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Babe Paley photographed by Norman Parkinson for American Vogue, December 1, 1952.

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David Bailey - Lancôme Ad (Vogue Italia 1978)

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Louis Faurer 1972

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Diane de Montbrison by Cecil Beaton 1972

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Sunny Harnett by Richard Avedon 1954

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Suzy Parker in Morocco, April 1953. Suzy Parker au Maroc, avril1953. Photo Georges Dambier

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The funny thing about contemporary discourse regarding whether trying to adapt roguelike video games to the tabletop represents the videogamification of tabletop RPGs is that tabletop RPGs randomly generating encounters and dungeon layouts using stacks of big stupid lookup tables is actually older than Rogue (i.e., the game the roguelike genre is named after). Heck, depending on how you define your terms, the hex-crawl – a style of tabletop roleplaying revolving around the logistics of overland travel across a hex-gridded map where the contents of each hex are randomly generated – may well be the earliest form of tabletop RPG to fully distinguish itself from historical wargaming. Like, this style of play is not novel to the medium; it's the literal, historical foundation of the hobby.

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The funny thing about contemporary discourse regarding whether trying to adapt roguelike video games to the tabletop represents the videogamification of tabletop RPGs is that tabletop RPGs randomly generating encounters and dungeon layouts using stacks of big stupid lookup tables is actually older than Rogue (i.e., the game the roguelike genre is named after). Heck, depending on how you define your terms, the hex-crawl – a style of tabletop roleplaying revolving around the logistics of overland travel across a hex-gridded map where the contents of each hex are randomly generated – may well be the earliest form of tabletop RPG to fully distinguish itself from historical wargaming. Like, this style of play is not novel to the medium; it's the literal, historical foundation of the hobby.

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🖌 Eduard Niczky (1850~1919)

Spring,1893. ~

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Photo by Erwin Blumenfeld 1949

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Maynard Owen Williams. Street scene, Jerusalem, Palestine. 1930s

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Joan Crawford photographed by George Hurrell for No More Ladies, 1935.

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"Ligne Naturelle"

"Erin"

Yves Saint Laurent for Christian Dior Haute Couture Spring/Summer 1959 Collection. Danielle Loder wears "Erin" an emerald silk coat and cocktail dress.

Yves Saint Laurent pour Christian Dior Collection Haute Couture Printemps/Été 1959. Danielle Loder porte "Erin" un manteau et une robe de cocktail en soie émeraude. Photo Philippe Pottier

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Joan Collins

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US Vogue April 15, 1964

Susy Parker on a beach in Nassau, Bahamas wearing an ankle-length shirt: Black cambric stripe with full “Tom Jones” sleeves; a shirttail hem, slit all the way to the knee, showing lots of tan and the sexiest twist heel sandals. By Malbe. Kodel fabric and Everfast cotton, with easy-care Everglaze. Sandals at Saks Fifth Avenue. Bow in your hair, Emme. Coiffure Pierre, Maison Revlon.

Susy Parker sur une plage de Nassau aux Bahamas porte une chemise jusqu'aux chevilles : Strie de batiste noire avec manches pleines "Tom Jones" ; un ourlet en forme de pan de chemise, fendu jusqu'au genou, montrant beaucoup de bronzage et les sandales à talons torsadés les plus sexy. Par Malbe. Tissu Kodel et coton Everfast, avec entretien facile Everglaze. Sandales à Saks Fifth Avenue. Nœud dans les cheveux, Emme. Coiffure Pierre, Maison Revlon.

Photo Horst P. Horst vogue archive

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US Vogue April 15, 1964

Brigitte Bauer in an evening dress, by Adele Simpson in Stern & Stern silk chiffon. Earrings by Van Cleef & Arpels. Makeup by Estée Lauder.

Brigitte Bauer dans une robe du soir, par Adele Simpson en mousseline de soie Stern & Stern. Boucles d'oreilles de Van Cleef & Arpels. Maquillage par Estée Lauder.

Photo Horst P. Horst vogue archive

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US Vogue April 15, 1964

Givenchy Haute Couture Collection Spring/Summer 1964. Baroness Fiona von Thyssen wears a shiny chrome yellow wool suit. Slightly shaped at the hip bone, with a clean little collar hedge and small rounded shoulders. pockets and softness below the waist. With it, the new hat sensation, the printed silk turban from Givenchy. India blue and yellow.

Givenchy Collection Haute Couture Printemps/Été 1964. La Baronne Fiona von Thyssen porte un tailleur en laine jaune chrome brillant. Légèrement formé au niveau de l'os de la hanche, avec une petite haie de col propre et de petites épaules arrondies. poches et douceur sous la taille. Avec lui, la nouvelle sensation du chapeau, le turban en soie imprimée de Givenchy. Inde bleu et jaune.

Photo Bert Stern vogue archive