Cadybear's Reviews VERY Brief Thoughts- With Every Heartbeat
Welcome to the twenty-second official Cadybear's Reviews VERY Brief Thoughts! Today I'll be talking about With Every Heartbeat, which I have ranked on the "Silver Tier" at 7 stars out of a possible 10. My last and only playthrough of this was around April 2021.
Not much to say about this one. It was pretty straightforward, you romance someone who has cancer, and considering the book is tagged as "tragedy"... we all know how it's gonna end. It was more or less done well, though.
There wasn’t really anything particularly special about it to me other than the uniqueness of having an LI that inevitably dies, but it’s serviceable and does well what it wanted to do. And unlike with something like ROD, I can understand why people love it and get super emotional/teared up over it. I’ll admit, I was pretty shook when Dakota’s death actually happened, even knowing it was inevitably gonna happen.
Though this has to be THE most pointlessly genderlocked books of all pointlessly genderlocked books. Like, come on. COME ON. I dare the “let women have this one thing” crowd to try and justify this, cause I’m pretty damn sure women aren’t disproportionately lacking in tragic cancer patient romance stories.
So while I don’t think it’s brilliant, I can get why other people like it, and it’s certainly worth a replay.
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I’m sick of the MC vs Single LI dynamic PB has been pushing on us. Most of the time the MC and the single LI are at odds for most of the story and “develop chemistry” in the most artificial way ever like three or four chapters in.
Here are all the single love interest stories (so far):
Witness: A Bodyguard Romance
The Nanny Affair
With Every Heartbeat
A Very Scandalous Proposal
Shipwrecked
Ms. Match
Surrender
Crimes of Passion
Untameable
The Cursed Heart
The Phantom Agent
Kiss of Death
And out of all those stories, only With Every Heartbeat and The Nanny Affair had MCs and love interests who weren’t constantly adversarial or stubborn or always arguing. With Every Heartbeat was gold. The Nanny Affair was one of my least favorites, if not, THE least favorite. And the rest of them (aside from KoD, which I haven’t played) I was super neutral about or simply disliked.
The main character vs. love interest thing is so overdone it’s not even funny. We get a firebrand main character who’s a flirt and a (usually) reluctant love interest who’s also simultaneously a flirt, AND cocky. They both proceed to annoy the living shit out of each other and still somehow fall in love almost immediately regardless of how unappealing their romance actually is.
I want more dynamics like the WEH MC and Dakota Winchester, when they were both attracted to each other from the get go but tried to keep it purely platonic for a while before they ended up going “fuck it, I have a huge crush on you and our friendship is only deepening it”. I want more genuine progression and everyday moments like when the MC helped Dakota learn to ride a bike, or when they went to the fall festival, or when they worked on Dakota’s film together.
It’s moments like these, the average, the mundane, the ordinary, that make the relationship more human between main character and love interest. They foster a genuine connection rather than constant bickering and fighting. A blossoming relationship built on a foundation of laughter, of trust, of mutual support, of kindness, rather than sarcasm, cockiness, and petty arguments.
The audience needs to root for the main character and their love interest, which is less likely to happen if they’re constantly at each other’s throats. Some people like enemies to lovers, or rivals to lovers, hell, even reluctant allies to lovers. I like all that too when it’s done well.
In a lot of the books above, one of four things happens.
1. The main character is an annoying little shit at best or an asshole at worst.
2. The love interest is an annoying little shit at best or an asshole at worst.
3. Both are annoying at best or assholes at worst.
4. Both are wishy washy as hell and have no real substance other than some petty bickering and sudden realizations of love despite knowing each other for like a week.
That does not make these MC and love interest dynamics appealing. Quite the opposite, actually. How these characters can somehow stomach each other with how consistently petty and annoying they are and how little natural relationship progression they get, I’ll never know.
All I know is, PB is trying over and over and over to fling a bowl of spaghetti at the wall and make it stick, but all it does is splat onto the floor.
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