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Akira (1988)

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THE BLADE RUNNER - Replicant Rendition, Blade Runner 2049

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Sliman Mansour (Palestinian, 1947) - "The World Has Failed the Children of Gaza" (n.d.)

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Sliman Mansour (Palestinian, 1947) - "The World Has Failed the Children of Gaza" (n.d.)

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Tiger Moth (Areas galactina), family Erebidae, MCM Nature Discovery Villa, Fraser's Hill, Malaysia

photograph by David Fischer

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Tarocchi di Sergio Toppi

Tarot Cards by Sergio Toppi

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AURYN is a mystical Ouroboros talisman in The Neverending Story. In the novel, AURYN is always spelled in capital letters and is revered by all Fantasticans, referred to as “The Gem” and “The Glory” (German: das Kleinod, der Glanz). It is a symbol of its mistress, the Childlike Empress, who is also called “The Golden-Eyed Commander of Wishes” in reference to her relationship with AURYN. While the book makes noteworthy the point that the image of AURYN is on its “cover(s)”, it does not actually refer to it as AURYN.

A common misconception is that AURYN is a simple magical object that grants wishes. The truth is that AURYN’s power flows from the Childlike Empress and that it can only be used with her permission. The powerful amulet cannot be used against her and if she does not grant the use of it to someone they are unable to influence AURYN.

The name of the amulet is not the same as that of a simple inanimate object. The word ‘the’ never precedes that amulet’s name (i.e., never “the AURYN”). Instead, it is used simply as AURYN, a proper noun like a person’s name.

Two mythological serpents, symmetrical, bite at the other’s tail. In the book, they form an oval, and are not intertwined. One serpent is white and one is black. Each has an eye to correspond to the color of the book’s print, red and green. The two snakes represent the dual nature of the two worlds, Fantastica and Reality, but also the twin nature of their mutual creation and destruction. On the back of AURYN are these words:

“Do What thou wilt” (German: “Tu, was du willst”).

, …to which only one of the snakes agrees.

AURYN helps guide Atreyu through Fantastica in his quest to find a cure for the ailing Childlike Empress, and in turn defeat the Nothing. It serves him clandestinely, but does return him to the Ivory Tower. Although Atreyu believes himself to have failed in finding the human child past the borders of Fantastica, the Childlike Empress informs him to the contrary and that indeed the boy had been with him all along.

In the hands of the Childlike Empress, AURYN displays greater powers even in the face of the Nothing. She releases seven spirits to serve her as she ventures across her tattered realm to find the Old Man of Wandering Mountain. They carry her chariot and provide a haven for Atreyu and Falkor within.

Bastian blesses the Childlike Empress with her new name. She presents him with AURYN; her only request being that he follow the instructions written on the back. While it grants him the power to make wishes and imagine more of Fantastica, it drains him of his memories which are his only way back to his world. Bastian searches for the same obscure boundaries of Fantastica, only to realize it is within AURYN itself.

In the mystical interior of AURYN, two gargantuan serpent statues stand sentry, one shining brighter than white, the other darker than black. They guard the Waters of Life, a waterfall and pool that serve as the exit from Fantastica. The statues refuse Bastian’s passage, for he had left many stories unfinished in Fantastica. Atreyu, however, agrees to undertake the quest, which allows Bastian to return to his world. When Bastian touches the waters, their truthful properties dissolve the illusion of his glamour wishes, and he returns to being a fat little boy, instead of a Fantastican prince, but this time he has learned to love himself as he truly is. At this point the snakes of AURYN allow him to return to his world. x

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hello just found out about Brett Allen Johnson

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A skillful display of an unusual instrument: The Theremin. An electronic musical instrument controlled without physical contact by the performer | source

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hello just found out about Brett Allen Johnson

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A spell for vanishing.

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Bill Sienkiewicz - Ghost Rider Study Painting Original Art (c. 1990s)

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Uncredited 1980 cover art to ‘A Wind in the Door,’ by Madeleine L'Engle

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As for many, it has been a hard couple of years, currently struggling with work, doing some temp work nothing full-time yet,  now rent is due so If you ever feel generous towards me and the blog this is a good time to support.  

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Doctor Strange by Mike Mignola