enough-spider-noir-stuff

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me, just trying to write and finish literally anything: please

my brain, throwing 50 extra scenes at me for "pacing" and "building tension" and "giving this scenario the love and affection and feeling of pain it deserves": absolutely not. bitch

#a biscuit's rambles #i am...... so..... CLOSE #BUT THOSE EXTRA SCENES KEEP SPAWNING

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OI OI OI

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Hobie doin a lil dance

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So, I've been thinking about Spider-Punk a lot (as I normally do) and noticed a fun little detail that made me appreciate the punk side of the Marvel universe a lot more.

Remember in Edge of Spider-Geddon #1 when Kang the Conglomerate came to Earth to kidnap Hobie so he could turn him into a highly marketable punk poser?

This is a pretty clear reflection on how Marvel may treat Hobie in the future. Marvel's a company looking for profit, not societal change. Over time, Hobie will have his rough edges smoothed out to make him more marketable. And we can already see this in action! Edge of Spider-Verse #1 opened with Hobie beating a nazi (Thunderstrike) with a baseball bat.

(I cropped out the nazi and the dialogue about the nazi before I posted this. Thanks past me. I'm sticking with this though cause I'm too lazy to grab a different pic. Go read the comic yourself! It's great!)

Contrast that to his own series where he's all happy and bubbly with his Spider-Band, going on a road trip in his Spider-Van.

As much fun as I had reading Hobie's series, it does significantly round his edges and soften him up. Edge #1 made a point of Hobie's hatred of the name Spider-Punk. He thought it was demeaning, and wanted to be called Spider-Man like the rest of the Spider-Verse. This point is completely dropped in his series (titled Spider-Punk), where people call him Spider-Punk and he offers no resistance.

While these apparent changes are a little disheartening to see, it has made me appreciate Edge of Spider-Verse #1 a good deal more. The writers saw what was coming, and warned us. Which brings us to the point of this post. They weren't just warning us about Hobie, he was just the most obvious.

Edge #1 also introduced us to Hobie's good friend and partner in punk, Captain Anarchy.

Apart from being a variant of Captain America who's name keeps the same initials, Captain Anarchy is also the name of a song by the punk band Anti-Flag. The song is about someone who is punk in name alone, who has the aesthetic of a punk without the heart behind it, a punk poser. In case you don't want to listen to the song (which you should, it's good) here's the chorus to give you the gist.

Whether intentional or by accident, the allusion to this song is a genius choice that warns us this entire punk branch of of the Marvel Universe could very easily be punk in looks alone if given the wrong writer. It's a very neat detail that I just found out today, and one I thought I'd share with you guys! Thanks for reading!!

[enough-spider-noir-stuff]

So, I've been thinking about Spider-Punk a lot (as I normally do) and noticed a fun little detail that made me appreciate the punk side of the Marvel universe a lot more.

Remember in Edge of Spider-Geddon #1 when Kang the Conglomerate came to Earth to kidnap Hobie so he could turn him into a highly marketable punk poser?

This is a pretty clear reflection on how Marvel may treat Hobie in the future. Marvel's a company looking for profit, not societal change. Over time, Hobie will have his rough edges smoothed out to make him more marketable. And we can already see this in action! Edge of Spider-Verse #1 opened with Hobie beating a nazi (Thunderstrike) with a baseball bat.

(I cropped out the nazi and the dialogue about the nazi before I posted this. Thanks past me. I'm sticking with this though cause I'm too lazy to grab a different pic. Go read the comic yourself! It's great!)

Contrast that to his own series where he's all happy and bubbly with his Spider-Band, going on a road trip in his Spider-Van.

As much fun as I had reading Hobie's series, it does significantly round his edges and soften him up. Edge #1 made a point of Hobie's hatred of the name Spider-Punk. He thought it was demeaning, and wanted to be called Spider-Man like the rest of the Spider-Verse. This point is completely dropped in his series (titled Spider-Punk), where people call him Spider-Punk and he offers no resistance.

While these apparent changes are a little disheartening to see, it has made me appreciate Edge of Spider-Verse #1 a good deal more. The writers saw what was coming, and warned us. Which brings us to the point of this post. They weren't just warning us about Hobie, he was just the most obvious.

Edge #1 also introduced us to Hobie's good friend and partner in punk, Captain Anarchy.

Apart from being a variant of Captain America who's name keeps the same initials, Captain Anarchy is also the name of a song by the punk band Anti-Flag. The song is about someone who is punk in name alone, who has the aesthetic of a punk without the heart behind it, a punk poser. In case you don't want to listen to the song (which you should, it's good) here's the chorus to give you the gist.

Whether intentional or by accident, the allusion to this song is a genius choice that warns us this entire punk branch of of the Marvel Universe could very easily be punk in looks alone if given the wrong writer. It's a very neat detail that I just found out today, and one I thought I'd share with you guys! Thanks for reading!!

[enough-spider-noir-stuff]

So, I've been thinking about Spider-Punk a lot (as I normally do) and noticed a fun little detail that made me appreciate the punk side of the Marvel universe a lot more.

Remember in Edge of Spider-Geddon #1 when Kang the Conglomerate came to Earth to kidnap Hobie so he could turn him into a highly marketable punk poser?

This is a pretty clear reflection on how Marvel may treat Hobie in the future. Marvel's a company looking for profit, not societal change. Over time, Hobie will have his rough edges smoothed out to make him more marketable. And we can already see this in action! Edge of Spider-Verse #1 opened with Hobie beating a nazi (Thunderstrike) with a baseball bat.

(I cropped out the nazi and the dialogue about the nazi before I posted this. Thanks past me. I'm sticking with this though cause I'm too lazy to grab a different pic. Go read the comic yourself! It's great!)

Contrast that to his own series where he's all happy and bubbly with his Spider-Band, going on a road trip in his Spider-Van.

As much fun as I had reading Hobie's series, it does significantly round his edges and soften him up. Edge #1 made a point of Hobie's hatred of the name Spider-Punk. He thought it was demeaning, and wanted to be called Spider-Man like the rest of the Spider-Verse. This point is completely dropped in his series (titled Spider-Punk), where people call him Spider-Punk and he offers no resistance.

While these apparent changes are a little disheartening to see, it has made me appreciate Edge of Spider-Verse #1 a good deal more. The writers saw what was coming, and warned us. Which brings us to the point of this post. They weren't just warning us about Hobie, he was just the most obvious.

Edge #1 also introduced us to Hobie's good friend and partner in punk, Captain Anarchy.

Apart from being a variant of Captain America who's name keeps the same initials, Captain Anarchy is also the name of a song by the punk band Anti-Flag. The song is about someone who is punk in name alone, who has the aesthetic of a punk without the heart behind it, a punk poser. In case you don't want to listen to the song (which you should, it's good) here's the chorus to give you the gist.

Whether intentional or by accident, the allusion to this song is a genius choice that warns us this entire punk branch of of the Marvel Universe could very easily be punk in looks alone if given the wrong writer. It's a very neat detail that I just found out today, and one I thought I'd share with you guys! Thanks for reading!!

#AW FINALLY SOME GOOD ANALYSIS ANDBAJDNWJNFJDJEJ #tbh i was already surprised to have marvel take a shot at. fucking punk #as a rule i dont really trust (popular) media presentations of punks because they basically Always miss the point #and yeah. edge of spider-verse hobie really nailed it anyway

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It kills me. Every time. That Peter went through the trouble of being a snitty little brat so he could be treated like an Adult and get his alcoholic beverage.

Only to not even drink it. Throw it in the face of Norman "The Goblin" Osborn, a pillar of the web of crime and corruption throughout NY.

And the Only reason he's not Murdered on the spot is because he's Urich's little pal. Bet Peter only chose whiskey because that's what Urich was having. Ugh he wants to be such a big grown up adult, but he is a small and angry and wretched child.

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some fit generally, some are specific to this WIP i'm working on, but have these memes

#you know i keep pasting all your tags into The Doc but the words wont. UGH #god hates me personally :( #i am too powerful if i'm not being stopped #i will write now. at least one page. i'm writing in comic sans i can do this

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some fit generally, some are specific to this WIP i'm working on, but have these memes

#regarding the first part: hsjdcsh yes absolutely #i can Not allow you to be restrained in the ocean tho #i need these tags or im never gonna finish (<- currently in writer's hell. again.)

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what i really want of fics with hobie is acknowledging that those bracelets tend to slip if they're not directly at the wrist and also spiked bracelets make hugs a bit awkward to coordinate. also those spikes may very well be a serious weapon. also if you got people allowed in your personal space they WILL discover how good it feels to press your palms against those spikes, like with those spikey stress relief balls or something. trust me. also it would be so funny to write

#a biscuit's rambles #hobie brown #yea i will write this in more ig

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Consuming Media™️ with the Gang

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Spider-Punk

The one and only hero of-- Wait. *tsk tsk* No labels.

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tfw the man you love against your better judgement gets a kid to help him with his photojournalism and dies trying to expose the criminal he's been blackmailing and then the kid puts on a uniform that's way too big for him and calls himself spider-man after ben urich and you know he's going to get killed trying to serve justice to all the criminals in new york. and now there's a sixteen year old kid bleeding out on felicia's doorstep and again despite her better judgement, she cares. how much of that is a misplaced sense of responsibility for her dead lover, and how much of that is the deep feeling of injustice over how this child is the one fighting, and how felicia knows that she could never turn him away. what then </3

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my friend keeps posting their periodical spectacular culinary failures on twitter because they’re such a bad cook it’s actually comical but i think this one is the all-timer

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2009 comic run noir

Thinking about this little baby & height symbolism in the 2009 comics

He's so much visibly smaller than practically any other main character in the comics! It varies depending on perspective, but in a couple scenes he's entire heads shorter than some characters. Even after the bite, he's still smaller.

In most shots he's shown to be about the same height as his Aunt May. Which is ridiculous when you think about it- he's presumably still growing, based on the fact that he's underage, and still only reaches the height of an older woman who probably didn't get nowhere near the healthy amount of nutrients as a teen.

But when I reread the comics, I realised he's constantly being loomed over by people who have more "power" than him. He's on equal footing with Aunt May, so they're the same height. When Urich is trying to relate to him, he kneels so they're at the same eye level. When they witness horrific things together, they're the "same" height. They both have no power in the situation.

The only time Peter is shown taller than people is when he's acting young, confident or angry. It's the same with Aunt May- she's only "taller" when she's literally on a soapbox or yelling at Peter.

That is, aside from when Peter is shown taller than people because they're dead.

This brings me to my final point (or thought, I don't know):

While Peter Parker only looms over people when he's young, confident, angry, or they're dead,

Spider-Man is taller than basically everyone.

This entire image showcases it pretty well.

The only time Peter had any power, consistently, is when he's Spider-Man.

This is shown at one of the very last frames of the first comic run, where he, as Spider-Man, is above- taller than- the entire city.

(What's the point of this entire thing? Idk I just wanted to ramble about height symbolism in Spider-Noir)

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there are too many people. i cannot write all of them i keep forgetting half of them i've never written a third of them before i am dying ugh why do there have to be So Many

#also too many unconnected parts of conversation i desperately want to include #a biscuit's rambles #when multiverses meet au #wmm #i mean im gonna write it #ill manage #but im also gonna complain about it #TOO! MANY! CHARACTERS! #so far we have nine all at once :// im tryna not to neglect anyone lol #theres gonna be 10 soon and then even two to three more urgh #unless i split them up.... im gonna split them up later on