“One of the most solid pieces of writing advice I know is in fact intended for dancers – you can find it in the choreographer Martha Graham’s biography. But it relaxes me in front of my laptop the same way I imagine it might induce a young dancer to breathe deeply and wiggle their fingers and toes. Graham writes: ‘There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.’”
— Zadie Smith (via campaignagainstcliche)
26K notes
·
View notes
Zevengebergte - Jeroen Henneman, 1991
5K notes
·
View notes
Harald Sohlberg, Night, 1904
1K notes
·
View notes
shelley duvall in annie hall, 1977
5K notes
·
View notes
Weapons for Ara Subversor
Mark Jarrell
markjarrellart.com
206 notes
·
View notes
Evening cape by Emile Pingat, 1890s.
22K notes
·
View notes