How does it feel to call papang daddiest before only friends 😂
NONONONONONONONONO WAIT HANG ON
I called him the daddest dad, not the daddiest
the most dad, he is very dad, he is a father
don’t put this on my record, please I beg of you
although I must admit: it feels pretty good to have beaten gmmtv in something, so if it has to be this, I’ll take it
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While I do like the Eldritch MK theory, someone suggested that instead of being the reincarnation of a past enemy, MK is instead a sacrificial lamb for an enemy to come back (with him being referred to as harbinger).
Which raises a whole other question of who he is meant to be a sacrifice for.
Baby MK overall gives off the kind of vibes where he was created to be destroyed, doesn't he? I mean, why else create a "simple creature, with no past, no family, and no name". If something was just born (from a stone or not) of course it doesn't have any of those things—why specify it? You would only specify a detail like that if it was significant to why MK was created in the first place.
Which, this thought is not exclusive to Eldritch Abomination MK or to Harbinger MK, overall that feels like the implication. MK was made to be sacrificed in one way or another, whether that's to stop a past enemy, a returning one, or some other thing.
So, with MK being a sacrifice to chaos, I'm wondering why he would be given so much power. *throws dart at my idea board* Maybe he was made as some sort of ticking time bomb, created to destroy himself plus whatever threat he was meant to be a sacrifice for. *throws another dart* Or, perhaps he was created to be able to go toe to toe with whatever ends up being the embodiment of chaos!
Just to throw another dart at the wall: maybe MK was made as a counter measure to chaos itself! "There's a reason you were at the center of all these stories", that reason being to maintain balance and prevent the end of the world (of which he's done like, 4 times over now). "You don't use a weapon...you ARE a weapon!" aka MK is the ultimate weapon against literally any big bad.
Of course I'm partial to my own theory, but this is definitely a neat idea!
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!!!WARNING: LONG POST!!!
I am certain Alucard would have called an end to their duel, had Anderson put down the nail. Because Alucard has no intention of pushing Anderson to the point he dies.
"An unlimited amount of chances" and Anderson's allowed to back out whenever he wants.
This is a consistency in all their duels.
From the first; in which Anderson takes his leave because he's not ready to face Alucard;
And Alucard doesn't loose an ounce of respect for him;
To the second; Where Anderson suggests they stop because it's not the right time or place.
And Alucard agrees all the same. Without question or judgment.
And third; when Anderson suddenly stops mid fight, Alucard pauses as well.
even when the reason for Anderson's pause is purely because he isn't there for a fight.
Every time they meet up with eager energy, followed by parting without ordeal. Not once does Alucard force Anderson to fight him.
And Anderson knows this, to the point he's comfortable asking Alucard to put their duel on hold. Or stop mid way with his back turned without explanation. He trusts Alucard, and in doing so acknowledges Alucard as more then a Monster.
Anderson has earned Alucard's respect and admiration. Alucard doesn't think any less of Anderson when he stops their duel, and has no reason to, because the next time they meet its with with weapons drawn and a fiery passion.
Their final duel is no different.
When Maxwell dies, Alucard's ghouls are subdued. Anderson walks through them and sits with Maxwell to mourn. Not once does Alucard fight him. Nor does Anderson draw his weapons on Alucard.
He could have left with the rest of the Vatican, and Alucard would have understood and accepted that.
Because come their duel? Alucard pauses. As though checking base with how Anderson's holding up. If he's still capable of continuing, or if he wants to flee.
But when Anderson tells him to stop pausing for his sake and actually fight him?
It isn't because he has to. They both know it. Which is why Alucard's once more struck by awe to such an extreme. Because Anderson's actively choosing to put extreme strain on himself for the sake of fulfilling Alucard's dream.
Alucard respects and admires Anderson. So when the Nail of Helena is drawn to Anderson's own heart. He panics. Because he doesn't want Anderson to suffer his fate, nor see his dream lost.
And Anderson does stop. He stops and lets Alucard speak. Lets his words hold weight without interruption. And in doing so treats Alucard as an equal with meaning and worth rather then a mere monster.
He acknowledges Alucard and he respect Alucard when he replies. Explaining himself with a softened pitying expression.
his explanation portrays two key things beyond what's said;
1) He explains that he isn't doing this to hurt Alucard. Against what Alucard persumed.
2) He's doing it for himself. He knows the consequences, he knows what he's doing, and its in his intrest. Not for Alucard. Not for religion.
But when paired with that softened expression; in which he meets Alucard's gaze. Listens and replies despite his heart already being set. 1 reads as an appology. And 2 reads as reassurance.
After all, its harder to pity a person who willingly desires and acts to become a monster. Even though its Anderson's personal understanding, directly paralleling Alucard, that is exactly why Anderson pities him.
There isn't a thing Alucard could say or do to convince Anderson with such an explanation in mind. Because its built upon a dilemma within Anderson himself. A monster impossible to escape, impossible to fight, and it becomes all consuming through time and expirience. The weight of a human life.
Their dynamic is built for death, but not with the intent to hurt.
If it hurts to keep fighting? If Anderson were to stop? To leave? Alucard would let him. He doesn't want Anderson to suffer, in the same way Anderson wishes to end Alucard's suffering.
So he could have left. He could have called it all off.
But he doesn't. Because at that point, fighting is the only thing that isn't painful. Maxwell forced him to question his role to church and his impact on the orphanage. But fighting Alucard is a familiar song and dance that's without question and is capable of providing comfort when all else is conflict. For their duels are conflict without conflict.
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-Techno you already told this story like 3 times.
-And I’m about to tell it for the 4th time!
-Ughh… *chuckling* You are the worst roommate ever.
-Oh so you finally admit we’re roommates?
-No! Shut up. You’re such an idiot.
Voices For The Blade Charity Raffle prize for @greetings-from-the-void , who requested c!Rivals fluff! Hope you enjoy :D
(There is an alternate version of this drawing as well, which I’ll be sharing in a different post tomorrow.)
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