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she’s happy that I’m back!

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found this art instillation on campus- reminds me of some certain guys who may or may not be stuck in a computer

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It’s funny to me that Magnus Archives started out with mostly “normal” ghost stories & held back on the really weird stuff until later seasons, whereas with Protocol we’ve gotten the following in the first twelve episodes:

- Guy Who Murdered His Wife Gets Turned Into a Tree While Running From the Cops

- Man Made of Needles

- Demon Antique Enthusiasts Who Crowd Crush People

- Janitor Runs Away From IRL Timelapse Only to End Up in a Cannibal Restaurant in the Void

- A Guy Just Straight Up Gets Run Over by a Semi Truck

- Knockoff Barney the Dinosaur Shows Up to a Strip Club and Starts Smashing Skulls

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do we know how old the interview with nigel at the start of the episode was? because he said he'd been keeping busy for the past 25 years, when the bonzo butcher incident happened and all bonzo-related stuff went down the gutter

because uh. if the interview was recent, you know what else happened 25 years ago?

the magnus institute burned down.

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the Magnus Protocol Character Designs

these are just my current headcanons, as well as some things I've seen from others. idk who came up with the Sam amputee hc but I rlly fwi! These aren't final, so feel free to tell me your hcs in the comments, I'd love to hear about them!!

Colin, Lena & Celia are next, and if i find the time I'll try to work on some others like Bonzo etc.

Some details:

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THOUGHT GAINED: INFERNAL ENGINES

PROBLEM

The world is ending. You know it, your neighbor knows it, the dealer knows it, the jailer knows it, the king and all his men know it. All one has to do is look around to see it— the future is curdling into something pale and incorporeal. The infernal machine that is this stupid world is going to blow, sooner rather than later. So what are you doing? Why are you still here? Why is anyone still here?

SOLUTION

You are doing the only thing worth doing. You are living. *Why,* you ask? Try and remember now. Remember your mother’s hand on your shoulder. Remember the taste of a fresh catch. Remember the times when you were kind to the dogs in the valley and they did not bare their teeth. Remember the weight of a child on your shoulders. Remember the stars throwing their light against the wall of sodium and smog. Remember singing until your throat was raw. Remember crying just as loudly and publicly, and the gentleness with which someone opened your curled fist and pressed a handkerchief into your palm. Crying, laughing, running, eating, screaming, haunting, loving, fighting, fighting, fighting. The fight fuels you, and you fuel the fight. You run yourself ragged just for a chance to keep running. You never stop. You cannot stop. The world depends on it. *You* are the infernal engine. You are the world. And, simply put: you want to live.

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"once more to see you" ; aventurine

summary — to him, love was like a religion waiting to be discovered and he’ll find god in the way the sun looks on your skin; alternatively, aventurine thinks he’s rotten work and tiring to take care of but not to you, not if it's him (please get the reference).

pairing — aventurine (w/ gender-neutral reader)

tags — established relationship (but aventurine wants to de-establish it), somewhat fluff, slight angst with comfort, never proofread never what?!!, 1.3k ; ficlet

note — 2.1 broke me (the whole quest knocked at the door of my house, shook my hands, congratulated me, and invited itself into my home before pouring water on my face, slapping me, throwing me around, and left with the door open, all the while, my family watched). this is day 1 of writing for aventurine until i have him.

“you have a lot of moles.” his voice, despite a gentle whisper, tears through the silence of the night like a drop of water that ruptured and disturbed the surface of the pond. “especially here.” he gently taps on your skin; they seem like stars, he swallows the words back down. 

you feel aventurine’s finger trace on the back of your neck and the curve of your shoulders, seemingly drawing—or connecting something. it was ticklish, the way he gently drags his hand and ghosts over your skin, a soft laugh slipping past your lips (you’ll capture his touch on your skin as if you were a sinner remembering how forgiveness tasted on your lips). there was something intimate that lingers in the air between you two as you lay in his bed with him, a fleeting moment that will be inked into your mind. 

(the both of you leave your titles behind, mixed together with the scattered objects on the floor, laid on the cold ground to be picked up and worn later like a shiny medal even if you weren’t proud to have them.)

“they say it’s where your lover kissed you the most in your past life.” you stir in your position as you speak, coming to face him and meet his pretty jewel-like eyes—how alluring it was, painted with vivid colors yet it never shines. the sound of mirth laughter bubbles from his throat, a pleasant melody to your ears.

he asks, curiosity tracing the tone of his voice, “and from where did you even hear that?” and you shrug, bringing your form closer to him as you seek for more warmth, “i can’t recall. perhaps i heard it from topaz or maybe from one of the members of the ipc? they’re the only ones i often see and talk to.”

“the doctor?” he wraps his arm around your figure, his hand settling on the small of your back.

“that man will only scorn at that idea and call it stupid. he’ll most likely say that ‘only fools would believe such concepts.’” you mimic the way the esteemed doctor spoke, from the serious expression that he always don on his face to the deepening of his voice. your seemingly successful imitation earned a chuckle from the blonde-haired man before you.

“i’m sure he will.”

silence falls between you two and you took this time to adore each and every line of his being. a few strands of hair fall over his eyes—beautiful, captivating, mesmerizing, you could list out every word to describe his eyes but it would never be enough. you had always wondered why he would hide it until you witnessed the reason why he does so. 

aventurine seems to study your expression at the same also, a soft look on his face as he did, and you can’t help but be curious. “what are you thinking about?” you ask him, breaking the silence that nurtured itself in the space between you and him.

you, he wishes to answer. how you look at this moment in his embrace: you were wearing one of his shirts, albeit, not exactly to your size but you insisted, saying that you liked it as it smelled like him. how gentle, loving, adoring, you were everything; he looks and thinks of you as if you were his everything (he doesn’t deserve you). but he doesn’t say it—the thought weighs too heavily on his mind, claws at his throat, and suffocates him—, instead he utters something entirely different that creates a shift in the air between you two. 

“i don’t think i can do this.” he turns his head to look away from you, staring at the ceiling instead. it seems to extend itself far and far away from him.

the horrible part of being human is the tendency for destruction that lies in your bones. stained palms, calloused pads, despite the gentleness of your touch and the comfort of your caress. the desire to devour flesh and bones, to understand the underlying thoughts and meanings behind words and unexpressed feelings by consuming them. to submerge and drown in the depths of one's despair and desire (too close that the line blurs into one). the horrible part of being him was his tendency to destroy—hesitation and doubt lies in his being and aches at his chest, tugging on his heart’s strings, and settles on his throat—, it’s not like he doesn’t want to hold you, it’s just that he can’t.

“do what?”

“this.” you know exactly what he was referring to, know what he’s afraid of. he has laid himself bare and vulnerable in front of you countless of times that you have memorized the constellations that adorns his skin. you know him, you have known him enough to recognize the fear that tugs on his voice and see the walls that he tries to build up in front of you. you know him enough to know what thoughts are plaguing his mind.

“why do you think so?”

“don’t you think i’m too much to take care of?” he tries not to choke on his words and bite his tongue, careful not to let his voice crack lest he crumbles underneath your caress. i am undeserving of it. worthless. failure. selfish. discarded. coward. loser. nothing. you are bound to leave. 

“not for me.” you caress his cheek and guide him to look at you—instead of the ceiling that seems to appear farther than it originally was in each passing second as the walls glean over him like a shadow—, to meet your gaze and see the sincerity that lurks deep within. “never will i get tired of you. so, let me carry your burden.”

he takes a few seconds to answer, uncertainty lingering in his tone: “it’s not yours to have.”

“it may not be.” you answer with no hesitation, “but it doesn’t mean that you must shoulder them alone.”

he opens his mouth to speak but unable to find the words to say, he closes them. there was a moment of stillness shared between you two. comfort, relief, assurance seeps into the ache of his bones and you say something too heavy even for this steady and silent night to hold, the words too much to be held—light spills in like a flood as if it was pouring out from the sun itself.

“i love you.”

“you utter such words as if it’s something easy for you.” as if loving him was just as simple as waking up in the morning and adoring the way the honey-light hugs your form as the dust settles in the corner of your room. when he’s stripped of everything and left with nothing, would you still love him the same? would you still kiss him as gently as you did? would you still hold the shards of his form even if it makes your hand bleed? 

you spoke in a gentle yet firm croon, gaze unwavering, “because it is.”

you see the falter in his expression: his face, that once was crumpled, relaxed and so did his gaze soften. and you smile at him with only adoration in your eyes—like a devout follower to a divine being. “are you still afraid?”

“i don’t know.” he whispers.

“it’s alright. you have all the time in the world.” your hand weaves itself into his own, fingers lacing with one another, and you gently squeeze. it was a form of reassurance, a way of telling him that you’re here with him through all of it.

the warmth has settled in your being and you spill yourself into the cracks of his vulnerability. “i love you.” you say once more and you kiss the mark on his neck—lingering and soft as if you wish that it would take all his hurt away. the way he shudders underneath your touch, the hitch of his breath soon followed by a gentle sigh as he cradles you closer to him tells you everything that you wish to hear.

for once, he sleeps as if he had nothing to carry, nothing that shackles him to the stars that forsakes him.

© azullumi — do not plagiarize, copy, repost, nor translate any of my works.

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couldn’t stop thinking about my own dumbass post

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gerry...

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i love the totally uncreative name of Needles. jonny sims was trying so hard not to name him Michael that he couldn't think of anything better

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obligatory meme

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NOTHING could have prepared me for hearing Jonathan Sims’ voice say “anyone know what the deal is with the magnus institute?”

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I'm really glad to see that everyone seems to be having a good time with The Magnus Protocol, and my heart is very full with all the wonderful comments people are making, but I do need to flag something up.

For some of these episodes, a lot of folks are giving me credit for stuff I did not actually write. The cases for episodes 3 and 4 were both by guest writers, Graeme Patrick and Cole Weavers respectively, and they really deserve some love thrown their way.

That's not to minimise my own part: me and Alex certainly do editing work on them, and add in a few bits here and there to make sure everything cohesively fits in with the overall story and tone of the show, but if you enjoyed these episodes, then Graeme and Cole are the ones to thank for it.

And for that matter, Alex wrote episode 2 and deserves more of the accolades for how good that one was than I think he got (my edits just made it a bit... squishier).

Protocol is much more of a team effort than Archives was and so while, in a broad sense, you can still lay most of the blame for bad things happening to characters you love squarely at my feet, it's genuinely important to pay attention to the "written by" section of the credits this time around, 'cause often it's not gonna be my name there, and someone else deserves the thanks for giving you a horrible treat.

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The Magnus Archives S1: there we go, you'll get your plot once you've learned some patience. First let's settle into some context for later, okay? Is that alright with you? Okay, great <3

The Magnus Protocol S1: if you can't keep up, that's on you. You will never know a Thursday of peace. Every day spent after a Thursday will be a day you spend having to recover. You better buckle in for 3 seasons of pure whiplash, because we're going whether you buckle in or not

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Me: they keep mentioning the pile up of case files, I wonder if Alice is trying to keep the OIAR in disarray like how Gertrude was in the archives…

*a moment later*

GERTRUDE FUCKING ROBINSON AND HER GRANDSON GERRY KEAY????

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Cute first date ideas:

Visiting old friends and their grandmothers

Reminiscing on childhood activities

Tracking down the remnants of the Magnus Institute against all better judgement

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I love tmagp because those that haven't watched tma are like

ooooh creepy cases!!! spooky new characters!! This new painter guy seems like a sweetheart! there's something sus about celia... aww good job for gwen!! I'm worried about everyone though...

Meanwhile those that have seen tma are actively biting into chairs and destroying public property and ascending to a different plane of existence through the sheer unparalleled power of insanity