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Some scenes and places (Prague edition).

(x) (x) (x) (x) (x) (x)

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I go to sleep for 8 hours and come back to like 30 thousand new trailers and teasers and Lestat kissing Louis and Armand moaning skankily with his tits out and WHAT ABOUT ME AND YOU and YOU LEFT ME and Louis falling out of a burlap sack like a potato and Armand biting Young Old Maniel and Santiago going all "Ya filthy animals", man if you miss a day, you miss a lot around here.

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[Hanfu · 漢服]Chinese Late Warring States period(475–221 BC) Traditional Clothing Hanfu Based On Based On Chu (state)Historical Artifacts

【Historical Artifact Reference】:

Late Warring States period(475–221 BC)：Two conjoined jade dancers unearthed from Jincun, Luoyang,collected by Freer Museum of Art

A similar jade dancer was also unearthed from the tomb of Haihunhou, the richest royal family member in the Han Dynasty, and was one of his treasures.

Warring States period, Eastern Zhou dynasty, 475-221 BCE,jade dancer by Freer Gallery of Art Collection.

Warring States period(475–221 BC)·Silver Head Figurine Bronze Lamp.Unearthed from the Wangcuo Tomb in Zhongshan state during the Warring States Period and collected by the Hebei Provincial Institute of Cultural Relics and Archaeology

The figurine of a man dressed as a woman holds a snake in his hand, and 3 snakes correspond to 3 lamps.

Sword of Goujian/越王勾践剑:

The Sword of Goujian (Chinese: 越王勾践剑; pinyin: Yuèwáng Gōujiàn jiàn) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.

In 1965, the sword was found in an ancient tomb in Hubei. It is currently in the possession of the Hubei Provincial Museum.

【Histoty Note】Late Warring States Period·Noble Women Fashion

The attire of noblewomen in the late Warring States period, as reconstructed in this collection, is based on a comprehensive examination of garments and textiles unearthed from the Chu Tomb No. 1 at Mashan, Jiangling, as well as other artifacts from the same period.

During the late Warring States period, both noble men and women favored wearing robes that were connected from top to bottom. These garments were predominantly made of gauze, silk, brocade, and satin, with silk edging. From the Chu Tomb No. 1 at Mashan, there were discoveries of robes entirely embroidered or embroidered fragments. The embroidery technique employed was known as "locked stitches," which gave the patterns a three-dimensional, lively appearance, rich in decoration.

The two reconstructed robes in this collection consist of an inner robe made of plain silk with striped silk edging, and an outer robe made of brocade, embroidered with phoenixes and floral patterns, with embroidered satin edging. Following the structural design of clothing found in the Mashan Chu Tomb, rectangular fabric pieces were inserted at the junction of the main body, sleeves, and lower garment of the robe. Additionally, an overlap was made at the front of the main body and the lower garment to enlarge the internal space for better wrapping around the body curves. Furthermore, the waistline of the lower garment was not horizontal but inclined upward at an angle, allowing the lower hem to naturally overlap, forming an "enter" shape, facilitating movement.

The layered edging of the collars and sleeves of both inner and outer robes creates a sense of rhythm, with the two types of brocade patterns complementing each other, resulting in a harmonious effect. Apart from the robes, a wide brocade belt was worn around the waist, fastened with jade buckle hooks, and adorned with jade pendants, presenting an elegant and noble figure.

The reconstructed hairstyle draws inspiration from artifacts such as the jade dancer from the late Warring States period unearthed at the Marquis of Haihun Tomb in Nanchang, and the jade dancer from the Warring States period unearthed at Jin Village in Luoyang. It features a fan-shaped voluminous hairdo on the crown, with curled hair falling on both sides, and braided hair gathered at the back. The Book of Songs, "Xiao Ya: Duren Shi," vividly depicts the flowing curls of noblewomen during that period. Their images of curly-haired figures in long robes were also depicted in jade artifacts and other relics, becoming emblematic artistic representations.

The maturity and richness of clothing art in the late Warring States period were unparalleled in contemporary world civilizations, far beyond imagination. It witnessed the transition of Chinese civilization into the Middle Ages. The creatively styled garments and intricate fabric patterns from the Warring States period carry the unique essence, mysterious imagination, and ultimate romanticism of that era, serving as an endless source of artistic inspiration.

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Recreation Work by : @裝束复原

Weibo 🔗：https://weibo.com/1656910125/O6cUMBa1j

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ESP: Japanese Illuminated Angel Guitar (1993)

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THE WITCH

2015, dir. Robert Eggers

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This is where I post from

#True detective

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vampirism poses the question "what if there was a fundamental, horrible, unending well of want in your soul that, if truly satisfied, would lead to great pain for all those you hold closest and, in turn, their absolute and total revilement of you?" and naturally as a person with no problems I don't relate to this in any way at all.

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The Lost Boys (1987)

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I’m not speaking for or about any one content creator or individual when I say I wholeheartedly feel like AMC could have and should have done more to ensure POC were included more equitably in the gear up to season 2 of Interview with the Vampire. I’ve unfortunately seen some indications that POC did not receive screeners and/or tickets to the premiere which, given that the show promotes diversity in its cast and storytelling, as well as its strong diverse following of which I include myself, is extremely disappointing. I hope more people continue to speak out about this to bring this to the network’s attention. They must commit to doing better by ensuring that this does not happen at the next premiere, or the one after that or after that, even if it happens to not be IWTV.

#interview with the vampire #amc immortal universe #amc iwtv

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@allureriah

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We’d all be in the audience like this #1 fan

Intermission is almost over. Take your seats and prepare for Act II. #InterviewWithTheVampire

#Iwtv

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WAIT A SECOND....

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Oliver Messel (1904-1978) - Two men dressed as Neptune and a triton,  charcoal, crayon and pastel on buff paper , each 97,2 x 72, 4 cm.

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Some parallels with Goya’s The Sleep of Reason Produces Monsters and Yinka Shonibare’s contemporary The Sleep of Reason Produces Monsters (Asia). You may recall some of this seasons taglines are Memory is a Monster and Family is a Monster.

BTW Asia in the title of Yinka Shonibare’s work reflects the use of Indonesian Batik prints (spread by British & Dutch colonizers to West Africa) in the man’s 18th century costume.

#Iwtv #interview with the vampire #iwtv analysis

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Edward Gorey - Dracula "Grand Curtain"

stage set design for 'Dracula, the Musical', Martin Beck Theatre, 1977

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CARMILLA + adaptions You are mine, you shall be mine, you and I are one forever. @lgbtqcreators — creator bingo / adaptations