taylor swift’s work wouldn’t be nearly as insufferable if she wasn’t constantly trying to present herself as some sort of tortured underdog. like, okay, she has endured hardships, and a lot of people, especially white men, are shitty towards her for purely misogynistic reasons. that sucks, i agree. but she’s never been an underdog before. she was born to well-off parents who did everything they could to start her music career when she was barely even a teenager, an opportunity that lots of people would kill for. now she’s extremely famous and wealthy, and everything she releases is destined to sell millions of copies and receive glowing reviews in nearly every publication. she is not an underdog, and i have trouble believing she’s particularly “tortured.” she’s not even an alcoholic, despite claiming to be one on the opening track of her new album! people like to defend her lyrics by saying she’s just playing a character, which i don’t believe for a second, but even if she was, i don’t think i want to listen to someone like swift play the character of a tortured underdog, not when there’s so many musicians out there who are actually tortured underdogs. it comes across as hollow. “you wouldn’t last an hour in the asylum where they raised me,” sung by one of the wealthiest, most famous, most critically acclaimed musicians in the world, who was born to loving parents who personally helped her start her career, who once said she’d never been to therapy because she “just feels very sane.” if you’re going to play a character, maybe pick one who we’re not supposed to pity.
I know "60s housewives who invented slash fanfiction" has taken on a life of its own as a phrase, but Kirk/Spock didn't really exist until the 70s and THOSE WOMEN HAD JOBS. They were teachers and librarians and bookkeepers and scientists and they damn well spent their own money going to conventions, printing zines, buying fanart and making fandom happen. Put some respect on their names.
Suzanne collins wrote a trilogy where a main media propaganda strategy was to market a horrific act of violence as a love story to distract ppl and then it got adapted into a box office breaking movie and ppl made it all about the love triangle. so then since they didn’t get the point the first time Suzanne collins wrote a prequel story about the main dictator and she makes it so that you as a reader want it to be a genuine love story so badly even tho it’s so very clearly not and instead feels extremely unsettling to make her point even more meta which then gets adapted into another box office breaking film and now ppl are making romantic snowbaird tik toks. do u think she’s gonna write another book that’s somehow even more blatant or just give up and start executing ppl? hard to say but I wouldn’t blame her for the second one