elmosqueo666

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Fern Andra and Hans Heinrich von Twardowski in Genuine (1920) dir. Robert Wiene

Cinematography by Willy Hameister

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Gurunsi architecture in Burkina Faso and Ghana

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#fun people #hardcore punk

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Honestly if your response to "I dont have many skills that would be useful in a post-capitalist society" is "so I guess I'll just be pursuing my intellectual hobbies as my contribution to my community" instead of "so I guess I'll be doing dishes in the cafeteria/janitorial work/manual labor" you should really reconsider how you come at the very concept of work and society as a leftist. Is socialism no longer appealing if you have to do the work you previously took for granted? Is the liberation of the proletariat not worth it if you have to contribute something besides your dream job in academia or leading support groups? Are you really "too good" for "that type" of work, even if it is for a world where no one starves?

we will still have hobbies/run d&d/learn other languages under socialism - in fact, we would likely have far more time to pursue them than under capitalism - but when we think of our future labor, we ought to consider the "menial" tasks that keep society running; loading boxes onto trucks, cooking in a factory kitchen, packaging medical supplies for distribution, building new homes as a worker and not an architect. these jobs will never disappear, and to assume that someone else will do them while you lead workshops or go to school to become a trained professional is to announce your continuing loyalty to petite bourgeois ethics. The dream of socialism is not a fantasy where you continue to do the exact same thing you want to do under capitalism, but now with a clear conscience about it. It's to build a better world as one global movement, to lift up the most oppressed and downtrodden from the muck; a task which requires, above all else, heavy and thankless work that we must be prepared and happy to undertake if we ever hope to succeed.

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RB IF YOU AGREE

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He wants this, doesn’t he?

AKIRA (1988)   dir. Katsuhiro Otomo

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Early make up used in horror cinema, German expressionism.

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#no war #but class war

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The Great Fortune, Albrecht Dürer, c. 1501-1502, Minneapolis Institute of Art: Prints and Drawings

In this print Dürer combines Nemesis, the classical goddess of retribution, whose goblet and bridle represent favor and castigation, with the traditional winged figure of Fortune standing on a globe. The landscape beneath the figure has been identified as a view of Chiuso, a town in the Tyrol which Dürer presumably drew during his first journey to Venice in 1494-95. In his landscape, Dürer combines both a panoramic vastness and an amazing amount of identifiable detail. It looks remarkably like a view a modern traveler has from an airplane. Size: 13 x 9 1/16 in. (33.02 x 23.02 cm) (image) Medium: Engraving

https://collections.artsmia.org/art/7448/

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Jaschik Álmos - Téli éjszaka

22 x 21 cm                        

Ceruza, akvarell

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The World Is a Vampire / Cloud Rat - Blightseed

IFB Records

2019

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ARCHES OF OPHION

Adrian Baxter

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