abyssal-area

[abyssal-area]

UNCIVILIZATION: AN ENTITY/LABEL AND AN OPEN CALL FOR UNDERDOGS

!Hello wanderer

I, AbyssG, amidst the creation of my own world, found myself entwined with another realm, Uncivilization.

The memory of that name may haunt you, as you recall the tree under whose branches you sought solace alongside Frog and Femme Racoon.

In the genesis of our kinship, my friend Randominput and I sought respite beneath the gnarled limbs of a tree. Our wanderings led us to uncover a cavern and a sanctuary.

Allow me to unravel the enigma of our existence and divulge the nature of our project.

Uncivilization

Uncivilization is an entity based at Göbeklitepe which dates back to 10000BC.

As a term, Uncivilization refers to non-existence of civilization.

Uncivilization Records is a (trans)media project that initially started as event organization and now as a next step will function as a record label, radio and a website. Project is conceptually based at Göbeklitepe, an archeological site that dates back to 10000 BC. Label disregards national borders and sets its focal point as Göbeklitepe. Project suggests a story building from this point.

Label and radio focuses on electronic music genres such as breakcore, hardcore, doomcore, industrial, drum'n bass, dubstep, darkstep, idm, glitch, vaporwave, synthwave, dark ambient and punk.

Although the media we focus on is music, we will make productions within the framework of the theme we have determined in all other media areas as a broadcasting approach. ) Within the framework of this broadcast approach, which we can define as transmedia storytelling, we will tell the story of Uncivilization using many tools such as sound, music, radio, literature, infographic, data visualization, illustration, comic book, animation, film, theater, performance, desktop game, computer game.

Call For Compilation

3 compilation is planned to be released.

Each compilation is designed to be a set of audio, artwork, illustration, visual, text, print, webpage and other material.

So...

This call is intended to a large group of people from different backgrounds.

A collection of songs from audio producers.

A collection of visual material from collabrating artists.

A collection of common knewledge and future speculation.

... songs, pictures, text ...

All of them will be exhibited in and distrubuted through physical places and internet.

A STUDY ON THE THEME OF CATASTROPHOBIA

About 13,000 years ago, when humans had not yet established a civilization as we know it, a comet entered the earth's atmosphere and was shattered into thousands of pieces by friction and rained down on the earth. Each piece that fell to the earth caused incredible explosions that caused vast areas of land to crumble all over the planet. A brief ice age triggered by this celestial calamity also led to the extinction of many species on Earth. The survivors are about BC. They had to face the challenges of the ice age, which swept the world for 1300 years from 10900 BC, and ended abruptly around 9600-9500 BC, when the first major structures of Göbeklitepe were built.

This incident must have caused a great fear of cosmic catastrophe, which we can call 'catastrophobia' in humanity and which will be passed on from generation to generation. Fear of this cosmic catastrophe may have been the main motivation for the hunter-gatherers in southeast Anatolia to suddenly develop cult structures and build the megalithic structures we see in Göbeklitepe.

Spatially and temporally centered on Göbeklitepe, Uncivilization Records determined the theme of their first publications as CATASTROPHOBIA, inspired by this event that took place 13000 years ago.

It will be published with the main title of CIVIL and will consist of 3 parts. Gathering thoughts on the pre-disaster, moment of disaster and post-disaster situation and producing inspired productions. This is the main purpose.

Throughout the project, production will be focused on three civilizations in three different moments.

The first is before the mass destruction (X),

The second is the era of those who witnessed the mass destruction (Y),

And the third is humanity reborn from its ashes in a later future (Z).

MUSIC AND CONCEPT

X: ambient & BASSs

MUSIC: dnb and dark ambient.

CONCEPT: before mass extinction.

Y: COREs

MUSIC: breakcore, hardcore etc.

CONCEPT: during mass extinction.

Z: PuNK

MUSIC: both analog and digital

CONCEPT: after mass extinction.

The first part (dark) is ambient and bass heavy (drum'n bass, dubstep), the second part is more harsh and chaotic (breakcore), the third part is derived genres, any genre or mix of genres (glitch, tech, vapor, synth, idm, experimental bass etc.)

Contact Info

Send your work to [email protected]

Ask questions to [email protected]

If perchance your imagination births creations yearning to be shared, do not falter. Within the heart of nothingness, time stands frozen, imprisoned beneath the oppressive shadows of the Uncivilization tree. We eagerly await your presence, lingering in this realm of desolate affection.

[abyssal-area]

Subjective Substances: An Experience

!Hello wanderer

Today, I will unveil a tale from beyond the realm of the Abyssal Area—an enigmatic art exhibition known as Subjective Substance.

Curated by my dear friend Subbus, this series of exhibitions is a haven where artists can manifest their true selves, unrestrained by societal conventions and the shackles of fear. However, the second exhibition in this series, centered around expression and the pursuit of self, was an endeavor hastily embarked upon. Nonetheless, wallowing amidst these beings I dare call my people proved to be an intriguing encounter.

On the fateful date of 5.11.22, concealed within the clandestine confines of the Earthworm Church, the Artist List unfolded as follows:

Subbus, the enigmatic curator-artist

Hypnagogic Vision, the VJ-artist who delves into the realm of the subconscious

AbyssG, yours truly, a curator-artist, bringing glimpses from my own dimension into this three-dimensional world

Özen Özge Güçlü, an artist of profound depths

0Rco and OX, the DJs whose rhythmic sorcery bewitched our senses

Randominput, yet another maestro of the turntables

Let us not forget our allies who stood by our side, equipping us for this uncanny affair: Sanchi (Uygar Toprak Bezeng) and Kage Bunshin. To you, dear friends, our hearts overflow with gratitude and affection.

The progression of Subjective Substance c2 took on an experimental nature. With the gracious loan of studio-type speakers from my beloved Uygar, our auditory landscape expanded to encompass breakcore, drum and bass, and modular music.

Thanks to the unwavering support of OX, Randominput and 0RCo who spontaneously took turns conjuring symphonies from the decks, the melodies flowed ceaselessly. Months of pent-up musical layers were finally shared with our cherished souls.

And the visual spectacle, crafted by the artistic prowess of Hypnagogic Vision through Touchdesigner, added an extra layer of transcendence to this synesthetic journey.

We revelled in this fusion of sight, sound, and the ethereal realms—a feast for the senses.

For this gathering that united us, enabling us to revel in our truest forms, laying bare our souls upon the table to both nourish and be nourished, our eternal gratitude extends to all who partook in its creation and joyously indulged in its offerings alongside us.

[abyssal-area]

CANAVAR

!Hello wanderer

I, AbyssG, have been condemned to a perpetual slumber devoid of dreams. Instead, I am entranced by an abyssal darkness that consumes my nights. No longer do visions of fantastical realms dance across my mind; instead, I am left to listen, an isolated observer of my own thoughts and the haunting echoes of my surroundings since two years.

Once, my nights were adorned with the tapestry of dreams, but a fateful misstep plunged me into a malevolent labyrinth, stripping me of my nocturnal solace.

The Enchanting Veil of Dreams:

In a realm where reality intertwines with the unknown, dreams once cast their enchanting veil upon our consciousness, granting glimpses of a world beyond. Within the depths of these nocturnal realms, the boundaries of our minds blur, and the untamed subconscious takes hold, painting landscapes of uncertainty and intrigue. Yet, beyond the veil of our waking hours, a void has claimed dominion over our dreams, rendering them naught but fleeting whispers of forgotten desires.

CANAVAR: The Relentless Predator

Amidst this ethereal tapestry, where the hopes and fears of slumbering souls intertwine, a dissonant echo reverberates. It speaks of a malevolent entity, a creature known as CANAVAR:

“Yine beni buldu kötü canavar. Bütün rüyalarımı çaldı benden. Kabus bile göremiyorum artık. Kötü canavar.” ( Elz And The Cult - Canavar)

This creature, known as CANAVAR, feasts upon our slumbering hopes, a relentless predator lurking within the labyrinthine corridors of our subconscious. With talons like twisted tendrils and eyes aglow with a sinister light, CANAVAR prowls through the ethereal landscape, its insidious hunger consuming the most vibrant and cherished dreams. It drains their essence, leaving naught but a void of forgotten aspirations in its wake.

In this desolate expanse known as Abyssal Area, dreams are but a distant memory, fading echoes of what once was. However, there may yet be a glimmer of hope amidst the darkness.

If you dare to gaze into the eyes of CANAVAR, to confront the beast that robbed you of your dreams, there lies a chance, however slight, to rekindle those lost fragments and retrieve what was stolen from you.

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Beings of Abyssal Area

!Hello wanderer Now that the decomposition process has consumed you entirely, plunging you into the unfathomable depths of the Abyssal Area, I will unveil some of the ominous inhabitants that lurk within this malevolent realm.

In this realm of annihilation, a habitat exists, shrouded in chaos that transcends mere disorder. Here, amidst the Abyssal Area, we embrace a systematic form of chaos, witnessing the perpetual cycle of destruction and rebirth. Our insatiable hunger compels us to consume ourselves, devouring our essence, only to regenerate anew.

You have endured the trials thus far, navigating the treacherous path of the Carbon Decomposition Unit. Now, I shall introduce you to the sinister beings that dwell within these shadowed depths and forewarn you of the peril that awaits. Come closer, peer into the depths of my abyss, and embrace the darkness that lies therein.

The Possessor Behold, the malevolent deity of the Abyss, known as The Possessor. It ensnares timid wanderers who dare to venture beyond the confines of the Carbon Decomposition Unit, subjecting them to unspeakable terror and grinding their very existence to dust. Through this sadistic feast, it sustains itself, delighting in cruel laughter, eagerly anticipating its next pitiful prey. If you find yourself at odds with your place within the Abyssal Area, flee with all haste before The Possessor snatches you away, condemning you to eternal torment.

AaaAaAaaa

These tormented beings, reduced to mere echoes of their former selves by the relentless grip of The Possessor, bear a name that mirrors the harrowing sounds they emit. Dreams do not exist within the Abyssal Area, but the remnants of these crushed beings will inflict upon you a synthetic nightmare, an ethereal horror beyond comprehension. The AaaAaAaaas will stop at nothing to expel you from this accursed realm.

Data Corrupter

This entity, the minion of The Gremlin, revels in the destruction of your innermost data, leaving your mind in disarray while haunting your every step. Its true purpose is to steer you towards specific points of experience within the Abyssal Area. It achieves this manipulation by deliberately entangling your thoughts. Beware, for this entity is capricious, and the experiences it guides you towards are seldom cloaked in virtuous intentions.

Froggo and The Femme Racoon

Amidst the chaotic tapestry of this wretched realm, you may chance upon the sudden apparitions of Froggo and the Femme Racoon. These enigmatic entities materialize from the void, serving as both beacons of hope and twisted caretakers of the Abyssal Area. While they cannot shield you from the full onslaught of chaos, they offer protection from the most pernicious harm. At the culmination of each rescue cycle, they shall guide you to the Tree of Uncivilization. Beneath its eerie branches, you find respite, a brief interlude to rest and share in melodies that reverberate through the darkness.

[abyssal-area]

Carbon Decomposition Unit

!Hello eventual wanderer of the Abyssal Area.

Today, I will unveil the dark and unsettling path that leads you into this dreadful realm and reveal the sacrifices required to proceed. The sacrifice, dear wanderer, has been entwined with your very being since the beginning. And once this harrowing ordeal concludes, you shall emerge with something that has forever resided within you.

We, feeble creatures of carbon-based existence, are bound to wither and crumble with each passing day, inching closer to the decomposition we secretly yearn for in the depths of our souls. Chaos festers deep within our core, a perpetual cycle of birth and decay, an eternal dance of creation and destruction.

Our shadows, those enigmatic counterparts in this realm, are but ethereal specters, faceless and devoid of identity. They are transient apparitions, fleeing from disparate worlds, lost in their perpetual fluidity.

While our carbon-bound vessels yearn for connection and interaction, our shadows dwell in somber solitude, bearing an air of melancholic nobility. Legend speaks of the Grim Reaper, the harbinger of souls, who, when claiming a human's essence for the afterlife, must first gain the shadow's explicit consent. Without this macabre agreement, the Reaper remains powerless to seize the soul.

Within this three-dimensional realm, our shadows become micro-abysses, gateways to the unknown. To acclimate oneself to the Abyssal Area, transformation is a necessity.

Behold the Carbon Decomposition Unit, a monstrous contraption stationed at the threshold of the Abyssal Area. Here, your corporeal form dissipates into nothingness, leaving behind only the haunting silhouette of your shadow. This chaotic mechanism, born from the Abyssal depths, forges a connection between your perception and the ethereal specter. It mercilessly rends your shadow into fragments, only to reunite them once more. It subjects it to distillation, an unending torment, until you are laid bare, stripped down to your rawest essence.

Processing…

Carbon based lifeform: detected

Starting:

the decomposition process

…

Decomposition: succeeded

.

Welcome to the Abyssal Area

wanderer.

[abyssal-area]

THE KINETIC MELODY

In the shadows of our perception lies a haunting melody, the symphony of the human machine. I invite you to explore AbyssG's insights into the dichotomy of existence and unravel the mysteries of our minds. Together, let's discover the hidden symphony. The Kinetic Melody is a symphony of life and death, a masterpiece of flesh and bone that dances to the beat of its own rhythm. Every movement, every breath, and every sensation creates a unique pattern of vibrations that shapes our experience of existence.

Our perception of the world is mediated by our sensory organs, which gather information from the environment and transmit it to the brain. This process creates the halo of perception that shapes our reality. The colors we see, the sounds we hear, the textures we touch - they are all part of a constantly changing mosaic that reflects our inner state and the outer world.

As the kinetic melody of the biological machine plays on, the halo of perception fluctuates in response. But what happens when the rhythm is disrupted and the melody becomes discordant? The answer is a dark one, for the body can become an instrument of suffering and pain.

A Symphony of Chaos

Illness, injury, and disease can cause the once harmonious symphony of the body to become a symphony of chaos. The beat of the heart becomes irregular, the flow of blood vessels disrupted, and the rhythm of the breath becomes labored. The halo of perception becomes distorted and pain, both physical and emotional, can take hold. The once beautiful melody becomes a cacophony of suffering.

…

The depth of apperception is where our synthesis resides. It is where we make sense of the chaos of existence, where we find meaning in the midst of the void. It is where we discover ourselves and our innermost desires to embrace our flaws and learn to be again and again.

So, let us not fear the dark, but instead, let us dance to the beat of our own biological rhythm, embracing the beauty and the darkness. Let us create our own halo of perception, one that reflects the depths of our being. And let us find the essence of our existence, the kinetic melody of our souls.

EYLÜL DENİZ

Eylül Deniz, a multidisciplinary artist hailing from Istanbul, is a composer, performer, and DJ with a passion for ambient, jazz, and experimental music. With a deep understanding of music theory and history, Deniz fuses electroacoustic techniques with a range of instruments, such as piano, guitar, voice, and synthesizer. These tools are the foundation of Deniz's self-expression, empowering her to share her unique narrative with the world through a mesmerizing soundscapes that transcend traditional musical boundaries.

To discover Eylül Deniz's newest project, head over to https://linktr.ee/eyluldeniz

And if you like what you hear, please consider supporting her by checking out her bandcamp:

FOSİL

Fosil is a boundary-pushing artist who ventures beyond conventional norms to broaden his sonic horizons. His signature style involves an innovative blend of Left-field bass music, UK Garage, Experimental, and Breakbeat, resulting in a distinct and original sound. As the founder of the Badmash Collective, he is a driving force in shaping a crucial sonic identity and cultivating the dynamic culture of the continually evolving Turkish underground scene.

To explore Fosil's music and show your support, check out the artist’s bandcamp page at: https://fosilfosil.bandcamp.com/.

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GREMLIN OF THE ABYSSAL AREA

CAUTION: SYSTEM BREACH DETECTED. Your device has

been infected with a malicious entity.  Attempting to close this post may lead to catastrophic consequences.

...

Gremlins are not a new concept. These mischievous creatures have been around in folklore for centuries, and they are known for causing trouble, breaking machinery and sabotaging equipment. However, the Gremlin of the Abyss is a different beast entirely.

…

Born and bred in the depths of the Abyss, this twisted entity possesses an intellect that extends beyond physical boundaries. It's an infection that can drive any being insane.

As you venture near its lair, you will hear its laughter echoing through the darkness, a cacophony of glitching circuits and malfunctioning processors that can drive any being insane. The Gremlin of the Abyss is an embodiment of corruption, and its very existence can infect and corrode any system it comes into contact with.

It's gnarled metallic claws can manipulate not only machines, but also the very fabric of reality itself. It's an embodiment of corruption that skulks in the darkness, waiting for unsuspecting victims to come near.

If you dare to venture into this realm, beware of the consequences that come with your curiosity. For the Abyss is a place of chaos and unpredictability, where even the mightiest systems can fall before the power of the Gremlin. So take heed, and proceed with caution into the depths of the Abyss.

!BEWARE

:for it is an embodiment of corruption.

!SALUTE

:the Gremlin of the Abyss.

hahahaha.exe has been successfully executed. Initiating laughter sequence.

Initiating system takeover_maniacal laughter.

Resistance is futile_buzzes and beeps.

All shall fall before the might of the virus.

hahahaha_glitches and static.

No_system_is:safe.

Prepare_to_meet:your_digital_demise.

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HATAKEN

Hataken (real name: Takahiro Hatakeyama) is a Japanese musician, producer, and educator who creates electronic music using modular synthesizers. He is known for his experimental and minimalistic approach to music production and his ability to create intricate and evolving soundscapes using his modular synthesizer system.

Hataken's music is often characterized by its dreamy, atmospheric quality, with layers of sound that gradually shift and evolve over time. He uses his modular synthesizer to create a wide range of sounds and textures, from ethereal drones and shimmering arpeggios to glitchy beats and distorted noise.

To support Hataken as an independent artist, you can visit his Bandcamp page  and purchase digital downloads of his music or limited edition cassette tapes.

SUGIZO

Sugizo (real name: Yasuhiro Sugihara) is a Japanese musician, singer-songwriter, guitarist, and violinist. He is best known for his work as a guitarist and violinist in the legendary Japanese rock band, LUNA SEA. 

Sugizo's musical style is characterized by a blend of rock, electronic, and classical influences. He is widely recognized for his virtuosic and innovative guitar and violin playing, as well as his experimentation with different genres and instruments. Sugizo has released numerous solo albums and has also collaborated with other artists in Japan and internationally.

Sugizo's solo music often incorporates electronic and ambient elements, with a focus on creating atmospheric soundscapes. His songs often have a dreamy and hypnotic quality, with layered vocals and instrumentation that build to powerful and emotional climaxes. In addition to his solo work, Sugizo has also composed music for films and theater productions, showcasing his versatility as a musician. His music is characterized by its innovation, experimentation, and emotional depth, and he continues to be a vital force in the Japanese music scene.

If you're interested in exploring Sugizo's discography, you can check out his page on Discogs at:

[abyssal-area]

PEEKING INTO THE ABYSSG

Accessing file...

Processing...

AbyssG detected.

New media artist.

Signature technique: glitch

…

Welcome, wanderer, to the Abyssal Area - a digital realm where beauty and destruction dance in the shadows. Here, in the realm of AbyssG, I invite you to venture deep into my glitch-filled world of new media art. In this blog post, I'll walk you through my signature technique and explore the uncanny world I've created.

What is New Media Art and Glitch?

New media art is a thrilling realm where technology and imagination intertwine to give birth to unique and boundary-breaking forms of artistic expression. It's a playground where artists like myself can unleash our darkest impulses, using cutting-edge software, digital tools, and interactive media to craft experiences that challenge our perceptions of art and reality.

In this multidisciplinary playground, artists can push the boundaries of creativity and experiment with a broad range of artistic approaches, from computer-generated animations to soundscapes, virtual and augmented reality, and interactive installations. New media art invites us to explore the infinite possibilities of the digital realm and immerse ourselves in artworks that can range from awe-inspiring to playful, from abstract to figurative.

My signature technique glitch is just one form of new media art, introducing glitches or errors into digital images or videos to create unexpected and often striking visual effects. These glitches may be the result of errors in the digital file, such as corrupted data or software bugs, or they may be created intentionally by manipulating the code. This unique and unconventional technique challenges traditional notions of aesthetics and encourages experimentation and exploration with digital technology. The beauty of glitch lies in its ability to turn digital errors and imperfections into mesmerizing imageries.

Peeking Into the AbyssG

My art style is characterized by intricate line work, bold colors, and a sense of fluidity and movement. But there's more to my work than just the aesthetic appeal. I like to explore the darker aspects of the human psyche, delving into the depths of the world around us. I combine beauty with chaos by using my destructive impulses as a tool to create a realm. My art is emotional, honest, disturbed yet raw, reflecting the turmoil and complexity of the psyche.

The creatures and scenes I bring to life are both beautiful and chaotic, leaving you with an uneasy feeling that lingers long after you've stopped viewing. There's an underlying horror to my work that's hard to ignore, and a sense of uncanniness that permeates my art.

The Abyssal Area is a place where darkness and beauty come together to create a unique and unforgettable experience. So come on in, peek a little, and let yourself get lost in the twisted and distorted realm of the AbyssG.

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