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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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THAN husSEIN CLARK
THAN HUSSEIN CLARK
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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greetings from berlin
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jerrymagoose · 11 years
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october OWS special click here
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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NVXT LVVVL SPLVVN
The slutwave female rap game Bitches referencing the internet and pop culture trends and Grimes Brooke Candy, Kreayshawn, Three Loco, T1MES Marginal content produced at a high output rate TRVP MUSIC REPLACED DUBSTEP? R u trappin on Tumblr? This music is made on a laptop, dragged and dropped into the internet Is it easier than evr 2 be a slutwave/content-farm-wave cvltvral prodvcer [via Riff Raff/Lil B]? What does TRVP mean? What is TRAP MUSIC? Can TRVP reanimate the social body? WTF = TRVP? TRVPPN? Are 'V's the new ▲? IS TRAP = TRVP? Would you be more willing 2 participate in an orgy if FEEBZ was playing on the laptop or computer? Is TRVP the new Occupy? Can TRVP be occupied? Would you G.A.F. if there was a TRVP STRVKE? How do u TRVP on TUMBLR? Is Tumblr the new Myspace? Do u vibe 2 FEEBZZ?
Is TRVP music 'the end of indie/EDM' trend? Does 'shitty rap' ruin everything?  
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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jerrymagoose · 11 years
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Evan Calder Williams
LITTORAL
Thu, November 29, 2012 - 7:00pm
Artists Space: Books & Talks, 55 Walker St. NYC
Evan Calder Williams' text-based performance "In the Wan Light of Napalm and Moon" presents new research into the intersection of two old and ever-renewing histories: horror and capital. In collaboration withRobert Aiki Aubrey Lowe (AKA Lichens) and an armoire, Williams takes flight through the unfortunate occasion of the Restoration Hardware catalog (a yuppie interior design fantasy of pre-ruined things on which to sit, sleep, or eat), the work sketches the secret hell of production and circulation through a set of tools drawn from the history of the horror genre. Borrowing from the Godwinian gothic of Charles Brockden Brown and the object dread of Edogawa Rampo, from British werewolf films and 1940's radio dramas, this performance, in a mode simultaneously sinister and goofy, maudlin and furious, tracks out a line of thought that insists the only things worse than haunted houses are the actual houses in which we live.
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jerrymagoose · 11 years
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