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crouchbearqrin · 8 hours
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crouchbearqrin · 7 days
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My face is having uncontrollable spasms. Great. It hurts really, really, really bad.
I think part of why I have trouble explaining pain to the doctor is when they ask about the pain scale I always think “Well, if someone threw me down a flight of stairs right now or punched me a few times, it would definitely hurt a lot more” so I end up saying a low number. I was reading an article that said that “10” is the most commonly reported number and that is baffling to me. When I woke up from surgery with an 8" incision in my body and I could hardly even speak, I was in the most horrific pain of my life but I said “6” because I thought “Well, if you hit me in the stomach, it would be worse.”
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crouchbearqrin · 13 days
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When BoJack Horseman (2014-2020) said "you can't keep doing shitty things and then feel bad about yourself like that makes it ok. you need to be better" and "all we have are the connections we make" and "I really should've thought about the view from halfway down" and "sometimes you have to take responsibility for your own happiness" and "you do the hokey pokey and you turn yourself around, you turn yourself around, THAT'S what it's all about" and "things have to get worse before they can get better" and "in real life, the big gesture isn't enough, you need to be consistent" and "if we hadn't met each other until now, we wouldn't be the people we are now" and, my personal favourite, "every day it gets a little easier, but you gotta do it every day, that's the hard part, but it does get easier".
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crouchbearqrin · 22 days
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"You're not ready for a child, Jennifer. You are a child yourself. And genetically, it is doomed. We are physically robust but riddled with mental illness. It helped during the famine, but the tables have turned, Jennifer. The tables. Have turned." I ' M D E A D
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crouchbearqrin · 26 days
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A normal day in the Smosh fandom
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crouchbearqrin · 1 month
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had to upload this just in case of copyright because this was gold
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crouchbearqrin · 2 months
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Hi. Hello. I'm Sydney. Family style?
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crouchbearqrin · 2 months
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crouchbearqrin · 2 months
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(I do not, and do not claim to own any of the content in the above gifs, nor am i intending to or making any profit off of the use of this work, all rights go to the creator and rights holder of the content, Daniel Howell.)
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crouchbearqrin · 2 months
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NIMONA + LETTERBOXD REVIEWS
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crouchbearqrin · 2 months
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“Did you see the way that little girl looked at me? Kids. Little kids. They grow up believing that they can be a hero if they drive a sword into the heart of anything different. And I’m the monster? I don’t know what’s scarier. The fact that everyone in this kingdom wants to run a sword through my heart or that sometimes I just wanna let ‘em.” “We have to get you out of here. Over the wall. We won’t stop until we find some place safe, okay? We’ll go. Together. No matter what we do, we can’t change the way people see us.” “You changed the way you see me... Didn’t you?
NIMONA (2023), based on the comic by ND Stevenson, who came out as transgender in 2022
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crouchbearqrin · 2 months
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crouchbearqrin · 2 months
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editing tips through the years (october 2015 // january 2016 // june 2016)
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crouchbearqrin · 2 months
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sydcarmy + tumblr text posts
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crouchbearqrin · 2 months
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Carmy + Luca
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crouchbearqrin · 2 months
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richie jerimovich (taylor's version) | THE BEAR SEASON TWO
+ this needed the actual video
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crouchbearqrin · 3 months
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Past Lives works so well for me because I am so enamoured with pragmatism in fiction.
I read and watch a lot of stories about idealized love stories and I often enjoy them too! I spent my entire childhood believing that the teenagers who got together in the media I consumed would stay together forever. And then as I got older, I was naturally introduced to more stories about romances that didn’t work out. Still, it’s hard for me to think about those as pragmatic, most of them have this desire for sadness in them. They would make me feel as though the devastation was the point, that the narrative was forcefully bent toward the saddest outcome.
Past Lives doesn’t make me feel this way. Nora doesn’t stop talking to Hae Sung because of an unforeseen tragic circumstance. She makes a choice and goes through with it. Hae Sung puts it best during their conversation at the end of the film. She is the kind of person to leave. And he loves her because she is that kind of person. The “what-if” isn’t in wondering about if circumstances were different. No matter what, she would have chosen her plays over anything else. Her husband even notes that so much of how their relationship happened is because he fit so well into the life she wanted. The whole reason this film is called “Past Lives” is because that’s the only way to ponder about whether Nora and Hae Sung could be together.
It’s such a delightfully Asian perspective on it. “In another life” films are so common, but I always feel like Western movies do it in a kind of parallel universe kind of way. I love that in this one, Nora is so steadfast and consistent in her personality and desires, that there is no real contemplation and consideration of making her and Hae Sung’s relationship work. There is only a longing and a love.
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