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Buzzing in my skin bc I’m at a production of TGWDLM at my school

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Some dude named Darrien:

"I barely had a pot to piss in."

Also some dude named Darrien:

"So I put in my last few grand."

"stepping off a yacht"

"in the middle of the night with a thousand-dollar case"

"I started with a couple of small tests. Nothing huge. I bet a thousand quid"

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ignoring the fact that I am a dyhard fan, I do find it fascinating that sam's preoccupation with celia might be driving alice to interact with gwen more. will they become closer? gwen was SO CLOSE to telling alice about what happened (meeting mr. bonzo and nigel)--could that be the start to them sharing an arc?

we'd have sam and celia, the OIAR newbies, going off on dates and whatnot (possibly pursuing more about the magnus institute), and then we'd have gwen and alice, the OIAR vets, digging deeper into the OIAR itself.

I honestly cannot wait to see how this all unfolds

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I've seen a few "I'm the only normal one here" jokes since tmagp started. I disagree.

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*crawling on the floor, blood everywhere, not all of it is mine* guys you shouild listen to malevolent its so good

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CELIA WHAT THE HECK !!!!!! WHEN I SAID SHE WAS MOTHER I DIDNT KNOW IT WAS LIKE THIS !!!!!!!

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Op I may never emotionally recover from this

instead of finishing my last exam i made this quiz

please enjoy

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literally my favourite thing about lena kelley that keeps being proven again and again as the series continues: she does not give a fuck and is just doing her job. no morals. no plans. no personality. go girl, give us less than nothing. cannot find it within me to believe she's the big bad when she's literally an empty shell of a person repeating someone else's lines back at the person she used to be. she is nothing. she's everything to me.

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The guys from episode 8 and 13 sitting on hospital beds next to each other

"...and then I jumped"

"to profit monetarily off your own misfortune?"

"No to get away from the brutalist vampires! What is wrong with you?"

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Ok, let’s look closely at Celia’s statement because Magnus Archives made it clear the exact use of language is important.

Spoilers..

Celia didn’t say she was a mother. She said she had a baby and she doesn’t know who the dad is

In Marked, when she woke up the side of the motorway, she tried to call someone to get help…

Which suggests to me - someone else is at home. Or at least there’s someone she could call for help. Because someone looks after that baby while Celia is at work

What if the baby is not hers? She’s raising Jack, possibly with someone else? And that’s why she doesn’t know who the father is - because she’s not the one that got pregnant.

When she says she had a wild couple of years, that could mean all sorts of things. It could mean a lot of drinking and drugs. It could also mean struggling through the end of the world. It could also mean coming through the new world and trying to find her place - fighting monsters here.

Because her date with Sam seemed to have an awful lot of digging about Sam’s background and the Institute and the cases.

Anyway. That’s my theory. She cares for Jack, but Jack is not her baby.

And my favourite theory right now is - it’s Agnes’ baby. And the baby is in hiding, safe with Celia, where whoever is using Agnes can’t find it…(and if it is Jack Barnabas’s baby that would explain why Agnes called it Jack)

#HERES HOW AGNES CAN STILL WIN

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Arthur doodle

And some other sketches from when I was like 5 episodes in and had no designs but knew it was over for me

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#alright chat today we’re going to be grinding 50 million whispering thingamajigs #by repeatedly clicking this button #then waiting for actions to refresh #😆

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had an idea for an oscar animatic so i needed to make him a designnn

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These guys really can't survive an hour in medieval England without immediately falling into mystery flesh pit national park

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"you've got a job to do!"

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One thing I haven’t seen anyone post about yet is the “should’ve used our left hand” conversation, and it is so so so important to me.

It’s very rare that we get any verbal confirmation that John—who for all intents and purposes only exists in a meaningful physical capacity through Arthur’s left hand—interacts with the world at all unless it’s in dire circumstances where he has to, like the mines in Addison.

We don’t hear him say “let me get that” or anything active almost ever, and we have to infer that maybe he’s moving around, touching things, gesticulating, guiding Arthur in some small way when he says “here!” but it’s never really said explicitly that he touches things idly sometimes. He usually only helps Arthur, like holding the torch, and doesn’t do much for himself. And yeah, perhaps that would be clunky writing, but it bothered me for a little while. I’ve always wanted to see him interact with the world more, touch more things, take a little initiative with the body they’re sharing, even if for practical reasons, but if it’s important to him that Arthur has some semblance in control? If he is considering Arthur’s feelings constantly by tamping down the urge to find and seek and know for himself, increasing that sense of isolation? If he’s trying even harder now to take up less space, to make himself small, in order to assuage the prickling guilt he feels for threatening taking that control back from Arthur? If he’s going to do his fucking damnedest to resist the urge to manifest even when the power is right there at his fingertips? Well, then that’s fucking delicious.