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LCDP as tumblr posts 1/??

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Almost.

For my fellow La Casa de Papel fans on tumblr, I wanted to share my favourite ever work of my own

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Money Heist P1E1 (2017)

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The only miserable one in this whole story… is you. With your speech about love, and “Boom, boom, ciao.” Wow… That’s because you’re too much of a coward to admit the truth. You don’t love anyone? Of course you don’t, darling. You don’t have the balls for it. To love you need courage. See? This is bravery. I feel it and I say it. And that you don’t know how to do. How long has it been? Ten years? You were in love with Berlin for ten years? And you never dared to tell him. Of course… you worshipped him and followed him like a dog. And that’s it. Now what? Nothing is possible now. He’s dead. And you’re empty. The only thing you can do is hide behind that damn speech. Boom, boom, ciao. Because you know. You’ve been left in the lurch forever, friend.

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La Casa De Papel: Palermo

el amante

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la casal de papel: berlin’s wedding (but make it right)

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I miss this smug bastard so much <3

For my instagram, shop and commissions info check the pinned post on my blog ;)

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The whole truth (would break your heart) by @hefellfordean (read on ao3)​

“So, four ex-wives?” he asks, because already he can’t bear to be rejected by this man.

One corner of Andrés’ mouth rises faster than the other as it pulls into a smile. “Clever,” he says. “I do really like women. Almost exclusively. But you…”

“Me?” Martín breathes and Andrés closes the remaining distance between them, mouth pressing hard against Martín’s.

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Some portraits of money heist girls that I did. (Two of them at least)

If you guys like my paintings, I'm open for portrait commissions! Starting from $20

Shares are very much appreciated!!

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“To represent eros as defined, defied, obstructed, hungry, organised around a radiant absence — to represent eros as lack. Here space has power. L'amour d'loonh (‘love from distance’) is what canny troubadours called courtly love […] Pursuit and flight are a topos of Greek erotic poetry and iconography from the archaic period onwards. It is noteworthy that, within such conventional scenes, the moment of ideal desire on which vase-painters as well as poets are inclined to focus is not the moment of the coup de foudre, not the moment when the beloved’s arms open to the lover, not the moment when two unite in happiness, what is pictured is the moment when the beloved turns and runs.”

— Anne Carson, Eros the bittersweet: An essay (via feuillesmortes)

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martín didn't need to be this dramatic in the football game scene but he was and i love him for it

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From this interview

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te quiero, martín

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