Spring nap by SelynnDraws
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take a break
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Anaïs Nin, Delta of Venus,
originally published: 1977
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when you think about it, it’s crazy colin confesses. he has no idea penelope has loved him for years and as far as he knows, she truly wants to marry debling and THEN she says the idea of him having feelings for her is laughable, like the hits just keep on coming but he’s still like yeah yeah cool but what if I did? have feelings for you?? he does NOT waste anymore time, he said this is how my parents got together and what my mom said to do and if I am anything, it is a mama’s boy
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"You smell like flowers and... and fresh things," he cried out quite joyously. "What is it you smell of? It's cool and warm and sweet all at the same time."
Frances Hodgson Burnett, The Secret Garden
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Artist credit
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I write, because I talked to people and they belittled my feelings.
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At first, i thought the whole Colin teaching Pen would be a bit of a mess, but then it becomes clear that he's not teaching anything other than telling her she's already great, she's smart and charming and that she should show the world how great she is and, by being whom she really is, she would surely make men fall for her.
That he was too damn dense to understand that this was clearly how HE saw her, how wonderful she was, and that SHE was everything that he wanted & admired in a woman makes everything even tastier.
Bless that kiss. He found his way home and never left.
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I need people to hear me out:
Colin Bridgerton is NOT this type of male lead:
He is this type of male lead:
And I love that.
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a band of ants march on
[sugar for the soul.]
a band of ants march –
god knows what they sing of –
pound the penny-sized platform
beneath their pinprick feets,
tasting with their limbs
like how a dog sniffs out the unknown,
the animals of the hunt gather…
and rise. and walk.
tinier than a
trickle
of
tap
wa
ter
th
ey
g
o.
i imagine it
to be a daily affair almost,
as if the mother with the
biggy bottom wakes her children
and sends them off for groceries.
they'll wreck havoc
like little kids
in the cookie jar/sugar jar/
and return home, return home,
return –
three lie dead.
no funeral procession.
just a stampede of more
than a thousand up and down
as if life never mattered
if you weren't moving towards
sugar.
it wasn't children from
the same eggs but, i'd grow up
to learn, worker ants that had
nothing to see or feel except
the rush of saccharine in
their tongues.
four lie dead.
it's a mini universe i look at
and i see another one collapse.
as if all we live for is the something
that they force-fed us the moment
we were born, telling us the very path
that we should march on. towards
undying heaps of white/white money
or white status/ white as much as we
refine it with lies in factories
five lie dead.
the march moves on.
like only one lived for his own,
bellies swinging full of greed
greed/need/want/thirst/agony
of limbs being crushed with work
and fingers falling off before mama
dear laid more to just eat the shells
of your exhausted self to discard/to
leave with nothing on you except
a faint trace and smell of rotting
sugar and honey and cookie
and eating upon
living cockroaches
and eating
everything upon sight –
a band of ants march
towards death
and none would ever know
what it means to live
before they crumble.
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“omg you’re so creative. how do you get your ideas” i hallucinate a single scene in the taco bell drive thru and then spend 13 months trying to write it
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This is so good!
You are stuck in a time loop, but you have no intention of ever breaking out of it. After literally millions of resets a new person appears in the loop and asks you why you are still in the loop.
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i'll ask who
my name isn't there,
isn't there, when i look under my tongue.
when there's another tomorrow,
i'll ask who'd made me
with my eyes blurring on their own
accord
hands sharp-stabbing on their own
accord.
if someone drew me —
my life like a sinking ship —
would i be there
or would there
be the empty canvas?
oh, picasso,
we're just boxes and lines
oh, van gogh,
we're just swirls and sighs.
my age
isn't there when i look under my nails.
when there's another tomorrow,
i'll ask who gave me
a body that forgets
on its own accord
a body that dies
on its own accord
i'll ask
what am i
except a prison cage
what am i
except metal chains?
when there's another tomorrow —
there is another tomorrow.
and tomorrow i will walk in
call myself by my name
and no one will bat an eyelid
because who are we
to be someone
when we
will never be?
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