quantumblog

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Building the Tauntaun for The Empire Strikes Back (1980)

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obsessed w this. the fact that brennan is quite literally speechless.

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It’s art, it’s architecture, it’s whimsy, it’s —

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UK 1987

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Chef's Kiss.

#boris de pfeffel johnson #Tories shooting themselves in the dick again

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i have to know - as a disco elysium fan who didnt do disco, what would you say is essential disco listening for me?

I'm hugely behind on the asks, but I have to answer this one, because I'm going to answer a connected but completely different question, and then maybe then loop back to you. I'm just looking for an excuse to ramble, and do the writer equivalent of a warm-up sketch (i.e. waste time).

My apologies.

If you wake up and decide that you want to get into a whole genre of music, there's basically two tactics.

(There's also the "Why would anyone care to get into something they don't care about", which is one of the few things I have a "There's two sorts of people..." response to - those who when presented by something unknown either think "why should I know about that?" or "why don't I know about that?" I'm the latter, and it's served me well.)

The first tactic is simple.

Jump on a genre with Best Of in the title and follow your pleasure response. Here's a Spotify one. What interests you? What excited you? What makes you laugh? Probably explore more of that. If not, indulge widely, and see what sticks. At a glance, Disco playlists seem to have the problem of most playlists, in that strictly not everything on it is disco per se. For example, Dancing Queen strictly speaking isn't a disco song - but it's a song about disco, in every way. But if anything has found its way on a playlist, it's found its way on for a reason.

In your case, you're interested in what Disco resonates with Disco Elysium. Which I've bought for C, but not played, but I'm aware of in a "if I was still a games journalist, this is clearly one I would write a lot about." I spent years writing about Planescape Torment, and I know a spiritual successor when I see one.

This makes me think the area you want is basically the classier end - the big bleak emotions, the chilliness, the control, lonely on a dancefloor, lonely everywhere, oh-so-much cocaine, and - to steal Paul Lester's line - glass mountains on fire.

Which leads back to the second way of getting into a genre of music - which is to hit a major artist, and hit them hard.

When asked about "how shall I get into a band" my advice is actually the opposite of what I'm about to give. If you just want to get into a band, get Best Of, see what tracks you like, then go to the albums they're from. But if you're trying to get into a whole genre of music, that's a more serious endeavour, and may reward the opposite approach.

Basically pick a key album from a key band, and get into it, and grow from there. Read about the band - you don't need much, but a little helps. Learn how to listen to what their tracks do. And then you use that band as the single point of knowledge you have to orientate yourself to everything else you listen afterwarads.

There's a huge danger to this - basically, no-one is more ignorant than someone with a little knowledge. You have to be aware that you are the person who knows a bit about Boss Baby, and using that to get into things other than Boss Baby.

The strength is that it's a more holistic, lived in knowledge than just skimming the surface. You understand the music better as an artifact of their times, made by people, responding to their specific situation - which adds different flavours to your appreciation of it. Sure, your own response and how it finds a place in your life is always the thing which over-rules anything else - but the more you can listen for, the more you can hear, the more you can get from a work of art.

Anyway - I'm telling you to go and listen to Risque by Chic.

Chic are basically fucking awesome. If you don't know Disco at all, the opening Good Times chilly ironic take on American late-seventies culture is a great and (I suspect) Disco Elysium relevant intro. You'll know it as a sample, if nothing else, and the eight minutes version that opens Risque is a great way to think about it as both music for dancing (it is endless) and music for listening (it is boundless).

I got Risque as Paul Lester went to bat for it so hard in the Unknown Pleasures book the Maker stuck on the cover in 1995 (it was covering 20 albums that had fell out of the critical conversation, and it absolutely changed the dirction of my listening in the period). Here's Lester writing about Risque more recently for a taste, as the original piece doesn't appear to be online. I just read it in my copy, and it's a burst of love, describing it Disco as music about love - never sex, only love, and mainly love that is denied. That seems solid, at least for the best of chic.

Risque is the Chic album that Lloyd from Phonogram would have been listening to, certainly. I know I did.

(Plus At Last I Am Free from C'est Chic, obv)

There's a lot of Chic to listen to - their own work, especially in the period, and all their productions. Their work with Sister Sledge is of particular import - Lost In Music was one of the working title for Phonogram, and you can see and hear why. They're also the Disco band whose influence is perhaps most obvious in other bands. Everyone liked Chic. No Chic, no Orange Juice, no Orange Juice, no Smiths, etc.

Sister Sledge was the first live band I was at. My mum went to see them when she was eight and a half months pregnant. The temptration to say I'd have heard Lost in Music then and sold is tempting, but ahistorical - it's well before their work with Chic.

Anyway - get into Chic. It'll make your life better - and when your life isn't better, it's a superior context to lose yourself.

However, to go back to your question, as a Disco Elysium fan, I'm not sure it's actually THIS Disco you're looking for.

How about Disco Inferno?

Not Disco at all, but most like itself than anything else, which sounds like what I understand about Disco Elysium. right?

(DI Goes Pop is the starting place)

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Wow this is nearly a decade ago

By modern standards, the inclusion of two women in this Dungeons and Dragons ad was a surprisingly bold move — a kind of sad snapshot of our lost, pre-Reagan/Thatcher/Pinochet/Mulroney-era past.

Read the rest…

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Can you imagine suing Boeing and coming home to find Boeing's faulty plane parts washed up in your backyard?

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…and then the Tories disappeared in a puff of their own gerrymandering

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i created a game just for you... https://dropouttv.itch.io/dejavu

(as seen in "deja vu," by the brilliant colin watterson and jameson danning. reposting as to not burden colin's personal itch channel. works well on PC, badly on mac.)

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Gotta hold onto those ideas and not forget them!!

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divine marriage

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looking like I'm gonna open a children's library in this pic hahahaha

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(1970) Rupp Super Sno-Sport