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 Reading - Ksenya Istomina

Russian, b. 1991   -

Oil on canvas ,   105 x  90 cm.

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Waterfall, Trollstigen, Norway.

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Toshiyuki Enoki

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#mihai eminescu

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L'art graphique militant en Roumanie

Ed. Jules Perahim et al (Bucharest: Editions Meridiane, 1963)

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Jules Perahim (1914-2008) — Sans titre [oil on masonite board, 1984]

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A remarkable edifice emerges as you approach the castle, where a quartet of colossal caryatids graciously bear witness to the castle’s former grandeur. Erected in the heart of the 19th century by the widow of a prominent industrialist, who commissioned this architectural marvel as a testament to her departed husband. This industrious man was hailed as one of the foremost contributors to France’s textile industry during the golden age. The architects and artists entrusted with the castle’s design were given unrestricted creative freedom, resulting in a magnificent neo-classical masterpiece. The castle’s façades, roofs, and ancillary structures have since been acknowledged as historic landmarks. Furthermore, the plaster prototypes of the caryatids remain preserved within the Louvre, while the original sculptures themselves languish in a gradual state of decay. Abandoned since the 1970s, the castle now lies besieged by untamed greenery, a testament to the relentless march of time.

Source: https://jeroentaal.photography/series/chateau-de-caryatides/

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Baiba Vegere (b. 1948)

Logs // Window (1983)

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Reflective Stroll.

Kaoru Yamada, (Japanese. b. 1975)

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John Elwood Bundy (American,1853-1933)

Richmond Autumn Woods

Oil on board

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Photo by Michael Knapstein

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Herbert Ponting: Barne Glacier, Antarctica (1911)

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LA RAPIDEZ DE DERRUMBARSE

La rapidez de derrumbarse el mundo es terrible.

Más rápida que el derrumbamiento del cuerpo

en dedos, los dedos en polvo, el polvo en soplo.

Más rápida que el derrumbamiento de las palabras

en voz, de la voz en rastro, del rastro en hielo.

La rapidez del derrumbamiento de las palabras es la voz.

La rapidez del derrumbamiento del cuerpo es el tiempo.

La rapidez del derrumbamiento del mundo soy yo.

• Boris A. Novak

• Patrick Pound, Not quite there (2013), Melanie Roger Gallery, Auckland