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GANT - The Future of American Sportswear from Maceo Frost on Vimeo.

One of the most fun experiences of 2021 was making this piece for @gant together with these lovely and humble people. @iamkelseylu @warniermathilde @eliotsumner @kelvinkinderbueno @idlesband @sonny_hall @mto_creative

Pretty much total creative freedom within the concept. Found myself trying new things and improvising a lot and I really apreciated not being micro managed by anyone. One of those rare smooth projects that come about once every blue moon!

Directed by me Dp @jakescottdp Edit @_chriszimmermann & me Composer @orpheenoah Prod @newland.tv @aprilmayproductions Color @ioskar First AD @rawdster

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Renault / Scenic from Niclas Larsson on Vimeo.

Prod: Diplomats Paris Exc Producer: Solal Michenmacher DOP : Evan Prosofsky Line producer : Guillaume Lefrançois Production designer : Lucie Beauvert 1st AD : Frederic Monnet Editor : Carla Luff Colorist : Mathieu Caplanne

Publicis Conseil Chief creative director : Marco Venturelli Creative Director : Marcelo Vergara Copywriter : Mathieu Degryse Artistic director : Yves-Eric Deboey Head tv prod : Caroline Petruccelli Tv prod: Sanae Belkouri Service production : HVH Films

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Pantera // Mercedes-Benz // Valet Guys from BWGTBLD on Vimeo.

Directed by Pantera Produced by BWGTBLD Director of Photography - Nicolas Karakatsanis Agency - Antoni Berlin Styled by BRATSK 55 Scored by Gustav Kärlstrom Graded by Alex Bickel VO by Jason Filmore Production design by Jason Hougaard

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Golden Ladder | Jordan Klassen from FARHAD GHADERI on Vimeo.

A reflection on the lives of a woman and her mother, as they heal in the face of intergenerational trauma.

Directed by Farhad Ghaderi Production Company: Boldly Executive Producers: Neel Gupta, Shelby Manton, Kristoff Duxbury, Sebastien Galina, Geoff Manton Producers: Shelby Manton, Joaquin Cardoner

Editor: Alexander Farah

Starring and made in collaboration with Sarinthy Smith, Sarine Smith, Abigail Smith, Merissa Smith, Camille Posadas, Carolyn Yu, Aria Washington

Casting by: Kara Eide, CSA and Kris Woznesensky, CSA

Director of Photography: Farhad Ghaderi 1st AC: Robin Rigault 2nd AC: Solomon Chiniquay

Gaffer: Yannie Yu Key Grip: Andrei Lyskov

1st AD: Joaquin Cardoner 2nd AD: Rebecca Steele

Production Designer: Charlie Hannah Art Assistant: Kathleen Cooper

Wardrobe Stylist: Nina Maidment Hair/Makeup Artist: Jess De Palma

Production Assistant: Grayson Lang

Colourist: Sam Gilling VFX: Lucas Hrubizna Sound Design/Mix: Oscar Vargas Film Scan: Peter Hagge at Film House

Special Thanks: Keslow Camera, Brightside Cinema Pacific Backlot, Film House, Dariush Ghaderi, Dora Prieto, Hana Amani, David Findlay, Gurbir Grewal, Wes Walker, Jeremy Cox, Jaryl Lim, Janessa Washington.

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Kinashi Noritake "Fukigen Na Mona Lisa" from Gen Ito on Vimeo.

Production: Monkey Wrench Director: Hideto Hotta

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Amazon Music ‘Life in HD’ (Director’s cut) from Judith Veenendaal on Vimeo.

Director: Judith Veenendaal DoP: Mauro Chiarello Producer: Gustav Geldenhuys⠀ EP’s: Kamila Prokop & David Richards Prod company US: division7 Prod company Kiev: Radioaktive Film⠀ PM: Sam Jackson⠀ EP Radioaktive: Sasha Bevka⠀ Local Producer: Serafima Kutsenko ⠀ Production Manager: Emil Shkulskyi⠀ 1st AD (Radioaktive): Vadim Yuzba ⠀ 1st AD (d7): Sam Powell⠀ 1st AC: Peter Chetverykov Steadicam: Max Salo⠀ Choreographer: Shay Latukolan⠀ Production Design: David Lee⠀ Art director: Natalie Maxovska⠀ Styling: Lissa Brandon ⠀ Stylist: (Radioaktive) Dasha Filshina⠀ Make-up: Martelle VFX: a52, Kasper Ophof Shoot VFX Supervisor: Jim Radford Supervisor US Patrick Murphy Edit DC: Brian Ent⠀ Colorist DC: Laurens Orij Motion titles DC: Paul Postma Sound design DC: Sauvage Sound⠀ Additional Photography: Gilleam Trapenberg ⠀ Agency: Johannes Leonardo⠀ Agency producers: Dennis McKinley & Rebecca O’Neill⠀ ECD: Ray Smiling⠀ Creatives: Mina Mikhail, Matthew Barton, Julia Waicberg⠀

Thanks to everyone involved

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Becoming Jorja Smith (Vevo Lift) from Joel Honeywell on Vimeo.

Directed by Shaun James Grant Produced by Harri Kamalanathan Production Company LEMONADE MONEY

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Pantera - Mercedes Benz - Blowfish from BWGTBLD on Vimeo.

Production Company BWGTBLD GmbH Director PANTERA Director of Photography NICOLAS KARAKATSANIS Executive Producer - PHILIPP RAMHOFER Producer - JULIANE GEUSENDAM Post Production Producer - PHILIPP WEINRICH Production Coordinator - BRITTA LIESEN Casting - DES HAMILTON Styling - BRATSK Production Design - JASON HOUGAARD Editor - CHRISTIAN ZIMMERMANN Color - Alex Bickel

VFX Company bEPIC VFX Supervisor - BASTIAN KONRADT & RADOSLAW JAMROG VFX Producer bEPIC - LION GRAF & COLEBATCH Digital Artist - FELIX HÖHNE, ROMAN NEUGEBAUER, FLORIAN FRIEDMANN, ANDREAS ROHNE,

Agency Antoni Executive Creative Director - VEIT MOELLER Creative Director - LUCAS SCHNEIDER Creative Director - MALTE BÜLSKÄMPER Account Manager - HELENA SCHILKE

Client Merzedes Benz DAMIR MARIC, KATJA OHLY-NAUBER

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The Parents / Volvo from Niclas Larsson on Vimeo.

Agency: Forsman&Bodenfors Prod Co: New Land Stockholm

With Fares Fares & Ana Gil de Melo Nascimento

Prod: Joel Rostmark & Adam Holmström Dop: Linus Sandgren Edit: Carla Luffe Art: Simone Grau Rooney Post: Chimney Stockholm Color: Sofie Burup / Company3

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H&M Group – Calling You from Olof Lindh on Vimeo.

Calling You.

DP. Tim Lorentzen Editor. Emma Backman Sound. Kim Creutzer Music. Zhala Producer. Sandra Sohlman / BRF

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Champion - "Dare To Be" (DC) from Marcus Tortorici on Vimeo.

Co-Directed with Henry Busby Featuring Leandre Sanders DP: Jeff Melanson

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The Deep Place from International Justice Mission on Vimeo.

One small boy. One huge lake. Foli was a slave. Immerse yourself in his story.

Thousands of children between the ages of 6 and 18 live in slavery on Lake Volta, working up to 18 hours a day in the fishing industry. For these young children, the only way out of slavery is to drown or be rescued. Children just like Foli.* Visit ijm.org/foli to send rescue today.

Trailer: vimeo.com/248319522 Director's Cut: vimeo.com/ijm/thedeepplacedc

--- This story is a reenactment of the real life events of one young boy. All the names and locations have been changed to protect his real identity. Directed by Lindsay Branham and Andrew Michael Ellis

Edited by Ben Stamper Cinematography by Andrew Ellis and Ben Stamper Original Music by Aled Roberts Casting by Mawuko Kuadzi Field Producer Greg Justice, Amy Justice Script Supervisor Bethany Williams Production Sound: Greg Justice Stunt supervision by Hayford Agbedor Visual Effects by Perry Kroll Color Correction by Alter Ego

Cast

Foli: Louis Baah Yeboah Fofo: Godwin Duse Uncle: Brian Angels

Boys on the Lake: Antony Antiga Richmond Ameoyi

Grandfather: Isaac Afako Grandmother: Veronika Dogolo

Produced by Novo Executive Produced by International Justice Mission

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THE BAIL PROJECT from Variable on Vimeo.

The Bronx Freedom Fund pays the bail for people accused of misdemeanors who cannot afford their freedom. Who are these people? They are often the most vulnerable in our community and those with the least public voice. They are people like Ramel. Having Ramel share his story with us was transformative – to be innocent and have your liberty denied is a national shame. His story galvanized us to make this film because his voice not only deserves to be heard, but needs to be heard. His courage, resolve and compassion is an inspiration and it’s time to shine a light on this grave injustice being visited upon far too many of our fellow citizens. The Bronx Freedom Fund, and now the national Bail Project, is doing their part – Ramel’s story is a stirring reminder that it’s up to all of us to step up and do ours.

The Bail Project is an unprecedented national effort to combat mass incarceration by keeping tens of thousands of low-income Americans out of pretrial detention. The organization grows out of The Bronx Freedom Fund and will expand to dozens of high-need jurisdictions with the goal of reducing the unacceptable human suffering caused by unaffordable cash bail and supporting community efforts to end the racial disparities endemic to this system.

Join the cause at bailproject.org.

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Featuring Ramel Edwards

Client: The Bronx Freedom Fund Project Director: Ezra Ritchin

Production Company: Variable Director: Kevan Funk Cinematographer: Peter Hadfield Producer: Alex Friedman Executive Producer: Tyler Ginter Production Supervisor: Paige Demarco Production Coordinator: Rocco Campanelli 1st AC: Oliver Lanzenberg DIT: Jeff Levine Gaffer: Brad Burke Key Grip: Seth Dean Sound: Corey Poindexter Production Designer: Curtis Oliveira Art PA: Syd Richardson Art PA: Jack De Sousa PA: Johnny Guevara PA: Julius Moreno

Editorial: Cartel Editor: Chris Catanach Post Producer: Greer Bratschie Post Executive Producer: Lauren Bleiweiss

Color: Company 3 Colorist: Jaime O’Bradovich Color Producer: Kate Aspell

Sound Design/Mix: Matt Drake @ White Hart Post Original Score: Ben Fox

Casting: Nina Day Casting

Supporting Cast: Young Ramel: Taj Blain Ramel's Aunt: Donna Glaesner Neighborhood Kid #1 Ariana Bantoe Neighborhood Kid #2 Da'jour Jones Neighborhood Kid #3 Jacquel Gilmore

--

WeAreVariable.com [email protected]

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YETI Presents: Carter Andrews from Talweg Creative on Vimeo.

A fisherman down to the DNA, Carter Andrews has no choice but to go out there and catch everything that swims. Described by a friend as a “wild man”, he does have a certain intensity about him. But you don’t have only anglers as friends unless you’re still lit up with raw joy every time a fish bites.

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FRACTAL - 4k StormLapse from Chad Cowan on Vimeo.

Connect with me on these social media channels for more stuff like this: instagram.com/stormtimelapse twitter.com/stormtimelapse facebook.com/stormlapse

The ingredient based explanation for supercell thunderstorms cites moisture, wind shear, instability and lift as the reasons for their formation. I prefer to focus on the big picture. Supercell thunderstorms are a manifestation of nature's attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or entropy, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.

This collection of timelapses was gathered over the last six years from Texas to North Dakota and everywhere in between. The project started out as wanting to be able to see the life-cycles of these storms, just for my own enjoyment and to increase my understanding of them. Over time, it morphed into an obsession with wanting to document as many photogenic supercells as I could, in as high a resolution as possible, as to be able to share with those who couldn't see first-hand the majestic beauty that comes alive in the skies above America's Great Plains every Spring. After more than 100,000 miles on the road and tens of thousands of shutter clicks later, this is the result. I hope you enjoy watching it as much as I enjoyed creating it.

Keep an eye out for a much longer version of FRACTAL, hopefully on a much larger screen. If you have any ideas regarding distribution to that end or would like to license my work for your own project, please contact me.

I love teaching people about storms and severe weather and how to safely document them. Feel free to email me if you have any interest in joining me for a chase. June is by far the best time to go out, as the storms are more photogenic and slow moving than any other month.

I'm always open to any sort of work outside of storm season. Let's create something! Open to all inquiries: [email protected]

Chase on.

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"Big whirls have little whirls that feed on their velocity, and little whirls have lesser whirls, and so on to viscosity." - Meteorologist Lewis Fry Richardson ("Weather Prediction by Numerical Process." Cambrige University Press, 1922)

This quote sums up perfectly what I've come to realize about weather and storms over the past 10 years of studying, forecasting and chasing them, and the part that I find most fascinating. On each scale level from synoptic-scale, which covers areas the size of multiple states, all the way down to micro-scale, which could be an area as small as your backyard, the fluid which we call air abides by the same universal physical laws of nature and thus acts in a very similar manner and patterns.

A cold front, for example, is a phenomenon which is widely understood to mean a large scale line of advancing cold air, hundreds of miles long, along which supercell thunderstorms sometimes form. Within these smaller storm-scale environments, something called a rear-flank gust front forms on the southern end of the low pressure area of the mesocyclone, where the rain cooled air wraps around. This is effectively a storm's cold front. The cool air is more dense than the warm air, and because of this, advances into the region of lower density, just like the larger cold front on which the storm formed.

The stunning supercell storm structure we see is along these relatively small, storm-scale cold fronts. This is what forms the "hook" on radar. Here, just as with the larger scale weather systems, the wedge of denser cool air at the surface meets the warm, moist, buoyant air in front of a storm, forcing it aloft and through the cap where the potential energy is realized. Given the right conditions, this development can be explosive.

While Richardson's quote is more regarding turbulence than thermodynamics, his theory from nearly 100 years ago that our atmosphere behaves as a fractal has turned out to be spot on. A "top down" transfer of energy and behavior occurs, resulting in a Russian nesting doll of smaller scale systems that bear a striking resemblance to the larger.

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I would like to offer a special thanks to my good friend Kevin X Barth who helped me edit this together, and found some semblance of a story arc in many disparate pieces. Kevin is an amazingly talented and creative artist in his own right, having won an Emmy as the editor of the ESPN 30 for 30 film WHEN THE GARDEN WAS EDEN. Check out his website if you're looking for an excellent editor or director for your project: kevinxbarth.com

A big thanks to Tom Lowe as well, without whom I would probably still be trying to figure out what an intervelometer is. Tom is the mastermind behind Timescapes, the revolutionary timelapse film from a few years ago. He was kind enough to share his wealth of knowledge, as well as some camera gear.

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UNREMARKABLE from Jared Anderson on Vimeo.

Written & Directed By Jared Anderson Produced By Sara Nassim Cinematography By Kai K. Krause (kaikkrause.com) Production Design By Mari Lappalainen Edited By Lilit Aloyan Music By Claudio Olachea Costume Design By Mary Wuliger Casting By Becky Silverman VFX Supervisor Nathan Strong

CAST

EM Tara Platt BRAD Rick Gifford JENNA Sofia Checchi JAX Zane Austin DRUG DEALER Amon Platis DRUG DEALER 2 Joe Sabalo SHOOTER Blake Webb COURTNEY Gloria Garayua FORENSIC ATTENDANT Mike Langer DANIELLE Marion Kerr IZZY Angela Bullock TIM John O'Brien SHARON Aubrey Manning AUDREY Nina Rausch DON Stephen Holland AMANDA Nina Millin GRANDPA John McCool Bowers CORONER INVESTIGATOR/TYLER Fernando Huerta HOMICIDE DETECTIVE #1 Cat Lee McGowen

Stunt Coordinator Deven MacNair Em's Stunt Double Marie Fink

Line Producer Beatrice von Schwerin Production Manager Bochen Zhang First Assistant Director Peter Merwin First Assistant Director (Addt. Photography) Kyle Shea Second Assistant Director Thomas A. Keith Second Assistant Director (Addt. Photography) Sigurdur Kjartan

Camera Operator Sean Bagley Steadicam Operator James Goldman First Assistants Camera Steven Breckon, Ian Avery Holliday First Assistant Camera (Addt. Photography) Christopher Kistan Second Assistants Camera Lauren Guiteras, Marhyan Franzen, Jerome Morrow Camera PA Jose Romero Script Supervisor Matthew McClelland Accountant Camille Cornuel Gaffer Ari Davidson Best Boy Electric Michael Schmidt Electricians Charles Tae, Adam Leene, Mikayel Balian, Sophia Stieglitz, Halyna Hutchins Electricians (Addt. Photography) Joanna Nguyen, Jonny Strellman Key Grip Shadi Chabaan Key Grip (Addt. Photography) Avner Mayer Best Boy Grip Adrian Estrella Dolly Grip (Addt. Photography) Mike Maggiano Grips Alec Cotugno, Ryan Mosley, Uriel Brito, Marianne Williams Grips (Addt. Photography) Tristan Copeland, Christian Tahyar, Diego Castillanos, Jeffrey Taylor Location Manager Cristian Plesh 2nd 2nd Assistant Director Alfonso Ramirez Assistant Editor Emily Mendez Production Sound Mixer Keith Wechsler Boom Operators Chris Thueson, George Adrian Boom Operator (Addt. Photography) David Levine

Pathology Consultant. Julie Horst Embalming Consultant, Howard Huehl Art Director Randy Kizer Assistant Art Director Michael Wheelock Assistant Art Director (Addt. Photography) Daniel Frank Set Decorator Janice Vasquez Leadman Joe Rothert Set Dresser Sarah Dryden Property Master Steven Keller Graphic Designer Mike Diaz SFX Props Jessica Lewis Construction Coordinator (Addt. Photography) Dylan Corbett Carpenter Jason Stebbings Painters Andre Rivera, Hayelee Beisler, Brianna Sealey, Royce Brown Set Dressers Eli Flesch, Eric Flesch, Yuri K. Lee, Paige Mount Art PAs Lindsay Theirl, Hanson Reed, Max Romanowski, Matt Kloker, Jesus Aguirre, Drake Cherry, Anna Geisler Costumers Julia Laftsidis, Kristen Carter Make-up & Hair Stylist Kimberly Romo Make-up & Hair Stylist Assistants Patty Jarvis, Briana Vazquez Make-up Effects Supervisor George Troester Make-up Effects Artists Linday Gavin, Damien Zimmerman, Alondra Shields Regina Jigante, Miranda Jory Audio Post Production Services TFX Studios Los Angeles Sound Design Lisle Engle Foley Artist Gretchen Thoma Foley Mixer Ryan Wassil Sound Re-recording Mixer Lisle Engle Orchestration Emad Borijan Score Mixer Seth Waldmann Additional Score Recordist Cooper Fuqua Digital Composer Gerry Zimmermann Digital Intermediate by Technicolor Hollywood Digital Intermediate Colorist Darin Woolridge Digital Intermediate Producer Christine Dougherty Project Manager Laura Borowsky Studio Teacher Nancy Neumann Background Casting Director Deanna Roseen BACKGROUND ARTISTS PARAMEDIC #1 Rina Restaino PARAMEDIC #2 Sasha Rhoe HOMOCIDE DETECTIVE #2 Ryan George POLICE OFFICERS Jason Lamar, Jasmin Day, Juan Aguirre CROWD Tomomi Yoshida, Joshua Elizondo, Kerstin Alm, Arcola Kyle, Alexandria Mcalpine, Tyson Marlow, Philip Davis TRAVELERS Chester Lovegreen, Vanessa Green, Alana Berthiaume, Quetta Boyd FUNERAL GUEST Kyle Eilerman OLD MAN Sam Teaford OLD WOMAN Josie Dapar LOBBY PATRONS Elester Latham, Lindsey Legako TIM'S ASSISTANTS Kyle Greene, Jess Matney Transport Coordinator Michael Lutz Truck Drivers Hector Gonzalez, Adam Shambour, Sean Cyphers Picture Vehicle Drivers Daniel Leighton, Dan Leonard, Tim Beers Key Set PAs Andy Quijano, Brian Contreras, Elli Legerski Production Assistants Arthur Augustyn, John Clem, Carolina Cora, Mariana Salem, Lauren Tran, Lorin Fields, Kenie Munguia, Lonna Cavette Craft Service Ni Jiang Craft Service (Addt. Photography) Olga Aldama Set Medic Jason Talmadge Police on Location Shawn Stevens Location Site Rep - Biltmore Hotel Don Harris Location Site Rep - Mountain View Mortuary John Morris

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The Art of Shaving: Miles Chamley-Watson from Henry Busby on Vimeo.