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Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

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Zutara Last Five Years AU (pt. 2/12)

Read pt. 1 here:

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Zuko was in love.

Zuko was irrevocably in love.

Zuko was in love with a water tribe girl and he could hear his father’s heart break from halfway across the world.

And his grandfather, Agni, he must be rolling in his grave.

But honestly, Zuko couldn’t care less.

Now, Zuko will admit that at first, he definitely did NOT like Katara. Of course, he recognized her beauty, but she was helping the Avatar who he had sworn to capture.

But that one moment in the catacombs. The one moment when she touched his scar with such an unexpected tenderness. Yeah, Zuko was in love. It may have been that fear that led him to later betray her. Fear of love.

But now? Zuko was unable to deny any feelings he may fear towards the younger water tribe girl. And now, he couldn’t care less.

He didn’t care if she was bald like Aang, if she was an airbender or earthbender, just as long as she didn’t hate him.

He’s finally found someone he wanted to be with, and he couldn’t let her go.

He’d dated other women before. A variety of fire nation girls who only liked him because he was royalty. He had dated Jin, although, knowing his family’s history, he couldn’t bear to stay with her.

And then there was Katara.

Yeah, he’ll admit that the first moment he met her he was stunned. Her dedication to those she loved was admirable. But when he truly met her, Agni, he could barely catch his breath.

His only thoughts consisted of Katara. The only person he could possibly imagine in his head for days on end was her.

He had spent years at sea, fighting bender after bender, handling emotional scars that ran far deeper than the one on his face.

The nation to which he was meant to represent, his family’s nation, one that wanted nothing to do with water tribe, had forced him away from people like her for years.

And Zuko couldn’t give less of a shit.

He didn’t care if she had committed atrocity after atrocity, taken lives, hell, he didn’t care if she was once a man. He didn’t care if everyone in the world hated the possibility of an idea that the two of them could be a couple.

It’s tragic but it’s true.

He would do anything to be with her.

Finally, he had found someone who understood him perfectly.

She broke the hundred year ideal that fire nation can’t be with another nations people.

He didn’t care that she was “uncultured”. If she was half-vampire, he’d say she’s cute. If she went on a rampage killing every person who ever even looked at her the wrong he’d be right behind her through it all. He’d be at her service.

He’s been waiting, praying, wishing for someone like her.

And he finally found her.

Zuko was in love.

[lyriclight]

Zutara Last Five Years AU (pt. 1/12)

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Zuko kissed her. Katara didn’t know how to feel. Her last kiss with him would be as she left the castle looming over her, guards no where in sight, in the dead of night.

Zuko kissed her. It wasn’t a kiss of passion, or sweetness, or hell, even love. It was the kind of kiss that broke everything. The kind of kiss that Katara would look back on and cry about because he no longer kissed her with the love that she used to kiss him with. Neither of them did.

He tied a scarf around her neck. It wasn’t soft or comfortable, just warm and old. Katara looked up at Zuko, barely acknowledging the scarf that hung loosely around her neck. Gold eyes met blue and Katara felt herself shiver. She was cold. She knew Zuko knew too, although she also knew that wasn’t why he gave her the scarf. She didn’t really know why he gave it to her.

She turned around and walked away from him. She didn’t dare to look back. If she did, every inch of her body would burn to run back and feel his touch, his heartbeat, his love. She couldn’t have that. She divorced him for a reason. So instead of turning to look back at Zuko, she looked up at the sky. The sky she had flown through so many times atop Appa with her friends.

Everything felt so calm. She hated that. Why was the world so still when she was everything but.

She didn’t cry.

Zuko was gone.

Zuko was back at the palace, probably warm from the breeze that flew through the air. He was probably already back to his duties as fire lord, passing laws to help the betterment of the fire nation.

Zuko has dreams that Katara couldn’t seem to fathom. Zuko was probably fulfilling each and every one with the flick of a pen on paper.

And Katara hurt.

She really, truly, hurt.

Zuko couldn’t stand her anymore. Her endlessness. Her constant reassurance. It was too much. He is completely convinced she is what caused their relationship to crumble.

And Katara hurts so fucking much.

He swore to her. Under the oath and spirits of their wedding. “Till death due us part” they both agreed. But Zuko, convinced the beautiful thing they once had, has died, broke his swear. Broke their bond. Broke everything.

Katara understands, though. Zuko has a right to decide what he does with the rest of his life. He had a right to forge his own path, even if it’s not with Katara.

Spirits, she wishes she could go back. Yell, scream, break everything in her path to make a statement. Tell him to stop running away. Tell him to stop hiding from his problems.

She wants to scream at him that he’s incompetent. That he can’t handle conflict. That if he wants to be a good fire lord, he needs to face things head on.

And then she wants him to hold her. Like he would.

Why did he leave?

Why was he so sure that they would never work it out? Why was he so sure that they would end?

If she could turn back time knowing what she knows now, could she find the clues? See what he saw? Realize that they were somehow never meant to be?

But it wouldn’t change what has happened. It would never chase away the pain.

Zuko is gone.

His warmth, his fire, his scar that she would place her hand on and kiss with gentle lips.

Now she’s the one with scars. So many scars.

And she hurts.

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[RUINING THE LIVES OF PEOPLE WHO ARE NOT REAL] i am playing. With my touys

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Boss can i go home early some shit is happening in my fandom and im a pretty active person in the community so my presence is needed

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Father of the Bride

Hakoda swallowed hard against a lump in his throat. He had imagined this day so many times since Katara's birth. The details were different, though. She wasn't marrying a proven warrior from among their people. That was fine. She had spent so much time traveling the world, expanding her horizons, creating her own paths. Hakoda didn't think there were one in a thousand men at home who could keep up with the woman his daughter had become, and he had resigned himself to the fact that she might not end up with a Southern Tribe man years ago.

But he hadn't considered that her marriage might take her so permanently from home. A foolish oversight on his part, he admitted. And at least she would have the means to visit her family a few times a year. Still, he felt a pang. Same one he felt when he left his children behind with Kanna to go fight a war too big for him. Now that pang was tempered with bittersweet happiness as he watched the final preparations being made on Katara's wedding gown-a stunning piece of art even to Hakoda's untrained eye. All silks and linens in shades of blue and silver that recalled the bridal outfits of her homeland. Furs and leathers would be too hot for the climate, but Katara wanted to tell everyone up front how she would bring her own culture to merge with her new people. Her groom-to-be not only supported this decision, but had come to Hakoda and Sokka to ask them how he, too, could incorporate the Southern Water Tribe into the wedding on his end. That had been a long night, with strong drinks and stronger emotions, but at the end of it, Hakoda had decided that despite his initial misgivings about the marriage, he couldn't have picked a better son-in-law than Zuko.

Fire Lord Zuko. Fire Lord Zuko was going to be his son-in-law. Sometimes the thought made Hakoda chuckle. Sometimes it sent a chill down his spine. Not that he was worried about Zuko himself, but Katara's proximity to his throne. The crown. She would be coronated the next night in a ceremony as lavish as the wedding. She would become the Fire Lady. Co-ruler of the country that had spent a hundred years ruining countless lives with a war over something as silly as imperialist pride. Hakoda didn't think they deserved his daughter. If Zuko had earned his trust and respect, the rest of the Fire Nation certainly haven't. Not the nobles, anyway. When he brought them up to Katara, she laughed, though it didn't reach her eyes, which were flint hard and grimly determined. She told him no matter where she went in the world, she would have to fight for any respect she got. At least here she would have Zuko fighting beside her. Hakoda wasn't sure he agreed that was a worthy trade off, but he knew better than to try to talk his daughter out of it.

The Fire Nation had already benefited from her presence. As a foreign advisor, she had fostered trade and exchange agreements between the Fire Nation and all of the Water Tribes, Omashu and Gaoling. As an ambassador, she'd helped negotiate reparation packages that have helped the parts of the world hit hardest by the war recover. As one of Zuko's most trusted counselors, she'd helped him work the Fire Nation's budget so the government could provide for education, health and services for returning soldiers. The same kinds of programs she'd helped Hakoda and Sokka build in the Southern Water Tribe. It suddenly struck Hakoda that she had been acting as Fire Lady for a long time. Before she and Zuko had even realized they were in love, maybe. Today and tomorrow would just make it official. Hakoda still didn't think the Fire Nation deserved a Katara, but any chance he had of talking her out of it had long since slipped by him. And he now he wasn't sure he would talk her out of it, even if he did have the chance.

The final touches were done. The maids stepped back in a flurry of excited chatter. Kanna stepped forward, moving stiffly in her old age, smiling up at her granddaughter through tears. She had had this moment with Kya years ago, and Kya should be standing in her place now. Kanna reached out and ran her fingertips over the necklace she had passed to her daughter, and her daughter had passed on to Katara. Kya was here, Kanna assured herself. And Kya would be here with Katara as she made these next steps, first as a wife, then as a queen, then someday as a mother and grandmother herself.

"She would be so proud," Kanna told Katara. The two women embraced. Then Katara stood up, head high and looking as regal as any queen in any nation ever had, and turned to Hakoda.

"Are you ready, Dad?" she asked. Hakoda shook his head.

"I was never going to be ready for this," he confessed. "But it doesn't matter. You are ready."

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does anyone hve any sin recommendations i just fell from the garden of eden five seconds ago

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this is so fucking funny. im going to say "here come the locusts" everytime something goes wrong now

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Teeth are bullshit. What do you mean you’re decaying. Get a fucking grip. You’re a bone now act like it. You don’t see my finger bones decaying from jerking it too much now do you

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tradgedy enjoyers when you look into the eyes of your worst enemy and can only see yourself

#posts for me/notes app core

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tradgedy enjoyers when you look into the eyes of your worst enemy and can only see yourself

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