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I'm catching up on eom

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Note on ch. 3 of 86

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Id kill for a full labeled map of Avantris prints

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Tag yourself, I’m Mikey

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y’all: peter was able to stop bucky’s fist in civil war bc bucky heard peter’s voice, realized he was a child, then weakened his punch bc he was so worried about hurting a child uwu

me, eating pistachios: y’all know peter can canonically lift up to 75 tons, right. y’all know bucky’s fist is easy as hell for peter to block, right. y’all know bucky didn’t know shit about peter being a child and was just shocked that someone was able to so easily block his punch, right. y’all know that, right.

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I really think everyone needs to truly internalize this:

Fictional characters are objects.

They are not people. You cannot "objectify" them, because they have no personhood to be deprived of. They have no humanity to be erased. You cannot "disrespect" them, because they are not real.

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Got hit with more thoughts about spawns and Cazador...

...and naturally, I'm posting it here because I'm no longer a functional human being.

I remember the lingering question that Astarion seemingly being only one of the spawns using seduction to lure victims in. At least, there is no menition of other’s doing so, except for Petras. So, why is that? Why Astarion was the only one?

In my opinion, it stems from Cazador’s very particular choice of victims. In all these years, he acquired only seven spawns (except for the thousands of Turned nobody knew about), and almost all of them used to be accomplished or talented people:

- Violet, a beloved and talented songbird from Reithwin;

- Dalyria, a respected doctor working in the Parliament;

- Leon, a sorcerer (a spell modifiaction he came up with shows how good he is at his magic);

- Astarion, a magistrate with a promising future, centuries of life ahead of him, and a beauty worthy of a thousand paintings.

Following this tendency, we can assume that Yousen, Aurelia, and Petras also were similarly talented or good at something enough to attract Cazador’s attention and make him envious.

The bastard thinks very highly of himself. He calls himself the most intelligent and beautiful creature out there, and spends hours writing letters to other vampire lords, trying to convince them of his grandeur. He attempts to inflate his ego, making it finally big enough to overcompensate for his miserable inferiority complex, in any way he can: so, whenever he spies someone with a talent or potential, someone who might be better than him at anything, he snuffs them away, adds to his collection, and then breaks them over and over, making them believe that they’re nothing. He is the father who gives them purpose; they are his spawn who owe him everything; and everything they have belongs to him.

And maybe, aside from tortures, and humiliation, and gaslighting, and forcing “siblings” to hurt each other, he came up with one more way to break them - when he forces them to hunt, he forces them to use everything that made them special, loved, respected, and admired for the most gruesome things.

- Violet, previously a talented singer whose voice was fondly remembered up to Reithwin’s fall, using her voice to catch attention; using her image and charm to lure people into the palace to their death.

- Dalyria, picking her victims around apothecaries and temples that responded to the people's suffering by closing doors in their faces, seeking out refugees and ailing citizens low on coin, offering to help them, kindly inviting them to “her place” (if we take Karlach’s family as an example, finding a healer who would agree to help a less-than-wealthy family is quite a problem at the city).

- Leon, using his talents and magic to nab people from the street, to drag them to Cazador without a fight while knowing that he will never be able to use the same power against the bastard himself.

- Astarion, a previously sophisticated, proud, and beautiful elf, stripped of his dignity and pride, using his body to either seduce poor young and inexperienced souls (fulfilling their image of an ethereal and caring lover) or let himself be pawed at by drunkards and brothel-goers.

I don’t think any of Cazador’s choices were accidental. I don't think he had to roam the streets at night, looking for potential candidates; that he ever Turned any of them by chance.  

They all caught his eye at some point, became an object of his obsession, and then fell victim to a scenario where they were confronted by a promise of salvation - and each time, it made Cazador giddy with excitement and a sense of self-importance. He took them away from the world because he could. He will twist and shape them to his whim because he can. And then, he will take everything from them, reducing them to miserable wretches because this is who they should be, compared to him.

They will belong under his heel, scared, helpless, and obedient, worshipping him and fearing him. Forever.

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This is the month Andy gives into all the ships of his characters

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The Crooked Moon is a 400+ page tome that brings Folk Horror to 5E, drawing inspiration from eerie Folklore, legendary Horror Films, classic Halloween Aesthetics, and more. Evoke true terror with malevolent Monsters and Mechanics in a Campaign Setting of eternal night, or equip yourself with numerous Player Options to brave the dark wood. 

Weave Your Own Dreadful Folktale

The perfect supplement to craft an Unforgettable Folk Horror Adventure with your friends.

Sinister Campaign Setting

Explore Druskenvald, a mysterious realm trapped between dusk and the witching hour. Investigate the isolated valley of Wickermoor Hollow, where Superstitious Locals adhere to “The Old Ways” and Long-Forgotten Horrors stalk the deepest woods.

Terrifying Adventure for Levels 1-13 

Send shivers down your friends' spines with this chilling Folk Horror Story, where a party of Wayward Souls must journey through the shroud aboard the Ghostlight Express to uncover the dark machinations of the Crooked Man.

All-New "Fateweaving" System

Enthrall your friends with brand-new tools to Intertwine Player Character Backstories and Motivations into the main narrative. With this easy-to-use system, players will be More Invested Than Ever Before knowing that the fate of their characters is personally connected to the major plot of the adventure from the very start.

Brave the Dark Wood

All the player options you need to become the protagonist of your own Damnable Tale. 

Dreadful Subclasses

Become an omen of doom with the Grim Harbinger Ranger, harness the power of witchcraft with the Horned King Patron Warlock, roll the bones and twist fate with the Sinner Rogue, or dive into horror with any of the other 13+ Subclass Options for all core 5E classes. 

Halloween-Themed Races

Rise again as one of 13+ Lineages of Druskenvald, mortal souls reborn in the land of endless night and changed forever. Choose between the pumpkin-headed Harvestborn, the rat-like Plagueborn, the murk-dwelling Deepborn, or any of the other Race Options inspired by Halloween pop culture.

Upgrading Artifact Items

Equip yourself with 25+ Artifacts of Anathema, powerful Magical Items ranging from weapons to armor to trinkets and more that Level Up With You and unlock Powerful New Abilities, perfect for every tier of play.

Beware the Witching Hour

Unique features sure to add Thrills and Chills to any game, no matter your setting.

Folklore-Inspired Monsters

Face off against creatures of the night with 66+ Folkloric Monsters that require more than basic combat to defeat. Investigate local Myths and Legends, discover Secrets and Superstitions, and Perform Rituals in thrilling encounters beyond just rolling for initiative. 

Legendary Boss Battles

Charge into brutal battles with 11+ Epic Boss Fights, each with Multiple Phases and unique mechanics for Minions, Terrain, and More that will test your party’s courage, tactics, and will to survive.  

Chaotic Curses

Torment your friends by cursing them with 120+ Twists of Dread, random effects that range from Horrifying to Hilarious, keeping any tabletop session Totally Unpredictable and endlessly entertaining.

Kickstarter campaign ends: Thu, November 2 2023 4:00 AM UTC +00:00

Website: [Legends of Avantris] [facebook] [twitter] [instagram]

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No context

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My favorite Avantris campaign is the one ran by Nikki where the party is taken to another land and has to kill a coven of hags

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clicker training but its just a single piano key that makes you sad

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AITA for not telling my son we know he’s queer. I 40s(m) and my wife 40s(f) have a 17 (m) son lately he’s been sneaking around and keeps almost starting to come out and then backing out or getting interrupted. It’s exhausting and I think we should just tell him we know but I’m not sure that’s the best course of action? I worry it might come off wrong.the worst part is his grades have been slipping and if he’s sneaking around with a boyfriend that might be what was causing it? I don’t care if he has a boyfriend I just want him to succeed.

EDIT: nvm he’s Spider-Man

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Neil Gaiman started a ‘Let’s Play’ channel titled “Neil Gaiming” in order to market a new book. 

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characters who are absolutely convinced down to their bones that they are unlovable being subjected to the mortifying ideal of being wholly and unconditionally loved. that’s the good stuff. never get tired of it.

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I love Skrimm and Daisy's dynamic. Mute girl vs guy who won't shut the fuck up.

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Crying over Skrimm Stabbaskotch. If you even care.