 
So, I ask of everyone. What actually is their conflict going into s15? Other than them all displaying their usual “lashing out in anger from a place of extreme guilt and grief?”
The only thing left on the table for them to continue being mad about, from what I can see, is Dean learning about the deal Cas had made for Jack’s soul and being retroactively angry with him for so cavalierly trading his life for Jack’s. And honestly, does anyone see that ending in any way other than Dean having to admit EXACTLY WHY he would be so angry about Cas sacrificing himself? Like, forcing him to say in words “But we NEED you Cas!” and then actually having to spell out what that means? Because I don’t.
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mittensmorgul · 5 years
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i obviously did not think this through
So the other day I thought it would be fun to make up my own Essential Rewatch List leading up to 15.01, and boy howdy was I ever wrong! This post is the result of that. Instead of a conveniently streamlined list of important episodes for meta and character development highlights, instead have this 15k word probably-useless behemoth...
I debated not even posting this on tumblr because it’s just so massive. But heck this was a lot of work so here it is.
For reference purposes, I refer a lot to my rewatch notes, but mostly in later seasons. If you’d rather just go to the beginning of my tag for the most recent rewatch, 1.01 is the last post on this page, and then you can just continue chronologically from there:
https://mittensmorgul.tumblr.com/tagged/s14+hellatus+rewatch/chrono/page/3
If you want to read more about a specific episode, every singe episode is filed on my blog with the episode tag. For example, all posts about 1.01 are tagged like this:
https://mittensmorgul.tumblr.com/tagged/spn-1.01
To find a different episode, just plug in the correct episode number and voila.
If you’d prefer to skip an episode but don’t fully recall it and just want a quick refresher, every episode is linked on this page of the superwiki. Those links will serve you up a tidy synopsis as well as link you to the transcripts for every episode (linked at the bottom of each episode page):
http://www.supernaturalwiki.com/Category:Episodes
I started out making reasonable, logical entries for every episode, and then... kinda went off the rails toward the end... apologies for how chaotic this might read. Most of it was typed off the top of my head, and I haven’t edited it so apologies for any errors. Under a cut because FIFTEEN. THOUSAND. WORDS.
Good luck.
1.01 Pilot Obviously this episode sets up everything that comes after, and gives us a platform from which to understand exactly how the show’s mythology will eventually evolve. It also establishes a baseline for understanding Sam and Dean and their personal character evolutions and family dynamics. Probably essential viewing in any rewatch...
1.02 Wendigo Like so many early episodes, we learn more about Dean and Sam, and the missing father they’re searching for. And here we get “Saving people, hunting things, the family business” that becomes the motto of the Winchesters.
1.03 Dead in the Water
Sam is shocked to learn that Dean’s good with kids, and how Dean was traumatized as a 4-year-old. Like, dude, he practically raised you, Sam… makes sense he’s good with kids...
1.04 Phantom Traveler Specky the Wonderdemon, who was terrifyingly beyond their pay grade at the time. Kinda hilarious in retrospect… (also first use of Dean’s homemade EMF meter)
1.05 Bloody Mary Aah, Sam is keeping secrets from Dean (about his psychic powers and that he’d foreseen Jess’s death), and we learn ghosts can be attached to items that must be destroyed to banish the ghost.
1.06 Skin ooh Dean, take off that shirt yes… no… wait… stop… you can stop with the shirt you don’t… no please put your skin back on… (no, seriously, we learn A LOT about Dean from the shapeshifter, and so does Sam… There’s a heck of a lot Dean keeps buried. Also a reminder that shifter episodes tend to involve these sorts of buried secret things for Dean. Also Dean’s first “legal death” even if not actual death)
1.07 Hook Man Another ghost attached to an object, Sam’s first flirtation with anyone after Jess’s death, and Dean’s proficiency and innovation in hunting techniques continues to surprise Sam-- with the first use of salt shells for a shotgun.
1.08 Bugs Oh look more first season talking of their different experiences and memories of childhood and especially their very different relationships with John. If you can ignore the bug-related portions of the episode. Also I think still the only time in canon Sam and Dean have used umbrellas.
1.09 Home
Well if you absolutely need an in-depth exploration of the Winchester Family Dynamic as it stood in s1, this is a good baseline episode. Mary’s guilt expressed by her ghost in the house where she died, more exploration of Sam’s psychic powers, and we first see John on screen in the “present day.” Sam also learns it was Dean who carried him out of the house when he was a baby, and uses the exact same line John told Dean in this episode (take your brother outside as fast as you can and don’t look back)
1.10 Asylum So much of s1 was Dean getting orders from John and… following them. We get an interesting glimpse inside Sam’s head (having heard some of Dean’s dark secrets in 1.06) and via ghost interference Sam says some pretty bitter things to Dean (and would’ve shot him if Dean had been dumb enough to hand him a loaded gun. lucky Dean’s smarter than that). But now we have their baseline issues laid out on the table for us.
1.11 Scarecrow Sam is sick of taking orders from John and decides to go find John on his own rather than following another order. He meets Meg hitchhiking, and she tries to lure him in. Luckily Sam realizes Dean is in trouble and goes back to save him. They decide to stick together again. Of course.
1.12 Faith Here we go… the first moment the show realized it had the potential to be something bigger than a MotW horror/fantasy road trip. Dean’s first brush with capital-D Death (in this case, a reaper). The first time in canon anyone suggests that Dean was “chosen by the Lord” for a greater purpose.
1.13 Route 666 Racist Ghost Truck. But also the first time we learn an important difference between Dean and Sam. Sam hid everything about his life from Jess (a woman he was planning to propose to), but Dean fell in love with Cassie over a matter of weeks and told the whole truth to… and she dumped him for it because she thought he was lying to her. That heartbreak goes a long way toward the cavalier attitude Dean puts on toward relationships in general in the early seasons. Tell them the truth and they’ll leave you for it, but he won’t live the lie that Sam was perfectly happy to...
1.14 Nightmare Aah, more of Sam’s powers (darkest timeline edition with Max), and Sam credits John for being a better father… until he sees Dean’s reaction to that comment… and we get that Dean stood between Sam and John’s… lack of parenting skills >.>
1.15 The Benders “Plain old people are often worse than monsters”
1.16 Shadow The return of Meg, who is Up To No Good messing around with scarier demons than good old Specky was. We finally have John in the picture, but he deems it too dangerous for them to stick together, blaming their vulnerability on their care for each other, and just PFFFFFFT how often has the show kicked this notion to the curb? Give it a few more episodes… Sam also expresses his desire to finally get their revenge so he can leave hunting for good and go back to his “normal life.” Dean is crushed and upset by this revelation.
1.17 Hell House Aah, the prank war :’), and the idiot ghostfacers :’). It’s a tulpa.
1.18 Something Wicked Well if you need your heart ripped out with Dean Feels, you’re in the right place. Sam learns even more about Dean’s struggles as a kid under John’s orders, and what “failure” to obey meant to Dean-- that it once almost cost Sam his life. Sam gets a better idea of the burden of guilt and the weight of responsibility that Dean has carried for far, far too long. And Dean gets a bit of closure, finally killing the shtriga.
1.19 Provenance Sam gets to unburden himself a bit from Jess’s death and make a real connection with a wonderful woman who gets a real peek into the reality of their lives and the supernatural. Still, he walks away, and completely loses touch with her for like… 7 years...
1.20 Dead Man's Blood Sam and Dean are sick of blindly following orders, and sick of wild goose chases. And they demand answers from John. We learn about vampires for the first time, and are finally introduced to The Colt, which will take on so much significance over the seasons that it’s RIDICULOUS. A weapon Mary heard bedtime stories about as a child, now become real to be used to get their revenge on the demon who killed her? Which will resurface again and again to either become their hope or destroy their hope… so much baggage attached to a single gun.
1.21 Salvation So much plotting, but the demons get their way and get the Winchesters separated and set up. Sam fails to shoot the demon with the Colt and John is captured.
1.22 Devil's Trap As the title suggests, this is where we learn about the Devil’s Trap. And see the “single step” exorcism performed (not the two-step Specky exorcism from 1.04). Dean rejects John’s orders and “wastes” a bullet from the Colt to save Sam’s life. But it’s still all a trap, because the demon is possessing John. Dean realizes it when John is NOT FURIOUS that he “wasted” that bullet. It nearly kills Dean, and Sam refuses to kill John in order to kill the demon. The demon escapes, the Winchesters have one bullet left in the Colt, and then they’re run over by a demon-possessed semi trucker.
2.01 In My Time of Dying Dean’s second brush with Death (again, reapers). He learns a lot while mostly dead that unfortunately he won’t remember for a long time (until 4.15, to be precise) about reapers and their powers (manipulating reality, etc.). Sam is desperate to save Dean, and John trades his life (and the Colt) to the Demon for Dean’s life, lays one HELL of a burden on Dean-- either save Sam, or you’ll have to kill him. No further details, just that horrific fact which Dean will try to shield Sam from as long as he can, which will (as per usual) probably only make things worse when they eventually come out. Dying wishes on this show SUCK DONKEYS. Remember that when we get to 5.22...
2.02 Everybody Loves a Clown Spoiler alert: nobody actually loves a clown, especially not Sam. But heck Dean driving the soccer mom minivan is priceless. And we’re introduced to Ellen, Jo, and Ash at the Roadhouse. Sam and Dean are like… whoa there are actual hunter gathering places? And begin to uncover just how sheltered and weird their lives have been, even for hunters.
2.03 Bloodlust like 1.15, “sometimes people are the worst monsters,” with a generous side helping of “sometimes monsters aren’t actually monsters.” Dean gets to question a lot of what he was taught his whole life by John, via the proxy of Gordon Walker and his hate-on for vampires. But Dean realizes there’s a limit to killing everything not-human… the beginning of the era of “killing what deserves to be killed and not just anyone will do”
2.04 Children Shouldn't Play with Dead Things Zombie. Considering Jack’s longtime fascination with zombies, and how 14.20 ended… possibly relevant thematically on several levels… Girl resurrected by a dude for love (she didn’t love him in life… but was basically a “soulless person” as a zombie, as we will come to understand in later seasons). It’s a terrible idea to try and bring back the dead… >.> But this is all wrapped up in grief and how Sam and Dean each deal with grief in their own ways, and how they don’t really understand how the other is processing John’s death. In the MotW language of the show, zombies are about grief for the past and an inability to express it or move past it. They’re just emotional baggage (like shapeshifter eps reveal hidden truths and vampires are about revenge)
2.05 Simon Said More special children affected by the demon exhibit psychic powers… Sam is unsettled by the mind control, but unlike Dean he’s immune to it… He’s scared he’s gonna turn “evil” (and this is the first hint he gets that Dean might feel the same, based on the horrific dying promise John extracted from him that we still haven’t heard, and which we’re reminded is clearly weighing on Dean anyway)
2.06 No Exit Aah, Jo. They hunt the ghost of HH Holmes with her and learn some terrible things about their father’s history-- that he probably played a part in Jo’s father’s death. We also learn Dean sleeps real funny in chairs...ow it just looks so dang painful :’D (but they do comeuppance real well on the ghost…)
2.07 The Usual Suspects I love this just for the structure of the episode, showing us Hunting with Sam and Dean 101-- how to avoid arrest and imprisonment edition. This just gives us so much insight into how well they work together as a team, and the degree to which they’ve developed code words and references and how they are able to craft seamless backstories in the event a hunt goes south. It’s just… delightful.
2.08 Crossroad Blues The introduction of Crossroads Demons. And the first confirmation to Dean that John did indeed sell his soul for Dean’s life. Uncomfy revelation. The demon offers Dean a deal… his father resurrected and ten years to enjoy his company before Dean’s soul would end up in Hell instead. Dean declines. But their arsenal of weapons against demons (and the newly-introduced Hellhounds) grows to include goofer dust.
2.09 Croatoan Aah, a terrible time was had by all… the demons are scheming, creating demonic viruses and testing Sam’s immunity to them. But of course Dean and Sam don’t know that… Dean’s comment as they leave town: “I'm already starting to feel like this is the one that got away.” And ends on a cliffhanger of Dean about to tell Sam what John told him in 2.01.
2.10 Hunted Sam is enraged Dean would keep that from him, and wants to seek out more Special Children to learn what they can, but Dean wants to hide out and bide their time for safety’s sake. And maybe it’s just because I was in my 30’s when I first watched this show, but Sam pulls what I still think of as one of his signature childish moves and runs away in the night. But down that path lies revenge against the demon, so of course Sam runs into vampire-adjacent Gordon Walker. We learn more about how the Winchesters work together, the secret code word “funkytown,” and that sometimes they actually get the authorities to work in their favor. They’re good at manipulating the system...
2.11 Playthings Ghosts, Hoodoo that wasn’t to cause harm, but to protect against the ghost. Sam gets spectacularly drunk and makes Dean promise to actually kill him if he goes bad. Yikes. We also have the “why does everybody think we’re gay,” and Sam’s reply of “you’re kinda trying too hard to be butch” that Dean… doesn’t have a response to. Sam gets to SAVE somebody (he puts a gold star in his book as proof he’s not turning evil yet)
2.12 Nightshifter This is one I recommend actually watching… another shapeshifter (not a mandroid), so uncomfortable truths time. Sam lies thinking he’s protecting someone from danger, but it just drives Ron into even WORSE danger (and gets him killed). Everything about this hunt goes sideways, except they do actually kill the shifter, but now they’ve got the FBI on their tails. This is Winchesters Scrambling In A Tight Spot nirvana.
2.13 Houses of the Holy The first hint that the show… could possibly someday include angels, but they’re still on the BS list by the end of this episode. We learn more about Sam’s belief in God, Dean’s utter disdain for the idea of God, and the fact that Mary had believed in angels. Dean witnesses something he can’t explain, and Sam points in Dean’s direction when asking, “That’s Michael, right?”
2.14 Born Under a Bad Sign From holy to Hell… Sam is possessed by Meg, who leads Dean on a wild goose chase and does some pretty horrific stuff with Sam’s body. >.> They learn about the antipossession charms from Bobby (and probably get the tattoos shortly after this). Dean still refuses to kill Sam even when he begs (though we learn it was Meg testing or goading all of them).
2.15 Tall Tales We’re introduced to the Trickster (who’s even tricking them about his actual identity). Sam and Dean are completely bamboozled until Bobby shows up and points them to what’s really going on. There’s a lot of fun stuff about Sam and Dean’s relationship and how they see themselves and each other in here, though. And of course we know who the trickster actually is, which makes this all so much more interesting in retrospect… bit of comeuppance and lessons learned.
2.16 Roadkill An interesting take on a ghost MotW episode, where one of the ghosts doesn’t realize she’s dead, and how Sam and Dean work with her to save them all.
2.17 Heart Sam’s first actual sort-of-relationship with a woman. Who happens to be a werewolf… oops. There’s a lot of Sam Pain in this one, and Dean feeling like he’s failed in protecting Sam, yet again. But we are introduced to werewolves, which take on the monster meta shorthand of exposing or understanding their own inner monstrousness.
2.18 Hollywood Babylon And it’s Dean’s turn to have a little fling, where their concept of a “vacation” is “deal with mysterious haunting and death on a movie set.” And like in 1.12, this all comes about because some dingdong thinks he can do whatever he want. ALSO! The true monster of the week here… IS A WRITER. A writer who is furious that his story was trashed, and produced into something unrecognizable as his actual writing. I think this one might be HIGHLY relevant to 14.20, just for that. For the deadly tantrum of a writer who didn’t get his way. (plus the brilliance of Dean going from complete noob to the best PA in the history of Hollywood in like… a day… he’s just that good :’D)
2.19 Folsom Prison Blues In doing a favor for their father’s marine corps buddy (so the ghost of John hangs all over this one), they deliberately get themselves arrested and put in jail. Dean fits in there just as well as he did as a PA. He’s… really just that good at acting. Now I have Green Onions stuck in my head and I want a milkshake. And a donut.
2.20 What Is and What Should Never Be DJINN. aka the monster meta signal of deep personal introspection. What we learn about Dean in this episode is just heartbreaking. What he would wish for (Mary alive, Sam happily at Stanford Law School engaged to Jess) and the consequences he’s willing to endure for that to be a reality (his own life’s work negated, where everyone assumes he’s a drunk and a thief and a loser). 
2.21 All Hell Breaks Loose: Part One Dean just wanted pie. Instead Sam gets taken by demons. We finally find out what the demon wanted with him (sort of). Sam plays in the Demon Hunger Games, and loses at the last moment… (Dean gets to feel what it’s like to have a psychic vision, and hates it)
2.22 All Hell Breaks Loose: Part Two Dean sells his soul to resurrect Sam for the bargain price of one year before he’ll be dragged to Hell. Well learn about Samuel Colt’s Hellgate, which can ironically be unlocked with the Magic Kill Anything Gun (the Colt). In retrospect, this was just the beginning of the larger narrative arc of the Apocalypse, where Azazel released Lilith (along with a lot of other demons) to get that party started now that they had their hooks in Dean’s soul, but hey, at least Azazel won’t live to see it all happen (Dean finally shoots him with that last Colt bullet, rendering the gun useless but at least it did what they needed it to, with an assist from John’s ghost).
3.01 The Magnificent Seven The Seven Deadly Sins, the introduction of Ruby and her Magical Demon Killing Knife. Dean tells Sam he can’t be saved because if he breaks his deal, Sam would die.
3.02 The Kids Are Alright We meet Lisa (who Dean had a fling with years earlier) on Dean’s “relive his greatest hits before he goes to Hell denial roadtrip.” And Dean thinks he has a son for a hot minute (he does not, but he likes the kid anyway). Weirdness with them will ensue until they finally get to move on with their lives in s6. >.> But we’re introduced to our first fairie-adjacent creatures: Changelings. And Sam learns Ruby is actually a demon...
3.03 Bad Day at Black Rock Sam lost his shoe. We learn about curse boxes, Sam and Dean learn that John kept a secret storage unit full of weird and possibly dangerous stuff. But also some relics from their childhood-- Sam’s soccer trophy, Dean’s first sawed-off shotgun. And if that isn’t shorthand for the fact they had very different childhoods, I don’t know what is. Anyway, we meet Bela, and are entertained by good luck going bad… kinda the theme of s3?
3.04 Sin City more demons, we learn more about bigger plans they had for Sam, and Dean comes THIS CLOSE to actually considering letting a demon go… but Ruby helped Bobby make the Colt work again, and Sam kills both demons.
3.05 Bedtime Stories A pseudo-ghost of a girl trapped in a coma acts out fairy tales as a cry for help. Dean doesn’t want to kiss a frog. The pie is poisoned and Dean has to fight the big bad wolf… I swear that all makes perfect meta sense.
3.06 Red Sky at Morning Bela again. And like the ghost they’re hunting, we learn she got her revenge against a family member. The first use of the name “Castiel” in the spell to summon the ghost’s brother’s ghost so they could splish-splosh each other out of existence. That’s… all you really need to know.
3.07 Fresh Blood Gordon Walker, vampires, and vengeance. Taken to an extreme. Dean basically throws himself into danger because what does he have to lose if he’s already destined for Hell? But he’s beginning to crack, and Sam’s getting pretty desperate to get Dean to admit he’s scared and do something to save himself. Gordon’s desire for revenge gets him captured by a vamp and turned… and Sam ends up beheading him with razor wire. Yikes… so much for that revenge, eh?
3.08 A Very Supernatural Christmas Yuletide fun and eggnog. Pagan gods they end up killing with a Christmas tree. But they do reach a personal emotional plateau with Dean’s whole “half a year to live” clock ticking down.
3.09 Malleus Maleficarum Witches. Ruby. And a demon who knows Ruby leading a coven of suburban housewives who believe they’re just doing something harmless and not slowly selling their souls to said demon. Ruby saves Dean’s life, earning his reluctant gratitude for the time being, but not exactly his trust. This is the first we learn of Lilith, the demon apparently leading all the rest of them. Dean also learns that demons are just human souls that have been tortured in hell, and that’s what awaits him after he dies.
3.10 Dream a Little Dream of Me VERY IMPORTANT EPISODE. African Dream Root, which mimics the sort of djinn-dream experience. Dean has to literally confront his demon self. For the first time he admits he didn’t deserve any of this, any of what John put him through. And he admits to Sam that he is scared of going to Hell. Oh, and Bela steals the Colt, aka the only weapon they have against Lilith.
3.11 Mystery Spot If 3.10 was about Dean’s internal trauma, 3.11 is about Sam’s. The trickster puts him through a time loop forcing him to relive endless Tuesdays, and Dean dies each time and he wakes up again. The power to do this is just… insane. Just when they think they’re out, Dean apparently dies “for real,” and it drives Sam on a six month long rather terrifying revenge mission. Only to finally come face to face with the trickster again after having proven the horrific lengths he’s willing to go to in order to save Dean. Also a very, very important episode. Trapped eternally in someone else’s looping story and forced to act it all out endlessly? Yeah. That’s not 14.20 at all >.>
3.12 Jus in Bello very nearly the series finale. They work with Ruby after FBI agent Henriksen discovers they weren’t lying about the supernatural and they exorcise him from demon possession. Dean gives him The Talk about what’s real, and refuses to sacrifice someone to perform Ruby’s spell that would supposedly save them all and kill all the demons. Everyone lives… for a little while, at least. At least Sam and Dean are marked among the dead, so they won’t have to worry about law enforcement chasing them for a while, but Ruby holds this over them (in addition to losing the Colt, if they’d just listened to her everyone would still be alive… in theory… she’s really good at this manipulation thing!)
3.13 Ghostfacers And interesting perspective to see what Sam and Dean would look like uncensored and unbound from the traditional episode format, and through the eyes of other people.
3.14 Long-Distance Call Crocotta. Dean is lured in by John’s voice over the phone, believing it might be a ghost situation, and that John may have a way to save him from Hell. It’s all just a trap that leaves Dean feeling even more hopeless, knowing he can’t expect John (or anyone else) to save him from this. 
3.15 Time Is on My Side Sam gets desperate, and we have another mention of zombies… which if you’ll recall, signals grief and desperation and an inability to let go of the past. Which kinda defines Sam’s state right now. Dean tracks down Bela to retrieve the Colt (but it’s long gone, and Bela’s about to be dragged off by hellhounds herself). Sam tracks down Doc Benton hoping to get him to share his secret for immortality as a last desperate attempt to save Dean. But Dean doesn’t want to live like that, killing other people for their organs as his would wear out, just to keep himself out of Hell. And honestly good for him because ugh.
3.16 No Rest for the Wicked Dean’s seeing through the veil, able to see demons’ true faces, and the hellhounds that are on their way. They steal Ruby’s knife and go after Lilith, and fail completely. Dean’s dragged to Hell, and Sam’s immune to Lilith’s powers.
4.01 Lazarus Rising CAS GRIPPED DEAN TIGHT AND RAISED HIM FROM PERDITION. Honestly if you don’t know the meta import of this episode, this list ain’t gonna help you.
4.02 Are You There, God? It's Me, Dean Winchester We really learn about the Apocalypse, the seals breaking that will eventually free Lucifer. Supposedly the angels want to stop them from breaking… and Dean and Cas have their first real conversation about all of this. And this is the episode my tag for God comes from, “If you say mysterious ways, so help me I will kick your ass.” Dean’s already set himself up with Cas to defy God.
4.03 In the Beginning Angels can send you back in time! Dean sees Mary and John’s relationship, the death of Mary’s parents, and the fact Dean talked John into buying the Impala AND now feels responsible for having lured Azazel to Mary in the first place… he witnesses the deal she makes to bring John back that would effectively shape the entire narrative on both sides of this episode. The things we do for love… Cas told Dean to stop it, and in the end tells him he never could’ve stopped any of it. It is what it is. It’s the first instance of Dean getting this glimpse at the bigger picture, and taking away his OWN lesson from it rather than the one he was supposed to learn… 
4.04 Metamorphosis Dean finds out about Sam working with Ruby to exorcise demons with his psychic powers. And the inevitability of falling victim to those psychic powers plays out in the MotW, the rougarou who gives into his hunger. Sam promises to give up using his powers lest that happen to him.
4.05 Monster Movie A straightforward, black and white case. A shapeshifter (so buried truths), but this one becomes Hollywood movie monsters trying to give the monsters a happy ending… essentially trying to rewrite his own story. Sound familiar? Dean gets the girl, at least. I love this episode.
4.06 Yellow Fever Dean vs his own fear, compounded by the fear of a ghost who infects him with ghost sickness, inflicting his own suffering on Dean. This was Dabb’s first episode, and as such, is definitely worth watching for the themes, and what Dean is truly afraid of-- i.e. of going back to Hell and being tortured by Lilith, of Sam being a yellow-eyed demon. The rest is just awkwardly fun watching Dean squirm.
4.07 It's the Great Pumpkin, Sam Winchester Sam breaks his promise not to use his powers when Samhain rises. We meet another angel- Uriel- who isn’t as fond of humanity as Cas. Sam meets Cas, too. But this is truly the episode where Cas begins to differentiate himself and show his doubts in Heaven’s orders. He warns Dean that bigger tests are coming, but he doesn’t know what they will be yet. This is still the true foundation stone of Cas’s entire personal character arc for the entire series, when he went from maybe-three-episodes-then-dead interesting side character to 11-years-and-counting truly a Winchester.
4.08 Wishful Thinking I love this episode… you can’t just wish for what you want without consequences. This was like primer-level Cosmic Consequences stuff.
4.09 I Know What You Did Last Summer Dean learns what Sam was up to while he was in Hell being tortured by Alastair (conveniently the antagonist in this episode), why he trusts Ruby now, and voluntarily works with Ruby to save Anna-- a woman who hears angels talking. This is effectively continued in:
4.10 Heaven and Hell Where Anna remembers that she’d been an angel who fell from Heaven by choice, removing her grace to experience life as a human. Which… is kinda important a concept to know exists… >.> Heaven (and Cas) judge her harshly for that choice, and yet… there’s just too much just go read my rewatch notes from this episode at the very least.
4.11 Family Remains They think it’s a ghost but it’s not a ghost. All you need to know is this is the episode they wrote on a dare to see if they could write an episode that the network would refuse to air ever again. They were actively trying to write the worst possible episode they could imagine, and this is the result.
4.12 Criss Angel Is a Douchebag
Sam had a thing for stage magic as a kid, but now he runs around with a demon. The concept of “will we be in this life until we die or it kills us” and “what would life even look like to us if we were actually to grow old” is batted around for possibly the first time. 
4.13 After School Special
From contemplating retirement to flashbacks to high school. Another look at Sam and Dean and who they are as people, and how their very different childhoods shaped them into who they are now.
4.14 Sex and Violence Dean’s Siren was a dude. (oh, and the director of this episode? whose last episode was 6.15? is directing 15.03, so maybe worth a peek...)
4.15 Death Takes a Holiday Dean vs Death again. The return of Tessa the reaper from 2.01, and Dean finally remembers. They save Tessa, save a seal, and capture Alastair, but discover they’ve been manipulated into doing it by Cas/Heaven. Heaven loves its manipulations… Pamela the psychic warns Sam that what he’s doing, despite his intentions, is not good. He ignores that advice. At the very least read my rewatch notes for this one. >.>
4.16 On the Head of a Pin There is absolutely too much going on in this episode to sum up in this post. Read my rewatch notes, read the superwiki, watch the episode. This one is huge, for Dean and for Cas.
4.17 It's a Terrible Life Heaven’s Grand Manipulator, Zachariah. Or he thinks he’s pretty grand… he’s really not all that good at his job
4.18 The Monster at the End of This Book CHUCK. The inevitability of destiny, or at least his attempt to write that version. In this episode, all of Chuck’s plans go according to plan… until Dean drags him back into the story and forces a different ending. (and we learn Sam’s demon blood drinking is so distasteful to Chuck he didn’t even include it in his books) Remind you of anything? Like, oh, 4.22, or 5.22, or 11.23, or 14.20? Yes, this episode is the key to everything.
4.19 Jump the Shark Since Adam will reportedly be back in s15, watch this one and understand Dabb’s exact intention in creating the character in the first place-- literally as a decoy who never existed with any narrative weight of his own, as a ghoul (a creature that feeds on the dead and takes their shape). I wrote about this one recently, so I won’t waste space repeating myself here.
4.20 The Rapture CAAAAAAAASSSSSS. He gets dragged back to heaven for disobedience, and is tortured back into obedience. Obviously this one is huge for Cas as a character, and for Dean’s relationship with him. But they both learn about why Sam’s powers were getting stronger, and are not pleased...
4.21 When the Levee Breaks Sam’s detoxing from demon blood until Cas lets him escape. Cas rounds up Anna and has her sent back to Heaven for her own round of torture/reprogramming. And Dean and Sam have her Big Falling Out that drives Sam to do the horrific… however good his intentions are, what he’s doing is still bad.
4.22 Lucifer Rising The grand manipulation is unveiled. Dean talks an angel into rebelling from Heaven to stop the apocalypse, but they’re still not in time to stop Sam from breaking the world. Chuck… is less than fully helpful, despite Cas literally volunteering his own life to protect Chuck. Pretty sure this is a critical episode for rewatching. Chuck’s mostly pleased his story is going to plan.
5.01 Sympathy for the Devil Ugh, no we do not have sympathy for the devil on this blog. Chuck recruits his biggest fan to deliver cryptic messages to Sam and Dean. Dean learns he’s Michael’s true vessel, destined to be his tuxedo for the apocalypse. Cas returns without having a clue how he’s even alive. And it’s all Chuck’s doing… even if we don’t know that yet.
5.02 Good God, Y'All
The apocalypse is in full swing, and the Horsemen are coming out to play. In this case, War manipulating people into destroying each other. Cas sets out on his mission to find God and convince him to help stop this mess. We learn Dean’s amulet had the power to find God all this time, and they’d never known it until now. Convenient!
5.03 Free to Be You and Me Just watch it already, you know you want to. Defines Dean and Cas’s relationship for years to come, though. Plus Sam learns he’s Lucifer’s destined vessel. I’m sure that will all go fine… 
5.04 The End I know most people will disagree with me on this, but the only useful meta takeaway from this episode is the same as one from 4.17: Dean doesn’t learn the lessons he’s “supposed to.” He makes his own lessons. There is literally zero other relevant information to take from this episode, aside from it being Cas who saves him from it. Watch if you enjoy it… but literally nothing about it is any more real than the djinn dream in 2.20 or the dreamroot dream in 3.10, and it’s all been rendered irrelevant by later canon anyway. Especially by 14.20 and that moment Dean refused to play Chuck’s game anymore.
5.05 Fallen Idols More John baggage disguised as an old god. Worth watching just to hear poor Consuela the housekeeper wail about Abraham Lincoln killing Mr. Hill, and Sam being attacked by Ghandi.
5.06 I Believe the Children Are Our Future Dabb’s second gag on the fandom… the antichrist. Dean admitting Cas is his friend. :’)
5.07 The Curious Case of Dean Winchester Dean gets to be an old man for a day.
5.08 Changing Channels Just watch this one, read about it, whatever. Refresh yourself on it. The trickster is unmasked as the Archangel Gabriel, and he’s attempting his own ploy to force Sam and Dean to “play their roles.” They convince him they’re not gonna do that, but to break out of the endless loop of literal television shows he’s forcing them to act out for his own entertainment (and sort of to teach them that lesson), they’ve got to do more than just refuse to play their roles, they’ve got to best him at the game. Kinda like they’re probably gonna have to do with Chuck in s15. 
5.09 The Real Ghostbusters Oh, speaking of Chuck… here have a Supernatural fan convention, and a key piece of information on what actually happened to the Colt after Bela stole it. But most importantly, Dean gets to yell about how much he doesn’t appreciate the story of Supernatural.
5.10 Abandon All Hope… They find the Colt, and Crowley, and discover it never would’ve worked against Lucifer anyway, and then promptly lose the Colt again. Lucifer gets to stare down Cas and Cas doesn’t blink, Meg’s hellhounds kill Jo and Ellen, and really everything’s kinda bleak. Lucifer raises and binds Death.
5.11 Sam, Interrupted WRAITH, aka a monster that uses mind altering venom to “cook” her victims to perfection, so like a djinn and other mind-altering, perception-altering creatures, when they sneak up on you unawares, things get… complicated. Massive insight into the essential character of Sam and Dean.
5.12 Swap Meat Body Swap. That one time Sam was actually Gary.
5.13 The Song Remains the Same More time travel, Sam’s second resurrection, we finally meet Michael face to (Young John Winchester’s) face. Mikey seems pretty confident in his “destiny.” Dean’s second warning to Young Mary about her death is wiped from her mind. Contemplation of Cosmic Consequences: it’s better never to be born if it means stopping the Apcoalypse-- clarified in 12.23-present that… nope, definitely worse. “Team Free Will” coined. Watch this one. It’s the stage on which all the s12-present Family Dynamics will be set.
5.14 My Bloody Valentine We learn Heaven set up John and Mary, that they couldn’t stand one another before Cupids intervened and made them “the perfect couple.” I’ve written a lot about the effect the Horseman Famine had on all of them-- especially Dean and Cas, with the reminder that s5 was the season of “lol nope” to the category of beings attempting to manipulate all of them, including the Horsemen. Important just for all of that (and Edlund’s confirmation that Cas’s cravings were actually his own, and that my read that he was being a shifty liar blaming it on Jimmy was correct-- Cas does have his own human cravings, going all the way back to this point, that he was ashamed of, or terrified of, or both...) As well as Sam’s struggle against demon blood addiction, and his fear of and gradual acceptance and internalization of his own powers)
5.15 Dead Men Don't Wear Plaid ZOMBIES. ZOMBIE PIE. JODY MILLS. As I’ve said above, zombies are grief and unresolved baggage from the past, and in this episode, the denial was so strong even the normies in town were willing to accept the return of their dead loved ones, clinging to them until they “turned” and devoured them… the Mary parallels, Karen’s talk with Dean about what we do for the people we love… this one’s important.
5.16 Dark Side of the Moon Dabb, and our first look at the structure of Heaven, and how human souls see the place. Probably one of THE most misunderstood episodes in the entire series. Please see everything I’ve ever written about it for reference. FINALLY they toss out the toxic, worthless samulet. (which we literally learn in 11.20 that chuck “switched off” and INTENTIONALLY rendered worthless, because it suited his plotline and amused him). Still think this is vital to understanding Dabb Era overall.
5.17 99 Problems We see what it looks like when Dean gives up, loses hope, and is about to do Stupid Things™. Cas too. Probably useful just for that.
5.18 Point of No Return We finally see Cas really let loose on Dean, and admit what he gave up because he believed in Dean. Because Dean asked him to. Dean nearly gives in to destiny, but because of Cas, because of Sam, he fights through it. Zachariah and his manipulations end (getting stabbed in the face tends to end that sort of thing). Also the irritating return of Adam only to be the meatsuit for Michael when Dean refuses. (and we learn the truth about Adam-- that everything ghoul!Adam told them had been a straight-up manipulation, and Adam only ever cared about his mom. by the time he learns the truth, it’s too late for him, the gullible idiot vs the power of propaganda)
5.19 Hammer of the Gods The return of Gabriel, aka Loki, and a ton of other pagan gods Lucifer will slaughter. Interesting in light of Gabriel’s return in s13, and because of the mirror of Chuck in each of his archangels. And the Winchesters win another angel to TFW.
5.20 The Devil You Know Crowley’s good at manipulation, but again proves himself to be… mostly trustworthy (as long as they’re all working toward the same end). And re: manipulation, Sam gets a glimpse of just how thoroughly his entire life has been manipulated by demonic forces, which… relevant to the revelations of 14.20 vs Sam’s persistent faith in God despite everything.
5.21 Two Minutes to Midnight Cas is effectively human. Bobby sells his soul for Death’s location, and Pestilence falls to teamwork. Cas learns the value of a shotgun. Dean has pizza with Death, who WANTS him to succeed at locking Lucifer back up and explains exactly how to go about doing it. Sam thinks he can overpower Lucifer if he gives in and says yes.
5.22 Swan Song Sam was not totally wrong in 5.21. Cas resurrects Bobby, and explodes and is resurrected (again!) himself. Sam drags two (2) archangels into the cage and is promptly pulled out (only missing one critical bit…). Dean… actually tries to live up to at least one of Sam’s dying wishes, and it basically ruins his life for the next year. Chuck is a smug, self-satisfied bastard who pats himself on the back for a story well-told before flapping off and proceeding to write variations on his original fic using his favorite characters. >.>
6.01 Exile on Main St. All I can hear is Dean’s heartbreak and anger that Sam had been “alive” for a year and forbade anyone from telling Dean that he wasn’t actually suffering tortures in Hell all that time. If ever there was a YIKES moment on the show, this is it for me. This one’s probably good to watch just for the setup of soulless!sam and s6 in general.
6.02 Two and a Half Men Dean’s even good with monster babies. And after a year of unsettled living with Lisa, he’s more duty bound to protect them than he is wanting to stay because he’s actually happy there. Sam is a creepy hunting machine.
6.03 The Third Man CAS! But heck he’s acting shifty, but so’s Sam, and Dean’s feeling even more alone now. The introduction of the concept of Angel Marks on souls, the Profound Bond, and biblical weapons. And the war in Heaven, and the seasonal antagonist stepping up into Michael’s shoes: Raphael.
6.04 Weekend at Bobby's BALLS. Woodchippers trump everything. We discover that burning a demon’s human bones will perma-kill them, and learn a bit of Crowley’s backstory.
6.05 Live Free or Twihard Dean becomes a vampire for a hot minute. We learn there is a vampire cure that works as long as they haven’t had human blood yet. And we learn something really, really is wrong with Sam...
6.06 You Can't Handle the Truth Dean is now 100% positive that something is horrifically wrong with Sam, and is distraught that nobody else seemed to know it for a YEAR.
6.07 Family Matters Cas figures out what’s wrong with Sam and promptly becomes even shadier around the Winchesters. We meet the Alpha Vampire. And vampire eps are about revenge, right? There is a LOT of shady going on here.
6.08 All Dogs Go to Heaven weird dog episode that I always forget exists between rewatches.
6.09 Clap Your Hands If You Believe… hands down the best soulless!Sam episode. You fight those fairies! I’m still waiting for another fairie episode where Dean can still see them and nobody else can :’D. Just watching Sam try to logic his way into being more human is educational about the struggle to be human in general.
6.10 Caged Heat Family betrayal, Sam and Dean nearly get fed to ghouls, Cas would rather be with them then fighting his war in Heaven. Angel blades can kill hellhounds. They finally entrap meg into working with them instead of always trying to kill them >.>
6.11 Appointment in Samarra I think this is still in my top five favorite episodes ever, and one I think everyone needs to rewatch. Dean and Death episodes usually are. And in this one, Dean IS effectively Death for 24 hours. But there is a LOT in this episode, from Death “testing” Dean on multiple levels-- forcing him to make choices AND process the consequences of his actions and how it affects other people… this is a big one for the cosmology of the SPN universe and Dean specifically. Even in Dabb era.
6.12 Like a Virgin Dragons are a thing. Eve pops over from Purgatory.
6.13 Unforgiven Sam’s soul/hell flashbacks start when he goes poking at the wall, but he keeps poking anyway. Giant spider people. Eurgh. But unfortunately the whole “web of lies unraveling” thing kinda fits.
6.14 Mannequin 3: The Reckoning The haunted kidney episode. But Dean finally breaks it off with Lisa (again… >.>)
6.15 The French Mistake We actually learn something about the angel wars… sort of. We also learn AU’s are actually real. (this was also the last episode the director of 15.03 directed, so probably worth watching if they’re bringing him back after all these years…)
6.16 ...And Then There Were None Monster Possession is apparently a thing now. The last of the Campbell hunters die (that was a quick trip through the family dynamics there >.>). The main takeaway here is from Rufus’ funeral: Life’s short, and it’s not worth carrying guilt and regret (takes them a really REALLY long time to actually internalize it with each other, but at least they got the spirit)
6.17 My Heart Will Go On Cas just lying to their faces, creating an alternate timeline just to generate souls as a power source (the specific number of 50k souls comes up, and will come up again in 6.20, as the number of souls Crowley “loaned” Cas at the beginning of the war in Heaven, with the suspicion that Cas was attempting to “buy his way out of their deal”, but the plan fails and he’s forced to put everything back… but he does ensure Sam and Dean both remember the entire experience, but we get an idea of the extent of the power angels can actually wield.
6.18 Frontierland Dabb has referenced this one several times during his era, but again, the history of the Colt is involved, a Phoenix, and Dean in a cowboy hat. We learn even the other angels think Cas is up to something super shady. But it’s their first real moment of hope.
6.19 Mommy Dearest Eve uses Mary’s face to torment Dean, we learn Crowley is not dead, and Cas… has been doing shady things with him. Cas is again effectively human for an episode.
6.20 The Man Who Would Be King Well this is where everything both falls apart and comes together. This episode makes sense of the entire rest of s6, as painful and sad as it is. If you only watch one episode from s6, it should probably be this one.
6.21 Let It Bleed Dean’s worst fear comes true, and people he cares about but leaves behind for their own protection are used against him. Not just by bad guys, but by Cas. Ouch. Still incredulous that Dean did recognize HP Lovecraft, or even make a Metallica reference at the mention of “Call of Cthulhu.”
6.22 The Man Who Knew Too Much Sam putting himself back together. Cas tearing things apart.
7.01 Meet the New Boss That one episode where it looks like Cas will be the unwitting bad guy and s7 will be about saving him, until it’s really really not. That whole exchange between Dean and Cas about forgiveness and finding some way to make it up to him, though… that’s what will carry us through the bleak middle of s7 and generate the grief arc for Dean in the meantime.
7.02 Hello, Cruel World It looks like Cas is really, truly gone, and all Dean has of him is his trenchcoat. And we’re stuck cleaning up his oozy black mess for the next 15 episodes before getting him back again. Sam’s Hallucifering all over the place and finds a connection to reality through squeezing the scar on his hand, which will become a symbol in show for reconnecting with reality for him for years to come.
7.03 The Girl Next Door Sam thinks pie and cake are the same. In their own respective messed up mental states, Sam thinks Amy is worth saving, Dean doesn’t trust that and kills her. Let the guilt ensue.
7.04 Defending Your Life A good setup of Sam and Dean’s issues for s7.
7.05 Shut Up, Dr. Phil I can’t believe they melted Tula’s painting. But it takes a couple of bickering witches for them to finally get a hold on the Leviathan, so that’s something.
7.06 Slash Fiction Aah, going back to the beginning as a trap for Sam and Dean-- the Leviathan using the Supernatural books to lay a trail case by case from Sam leaving Stanford (Crowley will do the same in 8.22, and the end of 14.20 gave a lot of people the impression there will be a similar progression in s15… but honestly that’s really only sustainable for a single episode, but this may be relevant for like… 15.01-02). Also, Dean finds it satisfying to behead himself (or the leviathan version of himself)… so yikes.
7.07 The Mentalists I love this one just for the Dean feels. He’s really hurting.
7.08 Season Seven, Time for a Wedding! Sam’s love-spelled. Mind control is always a terrible thing. Demons trying to game the system and cash in on deals ahead of schedule. So that’s a thing.
7.09 How to Win Friends and Influence Monsters I love this one. Poor Dean. This is the first time he’s actually felt good in like… ever. Too bad it’s from monster goo.
7.10 Death's Door Bobby :’( And Dean essentially falls apart.
7.11 Adventures in Babysitting Vetala. Which only Dean knew hunt in pairs, so hunter after hunter had been falling victim to them, including Sam. Meanwhile Dean finally got a decent nap.
7.12 Time After Time Dean gets booped back to the 1940’s to hunt with Eliot Ness. Still, they defeat Chronos, yet another god whose prophecy will be tossed aside by the Winchesters.
7.13 The Slice Girls Dean accidentally has a monsterbabby, Sam kills her. Amazons.
7.14 Plucky Pennywhistle's Magical Menagerie Just watch it. This is the only episode in the entire series that just… is purely good and fun. Sam has to confront his fear of clowns, Dean faces a villain who was blamed for his brother’s death when he was just a kid and his parents should’ve been doing their jobs instead. I mean...
7.15 Repo Man The guy who was trying to lure back “his demon” exorcised during the Apocalypse era, by continuing his murder spree. Sam loses to Hallucifer by acknowledging his existence as separate from Sam’s own subconscious. There’s… a lot in this episode. At least read my rewatch notes.
7.16 Out with the Old Sam eventually succumbs to his Hallucifering, Dean nearly succumbs to a pair of toe shoes. Peter Yankit of Johnson Lane nearly succumbs to a cursed porn magazine. Cursed objects are fun.
7.17 The Born-Again Identity CAAAAASSSSS! He’s back, even if he doesn’t remember who he is. Dean tries to break it to him slowly, but instead unburdens a lot of his personal hurt over Cas’s actions to the oblivious “Emmanuel,” And Cas tells Dean his feelings are completely understandable. This is setting up the entire rest of Cas’s arc, probably through the end of the series. This is what motivates him, his need to repent. And He gets a start by taking on Sam’s trauma, healing Sam.
7.18 Party On, Garth An alcohol spirit enacting personal revenge, and despite all evidence, Sam continues to doubt Dean’s theory that Bobby is somehow still around. Dean’s season-long grief-drinking becomes a punchline, and Dean’s literally the only sober one in the final fight scene.
7.19 Of Grave Importance Yep, Bobby is a ghost, been there all along. Also, ghosts can sort of… cannibalize each other? For their power? whatever, moving on.
7.20 The Girl with the Dungeons and Dragons Tattoo CHARLIE.
7.21 Reading Is Fundamental KEVIN. But also CAS! Is awake but not quite himself and in full denial mode, like he was awakened against his will before he was done cooking >.>. we learn a bit more about prophets as we see Kevin awakened to serve the Leviathan Tablet.
7.22 There Will Be Blood more manipulation, and the Alpha Vampire is back, so we get a double whammy of manipulation/deceit AND revenge. The alpha vampire cooperates with the Winchesters. So does Crowley.
7.23 Survival of the Fittest Cas doesn’t want to fight, but in the end he steps up. They get the Leviathan, Dean and Cas are beamed to Purgatory, and Sam’s left alone and pulls a Sam. He runs away from reality.
8.01 We Need to Talk About Kevin Dean comes back from Purgatory without Cas, but with a vampire friend… so s8 is about Dean making pals with revenge. This will fuel his arc for a good long while to come until he can finally make his peace with it. It affects his interactions with Sam for most of the first half of the season… because while Dean was fighting for his life, Sam was… pretending to be a normal guy and ignoring everything else. Including Kevin.
8.02 What's Up, Tiger Mommy? The push to do something drives them to seek out the Demon Tablet with the promise of closing the gates of Hell forever at Kevin’s suggestion. Plutus, the God of Greed is the baddie in this one, if that’s any sort of meta statement on their overall plan to take this particular course of action… the narrative basically condemned their plot before the season even started. Hubris, ahoy. But we also find out why Cas ran away in Purgatory-- to protect Dean. And why he wanted to stay-- guilt and penance.
8.03 Heartache Oh, a case where a curse is passed on to others after death? And the original death didn’t actually end the curse as intended? Nice.
8.04 Bitten I love episodes were we see Sam and Dean through other people’s eyes. And this one, an episode where we learn new things about werewolves (remember: an examination of inner monstrousness).
8.05 Blood Brother I’d point out the agony of Winchester Secret Keeping being toxic, but since we’re largely out past that by the end of s14… *shrug emoji*. Dean helps his vampire friend get revenge against the vampires who killed him. Double revenge! And Sam… does not like Benny. But we know exactly why DEAN does… he literally saved Cas’s life in Purgatory, despite repeatedly wanting to leave Cas behind. He saved Cas for Dean.
8.06 Southern Comfort Garth again, and his serenity is basically there to point out how toxic Sam and Dean are by comparison. The spectre that possesses Dean to leech off his vengefulness has zero effect on Garth. But Dean gets out his feelings of anger that Sam never looked for him in Purgatory, so that’s on the table to provide drama for years to come.
8.07 A Little Slice of Kevin CAS IS BACK AGAIN! But he has no idea how he got here (he’s been mind controlled by Heaven again, and is desperately trying to make amends, but is literally blocked from doing so at every turn, which is a tidy mirror for what Chuck’s done to the entire story since… forever… so this is probably a must-watch episode, or at least read my notes on it.
8.08 Hunteri Heroici This one’s fun, until it’s owie, and then sad. Magical powers don’t save the day, they only end up hurting people. Cas desperately wants to make amends, but he is afraid to face what he’s done. Instead, he just gets manipulated even harder. At least read my notes for this one, too.
8.09 Citizen Fang Oh, manipulation moves directly to the Winchester brothers, no heavenly interference required. Vampires again, but this time Dean again sides with Benny, but against Sam… who again refuses to hear the truth and pulls another Sam. He forgot the lesson that sometimes it’s not the monsters being monstrous, and it’s important to kill the RIGHT monster, not just the convenient one.
8.10 Torn and Frayed Just like the episode sounds… Cas goes to Dean for help,  and then brings Sam onboard and asks them to stow their crap. By the end of the episode, Sam and Dean will have resigned themselves to being on their own again because Cas is… something is not right with him...
8.11 LARP and the Real Girl CHARLIE! Fairies! Dean does one (1) fun thing for his birthday. But this is about using a book to manipulate events to suit the Bad Guy’s whims. Sound familiar?
8.12 As Time Goes By Sam and Dean meet their grandfather, fill in a huge gaping hole from their past, and discover their legacy, the Men of Letters, and the Bunker that will become their home.
8.13 Everybody Hates Hitler Yep. It’s true! Nazi necromancers, and another new ally in Aaron. They settle in to the bunker.
8.14 Trial and Error They take their first steps toward closing the gates of Hell, killing a Hellhound. I wrote about this one recently, so go read that. :’D
8.15 Man's Best Friend with Benefits another weird dog episode
8.16 Remember the Titans Prometheus, Artemis, and Zeus. Curses passed down through families to fall on innocent children. And Zeus is delighted because it causes even more suffering.
8.17 Goodbye Stranger oh the agony. We see what it took for Heaven to control Cas, and what it took for Dean to break through to him, only to fall to yet another mind whammy by the angel tablet. Of course Dean takes this personally, abandoned again. Definitely watch this one. Read the notes. All that.
8.18 Freaks and Geeks In case anyone missed the point, we have manipulation and vampires. And Dean reminding everyone that finding the truth is important (let’s not be so bloodthirsty that just anyone will do).
8.19 Taxi Driver The second trial, the horror that Bobby’s wrongfully been in Hell all this time, and Sam is stranded in Purgatory until Benny shows up to escort him to the portal. Sam finally gets why Dean’s loyalty to Benny never wavered. He was literally willing to die for Dean. This guilt will carry Sam into the third trial eventually but for now...
8.20 Pac-Man Fever Let’s look at Dean’s guilt/fear. That he’s failed to protect Sam and won’t be able to save him from the trials. Fear is a terrible thing. But we have djinn AND dreamroot, so all the false realities.
8.21 The Great Escapist This is still among my favorite episodes, but Cas finally begins fighting for himself, and we uncover the extent of Heaven’s duplicity, and meet Metatron, aka Chuck Lite. Definitely watch or at least read.
8.22 Clip Show Aah, I mentioned this one back in 7.06. This is Crowley’s turn to use the boys’ history against them, but instead of manipulating them, they trap him (at the beginning of 8.23, after whoopsie accidentally freeing Abaddon because of Crowley’s manipulation distracting them from their job…) We learn that “curing a demon” is a thing.
8.23 Sacrifice Cas is so embittered by his experiences with heaven that he refuses to believe Metatron is lying, and thus falls victim to the worst manipulation yet. Sam’s dying from the trials, Cas is human, and angels fall. (and also some of the worst, most toxic relationship stuff between Sam and Dean, which contributes to all of that, along with their hubris to think this was a good idea in the first place… I mean it’s literally what the big bad of s9 did to Heaven so why were they trying to do the same to Hell again?)
9.01 I Think I'm Gonna Like It Here Cas is human, confused, and alone. The big bad is basically Diet Chuck, and Dean is manipulated into doing a Terrible Thing to save Sam that will strain their relationship for the rest of the season. (Don’t worry, Sam will return the favor in s10 >.>) Buckle in for a season all about manipulation by more powerful cosmic forces but with all new levels of guilt over having caused these problems in the first place!
9.02 Devil May Care Abaddon makes a play for the role of big bad, but will ultimately lose the title to Metatron.
9.03 I'm No Angel The Worst Possible Take on Human Cas. Mostly I ignore this episode.
9.04 Slumber Party Oz. Dorothy. Wicked Witch of the West. Sam’s angel possession gets a bit tricky… Direct mind control instead of the manipulative sneaky kind we usually see. and CHARLIE. The Winchesters lives are directly compared to Dorothy Baum’s, where her “fictionalized” version didn’t even come close to describing the horror of her lived reality. (also that one line swap incident that still pisses me off… and pissed Robbie Thompson off enough to write a whole SCENE in 11.04 they couldn’t screw around with like that… “god helps those who help themselves”)
9.05 Dog Dean Afternoon oh look another weird dog episode
9.06 Heaven Can't Wait the Best Possible Take on Human Cas. Well, while Dean’s still being held hostage against telling the truth to him about the angel possessing Sam… and not being able to just bring Cas back home with him. :’)
9.07 Bad Boys Sam learns another major lesson about just how much Dean was manipulated into lying to him his whole life, and another look at what Dean has given up over the years to protect Sam. The origin of my “the story became the story” tag. 
9.08 Rock and a Hard Place Breaking vows is frowned upon. Vesta. And Dean tries to tell Sam about the angel possessing him, but he’s prevented from doing so. And he’s really beginning to realize just how bad a decision this may have been...
9.09 Holy Terror Cas is back in town. He can’t stand by when he might be able to help, but again Gadreel (because now we know that’s the angel possessing Sam) refuses. Gadreel is lured in by Metatron, and things for Sam go from bad to worse. Cas steals another angel’s grace because he had no choice. And Gadreel kills Kevin and runs off. All of a sudden, Dean’s alone.
9.10 Road Trip Just when Dean can finally tell the truth to Cas, Cas isn’t human anymore. They literally never got to actually just BE. Crowley poughkeepsie’s Sam into kicking Gadreel out. Abaddon is becoming more of a problem. Probably at least read the notes on this one. At the end, it’s Dean that “pulls the Sam” and runs away. Which is interesting because they’re essentially gonna swap narrative roles for like… the next season and a half. Buckle up. Things get rocky >.>
9.11 First Born And definitely watch this one. Cas and Sam bonding hour, while Dean goes off with Crowley and is manipulated into taking on the Mark of Cain so he’ll be able to kill Abaddon for Crowley… (and for everyone else, but mainly for Crowley).
9.12 Sharp Teeth Sometimes family can be a werewolf pack. And Garth is now part of one of those, but there’s still zero monstrousness in Garth. As Dean’s beginning to wonder if he should regret taking the Mark (just as Cas wondered if he should regret cannibalizing grace… which he said made him barbaric)
9.13 The Purge A genuinely altruistically intentioned monster, or at least one who attempted to use her monstrousness for good. But her blind spot was her brother, out there just devouring whatever he wanted and not wanting to play by the rules of society or worrying about staying hidden and safe. Plus, DONNA. Even if she doesn’t get to play a big part in the monster hunting.
9.14 Captives We learn more horrors about the s6 angel war from Bart, and pushing Cas toward siding more and more with humanity and against all the heaven nonsense (until he’s manipulated back in DIRECTLY by Metatron and his magic typewriter… but that’s four episodes in the future yet). Linda Tran gets a bit of revenge for being held prisoner for half a year anyway...
9.15 thinman ghostfacers, back to face their own ghosts. If you like getting hit in the face with anvils...
9.16 Blade Runners Crowley’s addicted to humanity. Dean finds his own addiction in the First Blade. And we get our first glimpse of the darker side of the MoL.
9.17 Mother's Little Helper Misha directed it, and it’s got one of the most beautiful scenes in the whole series (Sam freeing the stolen souls, but Dean drinking and playing pool ain’t half bad either). Soullessness, which Sam handles on his own, and learns the truth of how Abaddon infiltrated the MoL.
9.18 Meta Fiction A MUST WATCH. Writers lie. Read my posts. What makes a story? Seriously, Metatron is just Chuck with training wheels.
9.19 Alex Annie Alexis Ann Vampires. More revenge. This time for stolen childhood and lost family. Plus Jody, and the first seed that would become Wayward. Dean is also beginning to succumb to the Mark’s darker urges.
9.20 Bloodlines Dabb’s idea of a joke, I’m pretty sure. 
9.21 King of the Damned Well, Abaddon’s dead, at least. Time trave wtf’ery. Dean is… not okay...
9.22 Stairway to Heaven Sam and Cas pop culture road trip. The level of Metatron’s manipulation becomes horrifically apparent. And Cas gives up his army because he refuses to kill Dean. (also Dean really loses it at the end…)
9.23 Do You Believe in Miracles? Crowley reveals the truth about what the Mark is doing to Dean, and we see the final truth when Dean wakes up as a demon.
10.01 Black Demon Dean Part 1. Bad karaoke and random murder. Cas is languishing because of stolen grace, and Sam is off the rails interrogating demons for Dean’s location.
10.02 Reichenbach Demon Dean Part 2. Cas struggles to teach Hannah about humanity, Sam struggles to find Dean.
10.03 Soul Survivor Demon Dean the conclusion. Cas hugs the demon outta Dean. Er… that’s what happened, pretty sure. But he’s still got the Mark.
10.04 Paper Moon More fun with Werewolves: Siblings edition. While Dean struggles to come to terms with his own literal inner monster...
10.05 Fan Fiction Just watch it. And read my rewatch notes for it. I mean, it’s about rewriting the story. And Chuck shows up at the end and gives it a “Not bad.” Probably kinda relevant.
10.06 Ask Jeeves Supernatural: Clue edition. With a shapeshifter that Bobby had known about for decades. Buried secret things again.
10.07 Girls, Girls, Girls Our first real introduction to Rowena. :’) She’s not a friend in this one...Hannah finally gets a taste of humanity through her vessel’s grief and pain, and decides that it’s wrong for her to remain in her vessel. She returns to Heaven, and Cas is left to ponder how he affected Jimmy’s family (since Jimmy’s long dead now) by his possession.
10.08 Hibbing 911 DONNA AND JODY. Donna gets “the talk,” in a vampire case, and finally gets to prove her mettle as a hunter.
10.09 The Things We Left Behind Cas has found Claire Novak, and does what he can to help her. She’s been taken in and manipulated by an unsavory character, who Dean kills in a fit of mark-induced violence (granted he was surrounded by dudes who wanted him dead, but it was still upsetting and mirrored his nightmare from the opening scene). The burger date. (go ahead and watch it)
10.10 The Hunter Games More Claire drama, but this time she stops it. The Longing Retcon. Cas uses emoticons. And Dean nearly kills Metatron while demanding he tell him how to cure the Mark. Things are getting kinda desperate on that end… All Metatron says is “the river ends at the source”
10.11 There's No Place Like Home OZ. CHARLIE. At least read my watch notes. I’ve been banging on about this episode since it aired. But at the very least read the last round of watch notes. Possibly relevant again because of how it was relevant to Chuck and Amara in 11.23 (yes, this is basically how Dean saved the universe).
10.12 About a Boy Dean gets zapped into a 14-year-old version of himself by a witch. Plus: the mark disappeared for a few days, probably giving him a mini-vacation from enduring it and refreshing his control a bit.
10.13 Halt & Catch Fire ghosts in the machines… plus a John reference that is reinforced when a clip from this episode is reused in the horror movie trailer in 14.04 (so skim my rewatch notes for that if you’re still following along for that sort of thing… post 14.13… *shrug emoji*)
10.14 The Executioner's Song Watch it. Read the notes. This is a big one. Free will-wise.
10.15 The Things They Carried Khan worm: homoerotic sweat lodge edition.
10.16 Paint It Black Worth it just for Dean’s confessional scene. At least read my rewatch notes.
10.17 Inside Man We learn some interesting things about Heaven, Cas gets Bobby’s help to break in and talk to Metatron, they sneak him out, steal his grace, and have their leverage over the one person who might know how to cure Dean AND get Cas what’s left of his own grace back… Meanwhile Rowena tries to kill Dean, and he has a heart to heart with Crowley about what Family really means. Definitely watch, or at least read my notes. A lot happens in this one.
10.18 Book of the Damned CHARLIE. And the wtf’ery of the Styne family begins >.> Sam has a good chat with Charlie about his own life. Metatron leads Cas to another book containing his grace and then escapes with the demon tablet. Family dinner. At least skim my notes on this one. (basically anything with metatron is probably relevant to Chuck stuff…)
10.19 The Werther Project Watch this one. I just wrote notes on it. The beginnings of an interesting relationship between Sam and Rowena (yes that started in 10.18, but this is where it gains weight in Sam’s own subconscious). Dean confronts himself in his own vision about the burden he’s laid on Cas (to kill him if he goes off the rails again). There’s a lot of emotional baggage in this one, too. But seroiusly-- watch this one for the Sam and Rowena stuff, because Rowena… isn’t even really there… 
10.20 Angel Heart Claire, and Cas’s finally laying to rest his baggage associated with the Novak family. Dean and Claire finally bonding. Dean and Cas went to the Hot Topical.
10.21 Dark Dynasty w. t. f. (if you want to be pissed off, give it a watch)
10.22 The Prisoner If you just want the comforting revenge portion of the program, just watch this one instead. Or if you can’t bear to, at least read my notes on it.
10.23 Brother's Keeper Whoopsie, Dean kills Death. Whoopsie, Sam doesn’t stop everyone else from executing the spell to cure the mark. Whoopsie, that releases the Darkness. Also for people who don’t “see Samwitch,” uh… please note that this is a major inciting incident in Sam and Rowena’s relationship-- she’s being held prisoner to complete this spell, and literally kills the only person she ever loved for it, on Sam’s order… (technically…), which will fuel the ongoing antagonism of early s11. Their relationship isn’t fluffy. It’s built on this mutual pain.
11.01 Out of the Darkness, Into the Fire Amara. I think a lot of s11 is gonna be relevant thematically to s15, but...
11.02 Form and Void I think a better focus of “what is relevant thematically” will be found by looking at Dabb’s episodes and influence over this season… I’d start a rewatch with this one, and the introduction of Billie, who will become Dabb’s in-show avatar as he takes over the reins.
11.03 The Bad Seed Rowena finally undoes the spell she’d cast on Cas. but they’re all traumatized. Please at least read my notes on this one, too.
11.04 Baby This episode sets the new tone for Sam and Dean’s relationship going forward. They are more open with one another, and the main drama isn’t them hiding things that eventually blow up in their faces like it had been in the past. There’s still elements of that, but things never really go back to the toxicity of s9 and s10 after this. Ghoulpire.
11.05 Thin Lizzie Fake haunting at Lizzie Borden’s house, Amara eats souls.
11.06 Our Little World Cas is clearly struggling with PTSD, hiding in the bunker until he spots Metatron by chance and finally gets upset enough to go after him. Dean’s first confrontation with Amara outside of his Darknado Vision, and she… tosses him aside like a used tissue. Sam’s still having visions of the Cage and still thinks the visions are coming from God… >.> 
11.07 Plush Donna! And haunted masks! Foreshadowing that Sam’s about to confront Lucifer in the cage-- creepy clown in the elevator.
11.08 Just My Imagination Sam’s childhood imaginary friend was actually real.
11.09 O Brother Where Art Thou? Dean is yoinked from a park by Amara to have a chat about how they’re destined to become one and all that creepy nonsense, while Sam decides to go directly to Hell to talk with Lucifer and doesn’t wait for Dean. Granted, Rowena has been manipulated with lies from Lucifer in this scheme… but she’s about to learn how bad a decision that was. Dean does get to see just how casually Amara can destroy angels, though… which will become relevant it...
11.10 The Devil in the Details Where Dean tells Cas to run if Amara isn’t actually dead… but Cas is convinced he’s useless by the end of the episode and says yes to Lucifer. Owwwwww. At least read my notes on this one. They’re from last week...
11.11 Into the Mystic We meet Eileen, and I just wrote notes about this episode a few days ago. Banshee, which feeds on broken hearts, Dean’s told he’s pining for someone, and is concerned that Cas doesn’t seem himself… >.> He’s also asked if he wants to know the secret to a long and happy life… “Follow your heart” (and he confesses his powerlessness in Amara’s presence to Casifer) https://mittensmorgul.tumblr.com/post/186891847375/1111-into-the-mystic-heck-ive-written-a-lot
11.12 Don't You Forget About Me Wayward! Family learning what it means to be family. Vampires-- so the element of revenge, but this time it’s the vamps seeking revenge on a human. 
11.13 Love Hurts Quareen. A monster that basically feeds on obsession, toxic “love.” For Dean, that manifests as Amara trying to rip out his heart. I mean… this is the episode he confesses to Sam that he can’t control himself in Amara’s presence, and Sam reassures him it’s not his fault. And he explicitly says it’s not love. It’s horrifying to him, because this episode, this monster, had nothing to do with love, but with possession and control.
11.14 The Vessel What a wonderfully apt and layered title. Thus begins Dean’s s11 “pining for Cas” arc, where his entire focus shifts to Cas after unburdening his Amara issues onto Sam in 11.13. I also consider this episode to fall definitively into Dabb Era. Probably goes for episodes back to 11.10, but this is where that shift is truly evident to me. Definitely watch this one, read my notes, etc. etc.
11.15 Beyond the Mat https://mittensmorgul.tumblr.com/post/186962895400/1115-beyond-the-mat-jerry-wanek-directed (just read my notes, this is a Dabb co-writing credit episode)
11.16 Safe House Maybe I should just start copying my rewatch notes here for every episode… https://mittensmorgul.tumblr.com/post/186963627365/1116-safe-house-more-blasts-from-the-past-in-a 
11.17 Red Meat You should just watch this one, and remember this episode isn’t glorifying the codependency between Sam and Dean, it’s shattering it… It’s werewolves, after all (inner monstrousness brought to light) and read some of my past notes on it.
11.18 Hell's Angel The first half of the episode is just a lot of talking, but hooboy.. Rowena is back from the dead and we learn more of why she seeks out power-- self-preservation. Worth watching just for the second half, the failed Poughkeepsie scene, Dean’s heartbreak and fear for Cas, and Amara’s shock that with Cas standing between them, she doesn’t seem to have any affect over Dean at all… 
11.19 The Chitters For a MotW episode, I think this really captures on a meta level what Dabb intends for the whole series. It’s worth watching for itself, but have my notes as to why: https://mittensmorgul.tumblr.com/post/184690946610/weve-finally-hit-1119-on-the-tnt-loop-this
11.20 Don't Call Me Shurley Chuck, and Metatron. I think everyone really needs to watch this one, just to remember how absolutely shady Chuck was. Basically from here right through the end of s11, if you pay attention to these episodes, nothing about 14.20 is the least bit shocking...
11.21 All in the Family Just like 11.20...
11.22 We Happy Few Just like 11.20 and 21
11.23 Alpha and Omega Do we not all think s14 is gonna end on a similar thematic note? Minus all the cliffhangery stuff?
12.01 Keep Calm and Carry On I can picture Dabb rubbing his hands together preparing to run the narrative in loops ad infinitum until he gets word they’ve got one season left to wrap it up. Worth it for the Dean and Mary and Cas. :’)
12.02 Mamma Mia https://mittensmorgul.tumblr.com/post/184126233100/cass-flashback-to-his-time-hunting-with-mary-as (written recently…)
12.03 The Foundry The companion notes to the link in the last episode: https://mittensmorgul.tumblr.com/post/187007192830/1203-the-foundry-yes-ive-already-written 
12.04 American Nightmare If you haven’t noticed, I’m just pasting rewatch notes links now… >.> https://mittensmorgul.tumblr.com/post/184740345285/im-watching-1207-on-the-tnt-loop-and-yeah 
12.05 The One You've Been Waiting For See the link at 12.04 (Dean also killed Hitler)
12.06 Celebrating the Life of Asa Fox see the link at 12.04 (Also Billie is in this one, so of course I think it’s important to the ongoing Dabb Era narrative)
12.07 Rock Never Dies see the link at 12.04 (Lucifer’s nihilism laid bare, no different from Michael’s in s14)
12.08 LOTUS The episode that brought us Jack. Well, eventually…  I’m putting these notes here, even though they also cover 12.09: https://mittensmorgul.tumblr.com/post/184761652205/so-the-tnt-loop-has-continued-into-s12-and-after 
12.09 First Blood (see above, plus Billie, plus Cas laying it out on the table what he will do because he loves the Winchesters... he does a lot of pining for Dean)
12.10 Lily Sunder Has Some Regrets Nephilim, Lily Sunder, Human souls as angelic power sources, the deceptions of heaven (and love versus obsession again). https://mittensmorgul.tumblr.com/post/184762915965/last-ep-on-the-tnt-loop-today-1210-reminders 
12.11 Regarding Dean Watch this one, 100%. But also have my whole tag for this episode… I haven’t actually made rewatch notes for it recently, apparently? Which is a shame, because we have Sam working with Rowena, Dean riding Larry BEFORE losing his memories to a curse. There’s a lot of excellent character stuff in this one, for all of them.
12.12 Stuck in the Middle (With You) Watch this one. Cas is family. He loves them. This is the point I became frustrated with myself because there’s a huge gap in my hellatus rewatch notes that I thought I covered and apparently… did not… I don’t have recent notes to point you toward for convenience...
12.13 Family Feud Rowena gets her revenge on Crowley for making her kill Oskar in 10.23. Too much time travel wtf to even bother mentioning anything else.
12.14 The Raid The lengths Sam will go to to have any sort of relationship with Mary… including lying to and manipulating Dean. Vampires… and the Colt, and Sam finally kills the Alpha Vampire.
12.15 Somewhere Between Heaven and Hell between the Crowley and Lucifer drama, Sam kills the Alpha Hellhound (essentially). A lot of other deceptions and lies come to light though, and Cas disappears off to Heaven and from just one call, Dean’s already concerned about him. https://mittensmorgul.tumblr.com/post/184853801830/still-on-s12-in-the-tnt-loop-and-heck-s12-looks
12.16 Ladies Drink Free (covered in the notes linked in 12.15) Werewolves, and an actual werewolf cure.
12.17 The British Invasion (covered in the 12.17 post) Eileen is back for her last real episode.
12.18 The Memory Remains https://mittensmorgul.tumblr.com/post/184854556715/that-last-scene-of-1218-where-sam-and-dean-are 
12.19 The Future https://mittensmorgul.tumblr.com/post/184875554515/i-find-it-endlessly-fascinating-that-i-can-rewatch (this post covers… most of the rest of s12 and loads of s13)
12.20 Twigs & Twine & Tasha Banes (see the link in 12.19)
12.21 There's Something About Mary Mary is being stripped of her will. And Free Will has been what this show has been about… forever. And what will be recontextualized in the wake of 14.20.
12.22 Who We Are And here’s where Mary’s will is restored to her.
12.23 All Along the Watchtower The proof of the spiral narrative. But also the point writing this post that I’ve determined this is all probably neither useful nor interesting to anyone other than myself, and I lose the ability to simply discuss these episodes individually anymore. From here on out, it becomes a weird blur of everything. This post is already over 14,000 words long and I still have 43 more entries to make, and I have no idea how to convey the meta import or Character Development highlights from this point forward. I don’t even know how to eliminate most of these from a watch list of essential character and meta points. So I’m just gonna… wing it… 
13.01 Lost and Found Watch this one for the soul-crushing agony, and our intro to the Nougat.
13.02 The Rising Son Jack is nearly manipulated by the Kentucky Fried Demon
13.03 Patience Our second Wraith. Watch it for, if nothing else, Dean shouting down Sam about Cas.
13.04 The Big Empty TFW in group therapy with a shapeshifter. Cas vs the Empty, defending his life with a statement that he wants to live, but… again he is unclear on his mission going forward.
13.05 Advanced Thanatology Must watch for Billie, for Dean’s complete loss of hope, and Sam’s inability to “fix him” with things that worked in the past.
13.06 Tombstone Yeehaw! Cas is Dean’s big win.
13.07 War of the Worlds Michael has been effectively “playing God” in the AU. The first rumors that Rowena is actually alive after 12.23, and Cas is captured by Asmodeus, who manipulates the Winchesters into thinking Cas is still at liberty… That’s probably all you need to know. >.>
13.08 The Scorpion and the Frog https://mittensmorgul.tumblr.com/post/184946657745/so-im-still-out-ahead-of-the-tnt-loop-but-i (this also covers 13.15)
13.09 The Bad Place Wayward!
13.10 Wayward Sisters Wayward again!
13.11 Breakdown Donna! Wayward part 3! And the reminder (via Vampires) that not everyone who has a brush with the Supernatural will feel compelled to pick up a life of hunting.
13.12 Various & Sundry Villains Zombie! (which makes it relevant to Jack stuff even indirectly) Rowena! And Sam giving Rowena what she needed to protect herself, which honestly is what she’s been seeking since her introduction in s10. Sam. Just handed it to her. Let that sink in. Maybe watch the episode. It’s fun, anyway.
13.13 Devil's Bargain Heaven sucks. The bits about Sister Jo describing the feeling of weakened grace allowing her to feel a little bit human is relevant to our interests, though. 
13.14 Good Intentions Watch this one. It sets up Cas’s special power to strip memories from a human mind, and the results of that. And Dean’s wishy-washiness about just telling Cas he’s wanted, not just needed.
13.15 A Most Holy Man (see 13.08)
13.16 Scoobynatural Dude… it’s scoobynatural. just watch it because you want to.
13.17 The Thing this post covers 13.17-13.20, for convenience’s sake: https://mittensmorgul.tumblr.com/post/184996231285/so-ive-watched-four-more-episodes-since-my-last 
13.18 Bring 'em Back Alive (see above)
13.19 Funeralia Billie and Rowena, Sam’s “destiny” to kill Rowena, and Castiel’s forgiveness by Naomi in Heaven as she explains how badly heaven is broken and shows him to the door, knowing he won’t stay. This is a must watch.
13.20 Unfinished Business Revenge doesn’t fix anything.
13.21 Beat the Devil https://mittensmorgul.tumblr.com/post/185000752455/still-watching-s13-and-1321-is-owie-but-im 
13.22 Exodus (see 13.21) https://mittensmorgul.tumblr.com/post/185000920730/dean-in-1322-so-close-to-ready-to-letting-all 
13.23 Let the Good Times Roll (see 13.21) But I have a list for this episode… maybe just read my tag starting with the posts I made on May 19, 2019… https://mittensmorgul.tumblr.com/post/185002926095/1323-vs-1420-lets-start-with-1323-jack-tell and https://mittensmorgul.tumblr.com/post/185003462010/1323-was-so-ridiculous-i-mean-dean-basically 
14.01 Stranger in a Strange Land At this point, I think everything is at least tangentially relevant… I mean look at this nonsense: https://mittensmorgul.tumblr.com/post/185004920575/on-to-s14-and-one-of-dabbs-big-pet-themes-for
14.02 Gods and Monsters https://mittensmorgul.tumblr.com/post/185014835950/aah-only-18-more-episodes-to-go-and-48-hours-to
14.03 The Scar https://mittensmorgul.tumblr.com/post/185016627975/aah-1403-power-doesnt-fix-anything-dean-is 
14.04 Mint Condition https://mittensmorgul.tumblr.com/post/185018115175/im-gonna-lump-1404-and-1405-together-here-for 
14.05 Nightmare Logic (covered in the post linked for 14.04)
14.06 Optimism https://mittensmorgul.tumblr.com/post/185030339610/1406-jack-im-already-writing-isnt-that and https://mittensmorgul.tumblr.com/post/185030940270/jack-vs-zombies 
14.07 Unhuman Nature (see that first post in 14.06)
14.08 Byzantium https://mittensmorgul.tumblr.com/post/185042798280/omg-wait-literally-in-1408-while-theyre-all 
14.09 The Spear https://mittensmorgul.tumblr.com/post/185043896890/haaaaa-1409-and-michaels-speech-at-the-end 
14.10 Nihilism Not rewatch notes, but a post made after the episode aired: https://mittensmorgul.tumblr.com/post/182171684160/were-working-on-the-power-of-love
14.11 Damaged Goods https://mittensmorgul.tumblr.com/post/185047861195/the-boxes-of-1411-omfg-a-demon-trapped-in-a-box 
14.12 Prophet and Loss https://mittensmorgul.tumblr.com/post/185048948905/aah-1412-tony-you-cant-you-cant-do-this 
14.13 Lebanon https://mittensmorgul.tumblr.com/post/185050918250/ive-been-holding-off-starting-1413-because-i 
14.14 Ouroboros aka the point where I firmly believe they were 100% sure s15 would be the final season, and began actively setting up the endgame. (I mean I think they knew well before this, but this was where the turn happened narratively) https://mittensmorgul.tumblr.com/post/185052705595/i-wrote-a-little-about-1414-earlier-today-in 
14.15 Peace of Mind WHEEE! My delightful personal vendetta against Chip, the MotW, the direct Chuck parallel who even called himself a god, and who manipulated everyone else around him to make HIMSELF happy… like seriously, major definitely must rewatch. https://mittensmorgul.tumblr.com/post/185074234960/mittensmorgul-once-again-in-1415-cas-is (I wrote so much about this episode it’s ridiculous)
14.16 Don't Go in the Woods https://mittensmorgul.tumblr.com/post/185056380525/so-i-started-watching-1416-intending-to-write 
14.17 Game Night (see 14.16)
14.18 Absence https://mittensmorgul.tumblr.com/post/185065385445/1418-and-1419-both-will-require-additional 
14.19 Jack in the Box (see 14.18) 
14.20 Moriah Writers lie. I think this is now officially my favorite episode of the series… 
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mittensmorgul · 5 years
Text
today on the tnt loop, filed under Quotes That Mittens Gesticulates Significantly Toward:
2014!CASTIEL: Dean, I'm not an angel anymore. DEAN: What? 2014!CASTIEL: Yeah, I went mortal. DEAN: What do you mean? How? 2014!CASTIEL: I think it had something to do with the other angels leaving. But when they bailed, my mojo just kind of— psshhew!—drained away. And now, you know, I'm practically human. I mean, Dean, I'm all but useless. Last year, broke my foot, laid up for two months. DEAN: Wow. 2014!CASTIEL: Yeah. DEAN: So, you're human. Well, welcome to the club. 2014!CASTIEL: Thanks. Except I used to belong to a much better club. And now I'm powerless. I'm hapless, I'm hopeless. I mean, why the hell not bury myself in women and decadence, right? It's the end, baby. That's what decadence is for. Why not bang a few gongs before the lights go out? But then that's, that's just how I roll.
Bearing in mind that I have *always* read this episode as “Zachariah showed Dean a deliberately manipulative vision designed to play on his own worst fears, because that’s Zachariah’s single trick,” and that later revelations in both Carver Era and Dabb Era have done nothing but support my original read-- i.e. by confirming that Chuck had been God all along (because in no version of reality would Chuck have been relegated to toilet paper inventory duty except in arrogantly-ignorant Zachariah’s little fantasy world), and by confirming that even in an alternate universe, injecting visions into people’s heads was literally Zachariah’s special talent (used on both Lucifer in 13.07 and Jack in 13.14).
let’s start that sentence again. >.> Bearing all that ^^ in mind, this goes to support DEAN’S OWN INTERNAL FEELINGS OF FAILURE AND FEAR for Castiel “falling and becoming human,” and has nothing to do with CASTIEL’S feelings on the matter. Especially now, a decade after this happened in canon, and after he has experienced varying degrees of humanity for himself over the years, the fall of all the angels, the collapse of heaven, and the revelation that Chuck is basically a disinterested monster who sees them all as a source of entertainment, rather than being the caring “parental” figure Cas had looked up to his whole life.
I still think that Dean, to an extent, fears this happening to Cas. Fears him becoming “hapless and hopeless.” But there’s one grain of truth about Cas’s feelings in here, which carries the illusion-- Cas DOES fear being “useless.”
And even though Dean would attempt to convince a human Cas that just because he’s human doesn’t mean he’s useless (specifically in 9.06), I think this is still something they’re both afraid to address again. But it’s also a fear that Cas has raised as recently as 14.18. So this really feels like something they must address in s15, as it feeds directly into both Cas’s “happiness,” as well as in his understanding of who and what he is, and who and what he would choose to be.
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mittensmorgul · 5 years
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I’m rewatching 13.15, A Most Holy Man, right now, and... and I remember when it first aired. The reaction was largely “meh,” or “the noir format doesn’t really do it for me and the episode was kinda boring overall.” It’s possibly the s13 episode I have the least amount of posts for on my blog. It was largely skimmed over as mostly irrelevant, with the only takeaway being:
A. They got the macguffin they needed to progress the A plot by the end of the episode
and
2. They really should’ve cut that scene of Dean going on about how he’d kill everyone who tried to steal his car...
But... this was a Dabb episode. I wrote this post back in May, but I think it merits an additional look now:
https://mittensmorgul.tumblr.com/post/184946657745/so-im-still-out-ahead-of-the-tnt-loop-but-i
Because this single episode functions as a microcosm of their entire lives, at least thematically, if not in a 1:1 fashion. I mean, it is just a 42 minute episode. There were only so many twists and layers they could reasonably shove in, and the Rule Of Three is a convenient metric for demonstrating the pattern in narrative shorthand that invites us to consider the unspoken “etc. etc. ad nauseum” ourselves.
I’d go into the entire structure of the episode, but I’m hoping that just explaining the outcome-- after reading the post I linked above-- everyone will be able to see the parallel itself without me having to write 5k words on the subject today. :P
Let’s start with the exchange at the end of the episode that prompted this realization. Because it’s a bit of chicanery:
FATHER LUCCA: I think I got shot. [DEAN lifts up FATHER LUCCA’s shirt to see only a little blood.] DEAN: Looks like he just grazed you. A few more inches to the left and, uh... FATHER LUCCA: It’s a miracle. [SAM and DEAN, with FATHER LUCCA behind them, search the warehouse and find GREENSTREET still hiding.] GREENSTREET: I didn’t know this would happen. I… I’ll give you anything you want, huh? DEAN: The blood, where is it? GREENSTREET: It, uh… doesn’t exist. SAM: You… what? Wait a second. You told us– GREENSTREET: Exactly what you wanted to hear. It was just a bit of… DEAN: Chicanery? GREENSTREET: Exactly. DEAN: Well… chicane this. [DEAN punches GREENSTREET to the ground.] ACT FIVE EXTERIOR – WAREHOUSE – NIGHT [There are police cars outside the warehouse. A policeman leads GREENSTREET to a car and sits him inside.] GREENSTREET: No, no, no, no. Wait. Don’t – you – you – you’ve made a mistake.
For a refresher, Greenstreet was the author of this entire bit of chicanery. For a while, it appeared as if it was actually each of the other people involved:
Margaret Astor, the first person we meet, and also the one APPARENTLY holding all the cards when they walk into the final deal, who ends up backstabbed (well shot in the back anyway, close enough) by her own assistant
she sent them to Greenstreet, who introduced the term “chicanery” to the narrative, which I’m gonna focus on next, because despite all his plotting, his narrative didn’t end the way he wanted (he’s getting hauled off to jail, but heck, at least he didn’t end up dead like most of the rest of these conspirators...)
Greenstreet sent them to Scarpatti, with the partially true information that he’d been the one to have the artifact stolen in the first place, only to learn that it had been stolen from his man in turn...
(and remember, the skull isn’t actually what Sam and Dean need... it’s the currency they believed they needed in order to trade for what they DO actually need... it’s a bit of a chicane... which I’ll get to... sorry for this meandering on the way to the conclusion, but this little side journey is 100% relevant... you’ll see what I mean in a minute)
While investigating Scarpatti’s side-detour, they end up having to investigate a murder, and inadvertently stumble over Father Lucca Camilleri... but Sam and Dean have no idea that they’re now traveling through this episode with the thing THEY actually need. But rather than just... take what they need because that fact hasn’t been revealed to them yet, or even continue to pursue the currency they believe they need to trade for the elusive thing they need, they selflessly choose to do the morally right thing despite believing that in doing so they are forfeiting their chance to get the macguffin they need.
Ain’t it just Winchesters vs The Cosmos on a microscopic level?
Because one thing I’ve learned about Dabb as showrunner is that his absolute favorite thing is gleefully pointing back at canon and explicitly clarifying things. It’s not always obvious, he tends to be incredibly subtle, but if you’re looking for it, it’s impossible not to see in pretty much all of his writing. He LOVES messing with prior perception, and making us work for the satisfying moment where all the pieces fall into place.
Chicanery and the chicane. THAT ITSELF IS A CLARIFICATION. From vague to specific. Because “a chicane” is a very different thing than “chicanery.” And it’s all a bit of a winding deception.
For reference, the definitions of these two very different words:
chi·can·er·y /SHəˈkān(ə)rē/ noun, the use of trickery to achieve a political, financial, or legal purpose. "an underhanded person who schemes corruption and political chicanery behind closed doors" synonyms: trickery, deception, deceit, deceitfulness, duplicity, dishonesty, unscrupulousness, underhandedness, subterfuge, fraud, fraudulence, legerdemain, sophistry, sharp practice, skulduggery, swindling, cheating, duping, hoodwinking
and
chicane (/ʃɪˈkeɪn/) noun, a serpentine curve in a road, added by design rather than dictated by geography. Chicanes add extra turns and are used both in motor racing and on roads and streets to slow traffic for safety.
What the definition of “chicane” doesn’t provide is that in auto racing, a chicane isn’t seen as a “safety” measure, but an obstacle. If you’ve ever watched road racing, the chicane is where a lot of drivers wipe out. It’s a choke point where everyone HAS to slow down, but when you’re RACING each other, the objective is to remain out in front, you know? Jockeying for position, trying to get through the obstacle as quickly as possible to get back to direct racing toward the finish line. So while a chicane literally slows the racing by design, forcing drivers to adapt to the physical reality of safely navigate through the pinch point while not wrecking themselves, they need to maintain absolute focus to retain their position, as well. It’s not about slowing down for safety but about finding the balance point between “safely navigating through without wrecking myself or being wrecked by the other cars trying to achieve the same objective I am” and “but we’re still racing and I can’t let anyone pass me so I’m still gonna push it as fast as I can while still conforming to the laws of known physics.” It’s... difficult.
THREE TIMES in this episode, they use the word “chicanery” before Dean clarifies it to “chicane.” For reference, out of the other 306 episodes of this show that exist at the time of writing this post, they’ve used “chicanery” a grand total of ZERO other times. Seems significant, yes?
In the same way the show has frequently used Wizard Of Oz imagery to convey these same points, with the reminder in the end of the “you had the power inside you all along” sort of themes, this episode takes it one step further. Which... logical considering the nature of the spiral narrative, that when it comes around again, the circumstances aren’t exactly the same. Think of it in terms of that racetrack with the chicane.
In the case of the plot of this episode, a similar comparison can be drawn to The DaVinci Code, since through most of the wild goose chase running through all the games and puzzles, the guy is literally traveling with the object he seeks. It just doesn’t become obvious, like with Dorothy and her Ruby Slippers, until they’ve worked their way through all the puzzles and subterfuge along the way. As Dean says in Scoobynatural when Sam points out that if he knows how the episode ends, why don’t they just get to the point already, and Dean replies “Because sometimes it’s about the journey.” Rather intuitive meta observation about the point of the narrative structure, yes?
Back to our road race analogy now, after passing through the chicane chicane. Every lap, the drivers are driving through the same essential course. The shape of the road doesn’t change in the most fundamental way. The same parts are still paved, the walls around the edges don’t move, etc. But each time they drive around, other conditions vary. Their tires wear down so their traction changes. Heck, the drivers themselves are wearing out physically and mentally. Maybe a dude’s just thirsty or has an itch on his nose or just has to pee real bad. Maybe the wind speed or direction has changed. Maybe the sun has moved so different turns become more tricky with a glare in their eyes. Their engines are slowly shifting as wear and tear of operating at a high performance level alters performance. Their brakes might be wearing down. They may be in need of more fuel and are driving more conservatively, or may have just gotten new fuel or new tires or made some other alteration to their car that shifts not only their ability to go faster, but changes how they handle corners, etc. But there’s also the factor of all the OTHER cars driving around them. Maybe they’ve hit the chicane all by themselves because they’re out ahead of the pack (or trailing far behind it). Maybe they’re clustered tightly together with other drivers. Maybe there was a wreck that altered the road surface... cleaning up fuel/oil spills, sand or dirt having “spilled” out onto the road surface, maybe a slight drizzle started making it more slippery, or even random trash has blown from the stands into the road, or debris from a wreck-in-progress hampers their progress. There are SO MANY FACTORS at play that make each lap around the course an entirely different experience, you know?
Same with the spiral narrative. The major landmarks might be similar, but everything else is new.
And the moment Dean says “chicane this” and punches the author of this series of events in the face, that’s basically 14.20, yes?
They’re tired, and they’re on the last lap, and they’ve been through this chicane so many times now. And they’ve just been told that after every lap, Chuck refused to wave the checkered flag. They kept reaching the finish line over and over, only to discover it was also the starting line and the race was still going. And each time through Chuck’s big chicane, he’d deliberately change those variables, so the more experience they gained on the track, there’d always be a bit of new debris to navigate, a new difficulty level added.
And now in 14.20, it’s like they finally caught him in the act of throwing thumbtacks down on the road, you know? They caught him at his tricks.
And like, to use a favorite metaphor of Dabb’s, it’s like the roadrunner and the coyote. Only the roadrunner had always known all along that the coyote was laying traps for him and always found the most hilarious ways to foil the coyote’s plans and turn it back around on him. It took them 14 seasons for TFW to finally pull a roadrunner.
This has always been Dabb’s ending, because it’s actually the story he has been telling all along. The spiral’s broken, and instead of continuing lap after lap with no end in sight, they’ve finally realized they can just... stop driving in carefully paved loops and drive in a direct line to the finish.
(and maybe the only way to make it to the finish is to pave their own road around all of Chuck’s chicanery... it’s gonna be some heavy lifting and some rough off-roading, but it’s the only way to get off the track to victory lane)
(apologies, this is the sort of place my brain goes when Mr. Mittens is watching nascar at Road America in the background... but it’s super apt, and full disclosure, I started writing this about an hour before he turned the tv on. I was already on this road course >.>)
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mittensmorgul · 5 years
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11.18, Hell’s Angel:
really do we have to say anything more than this at this point:
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alrighty then.
Well I mean we should at least mention the first half of the episode exists, summarized best as “blah blah blah we gotta save Cas blah blah.” And then Dean finally standing in Amara’s presence and his only thought or focus is CAS! And Amara’s just... flummoxed. Crowley fails to poughkeepsie Cas into booting Lucifer out.
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mittensmorgul · 5 years
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14.08, possibly my second favorite episode of s14, and fighting a duel with 6.11 for probably my second-favorite episode of the entire series. Because at it’s core, it touches on every important theme of Dabb era: Family (and how we define that), what we’ll do for those we love, grief and loss and how we cope with that, Fate vs Free Will, and at its nougaty center it asks us to consider the essential nature of Humanity.
(and in the darkest possible way, it asks us to TRULY consider what defines “happiness” to each of these characters)
Castiel: Take me in his stead. Take me. Cosmic Entity: You? Castiel: I'm the one you want. I'm the one who woke you up. Cosmic Entity: You? But you're already mine. Castiel: Not for years... eons maybe. But if you'll agree, I will go now, and I will go willingly. Cosmic Entity: Deal. Oh, but not now. No, no, no, no, no. No, you see, I-I meant what I said. I-I want you to suffer. I want you to go back to -- to your normal life and -- and then forget about this and forget about me. And -- And then, when you finally give yourself permission to be happy and let the sun shine on your face, that's when I'll come. That's when I'll come to drag you to nothing.
This wasn’t about Jack, this was about Cas. This set up and reinforced the fact that he HAS NO IDEA what would make him truly happy, other than the fact that he’s never experienced it before. And HOW HEARTBREAKING, right? I mean, if ever there was a narrative being set up for subversion, this is it. Cas has ALWAYS been willing to sacrifice himself. His motivation for doing so has ALWAYS been because he sees everyone else as more important than him. He feels like his self-sacrifice is a selfless act, when in fact it’s a symptom of his own feelings of uselessness. The only way his story can end is by his understanding and acceptance of his own inherent worth.
Another parallel in this episode links it to 14.18, for Dean. His progression from resignation over Jack’s death to being willing to do whatever it took to bring him back is an inverse mirror to his journey from angrily rejecting Mary’s death to finally accepting it and being able to mourn her.
There’s a similar progression for Sam through these emotions, layered with his own feelings of guilt as if Jack’s death was somehow a failure on his part-- as Dean long ago felt about Sam’s death in 2.21. Dean’s big fear in 14.08 was that Sam had done what he’d done in 2.22 and sold his soul for Jack’s... but Sam had just been angrily doing what he could to build a pyre for Jack. Wallowing in guilt? Yes. Selling his soul to fix it all? No. But he kept on trying.
Cas, too, was instrumental in saving Heaven from the Empty, as well as being “allowed” by Dumah to return Jack to Earth. Yes, there was the practical aspect of the Empty invading Heaven because of Jack’s presence there, but in 14.18, she forbade Cas from doing the same for Mary and bringing her back... his guilt over her death made no difference. For Cas this was about acceptance, as it was for Dean.
And finally, through Lily Sunder and Anubis, we learn what’s truly responsible for our “destiny.” Our fate isn’t written in stone. Nobody but us judges what we do. The problem for TFW, though, is that Chuck has never allowed them to live their own lives without his interference. The Free Will they’ve spent their lives fighting for? Has never been permitted for them, not really. In this episode, Lily progresses from this:
[He holds Lily’s hand over the abacus and the beads shift up and down. When they stop, most of the beads are black, at the bottom of the abacus, implying she’s damned to hell.] ANUBIS: I'm sorry. LILY: No. SAM: Change it. ANUBIS: I can't. DEAN: Well, looks like you're not goin' anywhere. SAM: Yeah. The lore was pretty clear-- Anubis can be bound in a ring of foinikélaio. DEAN: Aka palm oil. Just so happens we had some laying around. ANUBIS: This is a miscalculation. SAM: Fine. Then change it. Let her into Heaven. ANUBIS: I'm an accountant. I don't have that kind of power. SAM: Yeah, right. Like you or-- or God has never made an exception? ANUBIS: That's right. Because God doesn't decide. I don't decide. You do, each of you, your individual choices all tallied up at the precise moment of your death. Keep me here. Try and kill me. It is not going to change Lily Sunder's fate. But it might change yours.
to this:
[Lily wanders through a file-filled office with a loud clockwork noise, and finds Anubis sitting in front of a giant clock face] LILY: I don't understand. Why am I here? ANUBIS: Hm. Care to try your luck again? [Anubis brings out his abacus again, and measures Lily’s soul. Most of the beads are now white, and rise to the top] ANUBIS: I'm curious. Did you know what doing the spell would cost you? Say hello to your daughter for me.
For Team Free Will, this is what they’re fighting for in s15. Not a better outcome in death, but for the fundamental freedom to actually make their own choices and dictate the course of their own lives without interference from the divine.
These are the themes that matter at the core of the narrative. Everything else is window dressing.
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mittensmorgul · 5 years
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4.22, Lucifer Rising. Kinda says it all right there on the label.
No matter what they did, no matter their intentions, the very thing they assumed would guarantee the apocalypse would never happen was all along the one thing that would free Lucifer and start the apocalypse. Imagine that.
The ENTIRETY of season four, all the conflict, all the handwringing about who was destined to kill Lilith, and how to stop the apocalypse, is rendered moot. It had ALL been a runaround, to keep them distracted from figuring out the truth... that killing Lilith was the key to freeing Lucifer all along.
*Zachariah sits back smugly blowing bubbles and waiting for the prime moment to snatch up Dean*
It's like they didn't even have to TRY to get the Winchesters to do exactly what they wanted. Hilariously, all they needed to do was release a bit of propaganda and keep them busy until 65 of the seals had been broken, and then wind Sam up and let him go. They preyed on the Winchesters' good intentions, and once Cas figured out what was actually happening, they sent him to Angel Propaganda Reeducation to convince him that letting the apocalypse happen was the best thing for everyone. So what if the world ends? It's a cesspool of fear, violence, and misery. The people will all be glad to find peace in Heaven! Let them rest!
But of course, losing the friendship and trust of the one human he's come to know and care for, the one human whose thoughts and feelings he actually values, is what almost (ALMOST!) saves the world... if only it had happened a few hours sooner...
CASTIEL: Try to understand -- this is long foretold. This is your... DEAN: Destiny? Don't give me that "holy" crap. Destiny, God's plan... It's all a bunch of lies, you poor, stupid son of a bitch! It's just a way for your bosses to keep me and keep you in line! You know what's real? People, families -- that's real. And you're gonna watch them all burn? CASTIEL: What is so worth saving? I see nothing but pain here. I see inside you. I see your guilt, your anger, confusion. In paradise, all is forgiven. You'll be at peace. Even with Sam. DEAN: You can take your peace... and shove it up your lily-white ass. 'Cause I'll take the pain and the guilt. I'll even take Sam as is. It's a lot better than being some Stepford bitch in paradise. This is simple, Cas! No more crap about being a good soldier. There is a right and there is a wrong here, and you know it. (CASTIEL turns away) Look at me! (DEAN grabs CASTIEL’s shoulder and turns CASTIEL back to face him) You know it! You were gonna help me once, weren't you? You were gonna warn me about all this, before they dragged you back to Bible camp. Help me -- now. Please. CASTIEL: What would you have me do? DEAN: Get me to Sam. We can stop this before it's too late. CASTIEL: I do that, we will all be hunted. We'll all be killed. DEAN: If there is anything worth dying for... this is it. (CASTIEL shakes his head and looks down) You spineless... (DEAN turns and walks away) …soulless son of a bitch. What do you care about dying? You're already dead. We're done.
And he disappears for a bit, but he does come back. And when he does, he's all in. This is where Cas truly decides to side with Dean over Heaven. This is his line in the sand, and while it's not enough to stop Sam from releasing Lucifer, it does change everything that comes after.
Castiel CHOSE.
He chose humanity over Heaven. He chose Dean over God. He chose freedom over destiny. And that choice is gonna change HIM.
But really, do we believe that anything they did could've altered the result of this season? Just as Dean had been confined to Hell until he broke that first seal, I don't believe that anything could've prevented Sam from breaking that final seal. Because this is just another one of those scenarios where if Chuck wanted it to happen, it would've happened, no matter what they did to prevent it.
Aah, 14.20, you are a beautiful thing... Chuck likes everyone to think they're entirely relying on their own will to succeed or fail, but when push comes to shove, he's perfectly willing to snap his fingers and make the universe what he wants... and heck, isn't that both terrifying and incredible? Because in the face of that unimaginable power, TFW still stands up and fights. Go team!
But first we have to muddle through ultimately-irrelevant archangel pissing matches for umptydump seasons, so I guess we should get on with it >.>
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mittensmorgul · 5 years
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4.18: The Monster At The End Of This Book. Ironic title, no?
I mean, at this point, do I even have to type anything about this episode for anyone to completely understand its place in the Big Spiral Narrative of Supernatural? To understand how complex Chuck's plans have been throughout the entire series?
And that Chuck was never, not really, ever actually on their side?
Even when he played at being the prophet Chuck who insisted he didn't want any part of the cosmic nonsense...
Chuck: Well, there's only one explanation. Obviously I'm a god. Sam: You're not a god. Chuck: How else do you explain it? I write things and then they come to life. Yeah, no, I'm definitely a god. A cruel, cruel, capricious god. The things I put you through – The physical beatings alone.
pffft... he told them flat out he's god...
CHUCK: All for what? All for the sake of literary symmetry. I toyed with your lives, your emotions, for... entertainment.
Well, yeah... that's basically what it took them until 14.20 to actually figure out, you know? But he literally said it the very first time they met.
Chuck: I am so sorry. I mean, horror is one thing, but to be forced to live bad writing... if I would have known it was real, I would have done another pass. DEAN: Chuck, you're not a god! SAM: We think you're probably just psychic. CHUCK: No. If I were psychic, you think I'd be writing? Writing is hard.
BAAAAHAHAHAHAHA
CHUCK: (reading) "Sam and Dean approached the run-down..." (sighs, makes a correction on the page) "...approached the ramshackle house with trepidation." EXT. CHUCK’S HOME – DAY DEAN and SAM get out of the IMPALA. CHUCK (v.o.): "Did they really want to learn the secrets that lay beyond that door?"
probably not, and they're probably not gonna believe you even if you tell them the god's honest truth (pffft! WRITERS LIE! MY ASS!) But we were just discussing the lengths Chuck's willing to go to for the sake of "narrative symmetry."
All of this was hilariously awful in retrospect from way back in s11, but now? NOW?! This has transcended meta. Everyone else can go home. Supernatural wins.
Knowing what we know now, this was ALL a manipulation on Chuck's part-- ALL OF IT. From letting Dean think he'd "defied prophecy," to letting Cas think he was getting away with nudging Dean in the right direction to make that happen... giving them this false sense of hope that they just might be able to win...
only to snatch it all away again by the end of the season. Because that's the story he wanted to tell. And wow.
I mean, wow.
I'd keep typing, but I'm still kinda numb and just letting my brain try to absorb this level of narrative symmetry...
I mean, just think about how I've always pointed at this episode as an example of Dean Humanity Winchester enforcing his Free Will against the universe intent on pushing him into fulfilling a specific destiny instead. The theory that Dean Winchester is the center of the universe, standing outside of it all like a force of concentrated human will in the face of Gods, which came fully to fruition at the end of s11 when he literally reunited God and the Darkness and restored balance to the cosmos, is rooted in this defiance in the face of unstoppable destiny.
But Dean has no idea from this point in the spiral narrative what the full extent of his destiny even IS yet, and he's so deep into the manipulation down the wrong road (believing Lilith must die to stop the apocalypse), that he isn't even able to see the big picture of s4 yet, let alone the bigger cosmic picture he'll understand by s14.
Yes, along one arc of the spiral, Dean's personal arc that's constantly moving toward the center and true final understanding of the big picture, this is absolutely that step forward for him in beginning to master his own will. But on the opposite spiral, the spiral of Chuck's story, it's just gotten one level bigger and more difficult to comprehend.
I think enough has already been said about just how painfully Sam has deluded himself at this point, effectively poisoned himself with demon blood to the point he can't think rationally, can't even begin to see the bigger picture yet. And enough has been said about Cas's first REAL choice to "disobey" and give Dean direct assistance when he asked for it. All of this will drive their personal arcs for years to come. But there is one part of this story that I've had questions about for years... Chuck himself.
We know, we've seen him enjoy inserting himself into his own story. And I wonder if he's ever written himself into any other versions of his story. Cas jokes to Dean in this episode, "you should've seen Luke." And heck... now I wonder if Chuck played Luke long ago... But in a more relevant scale, could it still have been Dean's own actions, the one thing Chuck honestly seemed surprised about in this episode, that made Sam and Dean into "his guys," that made the difference between him losing interest and moving on to another story or returning to tell a new version of the story of Sam and Dean and Cas against the apocalypse again? The fact that Dean truly did something that seemed to surprise him, got right up in his face, and forced Chuck to stand up:
CHUCK: That's where Lilith is. DEAN: Yeah, exactly. I need you to stop her. CHUCK: Are you insane? Lilith? I know what she's capable of, Dean. I wrote her. DEAN: All right, listen to me. You have an archangel tethered to you, okay? All you got to do is show up and boom! Lilith gets smoked. CHUCK: But I-I haven't seen that yet. Th-the story – DEAN: Chuck, you're the only shot that I've got left. CHUCK: But... I'm just a writer. DEAN: This isn't a story anymore, man. This is real! And you're in it! Now, I need you to get off your ass and fight. Come on, Chuck. CHUCK: No friggin' way. DEAN: Okay, well, then, how about this – I've got a gun in my pocket, and if you don't come with me, I'll blow your brains out. CHUCK: I thought you said I was protected by an archangel. DEAN: Well, interesting exercise. Let's see who the quicker draw is.
Because whether as Chuck the Prophet who claimed he hadn't seen this happening yet, or Chuck as God playing a role who arranged this plot up to a certain point and then like a game sat back and waited to see what Dean's next move would be when faced with this inevitable scenario, I think he was genuinely surprised that Dean's solution was... so entirely out of the box (thanks, Cas, you brilliant strategist, you).
And from post 14.20, I think this is why Chuck felt the need to specifically break Dean in the way he did over s13-14-- Taking Cas away from him for a time, Taking Mary from him TWICE, forcing him to choose to say yes to Michael rather than letting Lucifer win, having Michael effectively toy with Dean all season long, breaking down Dean's will. Almost as if Chuck was simply hoping to achieve a different outcome. This whole Test By God thing... that's what he's always done. And Dean is officially done with it.
He builds them up, over and over again, only to crush them with something even worse than they could've imagined, all by this long-con manipulation. For narrative symmetry, for the sake of story, for his own entertainment. That's why he's the final boss they must defeat, because as long as Chuck's in charge of the story, they're never gonna be allowed their happy ending.
Inside of 4.18, that mirror role is filled by Zachariah, completely unaware that Chuck is God, believing he's in control of the manipulation within his own limited spiral of the narrative, doing what he does best and "showing Chuck" in a vision exactly what he wanted him to see... little did he know...
and one more thing:
DEAN (more quietly, to CASTIEL): This is the guy who decides our fate? CASTIEL: He isn't deciding anything. He's a mouthpiece – a conduit for the inspired word.
The final bit of 4.18 that I expect still needs resolution as far as Chuck's reality. How much of Chuck is actually the entirety of God, or how much is just... Divine Sock Puppet the universe created to interact with itself? I am really, really looking forward to s15. THIS is my favorite thing about Supernatural. Just. All of it. It's all in this episode.
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mittensmorgul · 5 years
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today on the eternal rewatch, 14.15, aka that episode where Dean and Cas both admitted their concern for the state of Jack’s soul, and both clearly realized there was major cause for concern:
Dean: How's the kid? Castiel: Well, he says he's good, but What about Sam? He says he's good. Dean: I think they're both full of crap. Sam: (Sam was in the map room flashing back to Maggie and the other hunters dying. He looked sad as he went to the kitchen) Found us a case. Arkansas. Dean: We've just done three back-to-back Hunts. I need some rest. At least a night. We both do. Sam: Yeah, well I'm leaving in ten. Dean: Like I said, not good. Castiel: Maybe I should go with him. And you can stay with Jack. Dean: Why? Castiel: You were right. Jack is struggling. And I've tried, but -- Dean: Why do you think he'll talk to me? Castiel: Well, because he looks up to you. And his soul -- I mean, you've seen this before. Dean: No, no. No. See, I was -- I was not great with Sam, you know, when he was, uh But Jack's soul isn't completely gone. At least I don't think so. Castiel: W-We just don't know how much is left. Dean: Well, how am I supposed to figure that out? Castiel: I don't know! Just talk to him. Get him to open up.
And yes, watching 14.14 immediately before this, it’s clear that ALL of TFW was rightfully concerned about Jack even then, but the events of 14.15 are apparently at least three hunts removed in time from that incident. So likely at LEAST a week later, if not longer. This is a concern that has clearly not abated for any of them.
in 14.18, after Dean expresses his anger to Cas and Sam, and the infamous “you’re dead to me” line, he’s clearly just as upset with HIMSELF for not having done more, for having talked HIMSELF out of worrying over Jack because as he said here, how am I supposed to figure that out. And honestly, this was the sort of thing that was clearly difficult for ALL of them to address.
That’s why the snake becomes the watchword in 14.18. Cas may have been the only one to witness Jack “helping” the snake at the end of 14.15, but Dean didn’t say anything about the snake to the others, either. Even after spending the entire trip trying and failing to come up with a real solution for Jack that didn’t involve flat-out killing the snake.
Dean even admits it to Sam, and the only unresolved issue for us-the-viewers was that we didn’t see Dean and Cas discussing it on screen as well. But then again, that’s kinda how they do, you know? Like how Dean handled everything with Jack in 14.15-- indirectly. He talked around the entire “snake” issue, never actually addressing Jack’s state with him directly, but providing wildly random “tests” as to Jack’s mental and emotional state (because everyone knows that preferring Devil’s Food to Angel Food cakes means you have no soul?).
Dean’s own fear pushed him to do exactly what he’d told Cas in 14.14:
Castiel: Are you really fine? Dean: I don't know, Cas. But that's what I'm supposed to say, right? "I'm fine," keep on moving? That's what we all say. Castiel: No, Dean.
and then after Dean confesses just how Truly Not Fine he is, after we learned how much Jack was already hiding and how much of his soul he was already tapping into to maintain the illusion that he was fine, we got this:
Castiel: Are you all right? Jack: I'm fine. Dean: Hey, see? Look at that. Everybody's fine.
Because that is the only way Dean knows how to keep moving when he knows he’s falling apart inside. If he can just be “fine” even when he’s not, well, sometimes that’s the best he can hope for, you know?
AND NONE OF THEM had any idea just how not-fine Jack was-- not even Jack. The run from 14.16 through the end of the season is Jack beginning to understand just how not-fine he was.
Why am I typing all of this out? Because Dean may talk around his issues. He may blow up in anger, but typically about 90% of that anger is at himself, even when he points it at others. And I am profoundly tired of the notion that there’s somehow going to be a ton of bad blood between Dean and Cas to deal with in s15, and that we’re owed some sort of grand apology scene... that’s just not how the show has ever dealt with stuff like this. Is there baggage between TFW over all of this? Yeah, I venture so. Is it all about 99% personal guilt on each of their parts? Yeah, I’m betting that’s the case, actually.
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mittensmorgul · 5 years
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Faith on the tnt loop (which, full disclosure, I slept through oopsie, so I pulled out the blu ray because this is NOT one I can skip).
Post 14.20, this episode is... extra-amazing, honestly. I’ve always felt that this episode was unwittingly (possibly, at the time it was written) a window into what this story could potentially do. When I first binged this series, this was the first episode I finished where I had to stop and completely reevaluate what I was actually witnessing. This was the episode that took me from casually consuming a fun lil monster show to 100% invested in this grand narrative. Even without any knowledge of what the ensuing 6 1/2 season (that existed at the time), I felt like I had my first glimpse of a much bigger picture in store for me. This was the first episode that, after a break to absorb what I’d just witnessed, I went back and immediately watched it again. Turns out I wasn’t reading too much into it... in fact, I wasn’t reading nearly enough into it...
The episode begins with Sam and Dean hunting a monster that we’ve only ever seen once more in the entirety of canon-- a rawhead, which earned a mention in 14.01 after an off-screen hunt for one went wrong enough to have left a tooth behind in one of the AU hunters. As if the monster in this case has been rendered doubly irrelevant, by virtue of the fact it practically dies offscreen in 1.12 while Dean's defeat of it and his own actions and choices in defeating it are the actual inciting incident of all the relevant action to follow. And in 14.01, all that remains of the rawahead was a tooth that's extracted from a wound and likely a wild hunter's tale.
Dean explains the use of the tasers they're using to take down the rawhead (specifically that the electricity is deadly to it and each weapon is one use only, "so make it count"). Dean takes his shot, and misses, but they find the children the rawhead had been holding captive. Dean tells Sam to take them outside to safety, and Sam hands over his taser to Dean, leaving Dean alone to face the monster (who we learn in 14.01 moves a lot faster than expected, and fast enough that we never even really see it in 1.12). Dean is literally backed into a corner, on the ground in a puddle of water, with the monster looming over him when he chooses to take his shot. It's not like he had much choice, right? So he shoots, and thanks to the water he's lying in, he electrocutes himself as well, damaging his own heart to the point where the doctor gives him a month to live.
He could've made a different choice, could've rolled out of the water, could've tried to fight off the rawhead (probably ineffectively) but perhaps enough that it would've given up and escaped to hunt children another day, but Dean took his shot, in a circumstance where he felt it was the right thing to end this monster and prevent it from hurting anyone ever again, even when it hurt him in the process. Not that he knew it would necessarily kill him to do it, but he was fully aware of the power of the weapon in his hand and what it was capable of, and accepted that it would hurt him right along with the monster he'd aimed it at since they were “connected” through the puddle of water.
Can anyone else say Hammurabi? Equalizer?
All of this has happened before.
But that's just the beginning. Because Dean survived, even if mortally wounded. This was the first time, though, that they were motivated to defy death, and that brings us to the true Monster of the Week-- Sue Ann LeGrange. Yes, I know it's technically "a reaper," but operating under Sue Ann's control and on her orders. She was the one who chose who lived and who died, based on who SHE thought was worthy, or unworthy in the case of her chosen victims. She was "playing god," deceiving her husband after saving HIS life with this dark magic (which required at least TWO sacrifices on her part-- one to make the altar and talisman to bind the reaper in the first place, and one person to die to save Roy, unbeknownst to him), and letting him think that he was miraculously granted the gift of healing by God.
And Sam decides to look for a similar sort of miraculous cure for Dean, even when Dean had accepted his own apparent fate:
DEAN: Look, Sammy, what can I say, man, it's a dangerous gig. I drew the short straw. That's it, end of story. SAM: Don't talk like that, alright? We still have options. DEAN: What options? Yeah, burial or cremation. And I know it's not easy. But I'm gonna die. And you can't stop it. SAM: Watch me.
Sam isn't about to go committing human sacrifice like Sue Ann, but after a tearful phone call plea to John for help, which goes unreplied to, Sam takes matters into his own hands, just as Dean checks himself out of the hospital having accepted his fate:
SAM: You know, this whole I-laugh-in-the-face-of-death thing? It's crap. I can see right through it. DEAN: Yeah, whatever, dude. Have you even slept? You look worse than me. SAM: (Helping DEAN to a chair) I've been scouring the Internet for the last three days. Calling every contact in Dad's journal. DEAN: For what? SAM: For a way to help you. One of Dad's friends, Joshua, he called me back. Told me about a guy in Nebraska. A specialist. DEAN: You're not gonna let me die in peace, are you? SAM: I'm not gonna let you die, period. We're going.
(aside to lol at John’s friend being named “Joshua,” namesake of the one angel God continued to talk to after supposedly abandoning Heaven and Earth, the angel who told Sam and dean in 5.16 that God refused to step in to help stop the apocalypse, and the angel killed in 12.19 by Dagon before fetus!Jack hijacked Cas to kill Dagon in turn... and even after his death it was Joshua’s amulet in 14.17 that enabled him to summon Chuck back into the story... funny that this hunter we never hear about again was the one to point Sam in the direction of this healer...)
And I'm sorry to just keep pasting in chunks of transcript, but this all goes to Sam and Dean's respective outlooks on pretty much everything, and the Grand Manipulation of Chuck in the entire narrative as we now understand it post 14.20:
DEAN: I mean, come on, Sam, a faith healer? SAM: Maybe it's time to have a little faith, Dean. DEAN: You know what I've got faith in? Reality. Knowing what's really going on. SAM: How can you be a skeptic? With the things we see everyday? DEAN: Exactly. We see them, we know there real. SAM: But if you know evil's out there, how can you not believe good's out there, too? DEAN: Because I've seen what evil does to good people.
Sam has faith, Dean's a skeptic. Throughout s14 we saw what it would take to break Dean to the point where he would accept the word of God without question. It literally took the entire season, more than half of it revolving around his possession and complete loss of free will and self, building him up when Michael left him again and giving him a false sense of security to begin to feel comfortable building emotional bridges to his entire family (including Jack), only to tear it all down and lose himself to Michael again on a whim, losing Mary again, losing Jack to soullessness because of his own failed choices (in his estimation, at least). This process of showing Dean how little power and control he has over his own existence was furthered by Billie presenting him with the supposed singular solution to save the world, which Dean interpreted to mean the most horrifying iteration of self-sacrifice the show has ever presented to us-- an eternity spent at the bottom of the ocean, locked with Michael in the Ma'lak box. Ironically, just as he was beginning to think of himself as something more than just a weapon, the parallel can't help but be drawn to the First Blade, which Cain had thrown to the bottom of the ocean in a similar fashion. Which should only serve to remind us that even that's not a permanent solution to any problem. And I think THAT was the lesson Billie truly wished Dean to understand. Jack is the one who ends up making the true sacrifice (his own human soul) to kill Michael once and for all, and Dean is left with the guilt of that.
But several other important incidents in s14 tie directly back to this, too. 14.08, playing with life and death, learning about what truly matters in someone's destiny after death, and what the Winchesters are willing to do to save a loved one. Ironically, in the process, Cas is backed into a corner, making a deal with the Empty Entity for his own happiness in exchange for Jack's soul.
Nothing ever comes for free. The Winchesters have been juggling these horrific choices and sacrifices their entire lives, and nothing is ever just as simple as an uncomplicated win.
Which is a key element of 1.12. Dean's skepticism, his feeling of "wrongness" after being healed by Roy, uncovers the larger truth. Sam desperately wants Dean to just let it go, accept it as a miracle, and move on:
SAM: Look, Dean, do we really have to look this one in the mouth? Why can't we just be thankful that the guy saved your life and move on? DEAN: Because I can't shake this feeling, that's why.
A miracle isn't enough for Dean, and the truth is darker and more horrifying than Sam can accept. As he uncovers more and more of the facts of just how Roy is supposedly healing people, he tearfully apologizes to Dean, and they work together to find a way to stop it from happening again. Someone is controlling a reaper, literally trading one life for another. Chuck must've LOVED this episode of his favorite show. It nails all his favorite themes:
DEAN: You never should've brought me here. SAM: Dean, I was just trying to save your life. DEAN: But, Sam, some guy is dead now because of me. SAM: I didn't know.
Ignorance of the truth didn't stop them from becoming entangled in this mess, though. Just like it hasn't stopped them from becoming entangled in every other cosmic mess they've stumbled across over the succeeding 14 seasons. Sam believed it was a miracle, and his faith had blinded him to the truth-- or at least made him want to believe, motivated by the results at Dean's miraculous healing. It's the same faith that led him in early s11 to want to believe his visions were coming from God, that maybe his visions that had plagued him in early seasons were being used for good now-- and with the intervention of Billie in 11.02 when those visions began, it's interesting how the solution that actually saved his life in that circumstance technically came from what she said to him about being "unclean in the biblical sense."
Reapers and their powers and limitations (clean hands!), and their knowledge of the Bigger Picture that Billie herself won't be able to see until she dies and is resurrected with the mantle of Death, have their beginnings in the mythology right here, enslaved to the will of a mortal woman who believed she could make choices about who deserved to live and who deserved to die based on her own corrupted sense of morality.
Even when the concept of Death is introduced in 5.10, he's presented as "lesser" than what he truly is by virtue of Lucifer having bound him to his will for the purposes of the apocalypse, and as merely one of the Four Horsemen equal to War, Famine, and Pestilence. In 5.21, we learn what he's "supposed to be." Practically an equal to God, with the power over all life and death. It's not really until 13.05 that we learn the truth about just how powerful Billie has become, and yet what her limitations still are. We begin to see one side of this massive cosmic chess match, all leading up to the biggest revelation of them all in 14.20.
Back to 1.12 again... (sorry it's impossible not to be continually distracted by the theme spiral here). Dean also is uncomfortable for the first time over the potential for The Lord to be eyeballing him specifically, which is a feeling he's gonna truly grow into throughout s4 "I don't like being singled out at birthday parties, let alone by God," right up through the showdown at the end of 14.20.
DEAN: Why? Why me? Out of all the sick people, why save me? ROY: Well, like I said before, the Lord guides me. I looked into your heart, and you just stood out from all the rest. DEAN: What did you see in my heart? ROY: A young man with an important purpose. A job to do. And it isn't finished.
Throughout the episode, they believe it's Roy controlling the reaper and making the choices about who lives and dies, but he was literally blind to the fact it was Sue Ann. He was as much a victim in all of this as the people he believed he was healing, that he believed he had been touched by God to impart new life to. But knowing the full truth, Dean has to stop someone from being healed that even HE believes deserves to be saved, to be spared the suffering of a life cut short by an inoperable brain tumor, after learning an innocent man would die in her place. No matter how much he might feel that Layla didn't deserve that fate, he also doesn't believe the man who'd been protesting Roy's healing ministry deserves to die just for that fact, either.
SUE ANN: I just don't understand. After everything we've done for you. After Roy healed you. I'm just very very disappointed Dean DEAN stares at her, saying nothing. SUE ANN: You can let him go. I'm not gonna press charges. The Lord will deal with him as he sees fit. SUE ANN leaves. The cops turn to DEAN. COP 1: We catch you round here again son, we'll put the fear of God in you, understand?
Once again, in text, Sue Ann is unwittingly labeled "God." It's not God's wrath Dean fears, but Sue Ann's, knowing his defiance has likely turned him from worthy of healing to unworthy of living. Now this has moved beyond idealistically wanting to stop someone from playing god with people's lives right back to the immediate need to stop them before someone else becomes the next victim. And all of their choices-- Dean not being able to walk away, not being able to look the other way, discovering the full horrific truth of how he himself had been brought back from the brink of death, led them to this juncture where it truly felt like they had no other choice but to stop the monster. It literally became a life and death matter for Dean.
I still find it fascinating that as a result of their actions and choices in this episode, the reaper who'd been enslaved to Sue Ann's will was freed when Sam crushed the talisman that kept him bound. I find that highly amusing in retrospect, that while Dean was literally touched by an incarnation of Death several times in this episode, Sam effectively committed services rendered to the Cosmic Order.
We've learned so much about all of this over the years, as well-- the need for balance, order in the universe, and so many of those lessons have come from Death directly. Dean learns some of this firsthand in 6.11, for example, when he takes on Death's job for a day (or at least the life-and-death side of his job, now that we know so much more about his knowledge and understanding of creation as a whole). We learn even more through Billie, and her constant reminders that what's dead should stay dead, and through Billie's reapers once she becomes Death. 13.19 reminds us, through a story about the consequences of killing reapers, just how tenuous the course of cosmic events can be, and what the universe does to self-correct when the balance tilts too far in one direction. It's a lesson Tessa began to teach way back in 4.15, in an episode where Dean once again saves the life of a reaper (not only unwittingly protecting the cosmic balance, but literally stopping the breaking of a seal and staving off the apocalypse for at least another day, and that entire episode, that entire case, only happened through the unwitting guidance of them to the case by Cas-- still operating under Heaven’s orders and pretending to be Bobby sending them to that town to investigate...).
It has always felt to me that the show has subtly revealed more about the truth of the cosmos through death and Death than anything else. And that's on full display now in 1.12. Sue Ann's lies of omission about Roy's "powers," her manipulation of circumstance and her ensnarement of a reaper to do her will, choosing who lives and dies and literally "playing God," is it really any wonder to find out that Chuck has attempted to do the same on the highest cosmic scale from the start? He is a writer, after all, writing the entire story of the universe even as the universe fights to tell its own story. It's only by looking to the center and seeing the truth of the entire picture that they can free themselves from that fate, break the spell that's held them captive to Chuck's narrative and this endless cycle of sacrifice.
Heck I still love this episode. So much that I’ve let the next three episodes play out in the background... This is the entire spiral of the story played out in miniature, wrapped into a single episode.
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mittensmorgul · 5 years
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5.22, Swan Song.
Remember when we first saw this and were like, OMG IS CHUCK... IS HE ACTUALLY GOD? WAS GOD REALLY RIGHT THERE ALL THIS TIME?
DID HE REALLY SIT THERE AND JUST LET ALL THIS HAPPEN?
WHAT A DICK, AMIRITE?
(I’m informed that some people were excited by this! that God really was there cheering them on! Tear up those pages! Free yourself from destiny! But like... Sam still ended up in Hell. Dean still was broken to the point he left everyone and everything he ever knew to live a life he always professed he’d never want, and Cas had the burden of saving Heaven from tearing itself apart in a bid to start the apocalypse up AGAIN, and just... they never actually escaped their destiny. It just got shuffled around a bit. God didn’t actually ~do~ anything. But now we know that yes, he DID do something... just not anything good...)
Sam will get to express the appropriate reaction to Chuck’s sentiment at the end of this episode, but not until 8.01: Nothing says family like the whole family being dead...
CHUCK (VOICEOVER): So, what's it all add up to? It's hard to say. But me, I'd say this was a test... for Sam and Dean. And I think they did all right. [Flashbacks play.] Up against good, evil, angels, devils, destiny, and God himself, they made their own choice. They chose family. And, well... isn't that kinda the whole point?
Shove it, Chuck.
But 14.20 kinda gives a better context for this, the smug lil bastard:
CHUCK: No doubt – endings are hard. But then again... nothing ever really ends, does it? CHUCK smiles and vanishes into thin air.
Because it was obvious all along (and exactly what Joshua told them in 5.16), that God was never on their side.
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mittensmorgul · 5 years
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5.13, The Song Remains The Same.
DEAN: Oh, I get it. You got beef with your brother. Well, get some therapy, pal. Don't take it out on my planet!
Michael's one big moment to have the chat with Dean that Lucifer had with Sam in 5.03. And it goes just about as predictably...
Of course Michael spouts the destiny party line, playing up Dean's sympathies the same way Lucifer played up Sam's. But it really doesn't work. More like it leaves Dean feeling hopelessly manipulated and even MORE determined to tell the whole of Heaven to just fuck right off:
MICHAEL: But I am going to kill him because it is right and I have to. DEAN: Oh, because God says so? MICHAEL: Yes. From the beginning, he knew this was how it was going to end. DEAN: And you're just gonna do whatever God says. MICHAEL: Yes, because I am a good son. DEAN: Okay, well, trust me, pal. Take it from someone who knows—that is a dead-end street. MICHAEL: And you think you know better than my father? One unimportant little man. What makes you think you get to choose? DEAN: Because I got to believe that I can choose what I do with my unimportant little life. MICHAEL: You're wrong. You know how I know? Think of a million random acts of chance that let John and Mary be born, to meet, to fall in love, to have the two of you. Think of the million random choices that you make, and yet how each and every one of them brings you closer to your destiny. Do you know why that is? Because it's not random. It's not chance. It's a plan that is playing itself out perfectly. Free will's an illusion, Dean. That's why you're going to say yes.
AND THERE YOU HAVE IT. THE BIG LIE.
But see, Michael promises to wipe John and Mary's memories of this whole incident. He actually says:
MICHAEL: I'm just giving your mother what she wants. She can go back to her husband, her family—
HE'S ACTUALLY PRESENTING THIS ENTIRE MANIPULATION AS "WHAT MARY WANTS."
That might carry a bit more weight going forward if in the VERY NEXT EPISODE some lowly cupid doesn't spill the beans that the blessed union of John and Mary Winchester was a top priority manipulation on Heaven's orders... and that John and Mary kind of... hated each other... until angels interfered with their lives directly... (and since this is the episode that Dean coined the term Team Free Will...)
"Angels are watching over you," in context, is a fucking ominous statement of fact...
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mittensmorgul · 5 years
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holy heck does rewatching s14 (for the fourth time >.>) really put the entire season in perspective. For anyone who thinks “well s14 was really erratic” or believes that there was a rug pull after Jack killed Michael or that the big themes were somehow “rearranged” to accommodate the runup to 14.20, I’m gonna kindly suggest that you missed the entire freaking point.
14.06... The two MAIN takeaways... i.e. not the in-episode plot stuff, but the MAIN THEMATIC RELEVANCE of this episode is this:
Sam: Okay, I know, I know. How about this? Don't leave. Hear me out. Sure, some people can do bad things when they're desperate or scared, but I mean, the guy we just saved, he has a wife, children. I'm not saying all people are good people or even that most people are, but if we help people, then maybe they'll help people and all that. And that's worth it. Even with all the tears and death -- it's worth it. (to Sam, this is what makes his family important)
and for Dean? it’s all about what love is-- from flirtations and one night stands, through manipulative obsession, through familial love and bonds, through romantic love that gets a lot crazier than stabbing someone through the heart...
On the surface Dean’s journey with Jack in this episode serves as the first steps of their long-needed father-son bonding. In context when we all first watched this episode, we explained it as Dean finally being brought up to the point where Sam and Cas have been in their relationships with Jack. But in the bigger picture, the focus on Jack’s relationship to Dean was all setting up that final confrontation in 14.20, too.
But the fact that Sam-- who has struggled with his relationship to hunting for the entire series (and his entire life), who has in the past wavered between grudgingly accepting his life and running away from it entirely-- finally put this into words in a “teaching the next generation to perfect one’s own understanding” fashion, IS HUGE.
That’s a concept I wrote about extensively while s14 was airing, regarding Cas’s chats with Jack as the Martial Arts master only achieving mastery of his own understanding by teaching someone else. But it applies to each of TFW in the same way. Being able to explain something to someone else helps as a sort of “final understanding” of the thing being taught. Being able to put it into words, and demonstrate that understanding, are the keys to fully realizing it for oneself.
Dabb’s favorite thing-- why write with one objective when you can cover like six all at once?
heck s14 is perfect (suck it, s4)
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mittensmorgul · 5 years
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7.14, Plucky Pennywhistle's Magical Menagerie.
Or that happy little isle of sparkles in a sea of black goo.
If taken at gunpoint (or pinned to a fence by an angry unicorn) and told I would have to watch a single episode of Supernatural on a loop for the rest of the week, I would pick this one.
Thanks, Dabb!
From the dual chronology of the storytelling, alternating between flashbacks to the past and Now, Right Now, and RIGHT FRIGGIN' NOW, while also touching on Sam and Dean's very different childhood experiences through their dual roles in this episode, it's both a more lightheartedly metaphorical exploration of Sam and Dean's psychological makeup than 7.13, while still effectively conveying the same conclusions.
Since I spent all day (or at least the last 8 hours or so) working on the 7.13 post, I'm gonna keep this one relatively brief.
Hopefully.
This episode focuses more on Dean's pov, from the baseline assumption that Sam's pov is inherently compromised (which 7.13 went to great pains to remind us). Clowns, and Sam's lifelong fear of them, becomes the focus of his outward projection in this episode, taking the place of his Hallucifering and framing his issues more... kindly... than 7.13 did. Because Clowns are typically Lucifer stand-ins in Supernatural.
(aside from back in 2.02, when they were a stand-in for evil things in general, which at the time meant the YED, who was, yes, an agent of Lucifer so...)
Sam’s mantra of “if it bleeds, you can kill it” even stands in for his Hallucifer Hand Scar Button in this episode. And that’s another of Dabb’s pet themes: taking a real-life horror and framing it in cartoon logic. This is how Sam’s episode-long clown fight stands in for his Hallucifering. The fear is equally real, but clowns who bleed glitter and shoot seltzer from a flower on their lapel are basically the cartoon version of what his Hallucifering is doing to him... And the clowns very much could’ve killed him just as quickly, if Dean hadn’t uncovered the root of the issue, the source of the manipulation.
When Dean discovered who was using the spell to bring these fears to life to kill people, he could’ve just shot the dude... but instead he had to improvise, forcing the guy to face his own lifelong trauma and guilt over the drowning death of his brother when he was a child (and which he felt was a failing of his parents as much as himself).
Metaphor, much?
But this also incorporates a twist on Dabb's previous theme of "beliefs can become reality" that he used in 5.06 with Jesse the Antichrist. The show overall has long asked us to consider that sort of question, going right back to 1.17 and the original Tulpa. 7.14 takes that one step further, with a villain deliberately "stealing" the fears and beliefs of children to magically make them reality (and worse: to literally weaponize those fears to be deployed against targets of his own choosing).
The power of belief, corrupted and manipulated for a misguided personal vendetta. Inflicting his will as if he knew best what these children need in their lives.
(plus some of the most emotionally cathartic nonsense in all of s7, which was deeply, deeply needed right about this point... Dean got his rainbow slinky, too...)
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mittensmorgul · 5 years
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6.11, Appointment In Samarra: the one where Death pulls back the cosmic curtain for Dean...
Confession time: I love this episode. Love it. Which is probably why I love 14.08, Byzantium, so much. And 13.05. and 13.19. And pretty much any episode with Death or various representatives and associates thereof.
DEAN Yeah, well, don't get excited. I would have saved the nurse, okay? That's it. DEATH I think it's a little more than that. Today, you got a hard look behind the curtain. Wrecking the natural order's not quite such fun when you have to mop up the mess, is it? This is hard for you, Dean. You throw away your life because you've come to assume that it'll bounce right back into your lap. But the human soul is not a rubber ball. It's vulnerable, impermanent, but stronger than you know. And more valuable than you can imagine. So... I think you've learned something today. DEAN Want to know what I think? I think you knew that I wouldn't last a day. DEATH I have no idea what you're talking about. DEAN I lost. Fine. But at least have the balls to admit that it was rigged from the jump. DEATH Most people speak to me with more respect. DEAN I didn't mean -- DEATH We're done here. It's been lovely. But now I'm going to go to hell to get your brother's soul. DEAN Why would you do that for me? DEATH I wouldn't do it for you. You and your brother keep coming back. You're an affront to the balance of the universe, and you cause disruption on a global scale. DEAN I apologize for that. DEATH But you have use. Right now, you're digging at something. The intrepid Detective. I want you to keep digging, Dean. DEAN So you're just gonna be cryptic, or... DEATH It's about the souls. You'll understand when you need to.
Dean carries out this entire challenge, and fails. Not because of the little girl he refused to kill, or because of woman who died needlessly as a result of him messing with the natural order, by attempting to stop the fallout from spreading any further. This was Dean's first brush with the concept of Cosmic Consequences that we revisit again in 12.09, 12.10, and... pretty much every episode since then. But Death still fulfills his end of the bargain. Why? Because this wasn't about Dean passing the letter of the challenge, but the spirit of it. It was a lesson, more than a test. Because in all the ways that counted, Dean did pass that test. He learned the lesson.
He fixed what he broke (mostly). He put the ring back on. He did the Awful Thing he hadn't wanted to do, and went back to set the natural order to rights.
But doesn't this conflict with the whole "destiny vs free will" thing? I argue no, that "destiny" and "the natural order" are two related yet different things. And death is the one fixed point in anyone's life. Everybody dies. Death and reapers don't typically interfere, they just serve their function, escorting the souls of the dead to their respective afterlives when their time comes. As long as someone's alive, their life is their own, a sum of their choices in the cosmic tally (Thanks, Anubis!). Death and reapers don't decide the eternal fate of a soul, they just intercede at that moment of death.
And Dean Winchester... well... he's different. He (and Sam, and even Cas) are the exceptions that prove the rule. They're the only ones. And I think this is the reference Dabb was making in 14.20:
CHUCK: Well, souls are complicated -- even for me. Besides, even if I could, would you really want -- I mean, after what he did? CASTIEL: Then we bind him. We throw him in the Cage until -- DEAN: Stop, Cas. You heard him. This is the only way. CAS: And Billie said the only way to defeat Michael was to lock you in a box. CHUCK: Ugh. Billie. I liked the old Death better. He was all about fried pickles and tickle porn. This new Death -- she's always sticking her scythe where it doesn't belong.
Because "old Death" was "meddling" to prevent "the new God" from doing The Bad Thing. He was focused on stopping the smaller-scale revolution of the spiral narrative reflected in the conflict between Raphael and Cas. But Billie? She was playing the long game, biding her time for Jack, with her scythe set on Chuck himself. Because the root of all of this drama was Chuck all along. The one who kept bringing Sam, Dean, and Cas back over and over again to replay his favorite stories for his personal entertainment.
And here we are, Sam has his soul back behind a tenuous wall, like Jack waking up at the end of 14.08...
and one funny thing I don't think I noticed before... at the beginning of the episode:
DEAN N-now, you -- you have, uh, done this a lot? DR. ROBERT Oh, many, many times. DEAN And your...success rate? DR. ROBERT Oh, excellent --almost 75%.
and then at the end:
DEAN Wait --with Sam... Is this wall thing really gonna work? DEATH Call it 75%.
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