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omniliquid · 7 hours
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okay I'm curious. if you feel like it, reblog this post with your top five all-time blorbos. not your latest blorbos, but the ones you've had the most persistent and irreversible brainrot about over the years
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omniliquid · 7 hours
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They hate me for my cliffhanger swag
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omniliquid · 7 hours
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do you ever hear people talking about something and you’re like. fuck. let me be real for a second. i’m too much of a commie to have this conversation
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omniliquid · 8 hours
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I've been looking at his work a bit lately and was coming to similar conclusions. Like we lose something not just from the binary but even from the gender spectrum.
The way I was seeing it was that the gender spectrum is kind of seen as a spectrum between male and female, so then the first approximation is a line connecting the two with all the genders on that line. But this leaves out various groups.
So to encompass them, you can use that line as a measuring stick and kind of figure out the relative positions of the gender identities by connecting a perpendicular line and get a second approximation which is kind of a gender spectrum cylinder.
And now you can measure any concept at all in terms of maleness versus femaleness. Attack helicopters? Seems pretty masculine. Washing your butt? Definitely feminine. Only gay guys would do that. And so on.
But there's no reason to prioritize the concepts of male and female. You could use Supermanness and Batmanness instead if you wanted and have an entirely different "gender spectrum".
But the whole exercise misses the mark. One reason is that male and female are only two genders out of an evergrowing and countless number that each have their own geneological history and complex relations to each other, but also, by committing to a single gender identity (even a multi-gender one), you lose flexibility, and thus you lose a part of your toolkit, your power, and your self.
Anyways, I hope I wasn't completely incomprehensible here, but my point is, I think the spectrum is an improvement over the binary for sure, but we need to move on to the rhizome, the interconnected, nonheirarchical, vinelike structure Deleuze loves to go on about.
i think a lot of people would be happier if they viewed labels like homosexual and transgender as social technologies rather than identities
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omniliquid · 8 hours
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if im weird with u, im comfortable with u
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omniliquid · 8 hours
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Americans, these are things we are NOT saying in 2024:
"Voting blue won't solve anything." Yes it will: if enough of us do it, it will solve a problem called Trump's second term in the White House. We unfortunately live in a two-party system. If you refuse to vote, you're effectively voting for Trump. I shouldn't need to explain this to people, yet here we are.
"It doesn't matter who's president. Both candidates are the same anyway." No, they are REALLY not. Biden was never my first choice, and his shipments of arms to Israel are despicable, but don't try to tell me even for a second that a second Trump term would be the same for the world as a second Biden term.
"But voting blue won't fix [fundamental underlying problem in America]." Voting for Democrats cannot fix every issue, this is true. But by saying this and ONLY this you are discouraging people from voting by making them feel hopeless. Voting is one of many tools in our arsenal, not the only tool, but an important one, and it does matter.
"You shouldn't vote blue, you should do [other thing] instead." See above: you can vote and protest and organize at the same time. It's not either/or. You can do it all. Stop discouraging voters from exercising their rights under the guise of leftism.
"Voting is just legitimizing government power. It makes you part of the system." Literally just shut up. Women and people of color didn't fight for their voting rights to have you say things like this. If you live in America and you can legally vote, then you should fucking vote, and vote blue. There is no neutral option.
"Voting blue just makes you complicit in [this bad policy]." Inaction, and allowing Trump to have a second term, is worse for the entire world than any Democrat policy. Yes, even that one. Voting is not about finding a perfect unproblematic candidate. It is about choosing the lesser of two evils.
"Voting doesn't work because—" STOP IT. STOP DISCOURAGING PEOPLE FROM VOTING.
You know who wants you NOT to vote? Trump supporters, that's who. You should be suspicious of ANYONE who is suggesting that your vote doesn't matter, or that both candidates are the same, or that Biden's policy on XYZ means you shouldn't vote for him. Trump supporters aren't trying to get your vote by saying, "Vote for Trump!" They're trying to get your vote by DISCOURAGING YOU FROM VOTING AT ALL.
I don't like Biden either, but Trump is unequivocally worse. Voting doesn't fix everything, but it is the minimum fucking requirement of living in a democracy. Voting for president has real, tangible, immediate impacts on people's lives, and choosing not to vote is not the rebellion you think it is, it is just relinquishing your voice. So fucking vote. THIS IS A GROUP PROJECT AND DAMN IT WE ARE NOT FAILING BECAUSE OF YOU.
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omniliquid · 8 hours
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omniliquid · 8 hours
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Why do people need subtitles to watch a show in English? I don't get it. What is wrong with the ears of young people?
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omniliquid · 9 hours
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i think "it takes a village" shouldn't be just "to raise a child". we should understand it takes a village to do literally everything we do. all day every day. without our communities we would not have drinking water or electricity or clean streets or food or shelter or anything. we cannot do any thing alone. we just can't. and with that comes the fact that you are not alone. you already have a community, seek to be an active part of it, you will feel better. reach out and thank them, they're happy to have you too. i promise. it takes a village to live.
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omniliquid · 9 hours
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I saw this on quora and thought it was cool and wanted to share it on here.  Its a long read but crazy.  Its from Erik Painter
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They did try. And they did capture Navajo men. However, they were unsuccessful in using them to decipher the code. The reason was simple. The Navajo Code was a code that used Navajo. It was not spoken Navajo. To a Navajo speaker, who had not learned the code, a Navajo Code talker sending a message sounds like a string of unconnected Navajo words with no grammar. It was incomprehensible. So, when the Japanese captured a Navajo man named Joe Kieyoomia in the Philippines, he could not really help them even though they tortured him. It was nonsense to him.
The Navajo Code had to be learned and memorized. It was designed to transmit a word by word or letter by letter exact English message. They did not just chat in Navajo. That could have been understood by a Navajo speaker, but more importantly translation is never, ever exact. It would not transmit precise messages. There were about 400 words in the Code.
The first 31 Navajo Marines created the Code with the help of one non-Navajo speaker officer who knew cryptography. The first part of the Code was made to transmit English letters. For each English letter there were three (or sometimes just two) English words that started with that letter and then they were translated into Navajo words. In this way English words could be spelled out with a substitution code. The alternate words were randomly switched around. So, for English B there were the Navajo words for Badger, Bear and Barrel. In Navajo that is: nahashchʼidí, shash, and tóshjeeh. Or the letter A was Red Ant, Axe, or Apple. In Navajo that is: wóláchííʼ, tsénił , or bilasáana. The English letter D was: bįįh=deer, and łééchąąʼí =dog, and chʼįįdii= bad spiritual substance (devil).
For the letter substitution part of the Code the word “bad” could be spelled out a number of ways. To a regular Navajo speaker it would sound like: “Bear, Apple, Dog”. Or other times it could be “ Barrel, Red Ant, Bad Spirit (devil)”. Other times it could be “Badger, Axe, Deer”. As you can see, for just this short English word, “bad” there are many possibilities and to the combination of words used. To a Navajo speaker, all versions are nonsense. It gets worse for a Navajo speaker because normal Navajo conjugates in complex ways (ways an English or Japanese speaker would never dream of). These lists of words have no indicators of how they are connected. It is utterly non-grammatical.
Then to speed it up, and make it even harder to break, they substituted Navajo words for common military words that were often used in short military messages. None were just translations. A few you could figure out. For example, a Lieutenant was “one silver bar” in Navajo. A Major was “Gold Oak Leaf” n Navajo. Other things were less obvious like a Battleship was the word for Whale in Navajo. A Mine Sweeper was the Navajo word for Beaver.
A note here as it seems hard for some people to get this. Navajo is a modern and living language. There are, and were, perfectly useful Navajo words for submarines and battleships and tanks. They did not “make up words because they had no words for modern things”. This is an incorrect story that gets around in the media. There had been Navajo in the military before WWII. The Navajo language is different and perhaps more flexible than English. It is easy to generate new words. They borrow very few words and have words for any modern thing you can imagine. The words for telephone, or train, or nuclear power are all made from Navajo stem roots.
Because the Navajo Marines had memorized the Code there was no code book to capture. There was no machine to capture either. They could transmit it over open radio waves. They could decode it in a few minutes as opposed to the 30 minutes to two hours that other code systems at the time took. And, no Navajo speaker who had not learned the Code could make any sense out of it.
The Japanese had no published texts on Navajo. There was no internationally available description of the language. The Germans had not studied it at the time. The Japanese did suspect it was Navajo. Linguists thought it was in the Athabaskan language family. That would be pretty clear to a linguist. And Navajo had the biggest group of speakers of any Athabaskan language. That is why they tortured Joe Kieyoomia. But, he could not make sense of it. It was just a list of words with no grammar and no meaning.
For Japanese, even writing the language down from the radio broadcasts would be very hard. It has lots of sounds that are not in Japanese or in English. It is hard to tell where some words end or start because the glottal stop is a common consonant. Frequency analysis would have been hard because they did not use a single word for each letter. And some words stood for words instead of for a letter. The task of breaking it was very hard.
Here is an example of a coded message:
béésh łigai naaki joogii gini dibé tsénił áchį́į́h bee ąą ńdítį́hí joogi béésh łóó’ dóó łóóʼtsoh
When translated directly from Navajo into English it is:
“SILVER TWO BLUE JAY CHICKEN HAWK SHEEP AXE NOSE KEY BLUE JAY IRON FISH AND WHALE. “
You can see why a Navajo who did not know the Code would not be able to do much with that. The message above means: “CAPTAIN, THE DIVE BOMBER SANK THE SUBMARINE AND BATTLESHIP.”
“Two silver bars” =captain. Blue jay= the. Chicken hawk= dive bomber. Iron fish = sub. Whale= battleship. “Sheep, Axe Nose Key”=sank. The only normal use of a Navajo word is the word for “and” which is “dóó ”. For the same message the word “sank” would be spelled out another way on a different day. For example, it could be: “snake, apple, needle, kettle”.
Here, below on the video, is a verbal example of how the code sounded. The code sent below sounded to a Navajo speaker who did not know the Code like this: “sheep eyes nose deer destroy tea mouse turkey onion sick horse 362 bear”. To a trained Code Talker, he would write down: “Send demolition team to hill 362 B”. The Navajo Marine Coder Talker then would give it to someone to take the message to the proper person. It only takes a minute or so to code and decode.
youtube
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omniliquid · 9 hours
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Fans spent decades claiming that Hideo Kojima is a creative genius who's being held back by the studio system, and then the first time a production gave him free rein to do whatever he wanted he promptly made a game where you have to play out using the bathroom in real time so the protagonist can collect his own urine to craft magic piss grenades. It's unclear whether this confirms the fandom's hypothesis.
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omniliquid · 9 hours
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When I was younger and researching the autism diagnosis criteria and symptoms, I thought “oh I couldn’t POSSIBLY be autistic.” Because when I read “takes everything literally” I thought it literally meant EVERYTHING and I was like “I don’t take EVERYTHING literally, just most things!” And I just realized the other day that it didn’t actually mean EVERYTHING and that was an overstatement.
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omniliquid · 9 hours
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its interesting to me how self-deprecation neatly ties into making others feel bad. like. if you constantly assume that you’re stupid no matter how informed or skilled in a topic you might be, people who are a bit less learned or skilled than you might see how you, someone who is obviously skilled, talk down about yourself, and assume that if you think YOURE an idiot you must think theyre an even bigger idiot and lose confidence or find you intimidating as a result. its fucked up. and its part of why it can be so important to break out of cycles of self-hatred–not just for yourself, but for people around you
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omniliquid · 9 hours
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people refuse to see the violence it takes to maintain the status quo as such and instead fear the hypothetical violence it will take to destroy it. they see the current order of things as a state of stasis and inaction, instead of as a violent order upheld by constant action, which can be undone by action
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omniliquid · 9 hours
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someone I follow on the bird app just announced they're starting a very exclusive private fic server because they and a bunch of other people want to talk about how much they love the fics they're reading, and as an author can I just say that a really great place to talk about a fic you love is in the comments for that fic
I understand that people are trying to create safe spaces, but as the number of comments that I get on my fics dwindles with each passing year, knowing these spaces exist where my fics are being discussed, places that I am excluded from, makes me want to write fic LESS
I mean I guess who cares, right, because if I stop writing, there's 10,000 other people that will continue...but if you participate in a fic "book club" server and you say nice things there about a fic you loved, maybe copy and paste that into a comment on AO3?
the only thing fanfic writers are asking for in return for hours of hard work is attention. please don't rob us of the one thing that we hope for when we hit "post"
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omniliquid · 9 hours
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I wanted to put a more positive spin on the popular skeleton leaving meme
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omniliquid · 9 hours
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I tried to write a novel. Not once. Not twice. But about 12 times. Here's how that would play out: 1. I sit down and knock out 10 pages 2. I share it with someone 3. They say "It's goooood" like it's not good 4. I ask for critical feedback 5. They say, "Well....the plot just moves so quickly. So much happens in the first few pages it doesn't feel natural." So I'd write more drafts. I'd try to stretch out the story. I would add dialogue that I tried to make interesting but thought was boring. I would try including environment and character descriptions that felt unnecessary, (why not just let people imagine what they want?) Anyways, I gave up trying to write because in my mind, I wasn't a fiction writer. Maybe I could write a phonebook or something. But then I made a fiction podcast, and I waited for the same feedback about the fast moving plot, but guess what??? Podcasts aren't novels. The thing that made my novels suck became one of the things that made Desert Skies work. I've received some criticism since the show started, but one thing I don't receive regular complaints about is being overly-descriptive or longwinded. In fact, the opposite. It moves fast enough that it keeps peoples attention. I always felt I had a knack for telling stories but spent years beating myself up because I couldn't put those stories into novel form. The problem wasn't me. The problem was the tool I was trying to use. All that to say: If, in your innermost parts you may know that you're a storyteller but you just can't write a book, don't give up right away. You can always do things to get better and there's a lot of good resources. But if you do that for a while and novel writing just isn't your thing, try making a podcast, or creating a comic, or a poem, or a play, or a tv script. You might know you're an artist but suck at painting. Try making a glass mosaic, or miniatures, or try charcoal portraits, or embroider or collage. You might know you're a singer, but opera just isn't working out. Why not yodel? I could keep listing out examples, but the point is this. Trust your intuitions when it comes to your creative abilities, but don't inhibit yourself by becoming dogmatic about which medium you can use to express that creativity. Don't be afraid to try something new. Don't be afraid to make something new. You might just find the art form that fits the gift you knew you always had, and what it is might surprise you
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