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I think a good amount of my exhaustion about people being bad at thinking about religion is that most people see different traditions as big, singular things instead of the complex systems of beliefs they are

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you ever just sit and realise u can’t remember 80% of your childhood? like … what happened? who am i ..?

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EXCUSE ME THERE IS A PLANT THAT CAN MIMIC FAKE PLANTS?????

IT'S CALLED A BOQUILA TRIOFOLIOLATA AND IT'S FUCKING WITH MY BRAIN

IT APPARENTLY CAN MIMIC OTHER PLANTS AND AT FIRST I WAS LIKE "oh cool man it must take it's genetic code and copy it or feel the roots or something like that!! :3"

AND THEN I READ AN ARTICLE ON IT AND THESE FUCKING PARAGRAPHS HIT ME LIKE A BUS

LIKE READ THIS SHIT

WHAT THE FUCK MOTHER NATURE

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I had a very interesting discussion about theater and film the other day. My parents and I were talking about Little Shop of Horrors and, specifically, about the ending of the musical versus the ending of the (1986) movie. In the musical, the story ends with the main characters getting eaten by the plant and everybody dying. The movie was originally going to end the same way, but audience reactions were so negative that they were forced to shoot a happy ending where the plant is destroyed and the main characters survive. Frank Oz, who directed the movie, later said something I think is very interesting:

I learned a lesson: in a stage play, you kill the leads and they come out for a bow — in a movie, they don’t come out for a bow, they’re dead. They’re gone and so the audience lost the people they loved, as opposed to the theater audience where they knew the two people who played Audrey and Seymour were still alive. They loved those people, and they hated us for it.

That’s a real gem of a thought in and of itself, a really interesting consequence of the fact that theater is alive in a way that film isn’t. A stage play always ends with a tangible reminder that it’s all just fiction, just a performance, and this serves to gently return the audience to the real world. Movies don’t have that, which really changes the way you’re affected by the story’s conclusion. Neat!

But here’s what’s really cool: I asked my dad (who is a dramaturge) what he had to say about it, and he pointed out that there is actually an equivalent technique in film: the blooper reel. When a movie plays bloopers while the credits are rolling, it’s accomplishing the exact same thing: it reminds you that the characters are actually just played by actors, who are alive and well and probably having a lot of fun, even if the fictional characters suffered. How cool is that!?

Now I’m really fascinated by the possibility of using bloopers to lessen the impact of a tragic ending in a tragicomedy…

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The default length of pasta is designed to fit on a supermarket shelf, not to be the best length for cooking/eating.

Feel free to break it to any length you want (don't let the Italians know I said this)

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i was cuddling with my boyfriend last night when his shoulder started tensing up (like he was readjusting or gently pushing me off) and when i asked him if he was okay or needed me to move or something he went “no you’re fine, i was just imagining myself pulling a large rope. i didn’t even realize my shoulder was doing that lmao” then refused to elaborate and i have never been as attracted to him as i was in that moment.

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Claude Monet House and Gardens

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woops

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Strong Bad got invited to be on Hot Ones but declined because of his dearly held belief that ones should be cold