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E By Equinox from Hugo & Marie on Vimeo.

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Cyberpunk 2077 — No Save Point! from Erwan Raikkonen on Vimeo.

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Cyberpunk 2077 - Internal network view from Huds and Guis on Vimeo.

Cyberpunk 2077 Level Map featuring glitchy schematics

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GENESIS - SNIPPET_02 from Ernex on Vimeo.

Snippet from my work as Digital Art Director and Screen Designer on the film Genesis

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AVENGERS: AGE OF ULTRON [UI Reel] from Ernex on Vimeo.

This is a bit of a childhood dream come true. Since I got hooked up in the comic-book world, I always dreamt of getting to work for Marvel someday. Never truly believed it possible, since my drawing skills were far from jaw-dropping to be honest, but hey, looks like somehow I made it.

As usual, it was a pleasure working again with Territory and its bunch of talented motion graphics craftsmen. I was lucky enough to be involved in the first visual explorations during the preproduction stages and to get to design and animate a big chunk of the screens later on, and I’m quite happy and proud of the final result.

Marvel Credits Director: Joss Whedon Production Designer: Charles Wood Set Decoration: Richard Roberts Art Director: Alan Payne VFX Supervisor: Christopher Townsend VFX Producer: Ron Ames

Territory Credits Creative Director: David Sheldon-Hicks Producer: Sam Hart Motion Designers: Marti Romances, Yugen Blake, Ernex, Alasdair Willson, Peter Eszenyi, Nik 'nikill' Hill, Daniel Højlund, Ryan Rafferty-Phelan

Showreel Edit: Marti Romances, Andy Schofield DOP: Nik 'nikill' Hill Audio: Zelig Sound

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SPECTRE - UI Reel from Ernex on Vimeo.

UI screen graphics for the Bond movie SPECTRE. Screens designed and animated at Rushes London, along with a great team of artists.

Tasked with bringing a great level of realism to the MI6 technology, the team researched the emerging field of nanorobotics and the latest military and medical thinking, to create technically accurate graphics that lead to a heightened sense of authenticity. Rushes crafted technology, UI systems and tools that expressed Q’s various 007 gadgets in digital form. Banks of monitors showed these schematics in Q’s lab. An even greater number of screens were used in SPECTRE villain Oberhauser’s lair, to display various and complex analytical data infographics and adapted news footage. SPECTRE Credits: Director: Sam Mendes Executive Producer: Callum McDougall DoP: Hoyte Van Hoytema VFX Producer: Leslie Lerman VFX Supervisor: Steve Begg Production Designer: Dennis Gassner On Set Playback: Chris McBride On Screen Graphics provided by RUSHES: Creative Supervisor: John Hill (Vincent) Motion Graphics Lead: Barry Corcoran Motion Graphics Artists: Guy Hancock, Fraser Macedo, Matt Tsang, Ernesto Porto, Yugen Blake, Justin Blampeid Concept Design: Simon Cassels, Ash Thorpe Compositing Lead: Noel Harmes Compositing Artist: Sarah Breakwell CG Supervisor: Andy McNamara CG Artists: Craig Travis, Andrea Scibetta, Mark Woodcock, Nimesh Patel VFX Lead: Leo Weston VFX Artists: Richard Russell, Lorenzo Newell Head of Operations: Joce Capper Head of Production: Jules Pye Executive Producer: Kristy May Currie Line Producer: Caroline Laing Production Coordinator: Jon Purton, Domhnall Malone

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Territory Studio | Detective Pikachu CNM ident © 2019 Warner Bros. from Territory Studio on Vimeo.

Territory studio designed this animated ident for the TV channels CNM in Detective Pikachu.

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Telekom "Eins" - commercial (2014) from Stephan Haidacher on Vimeo.

created by Optix 2014(C) ( optixhamburg.de )

I was responsible for defining the shots, cameras and the overall look (pretty much like a director of photography, just digitally) I've shaded, lit and (pre)comped every shot, and added additional particle effects. The triangle assembly simulation used in every shot was created by Sebastian Kowalski using Houdini. The final compositing was handled by Christoph Schroeer. .

CREDITS:

Agency: DDB Hamburg GmbH Production: OPTIX Hamburg GmbH Director/Art Director: OPTIX Kreation Sonja Theill

3D Stephan Haidacher Sebastian Kowalski

Compositing Christoph Schröer Stephan Haidacher

Editing: David Hortmann Motion Graphics: Irma Solernou Producing: Thomas Harig

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Sofology "LittleThings - Persia" - commercial (2018) from Stephan Haidacher on Vimeo.

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TA_ILE (2019) from Stephan Haidacher on Vimeo.

3min, 4K, 24fps, 5.1 audio

CREDITS Director/Creator: Stephan Haidacher Sound Design: Leeran Z. Raphaely

Softimage, Houdini, Redshift

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The Guardian from Alessandro Novelli - NEWGOLD on Vimeo.

newgold.tv / [email protected]

Annecy International Film Festival 2015 - Official Selection / Arizona Film Festival 2015 - Official Selection / CIFF 2015 - Royal Reel Award - 2015 / River Film Festival 2015 - Official Selection / SPARK Animation 2015 - Official Selection / Animac Lleida - 2016 Official Selection / Mecal 2016 Official Selection

Music+Sound Awards 2016: Best Original Composition: Short Film Score - Composer: Simon Smith + Sasha Agranov

Making-of: vimeo.com/138529831 Trailer: vimeo.com/117678482

The Guardian

The Guardian is a free interpretation of the parable "Before the Law" from Kafka's book "The Trial". A peasant after traveling the world arrives in front of a gate, controlled by a fearsome Guardian. The peasant tries to pass through but the Guardian denies him entrance. Peasant and Guardian are the same character, the peasant, like each one of us, in front of his own fear; the guardian, something shapeless, that surround and control him. the Door/Gate the possibilities we encounter during our life.

Credits:

Production: Alessandro Novelli

Direction: Alessandro Novelli

Animation: Alessandro Novelli Victor Perez Andrea Gendusa

Illustration and Design: Alessandro Novelli Karolina Pospischil Andrea Gendusa

3D: Victor Perez - Character Animator, 3D Modeling Alessandro Novelli - 3D modeling, 3D animation Gabriele Maiocco - 3D heads modeling and Zbrush artist gabrielemaiocco.com/ Andrea Gendusa - 3D modeling, 3D animation

Original Music: Simon Smith bcnsound.com Sasha Agranov selvademar.com

Voice Over: Luis De Velasco

Musicians: Sasha Agranov selvademar.com

Music Recording and Mixing: Eric Nagel - at BCNSound - BCN - bcnsound.com

Voice Over recording: Juan José Rodriguez - at Abuela Records - MX

Mastering: Yves Roussel

Many thanks to: Leandra Boj cargocollective.com/leandraboj Rafael Mayani rafaelmayani.com/ Xavier Sanchez xave.es and Karolina Pospischil vimeo.com/thepospischil for their posters.

Special Thanks to: Simon, Sasha and BCNsound (bcnsound.com) , Laura Sans Gassó, Ana Isabella Byrne Bellorín, Mariana Perfeito, Luis De Velasco

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Procedural Hard Surface Design | Akira Saito | SIGGRAPH Asia 2018 (Tokyo) from SideFX Houdini on Vimeo.

[Presented in Japanese only - English captions available]

Akira-san shares tips and tricks on the Voronoi tool, based on his recent personal project on hard surface design.

Akira Saito is the environment lead at Polyphony Digital, giving technical directions, tool writing, and is involving every aspect of course creation of Gran Turismo series - from photo shooting of actual race tracks everywhere in the world, to fine-tuning the final data for released games.

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Magnatron 2.0 from Florian Renner on Vimeo.

Promotional video for the synthwave collection "Magnatron 2.0" by New Retro Wave. Software used: Cinema4d/Octane, After Effects, Premiere Pro (Music: Wice - Star Fighter)

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Analog Algorithm from Florian Renner on Vimeo.

Promotional video for the upcoming book by Christoph Grünberger. Analog Algorithm presents a theory of formal analysis and shows techniques for developing new forms, fonts and signs. (Music by turboknight.com)

Available mid 2019

Author(s): Christoph Grünberger Foreword by Paul McNeil Design: Christoph Grünberger 17 × 24 cm, 6 ¾ × 9 ½ in 304 pages, 55 illustrations

lars-mueller-publishers.com/analog-algorithm

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ASH THORP REEL from Ash Thorp on Vimeo.

Here is a brief collection of my work thus far. Greatest of gratitude and thanks to all of my friends, colleagues, and collaborators that I have had the fortune to work with over the years. Cheers to many more!

Edit - Frank Deron / Ash Thorp Music - Philip Glass (Kronos Quartet) - String Quartet No. 5 - 5.

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ASSASSIN'S CREED - MOTION GRAPHICS REEL from Ash Thorp on Vimeo.

Working on Assassin’s Creed was an immensely rewarding creative experience for me. Being such a big fan of Director Justin Kurzel’s work, it was amazing to be able to immediately establish a great working relationship together. Our mutual trust and open dialogue with one another made this one of my personal favorite feature film projects to date.

For more information, design frames, process details please visit - ashthorp.com

THE TEAM -

Design/Direction - Ash Thorp Graphics Programmer/Animator - Ryan Cashman Producer - Monica Thorp VFX Cinematographer - Kevin Joelson Reel Edit - Franck Deron Music - Plaid - Tokyo Drive

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EPOCH II from Ash Thorp on Vimeo.

Epoch II takes us on a second cosmic voyage to explore the realms that exist outside the current day theories of space travel and reality.

To optimize your viewing experience, Epoch II is best experienced with a full screen, no artificial light intrusion, ample sound equipment, and an open mind free of predictions or expectations in order to allow the film to guide you on its expedition and take you to another place entirely. Enjoy the journey. See you on the other side.

For more information and an in-depth breakdown please visit - altcinc.com

A Film by - Ash Thorp Score + Sound Design - Simone "Aeph" Vallecorsa Score + Sound Design - Yuta Endo Fluid Cinematography - The Joelsons