noiselessbuck

[noiselessbuck]

Uncle, how to get to the beautiful country? by Xiaoyu Wang

#<33333 #... yeah

[noiselessbuck]

Happy April 29!!!

[noiselessbuck]

hey i promised y'all an artemis picture so here ya go!!

my rotisserie baby!!

[noiselessbuck]

okay americans i gotta ask because as an European i grew up with lots of american shows and cartoons and in a lot of them there was an episode where they give the protags a doll or an egg or a bag of flour or whatever and told them pretend to be its parents or something

#prev thats so cool ur school had a childcare class #rip to my school for having zero practically useful classes

[noiselessbuck]

FAQ/Guidelines

#prev hmm taking notes ok soo like spn

[noiselessbuck]

okay americans i gotta ask because as an European i grew up with lots of american shows and cartoons and in a lot of them there was an episode where they give the protags a doll or an egg or a bag of flour or whatever and told them pretend to be its parents or something

#prev omg im so glad im finding out the flour was put to good use #im am also a usamerican bu #t i thought the whole thing had been phased out post like millenials being in hs

[noiselessbuck]

okay americans i gotta ask because as an European i grew up with lots of american shows and cartoons and in a lot of them there was an episode where they give the protags a doll or an egg or a bag of flour or whatever and told them pretend to be its parents or something

#prev thats crazy also rly funny cuz thats more of an engineering project than a baby thing

[noiselessbuck]

okay americans i gotta ask because as an European i grew up with lots of american shows and cartoons and in a lot of them there was an episode where they give the protags a doll or an egg or a bag of flour or whatever and told them pretend to be its parents or something

#i have heard of it in the same amount of fictionalness as op #the only thing i know is real is grown ups at parenting class are given a baby doll to practice swadoling in a blanket

[noiselessbuck]

@howldean

FAQ/Guidelines

#there are no comments here about F1 so im curious how annoying u think the f1 fans are

[noiselessbuck]

i hate when i send someone a meme in another language and they're like "uhm... translate? 😒" fucker i sent you a meme where 90% of the words have an english cognate and/or you don't need to know what they're saying to find it funny. can you at least TRY

#prev tbh i think its more a privilege issue #there are people who are never expecting to have something be in not english and so when #they see not english #their first thought is to make it stop being uncomfortable #by having someone else translate it for them #making someone else to labor to make the world once again convenient to them #rather than trying to do something about it themself #like a learned helplessness type situation

[noiselessbuck]

me: boy i can’t wait to find the email i need by putting the exact subject line in the search feature

outlook: you’ve never received an email in your life. there’s nothing here, asshole. 2000+ unread btw if you even care

#internetting

[noiselessbuck]

The computer is a machine built for looking at pictures of fish you wouldn't otherwise see. Anything else you can do with a computer was an accident and unintended

#quote from hitchickers guide

[noiselessbuck]

we've found it folks: mcmansion heaven

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[noiselessbuck]

btw all sciences are squishy, paper, or loud

#the ideal is to go into bio mechanics which is shiquy paper and loud #(bio squishy computer is paper metal go bang beep boop)

[noiselessbuck]

Instead of making fun of people who do things at an older age that are normally done younger ( like getting their diploma or GED, learning to drive, even learning to read ) how about you:

don’t

#eSpecially learning how to read

[noiselessbuck]

deleting files makes me so scared what if i Needed That

[noiselessbuck]

My absolute hottest take is that, from a culturally relative perspective, no food is bad. None of it. It's an expression of culture, art, history, ecology, material conditions, subjective taste. It's all inedible pap to somebody and the taste of childhood for someone else. Americans be eating cheesed burger. Pea wet is as good as gravy in Wigan. The French eat snails and the Inuit eat seal, the Germans eat sauerkraut and the Russians drink kvass, the Inca ate cavy and the Romans ate flamingo. People around the world have been eagerly awaiting their serving of simple bread or thin porridge or fermented milk product or pickled whatever-the-fuck since we learned to cook food over fire. We all love the slop we grew up eating. Food is a reflection of millennia of culture and loving human artistic expression. Attempting to extrapolate largely harmless online food banter into actual serious comparative rankings or half-baked critical analyses of cultures based on how much you subjectively don't like what they eat is a miserable way to live. Live a little. Peace and love on the only planet with food.