emlegault
(s)he sings love songs on a casio
meant for greatness
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could not have delivered this sucker without the help and support of my Kansan fam: all of my lovely correspondent writers for working hard and being flexible, @katiekutsko for slaving away at design, @trevgraff for being a baller editor-in-chief and giving me this opportunity, and @emdonskc and @chrisostmeyer for supplying my meals in the newsroom. @universitydailykansan homecoming section 2013 is here!
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At their best, record labels are supposed to be about exploration of music. We felt like that was our responsibility. Once you establish yourself, then you continue listening and react accordingly. To this day, some people go, ‘What happened to the days when you put out Soundgarden and Nirvana and Babes in Toyland? You suck now!’ But culture is supposed to move, it’s supposed to be dynamic.
Sub Pop Records co-founder Jonathan Poneman talks about the music of his life in the latest edition of our 5-10-15-20 interview series. (via pitchfork)
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“Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming “Wow! What a Ride!”
Hunter S. Thompson (via the impossible cool)
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You try to use unconsciously the computer short cuts in real life. You get mad when you realize that you just can’t.
Amen to that, now show me more! (via youreadesignerwhen)
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Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.
F. Scott Fitzgerald, The Love of the Last Tycoon (via lostcivilizations)
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