dagranwrites

[dagranwrites]

when a character is written inconsistently because nobody thought about it that hard and you're like it's time for me to get in there.. and think about it that hard

[dagranwrites]

I need a way to say this character makes me feel insane amounts of lust but not in a sexual or romantic way

[dagranwrites]

[dagranwrites]

Every single fic update there is an author trying frantically to find the right balance between a nonchalant aside of "leave a comment if you enjoyed =)" and clinging desperately to the coat tails of a random stranger, dragging along behind them on the street wailing "Please, please! I have to know what you thought! I'm desperate to talk to people about this! Ask me about the alliterative repetition! Ask me about the symbolism!"

[dagranwrites]

One of my absolute favorite tropes is “We have taken the one you love most!” “Oh, have you? Good fukken luck lmao” *distant screams of kidnappers as loved one escapes* or the flipside: “We’ve kidnapped you!” “You are in so much trouble. You are in so much fucking trouble. You are in the most trouble ever, oh my god.” *DOOR EXPLODES INWARDS AS LOVED ONE ARRIVES* and the alternate: *vehicle pulls up, door opens, person is shoved out, door slams, vehicle screeches away* “Did you get kidnapped??” “For a minute yeah”

[dagranwrites]

had a dream where i logged in to ao3 and saw this

so i'm manifesting it for every author who sees this

likes charge reblogs cast, rb to wish kudos and comments upon your favorite fics

[dagranwrites]

Dan and Dani can actually be considered siblings (Masters siblings if you will). Both left in the care of Vlad to later being abandoned bc of his ambitions. Yeah... Vlad needs to make amends.

[dagranwrites]

i suffer from 'men are hotter banged up' disease. unfortunately there is no cure.

[dagranwrites]

[dagranwrites]

About the AO3 "No Guest Comments for a while" warning

If you're not following any of AO3's social media accounts you might be in the dark as to what kind of "spam comments" have engendered this banner at the top of the site:

These spam comments have been posted about a great deal on the AO3 subreddit for the past couple of days. Initially they comprised a bunch of guest (logged out users) bot comments that insulted authors by suggesting they were using AI and not writing their own fics. Some examples, from the subreddit:

But it then escalated to outright graphic porn images and gifs being posted in comments, again by logged out 'Guest' accounts. Obviously, I'm not going to give examples of those, but between these two bot infestations, AO3 has clearly decided to act and has temporarily closed the ability to post comments for users who are not logged in with an AO3 account.

Unfortunately, this means that genuine readers who don't have an AO3 account won't be able to leave comments on fics that they enjoy.

If you are a genuine reader who doesn't yet have an AO3 account, I strongly suggest getting yourself on the waiting list for one. More and more AO3 authors are now locking their fics down to registered users only - either due to these bot comments or concerns about AI scraping their work - which means you're probably missing out on a lot of great stuff.

Hopefully guest commenting will be enabled again at some point soon, but I suggest not waiting until then. Get yourself on that list.

Wait times are going to be longer than usual at the moment, due to the current Wattpad purge [info on Fanlore | Wattpad subreddit thread], but if you're in line, then your invite will come through eventually.

Update: There's now a Megathread about this on the AO3 subreddit.

[dagranwrites]

just saw another fic that completely misunderstood elementary schoolers. going to make a post as soon as my shift is done

[dagranwrites]

[dagranwrites]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[dagranwrites]

By LabradoriteKing on Pinterest

[dagranwrites]

Being an older sister is hard—raising a fourteen-year-old is harder.

[dagranwrites]

Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!

[dagranwrites]

“i can fix him” girl you are WORSE than him