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The choreography, developed with an intimacy coordinator, needed to be balanced with spontaneity: listening to each other, being present in the moment. Of shooting these sequences with Mescal, Scott admits, “It was a bit scary at the beginning. Then you get more used to it—and he’s great fun. The good thing about working with somebody that you love is that the process is really enjoyable.” The changing dynamic between their characters presented its own challenge. “How do you portray nervousness? How do you portray lust? That’s a really interesting one, and Paul and I’s chemistry in real life is actually kind of irrelevant,” Scott says. “I was playing a very, very lonely, quite repressed character, which I don’t feel in my own life—and that’s a great challenge. It’s wonderful because it speaks to me of empathy, and that’s what our jobs are.”
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ZANE PHILLIPS
Fault Magazine — Ramon Christian (2024)
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