Aries x Leo: A hot and fiery fairy tale until it crashes for a period of time. If you can survive this crash then this might be the relationship you've always dreamed of.
Taurus x Leo: You'll both learn a lot from each other, but you're so friend-like with each other that this is likely to be VERY awkward.
Gemini x Leo: Intense, but in a fun and playful way. Could be either really good or really bad, but doubtfully anywhere in between.
Cancer x Leo: One word: YES!!!! You'll balance each other out perfectly and simply adore each other, forming a deep and personal relationship.
Leo x Leo: Maybe short term? Could make a pretty good learning experience for both of you.
Virgo x Leo: Provides balance at first, but gradually can decay if you don't put in a lot of effort to keep the relationship alive and well.
Libra x Leo: Cute, flirty, and probably quite sexy. The kind of romance that everyone ships in animes.
Scorpio x Leo: This could be so intense that it might even take the two of you of all people aback. Try to take things slowly at first and you’ll be fine.
Sagittarius x Leo: You’re two peas in a pot, but be careful not to let events get too far ahead of you and this could be an incredible fairy-tale romance that’s hot af at the same time.
Capricorn x Leo: Opposites attract…sometimes. This could either be really awkwardly cute or a total train wreak so good luck.
Aquarius x Leo: Yes please. It’s a bit unlikely to get started but could be so perfect if it works out.
Pisces x Leo: One of those relationships that the people in it love but everyone else doesn’t seem to understand why it’s working so well.
Audrey Hepburn with ballet coach Lucien Legrand, the first dancer and choreographer for the Paris Opera Ballet, at a dance rehearsal for her film Funny Face, Paris, France, 1956. Photographs by David Seymour.
I love the first photo. The first three photos are new and rare. Recently sold at auction.
Oh my god. Leave whatever you are doing aside and please look at this. We are doing this to the earth, and to every other species out there- they can’t even stand up for their rights, it’s a global tragedy, a sign that we suck as humanity, I mean I’m crying over this but don’t know what to do… It’s a shame. I’m sorry, I will tag whatever comes to my mind to reach people, at least it’s something I can do.
Happy Earth Day!! Tick off your progress of your zero-waste journey! How many do you do already and how many will you be able to do by the end of the year?
Going zero waste is something that everyone adapts to differently according to what they have available, so do what you can, be aware and spread the word!
I wanted to add a link to every product, and I also need to add some other things but if you want to help me out that’d be great!
Perhaps I’m feeling macabre, but tonight I’m digging out my favorite spooky classical pieces and listening to them. So I thought putting together a top ten list of these would be fun while I drink my scotch. Note: These are not really in any particular order. I love them all.
1. Beethoven: Piano Trio in D major, op. 70 no. 1, “Ghost” - 2nd movement. Rattling of chains, shrieking of spirits; the nickname of this trio fits it well. The first and third movements are good as well, but only the second movement is really spooky.
2. Schubert: Der Leiermann (from Winterreise). A heartbroken young man sings about the hurdy-gurdy, an outcast who sits just outside the village and plays his instrument while dogs snarl at him and people ignore him. Particularly chilling is that this is the last song of an hour-long cycle, and it drones on without clear resolution, ending with the line: “Strange old man, should I go with you? Will you accompany my songs on your hurdy-gurdy?”
3. Mussorgsky: Night On Bald Mountain. You may know this one from Disney’s Fantasia, which is featured during the Witches’ Sabbath sequence.
4. Schubert: Der Erlkönig. Based on a poem by Goethe, this song tells the chilling story of a father and his ailing child riding through the woods on horseback, while a malicious spirit tries to lure the boy away, unseen and unheard by the father.
5. Saint-Saens: Danse Macabre. Death plays his fiddle in the cemetery, rousing all the skeletons from their graves and dancing with them until they have to slink back at the first light of dawn.
6. Brahms: Ballade in D minor, op. 10 no. 1, “Edward.” Based on a Scottish ballade, the story is of a mother who knows that her son has murdered his father - she just wants to hear him say it himself.
7. Shostakovich: Viola Sonata. Shostakovich composed during the height of Soviet censorship, and his music almost always has a hunted, almost panicked feel to it. He composed this viola sonata just a month before his death.
8. Shostakovich: String Quartet no. 8 in C minor, op. 110. Between the frenzy of the second movement and the insistent “knocking on the door” of the fourth, this quartet can really put you on edge. What makes this music even freakier is Shostakovich’s musical signature (D E-flat C B) throughout the work.
9. Mussorgsky: The Hut of Baba Yaga the Witch (from Pictures at an Exhibition). This one always sounds like Baba Yaga’s “Hut On Chicken’s Legs” is chasing me through the woods, but that might just be my wild imagination.
10. Scriabin: Piano Sonata no. 9, “Black Mass.” Some of the directions that Scriabin writes in the score are “mysteriously murmuring”, and “with a sweetness that becomes increasingly poisonous,” which is a pretty apt description for much of this work. It begins mysteriously, then builds in tension until it all explodes in some kind of orgiastic climax. It ends just as enigmatically as it begins.