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forgive me father for I have sinned 🥵😵🥴

+ bonus

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Cha Eun Woo as “Kang Chan Hyuk / Priest Yohan”

Island 아일랜드 // Episode 1

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JUNGKOOK & EUNWOO SEVEN (231021)

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CHA EUN WOO for W Korea x Chaumet, October 2023

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A GOOD DAY TO BE A DOG 오늘도 사랑스럽개 — 2023, dir. Kim Dae Woong

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' ★ ¡ ㅤㅤ eunwoo lockscreen's

ㅤㅤㅤㅤㅤㅤㅤㅤ like/reblog. ࣪𓇻ㅤnot repost.

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KICKING MY FEET

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You know, the kiss. Can we do it one more time? With love, just like other people do.

A GOOD DAY TO BE A DOG (2023)

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Wang Yuwen doing a shoot for the Tencent The Love You Give me Express finale event ( SHow wrapped its streaming with the remaining 6 eps for the exclusive express watch but will still stream for VIP and reg members as nect wed is its last day)

Wang Ziqi and tv son Cui Yixin behind the scenes as they get ready for the event along with Wang Yuwen

group doing a live stream for the exclusive express package as the series released the finale 6 eps only to the members on the WeTv app

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The Love You Give Me 你给我的喜欢 (2023) Dir. by. Ding Ying Zhou – Episode 21

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The Love You Give Me 你给我的喜欢 (2023) Dir. by. Ding Ying Zhou – Episode 23

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“Adolescent screen turns tend to be praised for their precocious hyper-expressivity or youthful dynamism, but Wang Yuwen does something different in An Elephant Sitting Still. In the late Hu Bo’s mammoth undertaking, a darkly poetic and nearly four-hour drama about discontented residents of contemporary China, Wang’s performance is defined by a deadpan, glassy-eyed grimace that covers the actress’ face throughout the majority of her scenes. Wang’s bracing simplicity as Huang Ling, a willfully disobedient schoolgirl, helps ground some of the more sensational elements of Hu’s conception of the character—her binge-drinking mother, her illicit affair with a married high school dean—within the realm of lived experience, as felt but not always as communicated by this recessive personality. An air of forbidding detachment clings to the actress, even when Huang is voraciously gobbling up pastries or a pitifully squashed birthday cake. By refusing to react, Wang cannily plays against the expectations of her character’s arc while providing a running commentary on a particular kind of teenage experience. Maybe one day, Huang will look back on the events portrayed herein with different, more palpable feelings, but for now she can only drift through the motions of an abysmal life she loathes. Blankness is often deemed a demerit in acting, a presumed indication of a performer’s vacuity, yet Wang’s blankness reveals not the absence of thought, but its painful concealment: in a world of so much sadness, what more can the young and isolated do but suppress and subsist? When Huang eventually lashes out at those who have failed to protect her after hours of grim impassivity, it begets a moment of volcanic release that the actress has earned by closely adhering to the state of silent despair that can so easily oppress those unready to fight it.” — Matthew Eng

The 12 Best Female Film Performances of Early 2019

(Source: TribecaFilm.com)

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The Love You Give Me 你给我的喜欢 (2023) – Episode 5

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The Love You Give Me 你给我的喜欢 (2023) Dir. by. Ding Ying Zhou