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The Palace of Arts, (now: Cinema Alisher Navoi/Panorama) Tashkent, Uzbekistan, built in 1964, Architect: Vladimir Berezin, Sergo Sutyagin, Yury Khaldeyev, Dmitry Shuvayev. © BACU https://www.instagram.com/p/CbtK-rljXf5/?igshid=NGJjMDIxMWI=

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‘Sequenzen’: Wolfram Erber – Lenz Geiger, Galerie Friedrich + Dahlem, München, April 21 – May 21, 1966 [MoMA, New York, NY]

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Art & Language Uncompleted. The Philippe Méaille Collection

Publisher: MACBA, Barcelona Eng/Sp Softcover with belly-band 264 pp. 288 x 200 mm ISBN: 978–84–92505–52–4

(via Projects | Filiep Tacq)

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Harsh Patel

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Lawrence Weiner: If in Fact There is A Context 100 Notes, 100 Thoughts: Documenta Series 008 HATJE CANTZ Pbk, 4.25 x 5.75 in. / 24 pgs.

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Marcel Breuer's chair (1928) reflects the universal appeal movement through its lack of 'decoration' and timeless appeal.

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Experimental Jetset Interne Correspondentie 1 September 2018 

(via IntCom-2.jpg (2362×3543))

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(via Donald Judd Furniture)

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(via Judd | MoMA)

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Janet Malcolm, Abyss (from The Emily Dickinson Series), 2013 [Bookstein Projects, New York, NY]

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(via 08_ATOMAA_Casa_Piola_2019.jpg (4480×6720))

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Simply droog: 10+1 years of creating innovation and discussion ドローグ・デザイン

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John Baldessari (1931-2020)

♥

(image: John Baldessari, I Will Not Make Any More Boring Art, 1971, Nova Scotia College of Art and Design, Halifax, Nova Scotia, Edition of 50 (via @artistsbooksandmultiples))

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Skeleton Typogram and Muscular Typogram Aaron Kuehn https://aaronkuehn.com/

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Portrait for the exhibition catalogue ‘Wim Crouwel: Architectures Typographiques 1956–1976′, Galerie Anatome, Paris. Design Experimental Jetset. 2007, photo by Johannes Schwartz

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Gerhard Richter, Waldstück (Woods), 1965

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Selected works by Do Ho Suh

via THISISPAPER