daintykeith

[daintykeith]

Describing Faces

Anonymous asked fuckyourwritinghabits:

How do I describe faces?

Hair, eyes, defining feature. That’s it for most characters, unless you’re describing a romantic interest or the main character has some reason to describe their face in detail (say, in relation to their self-esteem).

What a defining facial feature is:

The most striking thing about the character’s face. A chin so pointed you could stab people with it. ‘Foxface’ - long and narrow. ‘Horseface’ - long and broad. A square chin, ears that stick out, etc.

Something unique. Piercings, tattoos, scars, and unusual face shape, freckles, etc.

What a defining facial feature is not:

Race (You know better than that.)

Vagueness. 'Her face was shaped beautifully.’ Okay, what makes it beautiful? 'He had a lovely nose.’ What shape? What size? Vagueness doesn’t help anyone.

Cliches (often used to describe race). Almond-shaped eyes. Epicanthal folds (why the hell does anyone mention this*). Skin color. Language that is insulting ('slanty’ eyes, 'swarthy’ skin). Etc.

This is not to imply you shouldn’t mention race, but it shouldn’t be a defining physical feature when talking about someone’s face. That doesn’t mean you can’t describe someone’s facial features because they’re really common for a group of people, but a character isn’t an anonymous person standing in a crowd - a character should stand out and be defined, even if they play a minor role. Hone in your description skills to really capture somebody in quick sentences; that’ll help to get them to stick in the readers mind.

*(I have only seen this done once because it was plot relevant - an international adoptee being revealed that she was actually biracial. In all other uses I’ve seen, it was pointless and irritating to see. Unless it is plot relevant, leave the medical-sounding terms at the door.)

[daintykeith]

By LabradoriteKing on Pinterest

[daintykeith]

this is not a tutorial this is just me rambling

[daintykeith]

[daintykeith]

How to create an atmosphere: Supermarket

Sight

advertisements for products

big signs showing discounts

aisles full of colorful products

fresh produce

employees in matching uniforms

all different kinds of costumers

with shopping carts

with children running around

with a stroller or toddlers sitting in the shopping cart

with a service dog by their side

Hearing

the sound of shopping carts being pushed and bumping into shelves

parents calling for their children

people talking on the phone

a man asking his wife if they still have enough toilet paper at home

someone asking the employee where they can find something

music interrupted by announcements about promotions the store is doing

the surring and beeping sound of the cash register belt

the sound of the electronic doors opening and shutting again

Touch

the stickiness of the floors

the differents textures of each item they think about buying

the coldness and often stickiness of the handle of the shopping cart

the sudden wetness from some products that are either fresh produce or where the package is leaking

Smell

the smell of spilled drinks that someone dropped and left for the employees to clean up

the smell of cleaning products from them having to sweep it up

the smell of hand sanitizer

the smell of different products the costumer holds up to their face and smells to decide if they like it

the horrendous smell of deposit machines where you return your not quite empty beer bottles to and the leftover liquid spills everywhere

Taste

different samples offered at the supermarket

If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[daintykeith]

Here is a free pdf of the players handbook

Here is a free pdf of xanathars guide to everything

Here is a free pdf to monsters manual

Here is a free pdf to tashas cauldron of everything

Here is a free pdf to dungeon master’s guide

Here is a free pdf to volo’s guide to monsters

Here is a free pdf of mordenkainen’s tomb of foes

For all your dnd purposes

[daintykeith]

I spy, with my little eye, a photo that was faked by an AI image generator! Can you spot the clues?

FB is turning into a parade of fake AI images churned out by click-farming pages. More misinformation is on the way. Learn some tricks for spotting AI photos!

[daintykeith]

The symbolism of flowers

Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.

Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!

Amaryllis: Pride

Black-eyed Susan: Justice

Bluebell: Humility

Calla Lily: Beauty

Pink Camellia: Longing

Carnations: Female love

Yellow Carnation: Rejection

Clematis: Mental beauty

Columbine: Foolishness

Cyclamen: Resignation

Daffodil: Unrivalled love

Daisy: Innocence, loyalty

Forget-me-not: True love

Gardenia: Secret love

Geranium: Folly, stupidity

Gladiolus: Integrity, strength

Hibiscus: Delicate beauty

Honeysuckle: Bonds of love

Blue Hyacinth: Constancy

Hydrangea: Frigid, heartless

Iris: Faith, trust, wisdom

White Jasmine: Amiability

Lavender: Distrust

Lilac: Joy of youth

White Lily: Purity

Orange Lily: Hatred

Tiger Lily: Wealth, pride

Lily-of-the-valley: Sweetness, humility

Lotus: Enlightenment, rebirth

Magnolia: Nobility

Marigold: Grief, jealousy

Morning Glory: Affection

Nasturtium: Patriotism, conquest

Pansy: Thoughtfulness

Peony: Bashfulness, shame

Poppy: Consolation

Red Rose: Love

Yellow Rose: Jealously, infidelity

Snapdragon: Deception, grace

Sunflower: Adoration

Sweet Willian: Gallantry

Red Tulip: Passion

Violet: Watchfulness, modesty

Yarrow: Everlasting love

Zinnia: Absent, affection

[daintykeith]

Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

[daintykeith]

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

[daintykeith]

Greetings bugs and worms!

This comic is a little different than what I usually do but I worked real hard on it—Maybe I'll make more infographic stuff in the future this ended up being fun. Hope you learned something new :)

If you are still curious and want to learn more about OCD, you can visit the International OCD Foundation's website. I also recommend this amazing TED ED video "Starving The Monster", which was my first introduction to the disorder and this video by John Green about his own experience with OCD.

The IOCDF's website can also help you find support groups, therapy, and has lots of online guides and resources as well if you or a loved one is struggling with the disorder. It is very comprehensive!

Reblog to teach your followers about OCD

(But also not reblogging doesn't make you evil, silly goose)

[daintykeith]

🦀 Kudos Crab 🦀

If you are scrolling and see Kudos Crab, your fics will be blessed!

You will get good comments and kudos!

You will beat your writers block!

GO AND WRITE!

[daintykeith]

becoming an adult cheat sheet!

learn to coupon

what to do when you can’t afford therapy

cleaning your bathroom

what to do when you can’t pay your bills

stress management

quick fix meals

find out if you’re paying too much for your cell phone bill

resume workshop

organize your closet

how to take care of yourself when you’re sick

what you should bring to a doctor’s appointment

what’s a mortgage?

how to pick a health insurance plan

hotlines list

your first gynecology appointment

what to do if the cops pull you over

things to have in your car in case of emergency

my moving out masterpost

how to make friends as an adult (video)

how to do taxes (video)

recommended reads for surviving adulthood (video)

change a flat tire (video)

how to do laundry (video)

opening a bank account (video)

laundry cheat sheet

recipes masterpost

tricks to help you sleep more

what the fuck should you make for dinner?

where should you go for drinks?

alcohol: know your limits

easy makeup tips

find seat maps for your flight

self-defense tips

prevent hangovers

workout masterpost

how to write a check

career builder

browse careers

birth control information

financial management software & app (free)

my mental health masterpost

my college applications masterpost

how to jumpstart a car

sex ed masterpost

[daintykeith]

Writing Strong Opening Lines

This is the kind of information your first line should provide:

the name of the character (the speicifcity creates and illusion of reality from the get-go)

Notify that something bad is about to happen.

Provide a feeling of motion (it doesn’t neccessarily have to be the character moving)

Talk about a (small) disturbance to the character’s everyday life.

Types of Novel Openings

Action (in medias res)

Jump into the story with no delay - have something interesting happening.

“They threw me off the hay truck about noon."

2. Dialogue

Show conflict between the characters speaking.

“Isn’t it true you ahve a motive to lie?” / “Excuse me?”

3. Raw Emotion

Make readers sympathize with the MC, who is experiencing a strong, universal emotion (like sadness, anger, etc.).

“I do not look. I don’t ask where. I don’t because Annie’s mother died seven months ago. I stand motionless in the line, looking just like everyone else except for the hot tears that have begun to sting my eyes.”

4. Look-back Hook

Suggest that there is a not-to-be-missed story that’s about to be told

“The terror, which would not end for another twenty-eight years — if it ever did end — beganm, so far as I can tell, with a boat made from a sheet of newsppaer gloating down a gutter swollen with rain”

5. Attitude

When using first-person narration, show some attitude and unique voice.

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”

6. Prologues - entice the reader to move to chapter 1

Action Prologue: Start off with some big scene, often involving death

Framing a story - give the reader the view of a character about to look back and tell the story.

The teaser - present a scene at the beginning that will happen later on in the book

If you like my blog, buy me a coffee! ☕

Reference: <Write Great Fiction: Plot and Structure (techniques and exercises for craftin a plot that grips readers from start to finish)> by James Scott Bell

[daintykeith]

As of today 14028 Aziraphale/Crowley fanfics have been posted on ao3 since the release of season two

Which means that on average 77.5 fanfics are being published per day

That’s 3.23 fanfics per hour

0.05 fanfics per minute

So in conclusion:

Every twenty minutes a new Aziraphale/Crowley fanfic is being written

[daintykeith]

power signalling

Kneeling.

Ordered to kneel as punishment or as a show of deference.

Shoved physically to the ground by hands on their shoulders, maybe a kick to the back of the knee.

Picking themself up off the ground but only getting as far as hands and knees.

Crawling because they haven't got the strength to stand anymore.

Dropping to their knees from exhaustion or despair.

Personal space.

Casually invading it.

Uninvited touch - from the deeply creepy to something as simple as a firm hand on the shoulder.

Standing too close - especially if taller or otherwise physically stronger.

Conversely, hurrying to get out of someone's way.

Eye contact.

Staring someone down. Who is the first to look away?

Averting eyes for one's social superiors. Trying to de-escalate by avoiding eye contact.

Too frightened or ashamed to look someone in the eye.

Insisting that someone maintain eye contact while you're talking to them. Insisting that someone never look you in the eye.

Singling someone out just by looking at them.

More generally, Attention.

The room falls quiet when they walk in.

Who cuts in, and who gets talked over. Ignoring those who are beneath your attention.

The excited attention given to the object of respect and idolization.

The careful, wary focus given to a potential threat.

Deliberately attending to something else to appear less threatening. Deliberately burying oneself in something else to avoid attracting unwanted attention.

Codified status behaviours.

Bowing to one's superiors. Bonus points if there are differentiated kinds of bowing for different status differentials.

Soldiers coming to attention when a superior officer comes.

Saluting. Who greets whom first?

Serving food in a particular order.

Standing up when a respected person enters the room.

Non-verbal threats.

Just resting a hand on a weapon, or perhaps even just near a weapon.

Cracking knuckles or rolling shoulders. Clenched fists. The little come-get-some-then life of the chin.

Stepping from a conversational stance into one that's balance for fight or flight.

Pointing a weapon at someone. Casually brushing aside a weapon.

Conversely, de-escalation and surrender.

Open hands, spread in front of them. Hands above head.

(Raised slowly, transitioning from the simple whoa-calm-down gesture to full on surrender as the situation gets tenser.)

Going still. Slow, careful movements being sure to keep hands where they can be seen. Laying down weapons.

Hands on head. Getting down on the floor. Deliberately making oneself vulnerable to prove non-hostile (or non-resisting) intent.

Alternately, deliberately showing "vulnerability" to demonstrate how little of a threat you consider the other person.

The slouch of villainy. Open posture, casual, relaxed in the face of apparent danger.

Casually putting weapons away or turning one's back, confident that they won't do anything.

Signs of fear.

Flinching. Trembling. Closed defensive posture. Tension. Backing away. Fidgeting. Lip-biting.

Arms hugged close to chest. Or refusing to lower defences. Checking for escape routes. Trying to insist that they don't come any closer.

Offer of or requests for help.

Extending a hand to help someone up off the ground. Reaching out a hand in silent plea.

Do they have to ask for help? Are they willing to accept it? Do they get a choice? Who has plenty and who has to rely on the other's goodwill?

Picking someone up off the ground. Carrying them. (Dropping them?)

Adjusting someone's clothes. Withholding aid.

credit:@just-horrible-things // @whetstonefires suggests:

A character can vastly expand their area of influence by laying a hand on a table, for example. If you're standing on opposite sides of a large table, and one of you puts your hand down, that can symbolically take you up into the other party's personal space in a much subtler and more deniable way than actually getting up in their face.

This can be used equally well to convey affection or threat.

[daintykeith]

Show some respect, people.