Just uh...thinking about Terzo's hands in the baptism scene...
They look so big, expecially around her waist...
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GHOST / PAPA EMERITUS IV — Alternative Movie Music Poster
Original image of Papa Emeritus IV by elizzziebeth
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-The Shepherd of the damned souls-
For this illustration the coincidence is quite funny.
It's a concept idea I had last year, as usual I did a quick sketch and left it for later.
Then at the beginning of September I got the urge to finally draw it, (Also to provide a little entertainment for those who don't follow my project on Ko-fi), so I improved the skull pile idea by putting decaying skeletons in motion instead. And the date of my wips on instagram proves it, it was the day before the LA show where there was this coregraphy with skeletons lifting Copia off the ground.
Like I said, perfect timing. Pure coincidence. Hehe.
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LA Ritual Fast Facts
After Watcher In The Sky, they moved to a second smaller stage to change my life play a hauntingly beautiful rendition of If You Have Ghost with two cellos, a grand piano, and amazing female vocals.
Ghoulettes we’re dressed in heavily ruffled, black mourning gowns with thick, black veils covering their faces (no masks)
Copia gave an incredible little speech about depression, and how sadness can weigh so heavily on you, and even in those moments of brevity when something really good happens, once it’s over, the sadness comes back in. He acknowledged the roller coaster of ups and downs that life can be, but here in this moment, we all have each other, and that’s everything.
After the vocalist finished, Copia got down on one knee in front of her and lovingly kissed her hand.
Almost immediately after, they started playing Dominion and a woman came out with a BLUE AND BLACK SATIN ROBE for Copia, who tied it up, put the hood up, and put on GOLD BOXING GLOVES
The audience cleared a space for him and he ran through like he was ready to fucking FIGHT. Great metaphor for finally taking on the difficulty of playing……..
TWENTIES. LIVE.
Skeleton. Dancers.
Dancing behind, with, and around Copia.
He was like a satanic pop(e) star, getting in formation and moving with them
Also he was back to just his regular black jacket and cravat for this. He didn’t stay in the robe
He did the little “Los Angeles! California! United States of Americaaaa!” That they did on Ceremony and Devotion
At the beginning of the encore, when Papa does his little “after show jacket” bit, where he sometimes slips in a location-specific place he was ready to go to, he said he “had booked a table at Jumbo’s,” as in Jumbo’s Clown Room — an infamous, wild, and weird as hell strip joint in LA. (Honestly, if Papa was ever going to hit up a strip joint though, this would be it)
During Dance Macabre the skeleton dancers came BACK. And they had black pants on with a silver stripe down the leg and little white collars with bow ties. They were more in the background this time doing their own dance UNTIL
Papa was singing at one side of the stage and they surrounded him. He fell back with an insane amount of grace and they LIFTED HIM UP AND CARRIED HIM. His arms were outstretched and his head was tilted back and he looked like an ethereal prince, so at peace and being lifted up with such style and grace
During Square Hammer, Papa was getting everyone to sing the chorus as loud as they could. Before the last chorus, he quickly ran back stage as he usually does, and came running out yelling “One more time, up the poop chute!” at full volume
He hit a glorious power note to finish off the song.
The No phones rule honestly made everything so much better
Everything is right with the world and I never want to forget anything about last night for a single second.
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I finally drew Copia in that all-red outfit Pedro Pascal wore. It was made for him. 🖤❤️
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