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queeniebee6 · 1 year
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…Then in my most carefull handwritting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a lenght of silk. Boggs reprograming the holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happines, like the photo of Finnick and Annie’s newborn son. 
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queeniebee6 · 1 year
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the point of tbosas is to make you uncomfortable and it was so important for suzanne collins to do that, especially in times like these when america is inching closer to becoming a dystopa
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queeniebee6 · 1 year
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I love that we’re all collectively reentering our hunger games era
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queeniebee6 · 1 year
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i’m “house phone” years old
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queeniebee6 · 1 year
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really into hole and garbage these days
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queeniebee6 · 1 year
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gender trouble will have you saying shit like I have got to get some more masculine earrings
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queeniebee6 · 1 year
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lesbian masculinity is literally one of the hottest and most attractive things in the world sorry.
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queeniebee6 · 1 year
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I’ve seen few fics hinting about Claudia and Wayne being a thing and I’m not against that at all, it’s kinda cute and all but what actually is selling that one for me is how goddamn hilarious it would be. I mean…
There’s Claudia Henderson. Dustin’s actual mom. And then there’s Steve Harrington. Dustin’s side mom. And then there’s the Munsons. Dustin with wavering voice asking “Did you fuck my mom?” And Eddie and Wayne just looking at each other like “is he talking to me or you? Because the answer is yes”
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queeniebee6 · 1 year
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Steve inherits an old haunted mansion but has to stay there for 48 hours before he can claim ownership. It doesn't go horror trope route though because he brings Eddie, Robin, Nancy, Jonathan and Argyle with him. They're all either too busy being weirded out by Argyle, Eddie and Robin or being intimidated by Nancy to try anything.
It's them that's living through a nightmare.
Especially when they finally catch Steve alone and he just starts whisper monologuing to himself about how he's finally gonna make a move on Eddie, hyping himself up in such a ridiculous way that the demon-ghost facepalms.
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queeniebee6 · 1 year
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There have been many posts crediting President Snow for his “genius” decision having the tributes being previous winners for the 75th Hunger Games, however, I think it is probably the biggest mistake he makes in the series… And Plutarch’s smartest move.
The main rule in the Hunger Games is that there is always one winner. Not only is the winner awarded a fancy house and a large sum of money, but they are paraded around the capital. Their status is elevated and their home district views them as a celebrity. It is the only ticket to “rise up” in society. We as the reader know that being a Victor is still a terrible fate (body sold to capital citizens, used as a prop, forced to be a mentor), however, they symbolize a win for the district as a whole and enforce the hatred districts have for each other. 
In the 74th Games, Crane makes the decision to change the rules and allow two tributes from the same district to win the games. Whether this is purely for drama to make the romance element sell better or a clever way to introduce false hope, all tributes believe this rule is real. There is a chance Katniss and Peeta can really win together. When the rug is pulled out from under them, they are forced to choose who will win causing all hope of their dual survival to be lost. Both Katniss and Peeta want the other to win, however, they know the toll it will take emotionally on that individual to be the lone survivor (survivor’s guilt). With no hope of a fair life, they are both willing to die together creating an all or nothing situation. Crane is forced to let both of them win, knowing that if no one wins the games, the districts might realize that “their sacrifice” was for nothing. He believes two winners are better than none (And honestly he’s lowkey right), and it costs him his life. 
During Snow’s conversation with Crane he states, “Fear does not work as long as there is hope”. Katniss and Peeta winning together is not inherently revolutionary, it was not done to spite the capital, but Snow cannot let go of the idea that they broke the carefully constructed rules of the games, and, therefore, must be punished. He forgets that Katniss and Peeta are not universally liked, especially in districts where they had to kill their tributes (district 1 and 2). Snow blames Crane for even introducing the idea of two winners in the first place, the rules of the Hunger Games have been solidified for good reason. Ironically, the ending of the games is not what brings on the rebellion, it is really Rue’s relationship with Katniss. The kindness Katniss shows shows during Prim’s death unites the Districts for a moment, and creates a connection between District 11 and District 12.
This push for fear and punishment blind Snow when Plutarch becomes the game maker. Although all the districts know the 75th Games will have a twist, deciding to draw tributes from the existing Victors is a critical mistake. Yes, it allows Snow to “punish” Katniss for bending the rules, however, Snow forgets that the Victors symbolize hope to a necessary degree for society to function. The districts need to feel like they can win something, they need some distraction of power to stop them from realizing they are constantly being manipulated. Taking two of the golden children away from every district unites the efforts of rebellion. It is the clearest way to say “no, you are all losers at the end of the day”. This blatant reminder is not needed, and spreads anger throughout the entire Panem system. 
Snow’s weakness is he doesn’t understand that fear cannot work without the idea of mercy. There must be some possible reward to work for, or hopelessness will take over and people will act without care for their lives. If both options bring death and torture, why not rebel? The additional scenes in Mockingjay Part 1, demonstrate this notion perfectly (the dam in District 5 and the bombs in District 7). 
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queeniebee6 · 1 year
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exhibity a (detective mongomery)
ao3 more songwriter!eddie can be found here more songwriting/poetry; mildly nsfw bc eddie is eddie
***
Jeff has a theory.
Gareth agrees with the theory, though he's less confident about it, and Ian disagrees, though he's expressed that there's a chance Jeff may be right.
The theory is that Eddie fucking Munson has a boyfriend.
And Jeff has evidence.
EXHIBIT A: THE RING
Jeff notices that one of Eddie's rings is missing one day.
Granted, it's not the most concrete of evidence, because Eddie is Eddie, so Jeff assumes that he forgot it. Dropped it between his bed and his bedside table and just couldn't be assed to fish it out or to move his furniture. Maybe he was fidgeting with it in the car and dropped it to the ground and forgot about it by the time he got to Gareth's.
So he doesn't say anything.
But the next time he sees him, he isn't wearing it again.
So maybe he dropped it in a crack in a porch and couldn't reach it.
But if that were the case, Jeff feels like Eddie would have complained about it by now. Eddie once proclaimed that bitching is one of his favorite hobbies, along with getting stoned and sucking dick (at the same time or not, which he clarified after Ian questioned it), and the last time he misplaced a ring, he wouldn't shut up about it for three days until Wayne found it in the laundry basket. But maybe Eddie is just maturing. (Hah.)
They're in Jeff's living room, bantering and fucking around, the music from Jeff's record player low so they can hear each other, and as Eddie is watching Gareth and Ian bicker like he's watching a tennis match (not that he'd ever watch a tennis match), looking back and forth and back and forth, Jeff sees him reach for his ring finger, fingers poised to twist it around the way he usually does. The ring isn't there, obviously, and Eddie glances down like he's forgotten, and then a brief smile flashes across his face for a moment before he looks up and shouts that Ian is right, and Gareth, shut the fuck up.
And Jeff wonders.
EXHIBIT B: THE BASKETBALL
Eddie and Wayne live in a new apartment in town. (New being relative. It's a little run-down, with creaky floors and squeaky doors, but it's new to them.) Eddie's room is smaller than it was in the trailer, but Wayne has his own room in the apartment now, with an actual bed instead of a pull-out sofa.
Eddie's room is practically the same. Messy and covered in posters and tapestries and cut-out photos from magazines. His desk is covered in D&D pamphlets and character sheets, messy sketches of characters that he started and forgot about, uncapped pens and markers that must be dry by now. There are clothes covering the floor, hiding the fuzzy rug, and the blankets of his bed are always cast aside, almost falling off the bed because apparently Eddie throws them aside in the morning (or afternoon, depending on the day).
Eddie is searching for the weed he was supposed to bring to Ian's, and Jeff is waiting, leaning against the doorframe, watching as he rummages through some drawers.
"I swear I have it."
"I believe you," Jeff says dryly. "There's gotta be weed in here somewhere." Eddie shoots him a look, sticking out his tongue. He keeps rambling, I thought I fucking put it in here, I don't know how I get all these drawers confused, there aren't even that many, Jesus Christ, and Jeff looks around the room. There's a new poster of Bowie on the wall near his window. Jeff eyes it. It's not really Eddie's style, but Jeff's heard Eddie talk about how hot he is.
He looks at his blankets as Eddie rummages through another drawer. His bed wasn't raised when they were in the trailer, but he has a new bedframe, and now he has boxes and bags and a pizza box and... Is that a basketball?
Jeff looks at Eddie, who has his back to him, groaning as he tosses things aside onto the floor, and he steps to the side, tilting his head to see the orange ball that's partially hidden by a striped blanket that's falling off the bed. Jeff raises an eyebrow.
Eddie Munson has never voluntarily played a sport in his life. Jeff knows it. Gareth and Ian know it. The queen of England knows it. There is no reason for there to be a basketball in his bedroom. Unless it's someone else's. Someone he hasn't mentioned to them.
"Got it!"
Eddie stands, holding up the baggie triumphantly, grinning as he turns to Jeff.
"You really to stop losing illicit substances."
"'S fine," Eddie says, swaying to turn off the light. Jeff glances at the basketball one more time before following him out of the room.
"You're gonna get in trouble one of these days."
"Nah," Eddie says easily, still grinning, and he turns to face Jeff, walking backwards and spreading his arms like a challenge. "I'm immune, baby."
Jeff rolls his eyes, fighting a smile.
"What have I said about calling me baby?"
"Oh my god, it's a general term, I'm not calling you baby, it's just--"
EXHIBIT C: THE EXCUSES
"I forgot I need to help Wayne sort out some boxes before he leaves for work," Eddie says, swinging his guitar over his back. He's still a little out of breath, his hair falling from where it's tied up, exposing the scar around his neck. He won't talk about it. They don't ask. "I'll see you guys later."
"You guys aren't done unpacking?" Gareth asks before he guzzles some water.
"You know Wayne," Eddie says. "He'd put off unpacking for five more years if I didn't volunteer to help."
He's cheerful, going around and smacking loud kisses to their cheeks. Ian grins when he gets to him. He's always liked the affection that Eddie gives out so freely.
"Have you noticed he's been doing that a lot lately?" Ian asks as Eddie's van is pulling out of Gareth's driveway. Eddie rolls his window down and flips them the bird. They do it back. He cackles.
"God, yes," Jeff says, grateful he's not the only one.
"Doing what?" Gareth asks.
"'I have to help Wayne unpack,'" Ian repeats. "'I said I'd help old man Cooper fix his A/C. Henderson needs a ride to an appointment. Little Sinclair is going to the salon and her mom can't take her.'"
Gareth stares at him.
"How can you remember that all word for word but you don't remember when my birthday is?"
"...July--"
"No."
"Fuck. I don't know, my brain's weird. Anyway, he's been doing it a lot lately."
"Yeah," Jeff says, smiling after watching the interaction. (Gareth's birthday is in June.) "I mean, it's not like it's every time we hang out, so I'm not, like, offended or anything, but it's more often than he used to."
Gareth pauses as he spins his drumsticks, holding the door open for them to go inside.
"Do you think it has to do with... everything?"
Everything is code for Eddie going missing and being framed for three murders.
"I don't know," Jeff sighs, swinging open the fridge and finding a bottle of soda before he passes it to Ian. "He seems to have actual stuff to do, like with Erica and Dustin, but if he is lying, I mean... He's gotta have a reason to, right?"
Ian cracks open the soda, leaning against the counter.
"And if it has to do with everything, then, like... I don't know. I don't wanna, like. Pry."
"Yeah," Gareth says.
Jeff agrees. Eddie's been keeping quiet about the whole thing ever since he got discharged from the hospital. He's lost his memory, doesn't remember a lot of what happened, but they've seen him get lost in space, seen him breathe so shallowly it barely looks like he's breathing at all. These episodes (Jeff doesn't know what else to call them) sometimes last a few minutes. The first one was after they played Master of Puppets together for the first time. Eddie had learned it himself on guitar, but when they played it all together in Gareth's garage, he played for about fifteen seconds before he stopped abruptly, his eyes wide and trained on some spot on the ground. It scared the shit out of all of them.
He snapped out of it after a minute, blinking and startling and looking around at them gathered around them, and he was suddenly pale and shivering and holding his side like he had a cramp from running, and when they worriedly asked what happened, he just said in a rough voice I don't really like that song. He left after Jeff forced a bottle of water into his hands.
He's covered in scars. He has a skin graft on his chest, and when they asked about it, about what the fuck is going on? he just shrugged and said, "You know how much I paid for that zombie head?" in reference to the tattoo that's mostly covered in scar tissue now.
He doesn't want to tell. So they don't ask.
"Do you guys think..." Jeff hesitates, sipping his own soda, hopping up on the counter next to where Ian is leaning. "Do you guys think he might be seeing someone?"
They blink at him.
"Why the fuck would we think he might be seeing someone?" Ian asks, almost smiling.
"He..." Jeff hesitates again, realising how dumb the ring and basketball seem. Eddie loses shit. Maybe he forgot. Lucas plays basketball, and Jeff knows he and Eddie are pretty close now. Maybe he just convinced Eddie to help him practice. "I don't know."
But Gareth is nodding, staring at the ground, frowning.
"No, I can see that."
"You can?" Ian says.
"I mean, he's probably not, but it kinda makes sense. He's been ditching more lately, he's all smiley all the time. Et cetera."
"I don't know," Ian says, grimacing, but Jeff nods.
"He's smiling so much," he says, pointing at Gareth with his bottle. "Especially, like, in the past few weeks."
"Right?"
"Maybe he's just recovering," Ian says.
Oh.
Gareth and Jeff look at each other, wincing.
"Maybe."
"Maybe."
EXHIBIT D: THE HUMMING
Jeff leans back in his desk chair, lifting his legs up onto his desk, pulling his comic book closer to his face. He should probably get his eyes checked.
Eddie is laying upside down on Jeff's bed, his head hanging off as he draws in a notebook. (Jeff's never understood how he does it; his head hanging off the edge of the bed, holding up a notebook in front of his face, drawing without a care in the world.) It's quiet.
Jeff flips the page of his comic book, careful not to bend the pages, but as he's looking at the first panel, he hears the distinct, low rumble of Eddie's voice. He looks up, thinking for a split second that Eddie is speaking to him, but he's just humming. He does that a lot. He doesn't even notice himself doing it.
Jeff looks back at the comic book, listening, but he pauses again, looking up at the wall in front of himself as he furrows his brows, listening closer until he recognizes the song. He doesn't know the name of it, but he's pretty sure it's by Tears for Fears.
Tears for fucking fears.
Jeff looks at Eddie, who's still drawing, the notebook wavering as he looks at it, and after another minute, he moves, rolling over and shifting to lay on his stomach, setting the notebook down in front of himself. His brows are furrowed in focus, lips pouting a little bit, but he doesn't stop humming, and Jeff narrows his eyes.
He doesn't know anyone that listens to Tears for Fears. Maybe Dustin, but Eddie would probably, definitely tell him to shut it off because he has a musical superiority complex. (Jeff has no idea what Lucas listens to, and Mike probably listens to the same stuff as Eddie. Ian and Gareth both like rock and metal, and Erica probably listens to Cyndi Lauper or something.)
But here Eddie is, about a minute into a Tears for Fears song that Jeff can't even name, humming softly, happily to himself.
And Jeff wonders who the fuck Eddie is allowing to listen to, is tolerating listening to, Tears for Fears in Eddie's presence. And often enough that Eddie apparently knows the words.
It happens again the next week while they're all at Gareth's house, sitting in the kitchen and helping Gareth's mom make dinner. Jeff is peeling carrots, passing them to Eddie to chop, and Mrs Emerson's radio is playing, sitting on the windowsill. It's just on some Top 40s type station, which Eddie tolerates for Mrs Emerson because she tolerates their band practice in her garage.
The song fades out and there's a moment of quiet static, accompanied by Eddie's knife on the cutting board, the smooth sounds of the peeler, the clinking of the dishes that Gareth is putting away, the clicking of the stove turning on as Ian follows Mrs Emerson's directions. The next song starts, and Jeff passes the naked carrot to Eddie, pushing the peels to the side where he's collecting them to give to Gareth's dog.
He pauses the peeling when he hears Eddie's low hum, under his breath, and he stares at the carrot, listening before he slowly turns to look at him. He's just chopping the carrots, as easily as he always does, scooping them onto the knife and pouring them into the salad bowl next to him, humming and humming.
His voice is lower than the singer's voice, and it harmonizes nicely, but Jeff doesn't know what to think.
He glances over his shoulder across the kitchen, catching Ian's eye as he's mixing something in a bowl, also frozen and staring at Eddie.
Toto? Ian mouths at Jeff, looking more confused than he's ever looked, and Jeff shrugs, wide-eyed. Gareth leans up next to Ian, staring at Eddie's back intently before he looks at Jeff and mouths What the fuck?
Jeff shrugs again.
They don't say anything.
Eddie never notices that he's humming.
Jeff can't stop thinking about it, about what kind of person Eddie would listen to pop music for. He has a boyfriend. There's no way it can be anyone else.
EXHIBIT E: THE SONG LYRICS
Eddie is the main songwriter of the band. They all trust him with it all, and add their own bits and pieces when they play all together, like a drum solo for Gareth, and his lyrics changed a bit when he came back after everything.
His words were more intense, less literal. One lyric sings about the sky turning red, and the silhouettes of monsters. One song was called Batshit, about demon bats with steak knife tails. One sings about a girl with curly hair and a sawed-off shotgun, and another girl with vodka bottles and a lighter.
Save the world, save my life, Get your guns, I'll get my knife. Cut the shit, ignore the scythe And blow that shit to pieces
He sings about carnivorous flowers and flickering lights, about floating girls and broken bones, about blood-stained ceilings and sneakers and a bottomless lake.
Oh, it's a nightmare I'm living God, the world's flipped inside out There's spiders in my veins I feed them coffee and self-doubt
And then after a while, the vibes shift. He still sings about it all, about the fantasy, nightmarish world that comes up time and time again, but then he shows up with lyrics about a boy.
A boy. No one by name, or by description, almost just the idea of a boy rather than an actual one. When they ask who the lyrics are about, he gives them a Who knows? shrug, and Jeff's suspicions might as well be confirmed.
Some are sexual, very Eddie-esque, about lungs filled with smoke and mouths filled with cock, about the taste of sin on his tongue and hair tangled in rings. About being roughed up and cuffed up, the bite of metal around wrists, about being watched and known. Something about if they knew what we knew, they wouldn't care at all.
Others are sweeter, which just confirms Jeff's suspicions even more. Some sing about soft hair and sparkly eyes, about going stargazing by staring at his skin.
Kiss me 'til I'm flushed all red I wanna be your favorite color, baby
Eddie smiles while they go through the lyrics all together, his cheeks pink, but they still don't say anything.
EXHIBIT F: THE HICKEY
"Afternoon, fellas," Eddie says brightly, hopping into the room, dropping his bag on the ground next to where Ian is sitting and headbutting him affectionately. Ian beams. "How we doing?"
They talk as he gets sorted, finding his place on Gareth's bed between Ian and Gareth, laying on his back so his head is hanging over the edge, upside down, his hair falling. It almost touches the ground. He laughs at something Gareth says, but Jeff doesn't hear it, because from where he's sitting he has the perfect view of Eddie's neck.
Hence he has the perfect view of the purplish-red bruise above the collar of his t-shirt, and Jeff finally can't stop himself.
"Eddie."
"Hm?"
He turns his head to look at him, and the second their eyes meet, Jeff knows he knows. Eddie's eyes widen, and he slowly reaches to his shirt collar, pulling it up (down?) so it covers the bruise.
"Is there something you want to share with us?"
"...No?"
"What's going on?" Gareth asks, watching them.
"Eddie has a hickey."
"Jeff!"
"You wore a loose t-shirt, did you think we weren't gonna see it?"
Eddie just groans obnoxiously, throwing his arms up to cover his face, and Jeff grins when he sees how red he is. Ian laughs, reaching out to poke at his legs, ignoring the way Eddie is kicking at him.
"Eddie-e-e," Gareth sings. "Who is it?"
"It's no one, fuck off."
"Edmund. Edward. Eduardo."
"Oh my god."
He pushes himself to sit up, avoiding their eyes, and he sits at the edge of the bed, turning a little to make sure Jeff can see him too.
"Okay," he says, huffing. "I..."
"Who is it?" Gareth prompts. Jeff is beaming. He loves being right.
"I can't... I can't give you a name, he's not... out." Eddie's looking down at his lap.
"Okay," Gareth says, still waiting. "Is he your boyfriend?"
"...Yeah."
"Is he the reason you listen to Toto and shit now?" Jeff says, and Eddie looks up at him, his hair flying.
"I don't listen to Toto and shit," he says defensively. "He listens to Toto and shit and I allow it because I love him--"
Ian and Gareth let out identical shouts, and Jeff's eyes and grin widen. Eddie turns redder, rolling his eyes to the ceiling and covering his face.
"You love him?" Gareth says loudly, reaching out to rustle his hair. "Love?"
"Shut up," Eddie groans, but he's starting to smile under his hands as they all laugh.
"Why?" Ian asks.
"Why do I love him?"
"Yeah."
Eddie sighs heavily, rolling over the edge of the bed and falling to the ground with a heavy thud that makes them laugh again. He lies on his back, laying starfished on the ground and looking at the ceiling, eyes wide and dreamy.
"He's just... He's so great. He's beautiful. Fucking gorgeous. And funny as hell, even though he doesn't even try to be. And he's... kind. Like really, genuinely kind, and-- and selfless. He loves his friends, he'd do anything for them." He pauses, his smile faltering for a moment, tilting his head. "He makes me feel safe."
They're all quiet. Eddie hasn't gushed about any of his crushes in ages, not since Steve Harrington graduated. (And, God, wasn't that a time. Eddie was bitter about it, about how much he liked him, but every time someone brought him up, Eddie would turn into a blushing, smiling mess. Embarrassing.)
"Was he involved in everything?" Ian asks softly, and Eddie swallows, blinking at the ceiling, his face going a little blank. That happens every time it comes up. Everything. He'll zone out or look distant, and his voice will become a little empty in a way that makes Jeff feel sick.
"Yeah," Eddie says, blinking again. He takes a deep breath, and he looks like he's trying to stay there, in his body. "He's... He's the reason I'm alive."
They're quiet.
"Shit," Gareth says succinctly.
"Yeah."
"He's good to you?" Jeff asks.
Eddie sighs, smiling again.
"He's so good to me. He listens to me talk nonstop about D&D and shit even though he doesn't know anything about it, and he asks me questions, and he shows me stuff that he likes and he always looks so excited that I just... Like. Can't help but like it too."
"Is the basketball his?"
Eddie lifts his head, squinting at him.
"You saw that?"
"Yeah."
"Yeah, it's his."
"Did you give him your ring?"
"Jesus, are you a fucking detective?"
Jeff grins. Eddie lays his head back down.
"Yeah, I gave it to him."
"Wait," Gareth says, leaning over the edge of the bed, looking at Eddie. "I didn't see the hickey, lemme see."
"Absolutely not."
"Lemme see-e-e..."
----------------------------------------------------------
It's Friday night at the Hideout. They've been getting bigger crowds since Eddie's charges were dropped, metalheads and weirdos coming from across the state to see Eddie Munson live on stage, with his wild hair and scarred neck.
They're nearing the end of their setlist, pausing to drink water, grinning and laughing across the stage. Eddie is having a blast. He hasn't stopped beaming, even as he sings about hell and a house on fire. Jeff wonders if his face is sore from smiling.
The next song is called Midas. Jeff assumes it's about Eddie's boyfriend. It's heavy, bold and screamy. It makes Eddie's voice rough, but he doesn't seem to care at all.
Would you let me kneel at your feet and press my lips to your ring? Would it bring you a spark of joy? Will your smile make the clouds sing?
Jeff looks into the crowd, squinting in the blinding fluorescent lights, and he feels fucking alive here, like the music is coursing through his veins, like every shout from the crowd is rejuvenating him. His eyes scan the front row, looking at the girls with dark makeup and the boys will long hair, at the leather jackets and denim vests and pins that flash under the lights and-- Is that Steve fucking Harrington?
Jeff almost falters, but he looks away from the boy, keeps playing, pretends he isn't there, but he can't help but look back by the next verse, his propped up as he plays. It sure looks like Harrington, complete with the floppy hair, but there's no way Steve Harrington is in the front row of a metal show, wearing a battle vest and smiling. The lights are flashing, running over the crowd like water, and Jeff can't see clearly, and it can't be.
My man with his holy touch Won't you turn my heart to gold? Press your hands into my chest My heart is yours to hold
Eddie's voice is breaking, and Jeff glances at him, curious if he's seen the Steve look-alike in the front row, the Steve look-alike that seems to be beaming up at him, wide-eyed, but Eddie's eyes are squeezed shut as he sings and strums his guitar.
Take my hand baby, make me yours My beautiful king Midas They'll tell us gold's a sin, but They can't stop what's inside us
Jeff's ears are ringing when it's all over, when they get off the stage to talk with some people. (It feels weird to call them fans. They aren't fans, Corroded Coffin isn't big enough to have fans.) Some people that work at the Hideout are moving the equipment, taking the drums and guitars and amps, and Jeff is sitting at the edge of the stage, talking with a girl that sat toward the back of the bar. She's holding a beer bottle, and she has a beautiful smile, but even as she talks to him, he can't help but realise that Eddie is nowhere in sight.
So he excuses himself politely, slipping past her and finding his way backstage, looking around until he opens a door, and Eddie has his back to the wall, holding a boy against himself. A boy with bare, scar-covered arms, wearing a denim vest, with floppy brown hair that's twisted around Eddie's fingers as Eddie groans loudly because the boy is slipping a leg between Eddie's, and it's nearly filthy, the sounds they're making, because they're licking into each other's mouths, groaning and whining and murmuring and Jeff can't look away.
"Fuck, Stevie," Eddie chokes as the boy buries his face in Eddie's neck, and--
"Oh my god."
Eddie and Steve part with startled shouts, detaching and stumbling as they both flush red and look at Jeff with wide eyes.
"Jeff, why?" Eddie says loudly, breathing hard.
"Uh." He blinks. "You're the one making out in a public place."
"Oh, Jesus." Eddie bends over, taking a deep breath, groaning. Steve is staring at Jeff, wide-eyed and terrified, and Jeff takes a moment to take him in. He's wearing eyeliner, smudged and dark around his eyes (sparkly eyes), and his hair is touselled, longer than it was in high school. He's wearing a black shirt under the battle best, and oh, that's Eddie's vest. His jeans are light blue and fitted, and his hands are shaking, and he has the same scar around his neck that Eddie has. Jeff's body is consumed with curiosity and confusion, but it doesn't matter, because Steve is shaking, and Eddie is taking his hand, squeezing.
"Jeff, can you keep your mouth shut about this?" Eddie asks, his eyes imploring, begging, and Jeff nods.
"I saw nothing," he says. "I don't even know where I am, I was just trying to find the bathroom."
Steve cracks a smile, and he's totally Eddie's type.
"Oh," Jeff says, blinking. "King Midas."
Steve's cheeks flush with color again, and Jeff says, "Oh, right, sorry," before he turns on his heal and walks out.
"Where'd you go?" Ian asks when he gets out to Eddie's van.
"Bathroom."
"Where's Eddie?"
"No idea, I couldn't find him. Dumbass probably got lost."
He's always been good at lying.
Eddie comes out after another ten minutes, looking a little touseled but no more so than he does after most gigs. He apologizes, and jokes that he got lost, and Gareth and Ian laugh. Eddie hops in the front seat, asks if they want to go to his place for drinks, and they all say yes. As they're headed to his apartment, crossing the parking lot, Eddie lingers back and speaks quietly to Jeff.
"He's, uhm. Gonna meet us at my place."
"I thought you guys were keeping this quiet."
"We are, mostly, he just... His best friend knows about us. And you know--"
"Sorry about that, by the way."
"No, it's..." Eddie shakes his head. "Not your fault, we were fully making out in a public place, we just, uhm."
"Were worked up," Jeff finished for him, and in the light of the streetlights above them, Eddie flushes red.
"...Yeah."
Jeff snickers and pokes at him.
"So he wants to... meet the guys?"
"Yeah. I talk about you a lot, so he said he trusts you guys if I do, and I do, so."
Jeff nods, smiling.
"He's pretty cool."
"He's a prep, Jeff, he's adorable."
"I cannot believe your type is normies."
"Shut up."
When Steve shows up, he lets himself in. He has a key.
"Hi."
Ian and Gareth both look up at him from where they're sitting on the sofa, glancing him up and down, recognizing him, questioning him, wondering.
"Hi?"
"So, uhm..." Eddie goes to stand next to Steve, his eyes shining at him like he's asking something silently, and Steve nods a little bit, taking a breath. "Ian, Gareth, Jeff. Steve." He gestures to all of them, and Steve waves awkwardly. Jeff sees Eddie's ring on his finger.
"Hi," Ian and Gareth say again. Jeff lifts his chin up at him, smiling when their eyes meet.
"Uh." Eddie pauses, gesturing to Steve again. "...Boyfriend."
Ian and Gareth both blink, and Jeff grins, watching the gears turn in their head.
"Oh," Ian says. "Cool."
Gareth stares for a second before,
"I cannot believe you got with your high school crush after high school."
Steve beams.
He ends up going to Eddie's room and coming back in Eddie's clothes, in a sweater and some sweatpants, and they sit on the floor together as the guys ask them questions. They skirt their way around some of them, without even glancing at each other to figure out what the other will say, It's like they're perfectly in tune with each other. Eddie plays with Steve's fingers while they all talk.
Jeff can tell that Ian and Gareth are also surprised but are keeping it under wraps. Surprised that King Steve is the boy Eddie was talking about when he described his boyfriend's kindness, selflessness, bravery, when he said He makes me feel safe, but even now it's obvious that it's true. Eddie leans up against him and holds his arm, gazes at him and kisses his shoulder for no reason. He's in love.
Jeff tells Eddie later all the clues he gave without meaning, and he realises the Bowie poster was a clue after hearing Steve humming Heroes. Oh well. He was still right.
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queeniebee6 · 1 year
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queeniebee6 · 1 year
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the homosexual to homicidal pipeline is common i guess
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queeniebee6 · 1 year
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stobin + incorrect quotes  (4/∞)
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queeniebee6 · 1 year
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The general public spent 30 years thinking nothing of Steve’s presence in pictures beyond him being ‘that one hot dude in the background’ because whatever, he was just another part of Corroded Coffin’s entourage.
Imagine the scramble on the band’s subreddit to reexamine every picture he’s ever been in when, the day gay marriage gets legalised in Indiana, Eddie posts a picture on Instagram of the two of them with the caption “Finally. We’ve been engaged since 1989.”
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queeniebee6 · 1 year
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Joe Keery Photographed by Elliot Liss for Milk Magazine
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queeniebee6 · 1 year
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#This is your reminder that Eddie Munson is strong 😏
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