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Hitorie’s “Gourmet Tokyo” Episode 27  -  English Translation

https://skream.jp/column/hitorie/hitorie28.php Happy new year. The final Gourmet Tokyo of the Heisei era, is to be a Shinoda episode. Nao, this article was written on December 16th.

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Skream! x Baitoru Interview - English Translation

https://www.baitoru.com/contents/geki/35.html#oubo Interview by: Yoshiba Saori, Photos by Ishizaki Sachiko

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Chinese > English translation 【Interview with HITORIE |to face people directly,this is what we should do】

(My English is not good sorry to be a primary school student composition.)

Original address：

https://www.weibo.com/ttarticle/p/show?id=2309404280497013437479#_0

【Interview with HITORIE |to face people directly,this is what we should do】

In October, let us face their stirring music again.

(This interview took place before the Shanghai live)

Q1.For everyone of you it is the first time to perform in Shanghai. What is the first impression of Shanghai?

Yu&Yg&Sn：The city is very large and the buildings are very high.

Wo：Also the airport here is very big.

Yu&Yg&Sn：Very Magnificent.

Yu：The Bund also impressed me, on the one hand are modern high-rises, on the other side there are relatively European-style buildings,which let me feel the difference between cultures.

Q2:It is said that all of you four like to eat hot pot. Have you ever eaten the hot pot here?

Wo: This should be my "pot" (laughs).(=I am to blame）

Wo&Yu: We haven't eaten it yet. We are going to eat it this evening.

Q3: What are the opportunities for you four people to get to know each other?

Wo: I got acquainted with Yumao because of VOCALOID Hatsune Miku.

Yu: After that, it was also because of VOCALOID Hatsune Miku, I made the acquaintance of Ygarshy.

Yg&Yu:Yes,we got to know each other when we were working together in the recording studio on the street.

Sn: For me,I was originally a fan of Ygarshy’s band (laughs).

Yg: When I first met Shinoda, I was performing on stage, and he was watching my live as an audience (laughs).

Q4: Why have you named the band as “HITORIE”?

Wo: Before the name “HITORIE” was born, it was actually made up of two words: “HITORI (one person)” and “ATORIE (atelier)”.Starting with“what can be done by‘one person’”,we want to make music that is able to communicate with people, society and the world. In the process of groping, we found that everyone will definitely have the belief that was emulative,that he/she didn’t want to give up. Although at that time we couldn’t find the proper words to describe this feeling, we found the word “ATORIE”during the later seeking process, we put it together with the word "HITORI". After the two words have been said much,we felt their language senses were very close, so finally the they were combined together,formed the new word "HITORIE".

Q5: Before the composition of HITORIE, almost all of you had uploaded works on niconico or had participated in the production of some VOCALOID works. How do you feel the difference between those and rock band HITORIE?

Wo: Talking about the difference, first for example, displaying those works made with Hatsune on a platform like niconico, I feel this will make many filters between people. The meaning of the filters are that, for example, here is one comes from the network, and then there will be another among the audiences. Just like this, we will have various barriers in the middle, and the original idea of a work will not be able to be conveyed directly. However, on niconico, although it is not very straightforward, it is still possible to know each other's thoughts through comments. This is one of the main reasons why I like niconico. But in the process of making music on niconico, I slowly felt that I had to go straight to face and communicate with people. This is what I have to do, and this had become a major opportunity for my band. Then when I stood on stage performing, the barrier between me and people disappeared completely.

Yu: There are also bullet screen websites(video websites what comments are overlaid directly onto the videos) like bilibili in China. Although I don't know exactly what is going on here in China,but for niconico,to draw an analogy, it is more like a class, a classroom in a school. What I did on niconico felt like what I did in school, and now in the band it feels like entered the society, a bigger space.

Wo: I think so. I think the environment of niconico is more like a greenhouse (laughs).

Sn: The difference is that one is on the network,another is standing on the real stage, essentially the two forms are different, I think they each has its own strengths.

Q6: In 2014, HITORIE began to serialize the food column "ヒトリエのグルメトーキョー(HITORIE’s gourmet Tokyo)" on Skream!. So far, it has been serialized for 23 times. Please choose your favorite food in those you had recommended.

Yu: Soup curry, I personally feel it very delicious,so I put it on the column, but after reading it many people think that people who like HITORIE should go there, as the result it became a place where fans gather (laughs).

Sn: There was a time when we went to various places to perform, we would go to eat conveyor belt sushi all over the place, and then we would eat very delicious local sushi, which was also my heaviest period of time(laughs).

Yg: There is a pizza shop in the hotel's 38-storey building. Just in front of the bar, you can see the whole making process starting from the initial dough, including roasting, cutting, etc. It is really delicious. I think it must be the apex of the pizza world (laughs).

Wo: I really like spicy food. I usually find a variety of delicious spicy food. There was a period of time we have to record our album. I need to go to Fukuoka to find a professional recording engineer, and that person knows a lot of nice restaurants. Because he knows that I like to eat spicy, I was introduced a lot of spicy restaurants, one of which was a spicy noodle restaurant called 桝元 (MASUMOTO). In this restaurant, they has the degree of spicy from 1 to 25, 1 is hot, 3 is heavy hot, 5 is already very powerful, but I ordered 25, and felt no problem when I ate it. But actually there was also a small dish of chicken cartilage in the side menu, which was very cooked and soft, not only matched the noodles, but also became a dish that went well with the beer. So if you have the chance going to Japan, of course the first choice is Fukuoka. There are three stores in total, the one I went to was at 天神(TENJIN). You don’t have to order the noodles, if don’t eat spicy food, you can try this boiled chicken cartilage first.

Q7: Recent new activities and the message for fans here.

Wo: This is the first time we come to Shanghai, where we have encountered a lot of interesting things besides the live, I feel really happy. I hope that we can have the opportunity to come again in the form of a tour instead of just one place like this. For this live, Ygarshy and I have started Weibo accounts, although we couldn’t necessarily understand the feedback comments from the fans on Weibo, we have fully felt the enthusiasm of everyone, and I think our thoughts can also be conveyed. The most direct form of conveying our thoughts to you is the live, of course, this is also an original intention of making my band. We will still meet you as a band in the future, and please go on supporting us.

#hitorie

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2018.12.06

Happy birthday Yumao-san!🌻

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happy 30th birthday to Yumao!

doggo drums, drummer of Hitorie, best of the bestest drummer, spice fiend, caretaker of wowaka, buddy of Igarashi, boke tsukkomi duo of Shinoda, etc etc.

i drew his drawing for this year as a compliment to last year’s 30th year wowaka drawing i have done. last year’s Yumao drawing wasn’t quite done well, since it was also the release date of Hitorie’s ai/SOlate album. 

can’t believe it’s been a year since wowaka managed to confront his past and surpass it…

― on Twitter

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Meetia Polaris Interview - English Translation

http://meetia.net/interview/hitorie-polaris/ Original Interview/Text: Sotaro Yamada Edit: Yukari Yamada

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Hitorie’s “Gourmet Tokyo” Episode 27 - English translation

10月頭に中国3都市を廻るツアーに行ってきました At the beginning of October we went on a tour that circled 3 cities in China. 海外公演は4月に台北、上海に行ったツアーに続いて2回目 Following the April shows in Taipei and Shanghai, it was our second time overseas. 前回は海を越えてもこれだけ熱狂してくれる人がいることに驚き、それもこれもあらためて日本のファンのみなさ��のおかげと感謝感激感動もひとしお心機一転がんばるぞと新たな野望を携えて帰国した訳ですが、 Last time, I was surprised by how many people will go wild for us even across the seas, this too further more is by virtue of everyone of our Japanese fans, which made me feel gratefulness galvanized gratitude, all the more making me want to try my best to turn over a new leaf. So I was supposed to head into the country with ambitions born anew but, 今回あらためてその熱量と氾流する人々の個性、地域性などという言葉のニュアンスは文字通り軽く飛び越える移動距離に対峙した結果「中国でけえ」と「あ、スタバありますね」しか言えなくなってしまいました This time yet again I confronted the people’s enthusiasm and arduously excessive personalities. Along with each region’s language nuances that, just like the letters, are freely jumping across distances. By the end I became unable to say anything but “China’s huge” and “Ah, there’s a Starbucks here”.  RED HOT POT TOURというツアーだったので、文字通り各都市で火鍋を食べ比べてきました Our tour was called “RED HOT POT TOUR”, hence true to our word, we went and compared the hot pots of the major cities

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happy 31st birthday to wowaka!

this year, i drew with the motif of Imaginary Mofufiction, from wowaka’s MC on Loveless tour on the past February, about wanting a dog, and pretending that he has one (by using the word “imaginary” as well on there…)

it was surprising to know that, from people’s repo, that he wanted a schipperke and not a beagle. i also heard of the schipperke breed the first time from this.

― on Twitter

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Hitorie's "Gourmet Tokyo" Episode 22 - English translation

さらに読む

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ポラリス (Polaris) ED Version - Hitorie - English Translation

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“It’s also not your victory.”

#hitorie

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by avogado6

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『ヒトリエ meet west』

a request i have received during the request box session on Twitter. i was requested Hitorie members in their favorite musicians’ outfits from Spotify interview.

― on Twitter interview link ① ②

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Hitorie - ai/SOlate Meetia Interview

http://meetia.net/interview/hitorie-aisolate/

A leader of the vocaloid scene, wowaka, and satan and doggo and the old man who writes the Chikyuu Monogatari manga on this Meetia as well, have been the best rock band ever since 2012. yes, yes
 They delivered. They made a new album of 6 songs with the title “aiSOlate”. A title with many meanings behind it, it’s deep baby, deep. With the pre-released song Unknown Mother Goose at it’s heart, it’s an album that’s delivers that good good Rie sound, while at the same time is full of songs of a broadened range, yes sure Fortunately, I had the chance to interview them before their album was released. And I could feel how this album was a step towards their new phase. How do I put their stimulative words into a report though, even after thinking about, it was tricky but, I’ve decided to start by writing about the manga “Slam Dunk”.

Why “Slam Dunk”? Well, actually anything like “Kuroko no Basket” or “DEAR BOYS” would work too, I just want to start with the subject of basketball. 

When I first saw the title “ai/SOlate”, as an author who used to be in the basketball club, I almost automatically thought of “isolation”. Isolation is a play that involves the other 4 players to open up half of the court, to separate the two most skilled players for a one-on-one. The four other players clump on the left side of the court, so they can freely fight one-on-one on the empty right side.  It’s a strategy that only comes into play when you have an overwhelmingly strong aggressive one player. For example, the first time isolation happens in the manga “Slam Dunk” is during the high school tournament battle of Shohoku vs. Ryonan. Ryounan’s player Fukuda “Fukuchan” Kicchou, who possess overwhelmingly strong aggression, starts an isolation one-on-one wirh Shohoku’s “anxious” Sakuragi Hanamichi. And the match begins to fall in Ryonan’s favor… Well, it would be better to read “Slam Dunk” to understand more than the gist of it but. If we were to compare Hitorie’s album to basketball, the one with the title “ai/SOlate” and Unknown Mother Goose” in it, then, completely without a doubt, it’s an album of isolation, freely displaying the power of it’s overwhelmingly strong ace, wowaka.



Let’s dig into it. First of all, it’s about how this album was produced. Up until “IKI” Hitorie would produce by just the other bandmates responding to wowaka’s orders; wowaka would review their work and judge whether it was good or bad. Yet by “IKI” wowaka and the bandmates have changed how interact with each other, it’s evolved into “something more like we’re running alongside each other”.

So what was it like this time around.


“It was sort of like, we went back to how it used to be?　wowaka was really getting into making it and all” proclaimed shinoda. Yet, there was a reason as to why he was proclaiming so airily.
 “That’s certainly what happened analytically but, it actually felt completely different. It was like we’ve become able to communicate with each other without words. There were times when we didn’t have to talk much, I think, there’s much more times where we can understand each other without words nowadays. (Yumao)”. “Yumao said it. That’s how it would be analytically but, the peace of mind and the sense of trust that comes with this is something completely different. I think that this album might be full of our new approach to music, and a new challenge with our hearts. (wowaka)” These are the keywords, the “peace of mind and sense of trust” words that came out of wowaka’s mouth. Just as isolation is the play that allows aces to freely battle, if can never happen unless the team has a sturdy trust between them. As even if he were to miss the shot, the center field can take the rebound. Even if the enemy team were to steal, the guard can stop the attack-.  It’s a relationship of trust that brings out each other’s strengths, it’s only a strategy that teams who have obtained trust can accomplish.

So, why was Hitorie able to create an album like isolation. A hint lies in their “IKI” production and tour. Now that we’re done with the introduction, from here on is going to be a normal interview. “IKI” to confirming yourself The album “IKI” was full of moods like “Compromising with other people” or “A sense of unleashing” and “Happiness”. So what kind of evolution happened during a tour after that album. “Our ‘IKI’ tour was one that let us confirm, the freedom and the happiness we achieved during the album production, this real sense of being alive, what kind of people we are and what we want to do, and making that all a little more into our reality. Through spending half a year, trading moods with our audience amidst a concrete atmosphere… The things we put into our album became something real. Our final at Shinkiba was emo. (wowaka)” wowaka’s tweet from after the live show was moving. I had referenced it in my IKI live report as well but, I’m bringing it back in this interview now too.

[ wowaka’s tweet “My mom came to Shinkiba and told me she was moved by it. I’m glad I pursued music.”  https://twitter.com/wowaka/status/861941056501293056 ]

wowaka said “My mother came all the way from Kagoshima to Tokyo for me, saw my live and told me that ‘I was moved’. That was the first time she’s ever said something like that to me, so I was surprised. Even just talking about it now is going to make me emo but…., I felt, glad that I worked so hard to get here.“ and, even now, his “emo” feeling seemed about ready to overflow when he was looking back at the Shinkiba final. Happiness, a real sense of being alive, who you are. The “IKI” tour was one to confirm all that, and it ended in a big success. However, after that Hitorie started to decrease in live appearances.  “I wanted to concentrate on producing this summer. To shutout a bunch of other things, and just simply make time to make things” were wowaka’s words. Which ygarshy responded to with “We talked about that in the izakaya didn’t we.”, nodding like he was missing those days too. “Even though we had converged with so many people and gained such happiness through ‘IKI’, this time we did the opposite, and broke up with them. What came out of holing up and working for 2-3 months was “Unknown Mother Goose” and all the songs in this album. (wowaka)” The idea of “holing up and producing” also links up with the title of “ai/SOlate”, doesn’t it. It seems like we’re finally reaching the core of this interview. “That works too. ‘ai/SOlate’ was, for me, a way to properly come back to what I have done, and to what I want to do. Just like how our band name started off as ‘Hitori (alone) Atelier’ yet then was shortened into ‘Hitorie’, I started this thing alone yet, as it goes through each of our members’ existences and interpretations and meanings, it then goes off to stab the heart of any lone listener. That’s what my image of music is. That’s what type of music I’ve come to accept and have been touched by. I think there’s a strength in being alone and unaided. I firmly trust in it. The feeling of ‘nobody is here for me’, I think anyone has to some degree. I started making music off of the motive power of such. I was able to confirm that through IKI and the tour. (wowaka)” With such solitude, what sake do you make music for? wowaka, who makes music off the motive power from the feeling of “no one is here for me”. In using such solitude, what sake does he make music for? “That was the question I confronted next, and the answer was, “human”. I want to interact with humans more, and in a weird way I want to become human too. There’s something that happens between one person and another, and I want to see what that is for myself. So when I thought about it, for me that was ‘love’. Consciously using the word “love” was a first for me, even in my lyrics even in my daily life. That was “Unknown Mother Goose”. The happiness and anger that comes with being with other people, then wanting to spread this sphere of every emotion all the way out to space. That’s my image. And so, if you put that into one word, then I think that’s ‘love’.” For Hitorie, up until now ‘love’ was something that was ‘played backwards’ (in ‘Imperfection’) or ‘almost forgotten’ (in ‘Ikitagari no Ko’). Yet this time, it’s a theme that’s laid out directly. “Unknown Mother Goose” starts with the lyric ‘If I were to preach of love, How would your eyes picture it?’ “That’s why it’s ‘ai/SOlate’, because I finally found ‘love’. It means ‘Love that came out at last’. Moreover, an alone and unaided ‘Isolate’, and a love that came out at last, I was able to express those together as ‘ai/SOlate’ and, it makes sense, it’s all definitely two sides of the same coin. Even as an alone and unrelated Isolate, I’m fighting to find the ‘love’ that comes out of interacting with people, that’s the very thing I’m trying to do, that’s  what I’m trying to say.” The importance of “Unknown Mother Goose” The song that’s the heart of ‘ai/SOlate’, ‘Unknown Mother Goose’ is a very important song. If there’s such thing as the vocaloid scene, and on the other side there’s such thing as the band scene, then think as if there’s something in between them separating them. As, Vocaloid “is something that they cannot accept at all” (quote: Wada Takeaki interview). However, “Unknown Mother Goose” breaks that separation, or could it even be said that it fuses them. Just like how most people don’t say “guitar scene” or “bass scene”, maybe people will no longer say “Vocaloid scene”.  I threw that question at them but, completely different answers came back at me. These boys hold the whole scene in respect, yet, they say that it’s like their songs are more personal. Yumao says that “I’m just satisfied that we were able to deliver high quality songs”, and Shinoda says that “There’s no need to mix the two, and, as long as there’s people doing them then won’t the scene stay alive?”. For ygarshy, from the beginning “there was nothing separating the Vocaloid scene and the band scene”. wowaka’s thoughts were the same. “I didn’t have even a milliliter of intention to ‘break the wall’ with this song, and Hitorie isn’t really something that we wanted to be a bridge between Vocaloid and bands. It’s more of something at a micro-level. For me, I had come to Tokyo and met Vocaloid, I got people to look at me but, I became unable to understand who ‘me’ even was, and, that’s when I started Hitorie. That’s why I made the song I had to make, with the methods I’ve used to write for these past 5 years, I made the song I wanted to make now. Of course, I think there are different implications when I sing a Vocaloid song as Hitorie. So based on that too, it’s a song that’s essentially personal.” Living troubled by the feeling that “I’m being misunderstood” Besides the word “Unknown”, there’s lyrics such as “Nobody knows who I am” in NAI., and the nuance of the lyrics about “I’m not understood” stand out in this album. For wowaka, who writes the songs and the lyrics, he said that he distinctly feels that “What I really think never gets across”. “I’ve always been troubled and conflicted by that. That I’m being misunderstood in a lot of ways huh. I said that the scene has nothing to do with this, yet I want to talk about the scene but (laughing). For about 2 years after 2009, back when I posted Vocaloid songs and made CDs, everything that I had received from the scene was really so sparkly. So sinless, so pure. Yet, in 2011 I felt that the situation was beginning to get suspicious.” He was laughing painfully as he tapped his fingers on the table. He opened up with “It’s not like I’m attacking anyone specifically but…”, and wowaka continued on saying this. “Put simply, the problem is as to whether there is love or there isn’t. If it’s not just an act. Back then, I felt that something really lame was coming towards me. This sort of ‘If you use Vocaloid and do this, we can get people together, we can start a business, we can deceive the children.’ theories and atmosphere. I’m saying this pretty brutally but, there actually was such going on at the time. That was painful to me. What felt hard to me was, that I was being seriously put into this superficial mess.” As someone who carried the Vocaloid scene, wowaka gained many followers. And one after another, most Vocaloid songs were being impacted by wowaka. People even say that he invented the “Vocaloid-sounding song” format. However, the fact that songs which were just crudely tracing the surface of that format kept popping and popping up, started to torment him. 
Exclaiming a yet unknown story as one song “Thinking about it know, I think I was really mad at the time. I was depressed. Because of that, the answer to the conflict of ’Who am I’ was, Hitorie. Yet, at the time there was people who listened to us and said “Will wowaka do Vocaloid again” or “wowaka sounds cooler when he’s not the one singing”, or even “wowaka’s Vocaloid songs sound so inorganic and mechanical and cool”. When I heard those voices, I felt that what I treasure the most isn’t even conveying clearly. For me, there’s actually something more that I want to convey. There’s absolutely a story that was yet unknown to Miku and I, to Shinoda, ygarshy, Yumao and Hitorie. So now is the time, let’s explain that all as one song. “Unknown Mother Goose” is a song made out of those feeling, isn’t it.” What’s being said amidst one album is always all connected The song that was placed as the final track of the album, “NAI.”, the sound of it and the lyrics all scream Hitorie. It feels like a compilation of all their work up until now. However, if you listen to the album in order from song one, the lyrics to “NAI” are exceedingly interesting. It’s because, there’s lyrics that sound as if they’re rejecting the contents of song one “Absolute”. For example, the part “The word absolute, has nothing to do with me anymore”. However if you ask wowaka, he said that “The’s two songs are actually saying the same thing”. “On the other hand of the vector of the emotion “happiness” that I confirmed through ‘IKI’, I also want to treasure the opposite. I had been really mad in the past, and I hadn’t even realized that. At the end of burdening that and ailing all alone I started Hitorie. I had not known how to use my emotions. But I know now. That’s why I wanted to write lyrics using those emotions in their entiretly, from every direction, from every angle. For me those emotions are something “absolute”. Except, that is entirely how it is to me, now I want to ask ‘So what do you think?’.  That’s the reason that I came up with the lyric ‘It’s not absolute’. That’s why it’s not rejection, the contents of ‘Absolute’ and ‘NAI.’ are actually the same. That’s how it always is but, what’s being said amidst one album is always all connected.” Hitorie’s 2017 To summarize, because he created a vector of happiness, ‘IKI’, wowaka found the chance to confront his past. So, through once again holing up and producing, with ‘Unknown Mother Goose’ as the start, the swarm of songs ’ai/SOlate’ was born. Even though it’s an album that started from extremely personal emotions, in it you can strongly feel a connection with society. ‘ai/SOlate’  is an album that almost connects Hitorie’s past and present.

Lastly,  I asked what 2017 was like for them, the year where they created a monumental piece. “I got good at drawing manga this year. During the time when wowaka was concentrating on producing, I was focused on drawing. I wrote “Chikyuu Monogatari” on meetia, and I wrote a manga for Wada Takeaki’s (Kurage-P) album ‘Watashi no Miseinen Kansen’. (Shinoda)” “I feel like I was hit with a thousand baseballs this year. Or I went to catch every ball this year or something. That’s why this album, I think that people who listen to only the bass will say that, there were seconds where they thought it sounded more simple than before, but I’m just playing way more fast and complicated now than before. That’s how much my body strengthened (ygarshy).” “Drum-wise, I learned exactly what it is I can do and what I can’t do this year. That’s why, I’m really troubled right now. How do I learn to do what I couldn’t do. I think I’m having a lot of troubles involving that, and I feel like I’m about to enter a new phase. Well, I won’t know until I try but (Yumao).” “I found a place where I can be myself this year and, for me this year was a turning point in my life. In just that year, the fact that I was able to release to the world, both a ‘Unknown Mother Goose’ as Hitorie, and a ‘Unknown Mother Goose’ as wowaka, is extraordinarily big to me. Next year, we have to figure out how to perform the six songs of ‘ai/SOlate’ in front of people. I want to make the belief in Hitorie and the belief in wowaka, something stronger. (wowaka).”

— When we chatted after the interview, wowaka murmured “I want to do a concert already”. And in that second, everyone’s face lit up. Hitorie are surely going to be running at full speed in 2018 too.

[nazurem-blog]

hitorie 1stDVD/BD一周目感想

中国語でごめんなさい。 其实就是跟日记差不多记下来给自己看也好反正想写。 剧透注意，全方位剧透。 估计短时间内也不会刷二周目吧一遍看下来也不大容易... 毫无语言组织性请注意... 哦对微cp发言请注意... 光看开头入场真的orz看不出谁是谁好吗灯光到底想干嘛...开场音乐我听了两遍觉得不大一样不知道是不是耳机插的不一样的问题... 01.GBtV 灯光是竖线构成x...没什么特别的感觉...莲藕1 hit 02.SD...我真的想说多大仇才把那么魔性的代表性的间奏给打上那么晕的灯光魔性频闪过去了有种和谐了的感觉...然后说到剪辑感觉最有意思的是后面那几个镜头转移和MV里面焦点那个变角度拍摄好像www顺便和CDJ对比起来那一幕不惊艳但是发型好多了x 顺便不知道哪里看到来着原来wo桑衣服比我想象的更魔性hhhh 03.SS（...懒）其实不得不承认我中途看了好几次盒子背面的顺序....感觉中间没剪掉吗有点突兀... 有种大家一起跳起来到外太空的感觉...很新鲜...yumao的鼓特别棒...开头也好中间也好（中间你说好不容易有个solo还被灯光过曝和谐了x）...wo桑唱着摇摇摆摆这是第一首感觉像酒吧上面那种灯光啊摇晃啊的慢悠悠感...没见过结果后面好几次x 对了关于mp3听到的左耳和音...真的是有的啊而且仔细听下去有三个不同声部...不知道那个低到不和谐的到底是聚聚还是ga酱（崩溃，不会听。 04.（拿出碟子x1，所以说我真的搞不懂那些回来详细repo的大神到底都怎么做到的我可能setori都写不出x）听陌生的开头演奏居然猜对了的junkgirl...和领结一样绿是好的但是不要也和谐魔性的间奏好吗！总之不是很喜欢这个舞台效果...歌曲本身的话...和原曲感觉很不一样吧，有种接地气的什么流行歌曲演唱现场的味道。 MC1，听得懂一大半（总共很短），本来以为是sakis桑说的那段因为意思都差不多，特意倒回去看多两次...大意就是one me tour的final，大家来到这里，一起笑一起哭一起疯狂一起跳舞，从不顺利的事情里逃出来啊之类。因为刚开始把这段当成那段了就想着天啊确实啊，要是能真的平时忍耐很多痛苦再后来发泄出来多么棒啊……所以平时要加油啊……然后接着的是 05.OMTH，我说你单独放出来是那样但是前面加一句话完全不一样了好吗！哦对了刚刚MC的时候yumao在后面卖萌...卖完wo桑教主强调open天哪还有比这更让人兴奋的镜头吗xxx 思考了一下OMTH的歌词和他说的那几句话的关系？这样安排顺序，或者整个顺序是否有深意？ 06.（看盒子x2）circle2 最炫迷彩曲 可能是本身在黑白概念里所以这里用色特别多就看着很奇怪。但是这些颜色我不喜欢（） 07.我期待值第一高的浴缸...结果用色跟上一首差不多...虽然我初期觉得这首歌就是蓝绿紫，但是这个调子又搞成ss一样的酒吧感了，我脑补的是强白光的直击人心感...有一点点失望啦（） 08.inaikara自带之前都没出现过的光效...。听到一半发现原来这种迷之变风格的歌曲mirror不是第一个x最后一段效果比较好，snd和声美爆了。 inaikara不愧最矮xx都不迷醉了（ 09.是这里剪掉一段休息来着？nznz。又到了wo桑甩话筒明星范儿时候。忘了说之前哪一个曲子wo桑也迷之有范儿... 为啥！要变调！！ 开头灯光非常春晚，让我开始觉悟是音效导致新曲喜庆也说不定...x 总之我比较喜欢赤坂的x 10.fuyuno 恍然大悟先扔吉他再捡起键盘都是套路...人群里wo桑是暗的，之前omth红色人群中wo桑蓝的x 感觉这个的效果还是非常好的，球使用x1 11.（...看盒子x3 传说中的MC...说了很多，有点确实要哭的感觉...？因为听不懂所以其实现在一句都不记得，对了inaikara有句哭腔吗？我要是在现场别说哭可能直接死过去..记得后面说倒我们最初做的歌什么的... 咖喱锅。看过无数版本啦.....光效能让我想起来之前那版本...还是迷醉流不过也是应该的...第一段高潮前面的迷之加调？？？ 觉得听不懂MC好遗憾 总之wo桑加油...辛苦了。 12.（x4）领卡哭，觉得舞台效果不错... 13.后天症...闪瞎流，虽然它就那样特点但是...大概我觉得不适合舞台表演吧... 听到这感觉已经有点迷之麻木没法把歌词带入mc了（ 14.odoru 哦对这里有个，后天症结尾那段我一直觉得是鼓solo结果这歌跟nonsense是cp吗？？？有一种“yumao自己秀技能，吉他组对着秀技能，前一秒刚想心疼没戏份的ga酱然后他突然站了出来表示嘿他们都弱爆了看看我”的感觉😂 所以说是肢体语言搞笑巨星... 然就秀贝斯...odoru还是不错的嗯...感觉ga酱最后的和声是一时兴起xx 15. x5... 米拉，前奏没听出来虽然很慢（） 这里全员参与方面简直爆炸了，感觉当时0227的时候那几句还不是这样的，结果居然出现了无教主的情况...虽然听不出谁是谁 还有年长组only的情况（跪谢爸爸给糖 天哪... 想着本来也说这首歌是什么成员之间啥啥的来着（泪崩 莲藕x2 对了inaikara想过如果用错话筒就神了x 16.因啪飞裤甚 猜对了这个在前x刚说完万年红蓝就绿了... 前面sndsolo猜到是这首（？ 17.TD 最后一首x感觉什么灯都用上了... 吉他编曲变了吧？？wo声部高了？ 莲藕x3 退场...返场喊的不是安可，是hitorie？？？ 是不是这里好多人喊成员名字..吓傻.... wo桑在咖喱锅之前那段后再没有mc都是shinoda吼，这里mc好像是一直想搞这是final就搞了请欣赏 18.prismcube然后下面爆炸尖叫...v曲真的...特殊感情啊... 编曲完全不认识了好吗！！！感觉有种kz还是谁的feel... 但是好听啊？ snd大概又是剪了突然说新曲！ 19.新曲x 莲藕x4 感觉还蛮好的效果...就...黄灯光很合适 然后我最懵逼的是！这个和音居然不是snd而是ga酱！ga酱！我惊呆了！！！难道录音也会放他吗！！！之前还觉得那个不和谐的低音应该是他吧现在觉得不一定了... 天哪！！！ 20.senseless wonder出道曲... 就是牛逼自带炫酷灯光... 这首yumao和音确定。 完了完了嗯...本来看到进度条以为会说点什么的结果...对了为什么wo桑穿衣服一定要套一件在里面x 结果响起了我们新任ed曲GBtv（ 居然有彩蛋啊！！！没人说过啊！！！！ 那个女声经纪人吧 开车的是聚聚吗... 然后里面..刚开始拿着相机的是wo桑？采访snd说啥来着（）...ga酱的舞步居然是认真练习的我服了...���聚那时候样子真可爱...然后采访wo桑的是聚聚吗我怕听错...wo桑一本正经x 最后登台前那段真是太会拍，太懂... 虽然从没想过要看这里...但是之前只能看见退场的时候自己和他们的距离，看到上台前他们也很紧张最后聚聚走上去snd也走着说“走吧！”，ga酱跟随其后wo桑最后...真的第一觉得“成员感情真好啊”这个第一厨点得到了满足...在一个就是觉得他们不再高高在上了因为...他们也很努力啊，他们也很紧张啊，我们都是一样的.... ed和画面切的好准... 后面居然全屏...比起特意录下来我更喜欢抱一起的画面不过ga酱把酒放在snd头上的时候我整个人爆炸了x 就这样.... 重看的话估计想每个人单独一个周目，我真的还想数摄像机xxx 睡觉吧觉得手已经废了...