elvsz

[elvsz]

ARE YOU NEAR, MR PRESLEY? “

summary : Elvis chose someone else and you did too, it was one late night in his Vegas penthouse when he told you the truth — the love he felt for you was becoming too much, even for him. His constant need of having to be near you, to see you and to make sure you were safe was making him feel insane. You both being busy with shows was also becoming too much, you hardly saw each other. The breakup was hard but you both ended it on amicable terms yet every night he finds his heart asking the same question, are you near? when he sings on stage; Do you watch him the way he watches you?

warnings : ex!yandere!elvis. female!reader. Kidnapping. reader is the lead singer of a 70’s pop group (abba was in mind). possessiveness, protectiveness and threats of violence. reader is calm and collected but also arrogant (lolz). mdni. cheating! kissing. age gap, elvis is 41, reader is 25. priscilla is his ex wife, reader is his ex gf. lisa marie doesn’t exist in this. can be read as austin elvis. BDE!elvis. 70’s elvis. petnames. substance abuse, alcoholism (from main characters). reader is named ‘delilah’ as her stage name / y/n is used.

based on : love me, suspicious minds & too much.

by elvsz / yandere / mdni

It was 1972 when you were told the news by one of elvis’ men.

Elvis and Priscilla were to be married - again.

In many ways, you wasn’t surprised. Elvis hadn’t been a fully faithful man when you were together, back in 1968 when you were merely 21. Though you must admit that when Son called you - his own voice full of sympathy that she could only shake off - to tell you the news, your world stopped for a moment or so.

Elvis was getting older, as were you, but the drugs he took seemed to make him believed he felt young. You weren’t a completely pure woman, your own intake of alcohol when your stage name name - Delilah kicked in on stage wasn’t healthy either. But you knew when to stop.

You only said okay to Son, trying to come across like it didn’t bother you - which it shouldn’t of done. You were with somebody knew, Max Charlton was his name, the 27 year old who fell in love with Delilah but ended up loving you only a few weeks after you and Elvis had the cruel break up.

You don’t respond to Max when he asks you who called, merely shaking your head and getting back into bed next to him. Your heart is heavy and her mind is full of guilt when you wonders to yourself; Elvis, are you near?

You turn onto your side to turn the lamp off on your bedside, letting the darkness indulge her into something better, calmer. Letting Max sit there and wonder what had happened. You still feel Elvis’ hands on your skin, when Max puts his on you..

Elvis didn’t ask who was performing in the International Hotel that day, he already knew who it was. Roses, the band you were in had started rehearsing for the late show that night. Yet he couldn’t hear your voice at all, it was the one thing he always wanted to find no matter where he was.

The voice he had known for what felt like all his life was too far for him to hear, you were too far for him to feel. And it made his heart hurt, almost burn with something cruel and sinister.

Then he hears you, your soft voice calling out to him as you sing Season of The Witch, the song you and your band had decided to create over night. He can feel the passion in your voice root itself in his soul, making his head fuzzy.

Elvis shakes himself out of a haze when Jerry — one, if not his greatest friend — tells him to come over and see them. You and your band who spray out before him, two members by the speakers. Some laying on the floor. Jerry being a big fan, which was funny to many as he was a member of the greatest’s inner circle, he’d always get up and dance to the music you made.

There you were sat there with your hair up like a doll, pretty headband on, ear piece long forgotten about as you sang and danced with your backup singers.

“C’mon! Give me somethin’!” Elvis heard, you were talking to the guitarist, who with the your very sweet, but arrogant pressure ended up making a very good riff for the song.

You knew Elvis was there, the way your other band mates seemed to quiet down into whispers told you it all. But you ignored him and Elvis was sure his heart was cracking.

“Ms. Y/N?” Tom Parker had always been a man you hated, so when your name left his mouth you wanted nothing more than to swing for him. Your turned her head over her shoulder, eyes bitter as they landed on the man.

“What?” You spat out, annoyed at being distracted, she took her music very seriously. The paper’s said even more than Elvis did which truly was something, you can only shake your head as the man tries to tell you something.

You turn to finally look at Elvis like you used to, back when fans would push themself against you and you’d look like a fawn, eager for him to do something. Your own heart threatening to break, but Elvis saves it again — patting Parker on the shoulder, telling him to come and see his plans for his new album.

You can only send him a nod as a thank you when he gets the man far from you. You turn back to your guitarist, but your soul begs for the man who just walked away. Your heart begs for Elvis, like every night before.

Elvis can only lie to his manager’s face, he had no album planned but he didn’t enjoy the way you tensed up under the cruel man’s harsh gaze and his weird words. Elvis nods for Jerry to go and take his manager away, he doesn’t say anything when he leaves.

He can only sit before the mirror, his head in his hand as he feels his heart beating more than usual, the pills on the desk before him are calling his name.

But then he hears your voice, your very, very angry voice.

“Like hell I will!” You spit out at your manager, who follows you to your own dressing room — Elvis requesting for yours to be next to his, he can only sit there and listen as you practically scream at the poor soul — and then he hears you cry.

“You said I could go goddamn home after tonight!” Your voice is breaking and Elvis knows you’re sobbing at this point. He can hear things breaking, you probably stand there throwing things at the man. Elvis’ door is opened, he watches your manager shake his head as he walks out.

Elvis stands up, calmly walking to your dressing room, your own door open. There you sit on the floor, things broken on the floor, smashed into pieces as you hold your head in your hands.

“Baby..” You don’t reply to him, merely sobbing into his hands, he shudders as he sees the broken mirror, he looks at your hands and there they are, bloody.

“Someone get a damn medic!” He calls out to the people hanging in the hallway, he hears footsteps running around. He crouches down to you and he can nearly sob himself when you flinch from him.

You look up at him and he wants to break your manager’s face. Your mascara is down your face, headband broken by the door, blood smeared near your mouth where you put your hands. Hands which are cut by the glass shards.

“He..” you mutter, choking out. You put your hand on Elvis’ arm, your grip week. He comforts you by whispering sweet words.

“He said I could go home an’.. I’m gonna die here Elvis.” His worlds stops, he looks at you confused, angry and dazed.

“What?” His southern drawl comes into play when he’s angry, his gaze darkens.

“I gotta stay here for ‘nother five years.” Your own gaze is hazy and angry. But the tears that won’t stop running down your face is what really anger him.

“Sweetheart, what’re you talking ‘bout?” You wish to answer him, you really do, but then your eyes fall to his engagement ring and you can only get up on shaky legs and a heavy heart.

You walk passed him, the man who sat down next to you who now is quick to follow you. Asking you questions. You don’t say anything when you walk into the bathroom in the hallway, you only lock the door; refusing to look at him.

You stay in there for what feels like forever, and when you finally open the door you don’t see Elvis to be anywhere.

Elvis is so close to your manager - Chris - that he’s sure the younger man can almost feel his red, hot, rage. Elvis is asking him questions because he needs answers and for the fact that he loathes seeing you so upset.

“Listen.. I had a talk with the hotel owner, he wants her to sing for him!” Chris tries to come across friendly, he knows he tries, but Elvis can see his anger building and the gun that rests in his holster is becoming heavier.

“For what!” Elvis shouts, “Another five goddamn years!” His fist finds the wall next to Chris’ head and the man watches Elvis become a monster.

A man turned cruel because of sin, is nothing less than a monster once adored as a king. He can feel the rage that made him leave you - he was tired of watching people beg for a kiss from your pretty lips every night on that godforsaken stage - begin to blossom in his gut again.

His world spins, the drugs and the alcohol kick in, Chris barges past the man who now sways. He runs for the door and he finds it, not before Elvis tells him to get rid of that contract.

Or he’ll blow his brains out.

You sit in a chair in a new dressing room, letting the make up artists put eyeshadow on you. The lipstick on your lips feels thick, your hair now all done up feels wrong and your eyes still gloss over.

It had been a long day. Too long of a day, by now you would’ve cancelled the show and gone home to your cats, but alas you sit there and let them prod at you like you’re no more than a doll.

“Five minutes!” Your manager shouts down the hallway, your open door letting you hear it clearly. You can only hum one of the songs he’s making you play tonight.

The dress you wear is white, and it’s so tight you can feel every stitch as if you did it yourself. One of the makeup artists wipe the tear off your cheek, her smile is sympathetic.

The walk up the hallway is cruel, heeled covered feet aching for something kinder, you read over the set list for the night that sits in your hand.

How can you mend a broken heart, Take me in your arms, Somethin’ stupid— you don’t finish looking at it. Only crumbling it up in your hand as you find the door to the stage.

The red curtain is down, you wish to see Elvis. You wish to feel him but the guilt eats at you alive.

He’s getting married again to somebody who isn’t you, stupid girl. That’s what rings through your head; you nod your head to the band members, the back up singers. They all compliment you.

Your eyes gloss over, you can feel your manager tapping your shoulder as you stand before the mic. He passes you a cup of what you can only imagine is alcohol.

“Welcome back, Delilah.”

The first song you play isn’t any on the list you read before, you start with Son of A Preacher Man, swaying as you let the music take you.

Your breathing is heavy and your words are yet to be slurred, Elvis watches from his own table with Jerry and a few other friends. Priscilla is yet to be seen by any of them.

Your voice is like silk when you bend down to the crowd, letting a twenty something year old man kiss you softly, you smirk as the crowd screams.

“Was a son of a preacher man..” you smile, teeth white and pretty, eyes full of something.

You can only watch Elvis and his reactions, the way you grip the end of your dress; giving the crowd something to blush and whistle for.

They knew you as this, the woman who made people feel dizzy with sin, dizzy with desire as you suddenly shake your hips.

Trouble suddenly comes on, your hips are moving as are your legs. You can feel the aura of the audience change, people stand up, pushing against the stage to touch you.

Hands close to your heels, as you rock your way around. Elvis hated this, hated watching people and their nasty desires try to get to you.

But he loved that glint in your eyes when you got what you wanted, which when Elvis was involved, was all the time.

This went on for two hours, you smiling at the crowd, shaking with them as you wiped the sweat off your forehead. You took your final bow, this was it — the last show at the international. No matter what your manager said, this was it.

The last person you look at is Elvis. Who happens to be the one to find you first when the curtain goes down, he’s by the end of the stage waiting for you like always.

You practically run to him, suddenly your world is hazy, breath heavy. Your world goes dark and the last thing you remember is him and his strong arms wrapped around your body.

“Elvis?” You mutter, the bedsheets you lay on aren’t your own, they’re too soft and a different colour. The covers are draped over your body, you feel like a small child who’s been tucked into bed.

The room is almost pitch black, if it isn’t for the lamp on the desk in the corner. You know he’s there, and the whine you let out is almost pathetic.

He remembered how much you hated the dark - childhood trauma you explained to him - and how much you feared to be alone if left in it.

He walks towards you slowly, a robe is all he wears, your eyes are full of tears and you ache for him. Your soul aches for him.

You crawl to the edge of the bed, you notice the nightshirt you now wear, soft and in your favourite colour, you look up at him.

His hands are soft on your face, cradling it softly as he kisses you ever so gently. You pull away, “you- you said the love you felt for me was too much.”

You repeated the words he said to you that night in ‘68, your heart heavier than anything. You watch as he shakes his head, his voice is deep and husky.

“I lied. I.. I didn’t want to hold you back anymore.” He hints at the age gap between you both, his mouth moves to your cheek, your jawline and your neck as he pushes you back down onto his bed.

You cry out, feeling overwhelmed as you push yourself away from him. “You went back to her, Elvis.” You move off the bed, standing away from him as he watches you in the dim light.

“Baby.” His voice holds so much adoration, he finally has you back where he wants you. Finally has you back to himself, the sob you let out when you see your hands now wrapped with gauze is sad.

He cared for you. He always had. He always will.

You let him pull you into a hug, his arms tight around your waist as you sob into him. You hit your fists against his chest and he lets you, all he wanted was for you to come back to him.

And now you were back together, his engagement ring long forgotten, purposely thrown out, and there was nothing Elvis wouldn’t do to get you back to him.

Such as making your manager sign you into a five year deal at the place he performed.

Like making your manager and his sign a deal that stated if either yours or Elvis’ career ended, the other would have to.

You were his, sweet girl. No woman, man, or person would ever change that. He’d make sure of that.

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