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The Color of Pomegranates.

Sergei Parajanov.

1968.

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As crazy excited as I am about Crimes of the Future, I'm almost equally thrilled for a new round of The David Cronenberg/Viggo Mortensen Press Tour Liplock Extravaganza!

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Virginia Woolf at 18

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A fortune teller in Jemaa el Fna, Marrakesh, Morocco, 1971.

عرافة في ساحة جامع الفنا في مراكش، المغرب، ١٩٧١.

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Shelly Duvall in Nashville (1975).

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Martha (1974, Rainer Werner Fassbinder)

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Delphine Seyrig from “Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles” (1975) by Chantal Akerman.

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MORGIANA (1972) dir. Juraj Herz

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Brad Davis and Rainer Werner Fassbinder on the set of Querelle

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[T]he shape of the scar had to have something to do with identity, as there is a question of that in the film. The scar is shaped like a spiral, a snail, which is a direct homage to Madeleine’s chignon in “Vertigo,” which is also shaped like a snail. “Vertigo” was an important reference for me here, especially through Vincent’s fantasy of being able to sculpt his own son back through her and the way he models Adrien — shaving his head, the clothes, the nose, all that.

From Hitchcock to the Macarena, “Titane” director on how monstrosity and humor feed her body horror

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Profondo Rosso (Deep Red) 1975, dir. Dario Argento

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Karen Dalton with Tim Hardin in Boulder, CO in the 1960s.

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nausicaä of the valley of the wind (hayao miyazaki, 1984)

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Fireworks (1947) // dir. Kenneth Anger

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i wish orson welles was here to run a toxic blog

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Jean-Louis Trintignant photographed by Patrice Habans, 1960

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Oliver Reed in Women in Love (1969) dir. Ken Russell