Reigen being a twink but like against his will is that anything
[ID: A Mob Psycho 100 comic that starts with a young Reigen who's sitting on the edge of a bathtub, wearing a bra and grinning with excitement as he does a T shot. He thinks, "I'm gonna look so cool after I'm on T for a while hehehe" and imagines a "hypothetical future reigen" who is hairy, bearded, and chubby.
Next, captioned "eight years later:" An adult Reigen with top surgery scars and a small belly paunch but little visible hair except slight stubble, thinks, "DAMN." An imaginary Reigen sits down and puts his head in his hands in despair.
After that, a freshly-hired Serizawa with stubble looks very nervous as Reigen glares at him in the background. Serizawa sweats, "i know its unprofessional but its not like I don't shave every morning... how can i help a five o'clock shadow??? is is he still staring?? help help h". Reigen is captioned "(seething with jealousy)".
Finally, captioned "(onsen ova)", we see a shirtless Serizawa with curly chest hair. He blushes and thinks, "is he still looking...omg is he checking me out??? maybe??? he is gay right???" In the backgrund. Reigen is also shirtless, and he's shaking with rage as he grips a towel very tightly and thinks, "his back has more hair than my entire body i have to kill him." End ID]
ID by @princess-of-purple-prose thank you so much!
I like to use over-the-top edgy imagery to invoke the ~emo~ sentiments we associate with edge, juxtaposing the aggressively self-loving text. accentuates the punk nature of radical acceptance
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If you're having trouble keeping up with what's going on in Palestine because of US news coverage of university protests, here are some articles you can read and a video you can watch:
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While CNN & all the other mainstream media try to paint the university protests as "pro terrorism" (which they're not, they're literally anti-war protests.) Palestinians are being slaughtered by the minute.
The thing that really gets to my heart about how Laios’s autism is portrayed in his conflict with Toshiro is that his pain is centered and sympathized with.
How many dozens, hundreds of stories have we gotten about that obnoxious side character who just won’t take the hint and get lost, plaguing the main character who is never up front about their actual feelings but we’re supposed to relate to? How it’s played for humor half the time, a lighthearted burden on the main to make them roll their eyes before the Big Challenges of their story, with no thought to the pain and loss of the side character investing so much emotion into caring for someone who finds them a nuisance?
I think it’s even more poignant that Ryoko Kui is writing from a Japanese perspective that puts Toshido’s approach even more in the default, culturally enforced norm, but still asks “what about the feelings of the person who doesn’t have that all-important knack for ‘reading the room’ and picking up on all those invisible messages never said aloud?” and encourages us to care