bartelson

[bartelson]

[bartelson]

#Kanuma Ami #onepixcel

[bartelson]

I’m not that kind of people that thinks “iF yOU WanT GRaDUaTiONS YoU MuST HAte THE GrOUp WhY ArE YOu STILl A FAn?”, but I absolutely hate how some people wants this or that member to graduate just because they don’t like her.

[bartelson]

[bartelson]

( Tanimoto Ami | 谷本安美 )

[bartelson]

I really loved Sankaime no Date Shinwa, she is the kind of song that you listen in the bar crying because your girlfriend/boyfriend broke with you, but she is also more electric (?), so when you want to brake the things from your room for the same reason, you also can listen to her

[bartelson]

I really don’t like the idea that one group is the new C-ute or Berrys. Tsubaki Factory is Tsubaki Factory and Kobushi Factory is Kobushi Factory, they don’t need to be the new C-ute or Berrys, they need to be they self.

[bartelson]

The reason I really love some of the actual H!P songs: the majority is like that songs you will listen in the bar crying because your girlfriend/boyfriend broke with you. I LOVE THIS KIND OF SONG!!!

[bartelson]

[bartelson]

#tanimoto ami #tsubaki factory

[bartelson]

[bartelson]

Michishige Sayumi and Tanaka Reina on (2012.10.14) Nakai Masahiro no Black Variety: 4=FOW (For), 5=FIVE, 6=SIX, 7=SEVEN, 8=EITO (eita), 9=NINE, 10=TEN, 100=TEEN (fevurary), 1000=TEEEN … I say GENIUS!

[bartelson]

[bartelson]

I want Ami to cover a kpop song, preferably AOA

[bartelson]

#beyooooonds

[bartelson]

Why do so many people think that just because a “weak singer” leaves, that the group will magically become an overnight sensation? I don’t know how to tell you this, but a lot of times the ones you cheer for leaving contribute something incredibly important to the group. Just because it doesn’t affect the one small facet that you pay attention to doesn’t mean the group is better off.

[bartelson]

BEYOOOOONDS「眼鏡の男の子」【Hello! Project 2018 SUMMER ~ALL FOR ONE~】