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pineappleseeker · 1 day
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When the streets have too much to say
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pineappleseeker · 1 day
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pineappleseeker · 4 days
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tuesday by Alex Dimitrov
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pineappleseeker · 4 days
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pineappleseeker · 5 days
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“Dime-store alchemy” - Charles Simic
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pineappleseeker · 5 days
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pineappleseeker · 6 days
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Emily Dickinson
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pineappleseeker · 6 days
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This is not an exit, Victor Sillue
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pineappleseeker · 7 days
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pineappleseeker · 7 days
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Jeff Latosik, from “On the General Being of Lostness"
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pineappleseeker · 7 days
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-Poppy Field in a Hollow near Giverny-
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pineappleseeker · 9 days
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Marie Wandscheer (detail)
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pineappleseeker · 9 days
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pineappleseeker · 9 days
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AE HEE LEE, from "Prelude"
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pineappleseeker · 12 days
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©Philomena Famulok
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pineappleseeker · 16 days
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“I think there is a general misconception that you write poems because you “have something to say.” I think, actually, that you write poems because you have something echoing around in the bone-dome of your skull that you cannot say. Poetry allows us to hold many related tangential notions in very close orbit around each other at the same time. The “unsayable” thing at the center of the poem becomes visible to the poet and reader in the same way that dark matter becomes visible to the astrophysicist. You can’t see it, but by measure of its effect on the visible, it can become so precise a silhouette you can almost know it.”
— Rebecca Lindenberg, from Why Write Poetry?
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pineappleseeker · 16 days
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