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amethystmpress · 3 months

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The puzzle piece about Rhaegar that is really interesting but unfortunately often overlooked is that he was relieved when he realized he was not TPTWP. Yes, relieved. Conflicted too which I will get into. And I believe it is obvious that when Rhaegar first read about Aegon's prophecy, he was not enthused— It seems I must be a warrior is trotted out to talk about Rhaegar's gender expression, his disconnect with capital m Masculinity that is purposely contrasted to Robert Baratheon reveling in it (indeed only making sense within the context of violence, battle, war) but there is more to the compulsion involved in the words It seems and I must than just It seems I must become an archetype. Socially becoming a fighter was already expected of him but he was not, presumably, in compliance with this expectation. The prophecy motivated him in a different way than you will be socially rewarded for acting as a man does.

Which brings me to another point i.e. how Rhaegar perceived himself prior to reading what he read; his connection to the tragedy of his birth and the grief, the resentment, the awkward dynamics between members of his family. "Oh he was a child" yes but we're told that Rhaegar did not act like, think like, or even particularly get along with others his age. So it's safe to say he was aware of Summerhall and felt it's shadow surrounding him from a young age. And Aegon's prophecy, combined with the Ghost of High Heart's prophecy, the events of Summerhall, put this weight on his shoulders completely into context. It was not that Rhaegar desired to be TPTWP because he took to it with determination but no particular joy. Every indicator just seemed to demand he give himself over to fulfilling this role. TPTWP was coming from Aerys and Rhaella's line? Well, he was their only child. Consult Maester Aemon on the matter? Yeah kid it's you. Ancient scrolls? Dusty, but they agree. Dead ancestors? Oh wait, they died so YOU could live. Woah.

This understanding basically necessitates us looking to ASOS Daenerys who also has some knowledge of TPTWP prophecy, and thanks to the Rhaegar-Daenerys pipeline, we can imagine that Rhaegar had similar thoughts to Daenerys, such as when she asks herself: The dragon has three heads. There are two men in the world who I can trust, if I can find them. I will not be alone then. We will be three against the world, like Aegon and his sisters. Who are Rhaegar's fellow two heads? Daenerys wonders at this, telling Jorah that her brothers are dead. Well Rhaegar's brothers die too, right in front of him. Rhaella suffers miscarriage after stillbirth after crib death. She is punished for this by Aerys via isolation and presumably Rhaegar is also kept separate from her— textually we know that Rhaegar was expected to take a sister to bride, i.e. further targcest was going to be enforced by Aerys, and to Rhaegar the loss would have also been of the other two people who would have fulfilled the requirements of the prophecy. Yes that's true. However, it was also the loss of his mother.

Rhaella was 13 when she had Rhaegar so it would be ridiculous to even think that she, a child, a Queen from when Rhaegar was 3, was this grand maternal figure to him. Of course she wasn't. There was too much on her shoulders. Too much on Aerys's shoulders as well, to be any sort of father except the kind who trotted Rhaegar out as an impressive little heir from time to time. Rhaegar was Aerys's success (it's the duty of the patriarch to sire sons who will continue the line) but as Rhaegar's siblings failed to survive, that success became a dicey thing. So when Viserys was born & survived, there is a thought that Rhaegar would latch onto such a sibling. This isn't the case— in fact, Viserys is Rhaella's. She coddles him. Keeps him close. Safe from Aerys (who already has Rhaegar). Viserys tells Dany stories about Rhaegar but this is done in the sense that he does not truly know Rhaegar. Why wouldn't Rhaegar have spent more time with Viserys, if he was motivated by fulfillment of the prophecy?

Because Viserys was Rhaella's, perhaps. Rhaegar never truly got to be his mother's son. To leech Viserys away from her... there's something in that. When Rhaella warmly welcomed Rhaegar's daughter, too. Rhaella's was Aerys's wife and property, which Rhaegar knew because he was also Aerys's property. Rhaella was mother to his brother. Rhaella was a grandmother to his daughter. She was everything but the woman who raised him.

"Rhaegar was a lonely man anyway due to his depression" yes that's true. There is an asceticism to Rhaegar Targaryen. The places he enjoys are bare and stripped, places he can keep his own company: Summerhall, the place of his birth, haunted, full of magic. Dragonstone where he retreats after his marriage, a place where the last embers of Valyria's magic died. Later the Tower of Joy is in a barren desert. But he finds a beauty in these places. He writes music that pushes him back into the shared world, songs he shares with people, about people, about lovers and those who sacrificed and who he is deeply moved by— almost like he's motivating himself. People are drawn to him.

Despite his lack of connection to Rhaella and Viserys he does bond with people. Arthur Dayne, who for all we can try and complicate, apply horseshoe theory to, is meant as the juxtaposition to characters such as the Smiling Knight. Brave as brass Myles Mooton whose memory his people still call upon. Richard Lonmouth and Jon Connington, both technically vassals to Robert Baratheon, funny little irony there. Princess Elia his wife who he is fond of along with the Dornishmen she comes to court with, "particularly" Prince Lewyn of the Kingsguard, who is in Rhaegar's confidence (per AWOIAF). These bonds seem strong because not a whiff of possible disloyalty on Rhaegar's part ever reaches Aerys despite it definitely existing and Aerys actively looking for it (again per AWOIAF). Do these confidantes know about Aegon's prophecy? IDK. At least in JonCon's case the answer seems to be no. However we also know JonCon wasn't actually the closest to Rhaegar. Nonetheless, I think we can assume that outside of Arthur Myles and Richard most of these were political relationships which Rhaegar pursued and all were concerned about Aerys's instability— there is also Tywin who Rhaegar performs certain overtures towards (such as knighting Gregor, Tywin's man, at a time when the Aerys-Tywin relationship had just grown particularly sour) indicating he'd like him as an ally. This is all straying away from TPTWP but I think it's important, it shows that even imbued with purpose, Rhaegar was in a position that did not lend itself towards him being able to take much action...

Then winter breaks. Spring comes. Nobody knows it's false yet. Rhaegar's whole deal is this coming Long Night. Everyone takes, quite literally, a breath of fresh air, and the tourney of Harrenhal commences, with Rhaegar as a shadow sponsor, thinking to call an informal Great Council which will begin to deal with Aerys (step 1)(step 1 failed).

This is where matters of prophecy come back into focus. I've covered Rhaegar's various relationships, the shallowness of them, the stagnancy in Developments due to Aerys's paranoia, etc. Harrenhal is not a solitary place but it is flush with magic in a way similar to Summerhall and Dragonstone— all places where dragons have died Harrenhal is thematically the cannibal dragon let's not get into that. And this is important to Rhaegar's characterization because of how things unfold with Lyanna Stark in several ways: 1) Lyanna cries to his song. Before they formally meet Lyanna is touched by the magic and purpose and sacrifice and yes, love, of which Rhaegar sings. It speaks to her. Of course, many others likely cried too. Common occurrence, see: A song of love and doom, Jon Connington recalled, and every woman in the hall was weeping when he put down the harp. Not the men, of course. Rhaegar gender moment but I digress. 2) Rhaegar's discovery of her as the KOTLT despite Robert & Richard Lonmouth both vowing to do so, those raucous manly men, both of whom failed; Rhaegar's subsequent hiding of her identity to unknown consequence for himself if any. All he produces is her shield which is painted with a tree on it, a purposeful callback to Duncan the Tall's shield, both Lyanna and Dunk being 'false knights' yet, in their actions, true ones. Sorry I love Lyanna so much I can't resist plugging her greatest hits 3) Rhaegar winning the tourney, the only tourney he's ever won... and immediately tainting his victory by awarding it to Lyanna instead.

I bring this all up and frame it because here we see that Rhaegar is not really invested in his own victory or legacy or even really his honor. His wife Princess Elia is there and she is pregnant with his son, something he could commemorate in the same vein that Aerys "honored" Rhaegar by showcasing him at various tourneys, an ode to a future warrior king, but Rhaegar doesn't do that. It's not his victory as a Man. It's never been about his victory as a Man. It doesn't even need to be his victory.

Neither does Aegon's prophecy. Rhaegar rapidly realizes that on two fronts: second, the false spring ends. It wasn't real! Rhaegar's spring isn't the lasting one. First, though, is that Rhaegar and Elia's son Aegon is born, a difficult birth in which Elia is rendered infertile. Who does this remind you of? Oh right, Aerys with Rhaella— only Rhaegar does not go about trying to impregnate Elia again. Rhaegar becomes convinced Aegon is TPTWP— something he was already thinking, prior. Rhaegar was never so invested in himself being TPTWP that he could not be convinced otherwise. Maester Aemon: Rhaegar, I thought... the smoke was from the fire that devoured Summerhall on the day of his birth, the salt from the tears shed for those who died. He shared my belief when he was young, but later he became persuaded that it was his own son who fulfilled the prophecy, for a comet had been seen above King's Landing on the night Aegon was conceived, and Rhaegar was certain the bleeding star had to be a comet. Rhaegar agreeing "when he was young" and being "certain the bleeding star had to be a comet" all indicate that he had been looking into the possibility that TPTWP was Not Him for a while. The visits to Summerhall— maybe they were a search for proof by encasing himself in the lingering magic of the place? He still messed up the prince/princess translation presumably because baby Rhaenys never seemed to be in the conversation. (The bleeding star was in fact a comet, funnily enough, a little consolation prize for the pretty boy.) Here's what we know: in Daenerys's vision, Elia asks if Rhaegar will write Aegon a son, we can assume because he wrote their firstborn Rhaenys a song, but Rhaegar says no, he already has one. The song of ice and fire. Aegon doesn't get a song. Why? Rhaegar believes he must be a warrior.

Yet, he sings for him anyway.

Rhaegar's "it seems" and "I must" and distance from Viserys and inner conflict about Aerys and doubt about his own place in the grand scheme of things all come to fruition with Aegon's birth. Rhaegar isn't TPTWP— and it spurs him into action. A weight is off his shoulders so now he can act. As in the case of crowning Lyanna, when the purpose of a task is not to honor or elevate him, we see Rhaegar able to perform in ways he could not before.

Namely there are two veins: acting against Aerys and seeking out information of the prophecy, but Rhaegar's general direction (through the Riverlands past Harrenhal) seems to indicate that he was headed towards the Ghost of High Heart. Not Summerhall, a place of mysticism meant to soothe Rhaegar. Rather a place of pain. The Ghost of High Heart who gorged on grief at Summerhall, who only ever demands Jenny's song (which Rhaegar seems to have wrote), who sees in Arya who looks like Lyanna, who looks like Jon, death. But instead of ever making it there... Rhaegar meets Lyanna.

And then they disappear. There are the Rhaegarwars to consider so I'm just going to say that, at the least, Lyanna did not want to marry Robert though society dictated that she must, and in removing her, she was removed from this. From there she came to be in Dorne in a place that was desolate desert, but similar to Summerhall, which was also abandoned, held something of magic in that it was near where Those Who Sing The Song of the Earth had split the Arm of Dorne. We can say a lot more about this but that's not the point of the post. I have explained Rhaegar as a person disconnected from his mother, later a person who in several manners refuses to act as Aerys did towards Rhaella, indicating that disconnect troubled him — Rhaegar's limited amount of close relationships with people he admired and the deep loyalty shown to him, presumably for a reason — Rhaegar's willingness to interrogate himself & his assumptions about the world.

So when I say Rhaegar was relieved what I mean is that upon suspecting and, to his mind, confirming that he was not the fulfillment of Aegon's prophecy, Rhaegar became proactive in ways he had yearned for but not been able to before. The Rhaegar that died with Lyanna's name as his last word was not a Rhaegar who died thinking the world was doomed without him. I think the Rhaegar that died on the Trident was a Rhaegar who had escaped the shadow of fate only to meet it, face to face.

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amethystmpress · 4 months

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DAENERYS TARGARYEN’S OUTFITS IN A GAME OF THRONES

(AGOT, ACOK, ASOS, ADWD)

Last September, I commissioned the amazingly talented @ilrex to draw fanart of every single Dany outfit that’s described in the books. I can’t thank them enough for accepting my request, for making me so happy and excited whenever I received updates of their progress, for finishing such a huge project, for giving me such diverse options to use as my tumblr icon (lol), for greatly enriching my (re)reading experience of Dany’s chapters and for surpassing all my expectations with their gorgeous style and attention to detail. Ilrex deserves all the praise for their depiction of these outfits, which will be posted per book on different days.

So here are Dany’s outfits in A Game of Thrones, along with the book descriptions (a few of them were skipped for being too repetitive and/or vague) that ilrex had in mind in order to draw her costumes:

When she was clean, the slaves helped her from the water and toweled her dry. The girl brushed her hair until it shone like molten silver, while the old woman anointed her with the spiceflower perfume of the Dothraki plains, a dab on each wrist, behind her ears, on the tips of her breasts, and one last one, cool on her lips, down there between her legs. They dressed her in the wisps that Magister Illyrio had sent up, and then the gown, a deep plum silk to bring out the violet in her eyes. The girl slid the gilded sandals onto her feet, while the old woman fixed the tiara in her hair, and slid golden bracelets crusted with amethysts around her wrists. Last of all came the collar, a heavy golden torc emblazoned with ancient Valyrian glyphs. (AGOT, Daenerys I)

So she sat in her wedding silks, nursing a cup of honeyed wine, afraid to eat, talking silently to herself.

[…] She stood there helpless and trembling in her wedding silks while he secured the horses, and when he turned to look at her, she began to cry.

[…] He removed her silks one by one, carefully, while Dany sat unmoving, silent, looking at his eyes.

[…] He stood her up then and pulled her close to remove the last of her silks. (AGOT, Daenerys II)

She was barefoot, with oiled hair, wearing Dothraki riding leathers and a painted vest given her as a bride gift. She looked as though she belonged here. (AGOT, Daenerys III)

Warm blood filled her mouth and ran down over her chin. The taste threatened to gag her, but she made herself chew and swallow. The heart of a stallion would make her son strong and swift and fearless, or so the Dothraki believed, but only if the mother could eat it all.

[…] The procession waited on the grassy shore as Dany stripped and let her soiled clothing fall to the ground. (AGOT, Daenerys V)

When she emerged from the lake, shivering and dripping, her handmaid Doreah hurried to her with a robe of painted sandsilk, but Khal Drogo waved her away. […] Only then was Doreah permitted to drape her in the scented sandsilk, and Irri to fit soft slippers to her feet. (AGOT, Daenerys V)

They scrubbed her clean and dressed her in sandsilk, loose and flowing. (AGOT, Daenerys VI)

A great knife of pain ripped down her back, and she felt her skin tear open and smelled the stench of burning blood and saw the shadow of wings. And Daenerys Targaryen flew.

“… wake the dragon …”

The door loomed before her, the red door, so close, so close, the hall was a blur around her, the cold receding behind. And now the stone was gone and she flew across the Dothraki sea, high and higher, the green rippling beneath, and all that lived and breathed fled in terror from the shadow of her wings. (AGOT, Daenerys IX)

And saw her brother Rhaegar, mounted on a stallion as black as his armor. Fire glimmered red through the narrow eye slit of his helm. “The last dragon,” Ser Jorah’s voice whispered faintly. “The last, the last.” Dany lifted his polished black visor. The face within was her own. (AGOT, Daenerys IX)

For herself she chose loose sandsilk trousers, sandals that laced halfway up her legs, and a vest like Drogo’s. (AGOT, Daenerys X)

Her vest had begun to smolder, so Dany shrugged it off and let it fall to the ground. The painted leather burst into sudden flame as she skipped closer to the fire, her breasts bare to the blaze, streams of milk flowing from her red and swollen nipples.

[…] She was naked, covered with soot, her clothes turned to ash, her beautiful hair all crisped away … yet she was unhurt. (AGOT, Daenerys X)

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