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Official music video for "Home" by CHS. https://ift.tt/zUrc8dE - - - - - - - - - - - - - - - - - - - - - CHS의 음악은 언제나 어딘가를 향해있다. 그들의 음악을 들을 때면, 때론 땡볕이 내리쬐는 드넓은 백사장이었다가, 때론 발리의 오래된 뒷골목이 된다. 지금 우리가 존재하는 이곳이 아닌 그 어딘가로 떠나는 여정이, 영화 같은 서사와 함께 펼쳐진다. 여름의 뜨거움과 푸른 바다의 시원함. 긴 겨울과 찰나 같은 봄을 지나, 오랜 기다림 끝에 만나는 눈부신 날들. 껍데기를 모두 벗어던지고 온전히 나를 드러낼 수 있는, 그런 바다. 그들이 연주하는 그 계절의 바다는 마치 오랫동안 꿈꾸고 그리워했던 유토피아인 듯하다. [꿈에 그리던 ‘이상향’을 향해 돌아가는 여정] 그렇게 치열하게 ‘여름’을, ‘바다’를 부르짖던 그들이 불현듯 ‘HOME’을 노래하는 것은 왜일까? 떠나온 이들에게 있어 ‘고향’은 언제나 특별한 감정들을 선사한다. 오랜 시간이 지나도, 그 낯선 도시는 여전히 익숙한 공기와 바람, 그리고 이제는 흐릿해진 기억들로 가득하다. 반겨주는 이 없는 그곳이 현실을 뒤로한 채 언젠가 돌아가고픈. 한 번도 만난 적 없는 ‘이상향’의 기억으로 존재하는 것이다. 그런 의미에서 CHS에게 ‘HOME’은 곧 ‘여름’, 그리고 ‘바다’이다. 그들이 음악과 함게 향하던 그 ‘유토피아’가 바로 우리가 돌아가고픈 ‘고향’인 것이다. 그곳은 한 번도 가본적 없지만 우리 모두의 기억 속에 존재하고, 그곳엔 한 번도 만나지 못했던 그 누군가가 우리를 기다리고 있다. 그렇게 그들은 지나간 ‘여름’에 따뜻한 작별의 인사를 건네고 다시 만날 ‘바다’에 즐거운 재회의 인사를 전한다. “Summer, we go Home” - - - - - - - - - - - - - - - - - - - CHS's music always goes somewhere. When we listen to their music, Sometimes it is a wide sandy beach with the scorching sun, but sometimes it becomes an old street in Bali. not where we are now. The journey to somewhere is shown with a cinematic narrative. The heat of summer and the coolness of the blue sea. After a long winter and a fleeting spring, dazzling days meet after a long wait. A sea like that where you can throw off all your shells and fully expose yourself. The sea they play in that season seems to be the utopia they have long dreamed of and longed for. [The Journey Back to the 'Utopia'] Why are they suddenly singing 'HOME', who were chanting 'summer' and 'sea' so fiercely? For those who have left, 'hometown' always presents special emotions. Even after a long time, that strange city It is still full of familiar air and wind, and memories that have now faded. A place where no one welcomes you We want to leave reality behind and go back someday... It exists as a memory of a 'utopia' that has never been met. In that sense, for CHS, 'HOME' is 'the summer' and 'the sea'. The 'utopia' they went to with their music is the 'hometown' we want to return to. We've never been there, but it's there in our memories, There is someone waiting for us that we have never met. So they said a warm goodbye to the past 'summer' Sending greetings from a pleasant reunion to the ‘sea’, where we will meet again. “Summer, we go Home” - - - - - - - - - - - - - - - - - - - - - Costume and Styling by 박현나 Directed and animated by Unlimited Time Only. unlimitedtimeonly.com

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Ivano goes hiking. Director’s cut. Client: Switzerland Tourism Agency: WIRZ Director/Concept: Spencer MacDonald DP: Fabian Kimoto Production Company: Tasty Pictures Producer: Pascal Duschletta 1. AC: Gabriel Koller Gaffer: Tom Brunner Runner: Kenny Loser Transport: Beni Hollenstein Editor: Tim Swaby @ Spindle Voice Recording: Martin Scheuter SFX and Mix: Matteo Di Giulio Colorist: Fabian Kimoto

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Director: SALSA DOP: Sander Vandenbroucke Editor: SALSA / Robin De Praetere Grading: Junior Xis Sound: Gregory Caron Online: Augusto Medeiros Executive Producers: Albert Soler & Claudia Mayer Producer: Sonia Figuera Director's Producer: Stefania Odero Agency: &Rosas ECD:Isahac Oliver CD: Maria Cerdán CW: Gala Basora AD: Virginia Nicolau, Oriol Castellar Producer: Jordi Solé

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In September 2021, artist Suzanne Brennan Firstenberg covered the National Mall in a blanket of white: one flag representing each life lost to COVID in the United States. Her goal was to both show the epic scale of COVID deaths in America, and to simultaneously express that behind each number was a real, living person. "not even for a moment do things stand still" provides an observational glimpse into this exhibit, dropping into intimate moments of people honoring their loved ones, and interrogating the role of mourning and closure during an unfolding tragedy. Director: Jamie Meltzer Producers: Annie Marr, Jamie Meltzer, Suzanne Brennan Firstenberg Winner SXSW 2022 -- Special Jury Recognition for Visual Reflection Featured as a New York Times Op-Doc and as Short of the Week Vimeo Staff Pick

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“Nuestras Manos” by YOUTH & VIRA-LATA for Cerveza Victoria Agency: Ogilvy MX Creatives: Javier Melo & Kevin Murcia Production Co.: Oriental Films Cinematography: Agustin Claramunt Additional Cinematography: Yuri Maranhão VFX Creative Direction: Diogo Gameiro & Juliano Storchi Production Design: Carol Ozzi AD: Rosella Fragoso 2AD: Diego Pineda Executive Production: Michelle Lacoste, Mauri Clavijo, Paola Ortega, Valeria Ascencio, Carolina Moreno Editing: João Machado & Maria Luísa Machado Grading: Fernando Lui at Marla VFX: Dopo Sound: Satelite Audio Animation Quetzalcoatl Concept & Animation: Rodrigo Miguel Numecaniq Animation Chilly Eater Animation Line Producer: Daniel Maia Concept Artist: Gustavo Magalhães Motion: Gabriel Rocha Animation Director: Bruno Brasil Clean up Supervisor: Denise Bargos Animation: Robbs Reis Clean Up: Gabriel Fraga, Ulisses Juca, Filipe Emerson, Willian Lieder Post Production Oriental Post Supervisor: Pedro Aragón Coordinator: Alicia Ortega, Victor Oseguera Production Design Director Production Design: Carol Ozzi Ass. Production Design: Nic Zaira, Letícia Sena Coordination PD: Josefina Sandroni Decoradora: Lauren Leal Utilero: Roberto "Negro" Díaz Cinematography: DOP: Agustin Claramunt AC: Fernando Gutierrez 2 AC: Rodrigo González Gaffer: Ernesto Gil Rodríguez Production Line Production: Arnold Inclan Production Coordination: Karla Esquivel Unit Manager: Jorge Alvarez Alor APOC: Tanya Meraz del Campo AP: Daniel Balanzario, Kenner Sharpe Pallares Runner: Jorge Woolrich Styling Styling: Lele AS: Shardey Collin, Gerardo Roche Make-Up: Israel Escareno Chong AM: César Nava Coordinator Picture cars: Esther Ureña SFX Supervisor: Luis Ambriz Sound Sound: Satelite Audio Direction: Roberto Coelho, Kito Siqueira e Hurso Ambrifi Account: Fernanda Costa, Renata Schincariol e Daniel Chasin. Production: Roberto Coelho, Kito Siqueira, Hurso Ambrifi, Thiago Colli, Mike Vlcek, Charly Coombes e Adilson Koiti. Post-Production Supervisor: Carla Cornea, Vithor Moraes, Ian Sierra, Arthur Dossa, Renan Marques Post-Production Supervisor Assistant: Alexandre Avicena. Production Coord.: Camila Guedes, Val Pacheco, Bruna Isidore e João Piccoli. Food Stylist: Paty Martínez Location Manager: Victor Nava Clean: Gabriel Bolivar "Pacquiao" Safety: Alberto Rodriguez Transportation Transportation: Oscar Garduño Production van: Isaac Navarro Camper: Fernando Gordillo Catering Catering: LR Catering DIT VTR Render: Gerardo Gómez Coord. Video: Ximena Jiménez Gear Grip & Camera: Esperanza Caballero Tramoya & Planta: Esperanza Caballero Walkie Talkies: Martha Ríos Covid Protocol Sanitization: SG Yan Legarreta Casting Casting Director: Juan Álvarez "Gallo" Extras: Marcos Sanroman Table Top Director: Marindia Ass Table Top: Giuliana Panvini DOP: Sabastián Cantillo AC: Alan Kelvin Digital Unity: Nea Serrano DOP: Santiago Azuela AC: Armando Rodrigugez Gaffer: Antonio Betancourt Insurance: AARCO: Guilherme Salido Ambulance: Adan Ávila MKO: Oswaldo Luis Hidalgo, Elias Franco Still: Diego Flores Storyboard: Walfrido Monteiro Treatment Visual Concepts: Fabio Miraglia

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Official Selection: True/False Film Festival Nashville Film Festival Florida Film Festival Philadelphia Film Festival Cucalorus Film Festival NoBudge

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A car-less woman attempts to rent a cool blue car from a car owner. Created by Alan Resnick Starring: Patti Harrison and Jared Larson Producer: James Trevor Additional Writing: Patti Harrison Sound: Destiny Farrant Sound Design & Mix: Brent Busby PA & Car Owner's Wife: Sara Mosier Executive Producer: Dave Hughes created for Adult Swim SMALLS adultswim.com/smalls and now on HBOmax

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Inspired by street skateboarding surroundings, Robin Hepp, a passionate skateboarder, finds lines he uses for his work as an interior architect.  TALENT Robin Hepp CREDITS Director: Kevin Koch Cinematographer: Anian Krone 1st AC: Alexia Mokry Editor: Alex Ardalic Sound Designer: Frederic Hellmann Composer: Philipp Lust Producer: Jacob-Lucas Burckhardt Shot on 16mm B/W Kodak Film.

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Sons of my Country is the story of two young Moroccan boys who decide to leave Marrakech in search of a better life. What are people prepared to do to survive? --- Please take the time to visit https://www.ecpat.se (or https://ecpat.org) to learn how to take action against the child sex trade. Always report suspected child sexual abuse to the ECPAT Hotline. --- Cast: MOHAMED ZIANI BADR SABIR FABIEN BAÏARDI STEFAN LARSSON MATEZ MONIR GARCI Produced by: MATTIAS MONTERO JIMMY WÅHLIN JOHAN LINDSTRÖM Written and Directed by: PHILIPPE TEMPELMAN Cinematography: KATE ARIZMENDI Editing: MIKKEL E.G. NIELSEN Additional Editing: JOHAN WIK Music: HÅKAN ERIKSSON Production Design: SIMONE GRAU RONEY Costume: DENISE ÖSTHOLM SFX Makeup: EVA VON BAHR LOVE LARSSON Color Grade: TOM POOLE Sound Design: JOAKIM KRISTENSEN Online: SWISS French Production: JULIE MATHIEU GARY FARKAS OLIVIER MULLER CLÉMENT LEPOUTRE 1st AD: SERGEJ ISRAEL FRANÇOIS BARGE Directors Assistant: DILUN RIAD EDMON Executive Producer: ANDERS L. PETTERSSON MARIA SCHILLACI Production Company: INDIO FILM

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Little Miss Fate lives in a world driven by fate. When the opportunity arises, she slips into the role of the world leader. Unintentionally she crea- tes a monster, which greedily wants to suck up all the love of the world. Overwhelmed by the rapid development, she loses control. Made by YK Animation Studio https://ift.tt/doLgkj1 https://ift.tt/5XKOjFY FESTIVAL AWARDS High Risk Swiss 2020, Fantoche Best Animation Short Film June 2021, Short Encounters H.R. Giger “NARCISSE” Award for Best Swiss Short Film, Neuchâtel International Fantastic Film Festival Grand Prix 2021, Hallucinations Collectives Special Jury Award 2021, Kinoproba OTHER Special Mention, Internationale Kurzfilmtage Honorable Mention, Link International Film Festival CREDITS Idea & Director: Joder von Rotz Producers: Fela Bellotto & Lukas Pulver Prod. Manager: Sebastian Willener Storyboard: Joder von Rotz, Lorenz Wunderle Storyboard Consulting: YK Animation Team, Ted Sieger Design: Joder von Rotz, Lorenz Wunderle (Monster) Layout: Aira Joana, Lukas Pulver, Joder von Rotz, Lorenz Wunderle Supervision Animation: Fela Bellotto Animation & Coloring: Fela Bellotto, Aira Joana, Martine Ulmer, Lorenz Wunderle, Kerstin Zemp Additional Animation: Lukas Pulver, Joder von Rotz Backgrounds: Remo Scherrer Compositing: Lukas Pulver, Joder von Rotz, Kerstin Zemp Graphic Designer: David Nydegger Foley Artist: Dieter Hebben Voices: Estelle Gattlen, Aira Joana, Andrea Sidoti Music: Philipp Schlotter Sounddesign & Mix: Noisy Neighbours, Etienne Kompis, Thomas Gassmann ISAN: 0000-0004-72E5-0000-P-0000-0000-0 © YK Animation Studio GmbH All rights reserved 2022

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Director & Writer - Samantha Severin Producer - Andrew Nisinson Executive Producers - Andrew Nisinson, Meilin Gray, Samantha Severin Producers - Michaela McMahon-Dunphy, Meilin Gray CAST Niko - Brian Wolfe Eleanor - Barbara Linton Olivia - Annabel Capper Dominic - Jonny Morrison Louisa - Janna Horne Kareem - Moud Sabra Z - Jordan Smith Peter - Chat Chat the Cat Casting - Kelli Caton, Kate Antognini Director of Photography - Taylor Mcintosh Production Designer - Julia Payne Editors - Kyle Moriarty, Miranda Clancy Score - DOLCE, Luke Rathborne Color - Sam Daley Title Design - Ben Tuber 1st Assistant Camera - Richard Martin, Manny Rodriguez 2nd Assistant Camera - Nicole Hansen, Percio Luciano Gaffer - Omar Nasr Key Grip - Aaron Trujillo Best Boy Grip - David Reichman Best Boy Electric - Raphael Hernandez Sound - Tarcisio Longobardi, Steven Lopez Hair & Makeup - Tia Rivers Production Coordinator - Max Pavlichenko Production Assistants - Aubrey Resto, Maria Sofia Hernandez, Alex Nyves Special Thanks to Pamela Love, Kim Dellara, & Andre Krabbe Produced by Pyramyd Studios

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A production by Space Cowboys & Braw Haus Poem: Robert Jamie Mason Director: Patricia Gloum Concept : Sasha Zabelina & Patricia Gloum Dancers: Robert Jamie Mason & Josiah Martinez-Wade DOP: Frank Apollonio Post Producer : Anaïs Ohresser Digital Artist : Jonas Ersland Creative Director: Patricia Gloum Editor: Dean Lenoir Sound design / recordist: Matt Leibowitz Music: TT Neana ‘Stormy Maywether’, Hans & Binxi ‘Breeze’ Colorist: Adam Clarke Graphic Titles: Haotian Dong Scout location: Sasha Zabelina Special thanks to Jonathan Figueroa Patricia Gloum, met Rob three years ago and filmed a pro LGBTQ passion dance project, Do U for U. Fast forward they are doing another art piece together, a docu-poem-experimental short. An interesting mix of genres. Rob a former ballet dancer from Juilliard NYC dance school, narrates a poem inspired by his life as he is having a conversation with Josiah, his adopted son in the LGBTQ ballroom Voguing scene. This is common practice, to adopt each other to survive in NYC being both 19 & 21 years old. This is Rob's way of creating his own family.

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Patricia Gloum, met Rob three years ago and filmed a pro LGBTQ passion dance project, Do U for U. Fast forward they are doing another art piece together, a docu-poem-experimental short. An interesting mix of genres. Rob a former ballet dancer from Juilliard NYC dance school, narrates a poem inspired by his life as he is having a conversation with Josiah, his adopted son in the LGBTQ ballroom Voguing scene. This is common practice, to adopt each other to survive in NYC being both 19 & 21 years old. This is Rob's way of creating his own family. - credits - Actors: Robert Jamie Mason, Josiah Martinez-Wade Director: Patricia Gloum Creative Director: Patricia Gloum Concept : Sasha Zabelina & Patricia Gloum Director of Photography : Frank Apollonio Scout location: Sasha Zabelina Post Producer : Anaïs Ohresser Editor: Dean Lenoir Sound Mixer : Matt Leibowitz Digital Artist : Jonas Ersland Coloring: Adam Clarke Graphic Titles: Haotian Dong Production companies: Braw Haus & Space Cowboys

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Walgreens Defense Force Directed by Alan Resnick Produced by James Trevor Edited by Harrison Fishman SFX by Eris Deo VFX by Cole Kush, Dan Streit and Alan Resnick Music by Mikal Cronin Sound Design by Brent Busby Staring Annie Donley, Robby Ratclif and Alan Resnick

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Please visit https://ift.tt/DIdGKB0 to make a donation to support the film and ongoing impact efforts. This film documents the journey of Barbie Carter (aka: Gangster Granni) as she comes to terms with her identity and navigates the road ahead after living on the streets of Skid Row for the past 10 years. The film illuminates the intimate humanity behind homelessness in an effort to replace judgement with empathy and demystify the homeless and housing crisis experienced across the US. Join us in our effort to support Granni and others in her situation by visiting the website. www.afterskidrow.com Director - Lindsey Hagen DP/Editor - Chris Naum Executive Producer - Dan Riordan, Dana Saint & Lindsey Hagen Head of Production - Aaron Schurman Producer/Photographer - Lauren Todd Story Producer - Amelia Rayno Art Department - Christian Carvallo Sound - Darren Bell & Tracy Townsend Title Design - Jordan Ingram Score/Mix - Jared Blizzard Color - Jensen Vinca Poster Art - Caitlin McCann Special Thanks:   Los Angeles Times Short Docs - Nani Walker & Leslie Lindsey Barbie Carter Rene Hunter Évangeline Cromwell Pastor Blue Urban Saddles Beacon House Thrift Vault Rentals

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