The stories of women in my family who were forced into lives they didn’t want and didn’t utilize their passions breaks my heart. My grandma wanted to be a journalist and write about the injustices she saw inflicted on disabled ppl while she was volunteering at a state run institution as a teen. Her father decided that she was “too fat and stupid” for college and forced her to get married at 17 or else he’d make her homeless. As a kid she told me that she wished people believed that she had meaningful opinions on events around her. One of my great grandmothers wanted to be an artist but was pressured into marrying a man who beat her. She stayed up late each night when her children were in bed writing poetry and pasting it over elaborate collages she mad herself. We still have stacks of these notebooks she created but was never allowed to do anything with. My mother wanted to be an operatic singer and was considered a musical prodigy in her town because she taught herself three seperate instruments by 13. When she was 18 she met my then 30 year old father who emotionally manipulated her into giving up her dreams to start a family with him. As a kid I would hear her up at night playing the violin or doing vocal exercises until she became too depressed to practice anymore. Like idk y’all there’s a quiet type of violence in the way women’s talents are devalued and brushed aside in favor of bullying them into “traditional” roles that ultimately don’t fulfill what they wanted for their lives. We’ve lost so much art, music, writing, science, and happiness to misogyny.
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People who have recently lost someone have a certain look, recognizable maybe only to those who have seen that look on their own faces. I have noticed it on my face and I notice it now on others. The look is one of extreme vulnerability, nakedness, openness. It is the look of someone who walks from the ophthalmologist’s office into the bright daylight with dilated eyes, or of someone who wears glasses and is suddenly made to take them off. These people who have lost someone look naked because they think themselves invisible. I myself felt invisible for a period of time, incorporeal. I seemed to have crossed one of those legendary rivers that divide the living from the dead, entered a place in which I could be seen only by those who were themselves recently bereaved. I understood for the first time the power in the image of the rivers, the Styx, the Lethe, the cloaked ferryman with his pole. I understood for the first time the meaning in the practice of suttee. Widows did not throw themselves on the burning raft out of grief. The burning raft was instead an accurate representation of the place to which their grief (not their families, not the community, not custom, their grief) had taken them.
Joan Didion, The Year of Magical Thinking
(via nemophilies)
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Our Grandmothers - Poem by Maya Angelou
She lay, skin down in the moist dirt,
the canebrake rustling
with the whispers of leaves, and
loud longing of hounds and
the ransack of hunters crackling the near
branches.
She muttered, lifting her head a nod toward
freedom,
I shall not, I shall not be moved.
She gathered her babies,
their tears slick as oil on black faces,
their young eyes canvassing mornings of madness.
Momma, is Master going to sell you
from us tomorrow?
Yes.
Unless you keep walking more
and talking less.
Yes.
Unless the keeper of our lives
releases me from all commandments.
Yes.
And your lives,
never mine to live,
will be executed upon the killing floor of
innocents.
Unless you match my heart and words,
saying with me,
I shall not be moved.
In Virginia tobacco fields,
leaning into the curve
of Steinway
pianos, along Arkansas roads,
in the red hills of Georgia,
into the palms of her chained hands, she
cried against calamity,
You have tried to destroy me
and though I perish daily,
I shall not be moved.
Her universe, often
summarized into one black body
falling finally from the tree to her feet,
made her cry each time into a new voice.
All my past hastens to defeat,
and strangers claim the glory of my love,
Iniquity has bound me to his bed.
yet, I must not be moved.
She heard the names,
swirling ribbons in the wind of history:
nigger, nigger bitch, heifer,
mammy, property, creature, ape, baboon,
whore, hot tail, thing, it.
She said, But my description cannot
fit your tongue, for
I have a certain way of being in this world,
and I shall not, I shall not be moved.
No angel stretched protecting wings
above the heads of her children,
fluttering and urging the winds of reason
into the confusions of their lives.
The sprouted like young weeds,
but she could not shield their growth
from the grinding blades of ignorance, nor
shape them into symbolic topiaries.
She sent them away,
underground, overland, in coaches and
shoeless.
When you learn, teach.
When you get, give.
As for me,
I shall not be moved.
She stood in midocean, seeking dry land.
She searched God's face.
Assured,
she placed her fire of service
on the altar, and though
clothed in the finery of faith,
when she appeared at the temple door,
no sign welcomed
Black Grandmother, Enter here.
Into the crashing sound,
into wickedness, she cried,
No one, no, nor no one million
ones dare deny me God, I go forth
along, and stand as ten thousand.
The Divine upon my right
impels me to pull forever
at the latch on Freedom's gate.
The Holy Spirit upon my left leads my
feet without ceasing into the camp of the
righteous and into the tents of the free.
These momma faces, lemon-yellow, plum-purple,
honey-brown, have grimaced and twisted
down a pyramid for years.
She is Sheba the Sojourner,
Harriet and Zora,
Mary Bethune and Angela,
Annie to Zenobia.
She stands
before the abortion clinic,
confounded by the lack of choices.
In the Welfare line,
reduced to the pity of handouts.
Ordained in the pulpit, shielded
by the mysteries.
In the operating room,
husbanding life.
In the choir loft,
holding God in her throat.
On lonely street corners,
hawking her body.
In the classroom, loving the
children to understanding.
Centered on the world's stage,
she sings to her loves and beloveds,
to her foes and detractors:
However I am perceived and deceived,
however my ignorance and conceits,
lay aside your fears that I will be undone,
for I shall not be moved.
Maya Angelou
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Our bell hooks quote posters are available now!
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The dark soft languages are being silenced:
Mothertongue Mothertongue Mothertongue
falling one by one back into the moon.
Languages of marshes,
language of the roots of rushes tangled
together in the ooze,
marrow cells twinning themselves
inside the warm core of the bone:
pathways of hidden light in the body fade and wink out.
The sibilants and gutturals,
the cave languages, the half-light
forming at the back of the throat,
the mouth’s damp velvet moulding
the lost syllable for ‘I’ that did not mean separate,
all are becoming sounds no longer
heard because no longer spoken,
and everything that could once be said in them has
ceased to exist.
The languages of the dying suns
are themselves dying,
but even the word for this has been forgotten.
The mouth against skin, vivid and fading,
can no longer speak both cherishing and farewell.
It is now only a mouth, only skin.
There is no more longing.
Translation was never possible.
Instead there was always only
conquest, the influx
of the language of hard nouns,
the language of metal,
the language of either/or,
the one language that has eaten all others.
— Margaret Atwood, Marsh Languages
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I think we need to talk about the under appreciated Window Seat fandom
I mean really? With the book shelves?
It’s like an alcove of happiness.
You want a whole row of individual seats? Fine, here you go.
Or how about a whole window bed for those snugglers out there.
Curtains.. Guys this one has curtains.
Seriously? This is basically a glass cube of bliss.
You can even get them with corners! Not enough corners? Okay.
Ba-BAM!! Corners for cocooning.
There’s also the Roman-esque themed seat for the historians out there.
If you don’t want to snuggle up in blankets with hot cocoa in this then I don’t even know why you’re on this planet. I mean dat stonework.
This one’s an entire rectangle. Just imagine all the cuddling that could happen in there. It’s practically a fortress.
This one’s fucking curved okay? it’s just chillin, up of the ground, and curved for your lounging convenience.
don’t like rectangles or square? Okay. Have a fucking trapezoid seat.
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“I want to speak to a manager,” the middle-aged woman said in her stern I-used-to-be-a-soccer-mom-ten-years-ago voice, looking down at me over the top of her Gucci reading glasses.
A wicked grin split across my face and the gates of Hell opened up behind me, releasing a gust of hot wind that whipped my apron around my body and forced the woman to shield her face. Demons came forth, dancing around in flames with songs of, “She wants to speak to a manager. Did you hear that? She wants to speak to a manager!” before erupting into earsplitting shrieks of laughter, none louder than my own cackling.
I took in the woman’s look of utter horror before my eyes rolled back into my head and I growled,
“I am the manager.”
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the only people who understand literature are those who literally eat books. sorry. meaning does not exist until you devour it.
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If you can relate to this follow us HERE
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New pupper meets old soul. (Source: http://ift.tt/2mXgVYY)
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plants, bath, and home -kuva
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The Artist’s Sister in Law in a Striped Dress, 1917, Egon Schiele
Medium: watercolor on paper
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